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Abandoned baseball fields
and feedlots in my mind'
span the distance between
pastures and filling stations.
Games from childhood,
those small-town diamond-gatherings with pizza-
joint sponsored jerseys
and open outfields where
the ball could roll
                                forever
if you really got a hold of it.

Here, in this other steer-city', once more I play
Though my back is sore, my mind
remembers pushing through an inside-the park
run home.
It rolled and rolled while I tripped on each corner
of those three plastic safe squares.
I saw the tom-boy with short hair behind the dugout
and asked her if she saw--
that night I thought she came to see me--
perhaps she might have known.
I have, not since then.

Shoeless, I meander on this base-path
holding my hands on my sides
to feel the parts my neighbor girl had
told me made the other boys
men; this distinction
what is good and what is not
was presented to me by foolish children, still
trying to become women-- AM I NOT A MAN!

I scream.

Somehow, these parts hang from my body,
supported by my well-toned calves--
My ankles, *****! My ankles are fine with
and without shoes.
Are the friendship bracelets from boys
that you got at camp in Colorado
not tattered by time now?
I have that trim abdomen you asked for
that triangle where my thighs converge with
torso, like you imagined theirs did
in the dark
while they were tasting all the
nothingness
inside you.

I can be like them, in my fantasy
of hitting the ball that rolls out toward yellow, singeing tallgrass
relieved by Summer evening thunderstorms which let me
ride quietly with my parents
in the backseat of our mom's pewter suburban,
with a box of kleenex always part-empty
crumpled beneath the passenger seat I sat behind.
My younger sister looked at the floor
while I saw
through our countryside with clear-gray
thoughtfulness and ease.

Instead of leaving from home, today,
I started on first base, in the park,
where I walked through
the right-field boundary without
consternation.
Look at strangers on the sidewalk,
and call my shot were they to take my things.
I feel my toes dig into dirt where no holes or even
placeholders were left to chance
vandalism or theft, I suppose.
I'm a thief, stealing seconds with my
piroueting-silence--
punctuated by mindless cylinders, pulsating.
Motorcycles are what they have; men.
Now, what she’s looking for, that girl which is
every woman.

(My bike is still there, I notice, taking an imaginary lead.)

A man with work and maybe a sense
of humor
that makes me roll my eyes.
But she thinks he's funny,
because she's simple, and-- after all-- she knows
those knees won't bend that way
                                       forever.
My adult work is walking, haggard, toward third
watching the adolescent couple running scared
from one another, when
minutes before they kissed; I laughed more loudly at them
than the garbage-fed birds who did roughly the same thing.

I walk toward home, where last Fall’s leaves
still loiter on the ground
that’s dug in
the way a timid batter would scrape earth,
cover his feet and wait to walk.
As a catcher, crouching behind a different kind
that afternoon, those older boys, with triangle-
torso-thighs and muscular limbs
came charging through me
and took my place
beside my girlfriend in the stands.

It was his motorbike that got there faster.

This is how home becomes crusted with dirt,
alternating apprehension and collision
must be wiped from the strike zone
Before I can wag fingers between
the legs to show exactly where to put it
in the top half of the ninth.
Those motorcycle-men don't get a whiff
of any pitch
or breezy desert air from down the chalky bluffs. In my hometown,
they may have felt a part in her that I could never be.
Dark drops beneath her sooty tail pipe
shades and forms are all I see.
But when I go inside, I still hear the echo
of car doors from my sister, mom and dad:

--thwack, Thwack. Thwack!

Each strike reverberating in the glove of our garage.
Every flimsy-ankled batter dispersed,
just like the infrequent pinging of our cooling engine
after the key has been removed. Lowering
a barrier, between the boys and men,
I watch wet cement like a warning track
backed by a white,
metal-reinforced plywood fence.
Through plexi-glass, I see that it came down
from the ceiling
the ordering presence of separation
suspended from my father's ceiling beams.
Solitary base-runner, stranded in this
half of the inning;
                            the home team
doesn't need to bat.
Still, she's rolling past me through thick, tall grass,
well-watered by a wetter climate,
in the empty fields at
Elmwood park this Spring.
MMXII
`Minatare
`Omaha
Calli Kirra Oct 2013
**** boy in the courthouse
Dark jeans, button down
Green eyes scannin round
Talking like a king now
And they don't know ****,
But here you are again
Cause you saw your boy Blake
Elmwood beat the **** outta him
So now you gotta deal, cause you saw it all happen
Battle after battle, baby you're the baddest
So **** are your veins when you're at your maddest
Sad boy, dab boy
I'm your glass doll toy
Keep bein a mystery,
I love this part of the story
Abby M Jan 2019
Tucked between bark and the life blood of trees
Shrouded in shadows and leaves
Deep at the core of the heartstrings of woods
From magic and elmwood conceived

Living in silence but also in wood
Falling for none but the axe
Standing in stillness, her shroud is a cage
Her only consolements are tracks

She watches and wishes as travelers come
Hoping that one will commit
To chopping her life giving elm cage away
And helping her learn to forget

A man did just that in the forest one day
He swung and his axe whistled through
She fell to the ground and she tried to get up
But her elm cage had trapped her there too
Courtney Nelms Jul 2011
To the east follow me
To a growing elmwood tree
In the branches lie in wait
Until they crack the garden gate
When they're gone creep inside
Until the wild wind will abide
Rest awhile by the stair
A lulling sleep will keep you there
Time will creep beyond your dream
Until your worth they do deem
When you wake, leaves in hair
You'll find the garden gate in disrepair
Jump the fence and cross the land
Til it meets the sea, hand in hand
Greet the tide and greet the gull
There you'll find what they stole
Written 2005
Leah Nov 2015
gimme that elmwood walk where we don't acknowledge each other;
my lips feel on fire and I
count the steps
for every sidewalk square;
1,2
3,4.
9/26/15
Mary McCray Apr 2019
(NaPoWriMo Challenge: April 18, 2019)

Let’s just say we are builders of wagons.
Yeah, cowboys building coffee wagons.
Smart cowboys who had good hubs.

Even though the wagons give us plenty
of problems to be solved,
bonnets to be painted with advertisements,
commercials to be played on screens
out the back. But we were the best

wagon building team there ever was.
We liked each other; we laughed a lot;
we kept trying to improve our processes.
We shared life tips and work tips
and hiking tips and campfire tips.
We were grateful for each other.

Ester would visit me every morning
and we’d talk about our mothers
or she would show me how to paint bonnets.
Well, one surprising day
they escorted her out of a wagon
and sent her down the trail
without so much a howdy do,
after 28 years of painting wagon bonnets.
And they expressed no gratitude for all her bonnets.

And for this, the rest of us felt grief.
Elmwood picked up painting her bonnets
but he never wanted to work on bonnets.
Gwendolyn moved to another work team.
Ernie stopped caring about the wagons.

And then Bruce came to tell us
we weren’t even making wagons anymore
and that we would be making something else.
But we never found out what that other thing was
and our systems were disassembled
and all our projects were halted
and no gratitude was expressed
for all we had done.

And we felt grief for missing the wagons
and missing Ester and missing our sessions
of circling the wagons.

Entropy came and some cowboys began to feel
more than grief, they started to feel grievances instead,
grievances that Bruce and Betty and Barbara
from Corporate never visited and never knew
what making wagons was about.
And after a while we couldn’t tell the difference
between grief and grievances.

But maybe Corporate was right
because nobody is selling ******* coffee
out of wagons these days.
Or trains or trolleys either.
The work is nothing, after all that,
but spinning wagon wheels.
And all the wagons are melting right now
in the hot, dry sun.

Work is the moments and nothing else.
You can be grateful for that.
Grievances will get your out the door.
But your grief will never quit.
Prompt: write a poem about grief with tangible particulars.
The lake flies are in full animation , the solar deities working incognito ..
Through nimbus blankets of calm afternoon , casual glimmers of
light , our life giver in evening repose , the eerie feeling of 'calm prior to storm .
Gray Heron's work their territories , Hawks fly figure eights high above the Juniper , White Pine , Elmwood canopy ..Bullfrogs settle in for the nighttime fireworks display as the first rumble of thunder sounds far off in the range ..Insectivorous topwater fish leave breakers beneath lilly pads , dance the waters surface for the feast at hand ..
Copyright March 11 , 2016 by Randolph L Wilson * All Rights Reserved
Fay Slimm Sep 2016
Phoenix-Bird.

In memory of John White the talented
sculptor of beauty from trees. R.I.P.
..........................................................­........

Rising from what appears petrified stone
stands the ****, elmwood sea bird,
head *****, wide-eyed and wings tightly rolled.
Sleek with much oiling, prepared
to a smoothness with masterful honing
to grace any home, careful
artistic handling sculpted life-like finely-*****
structure, feathery wings, rare
hooded head, feet webbed to perfection thrown
over elm boulder, toes pared
to sharp-claw completion, finely tooled cloning
of the real might soon be heard
shaking whittled wings to leave wooden throne,
and magically fly, stirring
dreams that a phoenix bird has risen and flown.
Leah Dec 2020
I can’t remember what room I was in
15 years old
involuntary 24 hour hold
in the elmwood village

now I look over my yard
past the liquor store
to the the abandoned glass faces
of your darkened rooms

wonder what I would tell her
wonder what she would see, looking out

I don’t remember the view
don’t remember the way these white lines
must’ve looked fresh
red, raw, and new

but I imagine
her looking out at me

while I smoke a cigarette
while onyx tosses a stick
while walking hodge in twilight hours
while I write these words

what is it I would tell her
what could ten years offer her
to console
to comfort

all I see are black abandoned faces
in groups of three
empty rooms

ghosts of girls long dead
or recovered.
12/6/2020
Barbara Carr (born 1941) sang in the First Baptist Church choir in Elmwood Park, Missouri. She sealed the deal with Satan upon the release of her 1998 album: Bone Me Like You Own Me. Millie Jackson (born 1944) took her soul-destroying stroll down the left-hand path in 1983 with the song "Slow Tongue." Denise LaSalle (born 1939 as Ora Denise Allen) reserved her seat in the fire pit with “Lick it Before You Stick It.”

— The End —