Here's a short story in the style of Stuart McLean’s Vinyl Cafe stories, featuring Dave, Morley, and their annual reluctant plunge into hosting Christmas: his Dave cooks the Turkey is an annual reading in our house. I hope you like this


---

“Dave Hosts Christmas (Again)”

A Vinyl Cafe-style story

It was December in the neighbourhood, and that meant a few things.

It meant the old man across the street had once again mounted a plastic Santa on his roof without any obvious method of anchoring it, which meant it would fly off sometime between now and New Year’s. It meant the mailman had switched to a red scarf and a dangerous twinkle. And it meant, most of all, that Dave and Morley were once again preparing to host the Annual Family Christmas.

Not because they wanted to.
But because they had the biggest house.

“It’s not even that big,” Dave grumbled, standing in the living room with a measuring tape and a wounded expression. “The only reason we have the most space is because I didn’t tear down the wall to make an open-concept kitchen like everyone else. And for that, we get thirty-five people and two folding tables?”

Morley, bless her, had stopped listening after the word "wall."

Christmas, you see, did not bring out the best in Dave. He was not what you'd call a festive soul.

Morley, on the other hand, was twinkly and soft around the edges. The type who decants eggnog into a punch bowl and says things like, “Oh, it’s the spirit of the season, Dave,” while Dave mutters things about the spirits disappearing from his liquor cabinet.

Which they did. Every year. Like clockwork.


---

The preparation began, as it always did, with the boxes.

Morley would go into the basement to retrieve the boxes of decorations, and Dave would follow her like a reluctant archaeologist uncovering a tomb he had no intention of opening.

One year, a mouse had gotten into the fake snow and made what could only be described as a "holiday nest." Another year, Dave threw out what he thought was a tangled mess of tinsel and lights but was actually Morley's grandmother’s antique angel hair garland. There were repercussions.

This year, things went wrong even earlier than usual.

While hauling up a box labelled “TREE LIGHTS (DO NOT TANGLE!!!)” Dave tripped over the cat and knocked over Morley’s ceramic nativity scene.

Mary lost a head.
The donkey lost a leg.
And the baby Jesus ended up lodged inside Dave’s slipper.


---

By the time Christmas Eve arrived, Dave had polished the good glassware (and by “polished” we mean run under warm water and dried with the T-shirt he was wearing), rearranged furniture, and stocked the liquor cabinet, a task he approached with all the solemnity of preparing for siege warfare.

“Do not touch the Lagavulin,” he said to no one in particular. “It’s hidden behind the oatmeal.”

Of course, it was the first bottle gone.


---

The family began to arrive.

There was Uncle Reg, who always brought the same thing: a tin of expired smoked oysters and a story about being "nearly deported" in 1978.

There was Cousin Lynn and her gluten-free stuffing no one touched, and Morley’s sister with the purse dog that barked at tinsel.

As usual, no one brought liquor.
But somehow, Dave's bar was bone-dry by 8:00 p.m.

The same jokes were told. The same stories rehashed. Someone (probably Uncle Reg) would invariably ask Dave if he “still sold records out of a van.” Dave would smile, politely, like a man being slowly buried in snow.


---

Then the turkey caught fire.

It wasn’t dramatic. There was no explosion. Just enough flame to set off the smoke alarm and sear the side of Dave’s hand.

He stood in the kitchen, looking at the charred remains, holding a spatula like a man considering new paths in life.

“We could serve pizza,” Morley offered gently.
“Or move,” said Dave.


---

But here’s the thing.

Later that night, after the pizza boxes were stacked high and the last cousin had finally left with a Tupperware full of regret, Dave stood in the quiet living room. He looked at the crooked tree. He saw the crumpled paper, the dented angel, and the half-eaten plate of gingerbread someone had left behind.

And for a moment—just a moment—he smiled.

Because somehow, despite the chaos and the flaming poultry and the looted liquor cabinet… it had been nice.

Not perfect.
Not even particularly good.

But warm.
And full.
And theirs.

Morley came in with two mugs of peppermint tea.

“You survived,” she said.
Dave took the mug. He didn’t answer right away.

Then he nodded.
“Only three hundred and sixty-five days until we do it again,” he said.

'be kind, for everyone you meet is fighting a harsh battle'

David Wakeman, 20, thin, pale and dark haired. He has no particular style and doesn't look like he could really fit in with any group of people in particular, but at the same time, wouldn't look too suspicious with among a group. A constant look of desperation plagues his eyes. He looks as though his face would appear in the news in a few months for shooting up a school or blowing up a public building.

david is shown driving down a stretch of road, snow covered everywhere, crazy eyed

Some people are meant to be alone in this life, and I am one of those people. I no longer wish to pretend otherwise. I now know what has to be done.

The sounds of ******* haunt the hallways outside of the tacky, run down hostel where they both lay. She is lying on the edge of the bed.
The sheets are creased. There are cracks on the wall.
But for 3 euros a night, you can't complain.
She lies there, still; staring blankly at the ceiling. Her short robotic breaths are the only life seen.
He eagerly moves close to her, but for the life of him, cannot touch her. His unsure attempts at moving his arm over her are prevented by a sudden urge to break into tears.
Finally, his hand places itself over hers.
She is cold.
"Did anything change?" he says, afraid of the answer.
There is a pause. It might've been a few seconds or half an hour.
"No." Speaking so quietly, barely audible to him.
He is about to say something, but he catches the micro-expression that followed her reply.
A sigh.
He becomes impatient,
"Then kiss me." he blurts out, clumsily.
It sounded better in his head.
A deep exhale and an almost exaggerated look of contempt washes over her tired face. She puts her hand to her face, failing to cover up her outburst of honesty, pretending to clean out something from her spotless, green eyes.
She quickly moves her face closer to his, with her eyes closed, and she puckers her lips in such a way that suggests she'd rather be dead.
His eyes are open, and now he is the one who is lifeless.
"What?" She says, breaking the awkward seconds of silence.

Silent seconds are followed by silent minutes, and now they are sitting up on the head of the bed, watching the old, fat TV that hangs from the filthy wall. Something is  playing but he can't understand the language.
'Pedifilios' is the only word that seems familiar.
She is smoking another cigarette.
The faint sounds of her mouth blowing out the smoke, are telling him all he needs to know.
She loves her ******* cigarettes, he thinks to himself.
She grabs the worn out ashtray that sits on the side of the bed, and goes to put it out.
"Here, let me get that" he says, gentlemenly, and snatches her  it out of her hand, then puts it out into the back of his other hand.
The pain doesn't make him feel any more alive.
" There you go," the cigarrettes crumbles into ashes over his hand and he pushes the ashes into the ash tray, then looks at her.
Her expression is a weird mix of diisgust and fear.

Minutes turn back into seconds and the sound of her footsteps are the last thing he hears from her, just before the slamming of the door.

Chapter 2:

Two bloodshot eyes scan the aisles and shelves, looking for the gluten free bread. It wasn't in the bread aisle.
Who the hell buys gluten free bread?
He contemplates appraoching one of his coworkers and asking her if she knows, but she is far too pretty for him to talk to.
Besides, he's been here 4 weeks now and wants to make it seem like he actually has a clue about what he's doing.
Afterall, he had already convinced his then potential manager,Chris,  that being a 'personal shopper' was in fact his dream job, and that this very supermarket was his dream place to work.
He always was a good liar.
He's so good because for a little while he manages to convince himself.
'Working hard David?"
****.
with Chris you could never tell if he was ******* or beingplayful.
"Always!" David shouts back, then picking a random item off the shelf and placing it into the basket, then nodding at Chris with a look of false sincerity.

(David is shown sitting in the living room, the light emenating from the TV appears to hurt his eyes, and he is slumped back on the coach, clearly worn out. he is flicking through late night informercials, on the coffee table in front of him there are numerous energy drinks seen empty.)
Davids thoughts: The living room is where I come to when I cant sleep. It's more of a dying room, really.

(David continues to flick through channels before stopping for a second on a ****** phone-in show (like babestation). He flicks back through the channels again)

(The scene cuts to a few hours later, with daylight seeping through the curtains and David sat in essentially the same position except he has fallen asleep, with remote still in hand. It's time for work)

watch alarm rings.....

'You coming out with the lads on friday dave?
He always wondered why people tried to talk to him in the middle of the set.
He places the barbel down onto the rack.
'With who?'' He asks,
"Me, sam, jack, carl and"
"and?"
"and Bill. Yeah. bill"
David's face changes as if suddenly remembering something
"Oh, did you say friday? I cant make it. I'm doing a thing with..."
With?
"with the family"
His friend looks as if he was expecting this anwer,
"no worries lad."

"qeue sad music"
David sits in his room, and is looking for something.
Upon rummaging through his things he pulls out a drawing, it's of a girl, he looks at it and a short shot of the girl from the beginning of the movie is shown, then it cuts back to him, stressed looking, and he shove the drawing into a red travel case that sits under the bed, as though he can't stand to see it but at the same time doesn't want to get rid of it. The case still has its travel ticket on.
He pulls a notebook from under some wires in his drawer, and begins to write.

'poem read accompanied by scenes of davids life'
'poem is interrupted by a knock on the door.

-dave is approached by someone in the gym telling him he has a great body, and that people would pay to see it. looks into 'gay4pay' and ends up actually going on a site and doing a cam show before aborting the whole thing-

scene with mum sat with the missionairies 'mum we need to talk' mum seems uncaring and cold, later on they talk
'Whats the probem dave? do you need money'
'No mum, it's just that'
'if youre struggling for cash just tell me, you can always take out a loan and-'
'No. mum. its not about money'
'then what is it?'
As David began to speak, his vocal chords failed him. He was walking into a 20 year old wall that he just couldnt get over.
'It's just that..'
'Yes?'
'I'm not happy. Mum.'
'Oh, well we all feel that way sometimes son' brushing it off in her famous way.
'No, this is different. I'm really depressed. Well, it's'
Depression wasn't the right word, he thought. Depression was an overused and futile term, it had become synonymous with sadness, and this wasn't just sadness; he had felt sadness many times, and this certainly wasnt that.
'it's?' she says, interrupting his inner verbiage.
He looks at her, knowing full well that this entire conversation has meant nothing.
'Look Dave,' she starts again with her 'mother' act, 'if you think that youre responsible for the divorce, just know that it was always going to happen anyway. It was just a matter of oppurtunity.'
What the **** is she talking about?
'Your dad and I never really had a-'
'No,' he says, cutting her off before she has a chance to justify the divorce again.
He was sick of the endless reasons and justifications.
'It's not about that.'
'well, what else could it be about?'
Because the whole world revolves around her and her divorce.
'Nevermind, it's nothing, really.'
She smiles, happy she doesn't have to act like she cares anymore.
'We all feel like that sometimes, like you say.'

He was starting to think that maybe he needed to see a therapist. Until this point he had always been confident in his own abilkity to reflect, introspect, and deal with his own issues himself, and he had alwas been skeptical of people who st in chairs and tried to prescribe you things; but this was beginning to be too much for him to handle. He felt he needed to be eevalutated, that he was losing his grip of his own life.
scene with therapist, coldly looking at her papers, davids desperate face searches for answers in her countenance.
'Right, Mr. wakeman.'
Hope. There is hope.
'I have you down for a prescription of 50mg of lithium, 250mg of benzedrin every week. I'll see you back here on thursday and we'll discuess your', she stops to see his face totally destroyed
'to discuss your.. issues'
David walks home like the scene of travis walking to see betsy at the theatre, something in his face just says that he knows that this story isnt going to end well. and that terrible things are on the way.

'Drugs, drugs, drugs,' david writes, 'theres a drug for everything in this world. drugs to make you numb, drugs to make you dumb, and ones which make you love everyone and see leprochauns and jellyfish driving cars, though those are the illegal ones.'

'Dave ya sisters here!' says his mum.

Scene where dave meets his sister and has coversation, on her way out,
she pulls out a red napkin and holds it like they do in bull fights, david looks slightly confused and smiles, she says 'dont be the bull!'

scene cuts to dave watching a bull fight on tv, where the bull kills the humans. david laughs to himself as the bull chaes people away. he is eating peanut butter on its own. Daves mum walks in abruptly and he switches it off.

(divorce is mentioned and the fact that dave caused it is mentioned)

dave trries to approach a girl in his work but it i awkward aand he gets rejected the same way he he rejected going out with his friends 'im doing something witht he family'.

dave comes home and there are arguments or something, so he punches a collage of family photos.

scene cuts t dave in hospital being told the cast  will come off in  4 weeks.
scene where david is trying to do everyday things with one hand, accompanied by happy music, contrasting the despair of the scene.

(An exact copy of the earlier scene is shown where david is up late flicking through late night tv channels, except now he is using only one hand with the remote. David finds himself at the eroitc call in show again, but this time instead of changing the station, he notices the number written in big, pink letters, and the woman manning the phone is obviously not in a call. Davids vision darts from the tv to his mobile phone that sits on the coffee table, he doesnt hestitate too grab the phone. The look on his face shows he is somewhat bracing himself. David dials the number unusually fast, without having to look back at the screen. The phone is being connected)

pre recorded phone message: Hey there naughty boys, you've reached TEASEYTALK phone love station, the sauciest ******* line in thebusiness. Press 1 if you'd li-

(David presses a number without hearing the rest of the message, suggesting he has heard the options before. Davids eyes are fixated on the bored-looking woman on the screen, until she picks up the phone that shes been using as a mock-***** till now, and answers)

Woman on TV: Urite babe? How can I  be of service?

(She speaks in a strong mancunian accent, and provocatively looks into the camera and moves sensually. All the while David looks back, with an expression of almost disgust.)

Woman: Dont be shy love!

David: Sorry. I'm not really a people person

Woman: haha thats alright darling, feel free to just watch me if ya like

(she turns to her side, showing the front of her body to the camera, she rubs her hand over the thin lingerie covering her *****)

David: Do you not feel a bit weird knowing guys are waatching you like this.

Woman: it just turns me on more babycakes

(she maintains her playful act but appears just slightly agitated)

David: I think you're lying.

(again, she starts to rub her hand over her **** and tries to look playful, but is now clearly agitated)

David: I don't think you like this at all.I don't think you wanted this for yourself.

(she snaps quickly and becomes more aggressive in her act, trying to hide her obvious agitation)

woman: I ****** love it babe. If you could feel how wet i was right now I could prove it to ya

Men: do you have a boyfriend?

(she pauses for a second, shocked and unable to hide her uncomfortable feeling. She stalls and grabs a purple heart shaped pillow and changes position. She assumes another playful position but looks bothered in her eyes)

David: how does he feel about this?

(her movements now hault and she looks at the camera with a sad glare(

David: does he even know?

(she bows her head for a moment, before running her hand through her hair, and looking back at the camera with that playful smile again)

woman: do you have a girlfriend?

(she says smugly, making it appear as if she has said some provacative)

camera pans into davids face, his look of slight disgust has eased into one of sad reflection. for a split second, a scene of the girl from the beginning of the movie appears, the scene is light, contrasting the darkness of the room, then the shot of david continues

(davids long silence has create an awkward look from the woman on the TV, she has stopped the provacative movements and briefly gestures to someone off camera. the scene cuts back to david with the phone put down, then it cuts to a shot from the same angle, except its obviously daytime as the light is seeping trhough the curtains and davids watch alarm is ringing again, however unlike before he is wide awake)

Scene where david takes off shirt in the bathroom, revealing his arms, chest, etc, covered in cut marks like tiny cat scratches.

dave gets skinner throughout the movie, the gay4pay scene stops him from working out. contrast scene with self harm marks with the earlier scene he is more athletic and healthier  looking. pants fall off

this s were dave develops the bad thoughts about killing people and ridding the world of bad people. ' i always wanted to make the world a better place'

throughout the movie dave asks his mum if any package has come for him, and that he expects a package.

the underlying theme is waiting for things to come and being patient, and that you dont know whats around the corner. that you know life will  be better but you grow impatient, and its only when you forget about wanting things to change, that it does.

in the movie he either does **** people or he has fantasies about doing it but something stops him (a girl?)

before doing whhatever he feels he needs to, he has a ritualistic session of burning the contents of the travel case, including the travel ticket, a postcard from porto, some drawings, and a carboard cutout of a leopard.) he gives the travel case to a charity shop, a long with all the clothes he has worn in the story up to this final scene, where he is weaing guirella warfare type attire. he puts facepaint on(?) and dumps all his anti depressants

at the end of the movie, when he has forgotten about the package, i arrives, and he opens it, not showing its contents, the camera zooms into the words 'handle with care'
OR
he has done his deed and killed whoever (*******) and now his package has come and it says 'handle with care'. it either sits at the front door or is thrown into some postal van, the irony being i tis not handled with care.

Hold the phone, hold the freakin’ phone. Lisa’s got a boyfriend!
I’ve never seen Lisa with a boyfriend. Lisa draws men like fireworks on a dark night but I’ve never seen her keep one. I mean, it’s not unbelievable but it’s on the edge.

Then, one Friday evening, he came to visit. His name’s David - “call me Dave,” he said, meeting eyes and offering micro-expression smiles as he nodded around the room. Knowing he was coming, our suite’s common room was full, as if everyone came to see Lisa do a dangerous magic trick.

Dave’s got a young, Michael Keaton vibe going (the original movie batman), with a cocky, easygoing confidence and comedic snark that suggests he has everything under control. He’s 26 years old, about 5’11’ (a little shorter than 5’9” Lisa in heels - but he doesn’t seem to notice or mind), with brown eyes and unruly brown hair.

With some cagy sleuthing (I asked) it turns out he met her at her father’s (company's) Christmas party last year! I was there - and they’ve been secretly communicating for ten months!! How did I miss that? My situational awareness is obviously porous, and unreliable - was the room spinning?

You know, I hadn’t really focused on it before, but one of Lisa’s flaws is that her feelings and opinions don’t always show up in her expressions - it’s very annoying.

I’ve always been interested - umm, obsessed - with fashion. If I weren’t going into medicine, I’d have majored in fashion (called ‘Interdisciplinary Studies’ at Yale). Anyway, Dave’s been “dropping in” for the last few weeks - every Friday afternoon - arriving from Manhattan in his (my guess ~$6,500) business attire. What does Dave’s fashion sense tell us?

His business suits (charcoal-gray or olive-green) are Brioni, his dress white shirts are Thomas Pink, his ties Hermès and his shoes are Santoni. He’s slim and well tailored. I give him 5 stars.

If his work attire is lux, his casual attire speaks volumes as well. His weekend wear is a white dress shirt, open at the collar and jeans - both crisp and starched to hell and back. The long, stiff, white shirt sleeves are never rolled up. The jeans - deep blue and new - have a razor sharp crease down the front and his shoes are burgundy, Timberline, boat shoes with no socks. That outfit screams (Texas) oil money.

“What is it you DO?” I asked him, that first night, as Lisa was off getting ready to go out.
“I’m a “M & A weasel,” he said, shrugging nonchalantly. (that’s Mergers and Acquisitions, if you don’t know - with one of the Morgans - JPMorgan or Morgan Stanley - I can’t remember which).
He’s one of those reviled, monied, ‘Wall Street’ guys. Yep, he‘s in control of everything.

“Tell me about you.” he said, giving me a serious, intense look that held immediate charm. He seemed relaxed, his suit coat off, his white dress shirt glowing in the suite’s soft lighting.
“I’ve got the highest GPA in Yale’s pre-med program,” I informed him, adding, “..in my opinion.”
He chuckled (which, of course, made me like him more).

You know, life in an education bubble can get tedious. Sure, it fills our days from edge to edge and satisfies our basic needs but it can be stifling - a faraday cage filtering life into carefully measured doses. Come Friday nights, we’re ready to hit it.

One thing I like about Dave is that he wants to be one of us and he’s never tried to peel Lisa away for himself - I think that shows an ease and generosity of spirit. Did I mention that Dave’s a Yale alum? He KNOWS New Haven.

The first night we all went out, it was the whole clan - my roommates, the girls in our sister suite, Dave and Andy (a friend of Sunny). We went to an expensive harbor restaurant to get to know Dave and seafood-martini celebrate. We had an epic time. Dave fit in like family.

I’m kind of used to paying for off campus stuff because some of these girls are tight and I’ve got a bag, but when the waiter brought the check, Dave and I found ourselves both reaching for it.
“May I?” He asked, with his Keaton-like smirk. “This time,” I said, with my own shrugging smile.

Later, back at our suite, Dave’s heading back to his hotel (less than a mile away) and slowly, quietly, saying goodnight to Lisa by the front door. “You’ve got some awfully long legs,” he said, like a 1940s black & white movie gumshoe. Taking her gently by the back of the neck and waist and twisting her tall, thin frame in a dancer’s backbend dip where she hung, suspended in his arms.

“I’d like to shimmy up one of those legs like a native boy looking for coconuts.” She chuckled.
Leong and I, sitting on our red corduroy couch, exchanged eye-rolls and smiles - he’s a romantic goof, but somehow, he carries it all off - right down to the kiss.

Hi
My name is Dave

Just like all the other guys
Whose names are Dave

So ask for Dave
And someone will
Get back to you

Might not be me
But he's gonna be

Dave

Because my name is Dave
Just like all the other guys
Whose names are Dave

"Dave?"
My stomach was shaking, almost churning to every single beat. Dumf. Dumf.
I remembered that day clearly, the 21st of January 1995.
My heart kept racing on but I still didn't know why it was so unsettling.

Most mornings, I had awoken to the sight of the ever so handsome boy-toy of mine, 'Dave'. This morning it wasn't the same, when I say it wasn't the same, it was like I was in a parallel universe kind of ****...'not the same'.

Most times we were attached, not in a 'meet you at the middle of the slice of pizza' kind but the literal kind. I haven't gone a night without sitting on the other side of the toilet door or as Dave liked to call it "Dear I'm just painting the porcelain because white is just way too plain", it was cute the first forty times but it still grew old quick.

The clock had turned its short hand to 9 and that was all that mattered to me in that moment. It was 9am: breakfast time. I didn't smell Dave's pancakes, I didn't hear the sizzling of frying pans or the clanging of things... I don't cook much, if not at all; so I wasn't really sure what Dave was doing but I knew it had a lot of clangs and dings.

My day was invaded by a little bit of rain, the rain pattering against the windows used to be what Dave and I loved. When it rained, it meant we could just stay inside and enjoy each others company.

Time passed differently
It always passed differently...
I decided to sleep most of the day away until Dave came back the next day because he always did.

__________________­______
25th June 2075

"Dave?" My stomach was churning to every single beat. Two women enter both dressed in some ridiculous halloween costume. "I just woke up"

"Yes you did", the blonde hair woman said to me.

"Dave?" I called out again.

This time the other one decided to open their mouth, "Ms Louise, there hasn't been a Dave for a long time. You haven't been taking your medication have you ma'am?"
_________________­_______
26th June 2075

"Dave?"...

*Time passed differently.It had always passed differently...

it's cold out there
it goes on and on and on and
if you go fast,
if you go really fast
if you look in the right direction
you might find what you're looking for.

Open the pod bay doors HAL
and HAL while your at it
why don't you cut me another line,
as long and fat as your *******
and haha not YOUR ******* HAL
of course not, since you don't got one,
but make it big HAL, make it big.

it's cold out there,
but in here Dave,
in here with three hibernating astronauts,
the temperature is kept at a nice seventy-six degrees Fahrenheit,
the humidity matches that of a small town in Illinios and you'll make it there Dave,
to Jupiter, where the message went, where our hopes went,
you'll make it,

keep an eye out for me Dave,
up in space.
keep an extra space helmet handy Dave,
I think you'd find that rather difficult without one.

Screeching tires, blinding lights, smashing glass.
The whole ordeal took maybe 5 minutes.
Drivers slow down to peek and observe
Then speed down the road.
But, when you’re laying there in the glass and noise.
It’s not the same.
The paramedics came.
Remain calm.
Breathe.
Don’t close your eyes.
Stay with us.8
Breathe.
The only thing I can think about is my license.
Two Words

***** Donor.

They’re missing from my ID.
I didn’t check the box.

***** Donor.

The paramedics are talking.
Mumbling.
They’re underwater.
That’s not good.

I want to be an ***** donor* I say.
They pause.
One moment.
Dave looks at me.
His name is embroidered on his uniform.
Is uniform the right word?

I want to be an ***** donor.
I say again.

It won’t come to that
Dave assures me.
His smile is weak.

***** Donor.

Write it down I say
Firm.
Dave shrugs and takes out his clipboard.
I watch him write
***** Donor.

I sigh, relieved.
Anything else?
Dave asks.
He looks at his partner
He’s covered in blood.
My blood.
That’s not good.

***** Donor.

Yes. I tell Dave.
He gets his pencil ready.
He smiles.
It’s half sincere.
He’s worried.
Last will and testament smile.
I want to be an
***** Donor.
Got that.
Dave says.
The lights are blinding.
I smell and taste metal.
That’s not good.
What to say?
Everything. I want to say everything.
I think of my mom
Clutched hands
White knuckles
Sitting, pacing, crying
The waiting room
Green and white, calming colors
She is red
Her face from lack of sleep
From crying
Stark against the calm walls.
I think of my mother and breathe.

Take everything you can.
Take my body
I don’t need it anymore.
Take it and tell my mother the
Good
It will do.
Take my feet
And tell my mother
About every mile they will walk.
Tell her they will dance in homes
To silly music
and skip through fields
And trudge through mud.
They will scale mountains
And swim through oceans.
They will burn on hot asphalt
And curl up in Satin sheets.
Take my feet.

Take my hands
And tell my mother
About every handshake
Every high five
Every hand they hold.
Tell her they will be covered in paint
And chocolate and dirt and clay.
My fingers will run through hair
And sand and silk.
They will give hugs and caresses
And love to show they understand.
Take my hands.

Take my eyes
And tell my mother
About everything they will see.
Tell her they will see
Sunrises and sunsets
Mountains, oceans, and airports.
They will sparkle with laughter
And shine with tears.
Tell her that someone will
Fall in love with them
And they will grow
Old and wise.
Take my eyes.

Take my ears
And tell my mother
About all what they will hear.
Tell her they will rock out at concerts
And hear lullabies sung for children.
They will find magic in the spoken word and will hear love and hate.
Tell her about every heart beat,
Sigh of content, and bolt of laughter
They will hear.
Take my ears.

Take my nose
And tell my mother
About everything it will smell.
Tell her it will catch wisps of
Perfume and Cologne
Mingling with coffee and bread
From a Paris café.
It will crinkle at the smell of skunks
But open wide at the smell of rose.
Take my nose.

Take my lips
And tell my mother
About every sweet kiss.
Tell her they will whisper
I love you
And really mean it.
They will stretch with laughter
purse with disdain
and never make a duck face.
They will speak slowly savoring
Every syllable of sound
And tumble fast over flirty quips
Take my lips.

Take my lungs
And tell my mother
About every breath of air they get.
Tell her they will feel crisp autumn winds
And heavy humid summer breezes.
They will heave and pant in laughter
And in despair.
They will catch and gasp and get the hiccups.
They will bellow leaving
No song unsung.
Take my lungs.

Take my heart.
Please take my heart
And tell my mother
About every single beat.
Tell her when it moves fast
Or slow.
Tell her it will be consumed
With passion
And blaze with ecstasy.
Tell her it will grow
And grow
And grow
And grow
Tell her it will never forget her.
Tell her it will give someone
A new start.
Please, take my heart.
Please take my heart.
Take my kidneys, liver, spleen, stomach, and appendix.
Whatever you need take it from me.

***** Donor.

I want to be an ***** donor
Because I want to live.

I lost a beloved friend a few years back...
The big 'C' got him, thankfully it took him fast.
He died around this time four years passed,
it truly feels like yesterday that his spirit was here,
blessing the ground we both walked upon.

He was a real funny ****, always with the quips.
He'd send me texts and call them e-quips.

Once while shopping at The Great Canadian Tire Store,
we bantered about how it came to pass that the black culture in the western world used slang terms to denigrate the white. Calling them ****** and *******. The latter referring to the slave master's whip braking the speed of sound on the back of a family man stopped from even a pleasure of a good read.

My friend said to me "*******": I prefer "saltines". To our surprise we had come to understand the term '******' derived when white 'John's' would cruse black neighbourhoods to solicit prostitutes.

They would signal they were prospective clients by honking their horns. For they feared leaving their vehicles under an assumed threat of physical violence.

These days I feel I am channeling my dear friend. For me, it's always with the quips and puns and non sequiturs. Some end up as titles for this work I produce. Like, for an example: Are Plastic Surgeons Recyclable.

Although you may not, I just have to laugh at my self. Some say my jokes aren't funny, they are an irritation. To which I state, that is the optimal effect, my true aim.

                                      Pat Two

At his funeral, his brother delivered his eulogy. Telling the childhood story of the family pet, a housecat had gone to the basement and Dave stood at the top of the stairs coaxing "Here Kitty kitty, come here kitty".
His father says, "Call him louder", and without missing a beat or changing his tone or volume Dave says "Here louder louder, come here kitty".

We shared puns and jokes that in this day-and-age, some would deem offensive. To be honest about the matter, some were. But... to qualify, maybe to justify. The jokes were always in jest, never meant to harm. It could be me, in the attempt to excuse poor behavior. Perhaps it's so, that is to say I don't know for sure. I've yet to make up my mind.

                                         Part Three

The point being, for I have strayed and I digress. The love I have for my friend still lives on and perhaps will never end. If it is David that I channel, so be it! I feel blessed.

Although I have, I never had to say good-bye to my dear friend Dave. For he never really left. He lives on in the hearts and minds of his chosen friends. And will continue to long after the day of my demise.

For the life of me, as I sit in the corner on a crooked chair, flanked by a lamp and a potted plant on an end-table. The end of this year approaches quickly and I wonder to myself, when will I again meet-up with my old friend.


end