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Seranaea Jones Apr 2021
-


take any pen and
pull off the cap,

test-scribble on paper
to see if the machine
on the end of it
will distribute
ink

or

take a
charcoal
briquette and
mark a concrete
wall with your ideas
in full black

either way—

i guarantee that
—somewhere—
an authority will
make an attempt
to pressure wash it
back off with a
water cannon...


s jones
2021


.
26 Apr 2021
Kim Keith Oct 2010
Inspired by “The Burning Giraffe” by Salvador Dali*


I am defined by what clutters my drawers:

• Aortic—a tattered matchbook with a phone number I never called
    scrawled to the inside cover as an inscription to everything
    I never wanted.  A half-empty can of butane with a missing
    cap alongside a dollar’s worth of pennies that weight a scrap
    torn from a newspaper tragedy: four killed, faulty smoke
    detectors to blame.

• Ankle—a charred picture, curled in upon itself and kept as a reminder
              of what I could become; a blackened nest as an omen of
  losing all I’ve ever known and an ointment tube, squeezed
  in the middle as a talisman against blistering tempers.

• Thigh—an empty Zippo with a scarred case, dull and pointless; a coiled
             stove element with an ashen haze that could testify that water
doesn’t douse all flames; and an oily fuse, plucked from the top
of my head to serve as a yardstick of minutes, seconds, then
nothing.

• Knee—a fine layer of charcoal dust and half of a briquette from last
            summer’s backyard barbecue when the wind kicked up to spray
red embers into the air like a meteor shower, streaking in bright
sparks and fluttering to shrieks and stop-drop-rolls along dry grass
until the itching ceased and the bubbles formed in small foamy
patches along arms and strapless backs and sun-red cheeks.
First published by LIES/ISLE: http://liesisle.com/issue04/fuse.html
the gurgle of your laugh
   is mouthwash
in the bathroom sink
charging across beach
   like zips on coats
yours is red
   breath ragged
a tyre with a puncture
but keep revving anyway
   feet crash as bells
**** as waves
   cheeks like the Japanese flag
raspberry-ripple drink
this fizzy petrol
   makes us buzz
our vehicles rumbling
   full of three-dollop ice-cream
rattle of matches
in my back pocket
   hear the scratch-ffttth
as I let one go
   lob it towards the sea
grab your hand
swirl in a circle
   so we become smoke
swarming from incense sticks
   then we go back
the way we came
over our xylophone footprints
   if they could chime they would
me and you now froth
   spilling down the side of a pint
dialogue luminous
as a blue margarita
   ankles chatter together
ladder on your tights
   and we sail in bathtubs
to where we’ve never been
wearing sunglasses shaped
   like briquette-black hearts
Written: June 2015.
Explanation: A poem written in my own time, not based on real events.
The poem was written without a great deal of thought, but deliberately contains unusual imagery.
The title is a line in the song 'Hiding Tonight' by Alex Turner, which featured on the soundtrack to the movie 'Submarine'. My poem is very partially (emphasis on 'partially') inspired by a scene in the movie in which this song plays.
jessica obrien Nov 2021
/ˈvis(ə)rəl/

vis

—as if you could twist out your arm,
hand clawed,

wailing pagan poetry with the clinically insane
who have feigned recovery to get out &
proclaim it an escape, as if you could leap
away from already being gone.



(ə)

mattress on the living room floor.

rhinestone. ashtray. loose eyelash.

—as if you might lick the slickness of your
image in the bathroom mirror & instead,
taste the texture of flesh.



rəl

—as if you could feel the weight of gravity
spin, mouth open now: tin. blister. wool.

wrist-bone; book page. charcoal briquette.

clavicle; over burner coil. burnout velvet.

jawbone; wooden oar. dollar bill.

earlobe; baby’s breath. jingle bell.
Jeremy Betts Jan 10
A life with no safety net
Do I make it or will this be yet another instance where I don't hit the ground running, instead I splat flat on the pavement
Place your bet, I'll take that bet
Another tally mark added to my list of regret
I'm my own biggest threat and relentless as it can get
I feel preset to replay every horrible event
A looped cassette
Bad precedent after bad precedent set
Where is this button labeled reset?
When will I find the bottom of this decent?
If you tell me I'll try to keep the secret
I forget now if I've ever even seen it
I know I never see it coming, but there's no question I've felt it
Going dark and cold like a long forgotten briquette
Stagnant and never lit
Like a burning cigarette this hell is a slow burn with evil intent
I'm spent like a tax return, sanity gone before I even got to know it
Out of my mind cause I could no longer afford the rent
My twisted twist on Russian roulette is the full chamber aspect
So you can surely predict past it
My downfalls bound to hit a record high percent
The first click shoulda/woulda/coulda ended it all in an instant
With steel to flesh, I find myself desperate to create an outlet
To finally get the torment to ease up a bit
But it jams every time and I must admit
Dumb luck and the law of odds get the credit

©2024
The dog scrabbles
in the lady’s arms,
tongue flopping every which way.

‘He’s only young’ she says
as a bark coarse as sandpaper
rips through the cabin.

A man with teeth
briquette-black
chuckles at us, at the mutt,

its hair like chestnut
paintbrush strokes
slapdash around the mouth.

The lift judders to a halt.
We go one way,
the dog goes the other.
Written: October 2016.
Explanation: To mark National Poetry Day on 6th October, I wrote 25 poems over the course of eight days, and sent one poem each to one of 25 of my Facebook friends. After some deliberation, I am now posting the poems on HP (in order of when they were written), albeit not all in one go. 'Firework' is poem one, for those of you who wish to read the series in full, in order. None of the poems are about their recipients. Note: Saltburn is a town in Yorkshire, England. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
Emily B Jan 2016
it occurred to me this morning
as i was building a fire in the four-legged cast iron stove
that my technique wouldn't win me any prizes from boy scouts

i would have to say
that the way i get around to warmth and light
is similar to the way
i do just about anything else

a little of this
            and a little of that

bits of paper
strewn on the floor

a handful of broom sweepings

dryer lint

a fervent wish for leftover coals from the night before

a charcoal briquette or two

kindling

the dance that happens cause i forgot to open the damper

peaceful meditation

smoke in the living room

another lit match

     and finally a flame and a crackle
Cullen Geahigan Dec 2019
I am afraid to end this poem
The year comes to a close too shortly
   I fear it is an ominous omen
That I will sparsely remember fondly.

I have been alive nearly two decades,
           And in 2020,  I turn 19:
     To find myself wandering Cascades
Pondering to see what I glean.

But I foolishly plead to have this be my year, our year.
   Not a year of the pig but a year of the horse’s glory.
                That we shall premier or fear to be sincere.
          This is our story to be told in our oratory.

This is my final year, my undying year,
  My undying fear, felt itself tense up,
When they demanded I take a career
In speculating the woes of grown ups

I deride my festooning derision
                On the chains of Putin and the Zuck,
  And they have not swayed my sick decision
To reminisce on our gnarly luck,

   Because I find that Spongebob Squarepants taught
  values of persistent positivity.
      To blow bubbles at an askance onslaught,
Grit buck teeth in the maw of adversity.

          I watched a nostalgic minecraft parody.
      A three part series about maturity.
       It powerfully displayed our legacy.
       Captainsparklez made it for our posterity.

   I planted my last tomato seeds
   In the brackish mounds of my garden,
         To return aged with a great many deeds,
    With cash for the deed to my Tarpan steed.

           I hope four years don’t saddle me with debt
     Or wandering an infernal Lethe
        With a briquette of burning, licking sweat
  Tied to me, it exhausts me of slipping breath
I hope that I may make my living death

          towards the hopes I lay my head to rest:
January 1st, may this year be blessed.

— The End —