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cuando astor frederick murió
plegó alitas y dejó sobre todo sus penas
y como un brillo o resplandor
que lo seguía en el entierro

ni perro ni hombre ni mujer ni gato seguían su cajón
por la calle dorada en la mañana de mayo paciente
pero sí el brillo o resplandor
como cantándole cantándole

decía el brillo "astor frederick se va por aquí
al país donde todos se reúnen
sigo las huellas de sus pies besándolas
pero él ya nunca estará solo"

decía el brillo "astor frederick ya nunca más se apenará
de pueblo en pueblo y por alturas su joven corazón
marcará el paso de las lunas
se comerá flores que mueren"

ojalá ojalá repetían los arcos las piedras podridas de la calle
las pieles de la calle meciéndose por donde
astor frederick sus restos los restos de su dentadura etc
pasaban a gloria mayor

¡ah frederick en la cajita!
lo empaquetaron mucho para siempre
y aunque él no quisiese otra cosa que amor como abrigo o fortín
es como si faltara

la tierra del cementerio de Oak
se lo comió casi por todas
menos las manos eso sí
apoyadas la una en la otra

del silencio que astor frederick hizo
creció una pájara de viento que le volteaba el corazón
menos el brillo o resplandor
cala del mundo mundo mismo

y esta es la historia de astor frederick ea
ninguna pus paloma o reventón se alzaba nunca de sus nuncas
menos las manos eso sí
apoyada la una en la otra
Bo Burnham Feb 2018
On a Wednesday morning, clear and calm,
                     I went to Astor Place
and had a gypsy read my palm
                     or maybe just my face.

She said my heart was heavy
                     and my head was stuffed with lies.
But things like that weren't on my hand,
                     they hid behind my eyes.

The room is dull and dank and cold but at
least I have a hand to hold.
Stephan Cotton May 2017
Another shift, another day, Another buck to spend or save
A million riders, maybe more, delivered to their office door
Or maybe warehouse maybe store.
Or church or shul or city school, right on time as a rule.

Clickety, clackety, clickety, clee,
I am New York, the City’s me
Come let me ride you on my knee
From Coney Isle to Pelham Bay
From Bronx to Queens eight times a day.

Ride my trains, New Yorkers do
And you’ll learn a thing or two
About the City up above, the one some hate, the one some love.
On the street they work like elves
Down below they’re just themselves.

Through summer’s heat they still submerge,
Tempers held (though always on the verge),
They push, they shove – just like above –
The crowds will jostle, then finally merge.

Downtown to work and then back to sleep
They travel just like farm-herded sheep.
In through this gate and out the other,
Give up a seat to a child and mother,
Just don’t sit too close to that unruly creep!

With these crowds huddled near
Just ride my trains with open ear,
There’s lots of tales for you to hear.


Dis stop is 86th Street, change for da numbah 4 and 5 trains.  Dis is a Brooklyn Bridge bound Numbah 6 Train.   77th Street is next.  Watch out da closin dowahs.


     I’m Doctor Z, Doctor Z are me
     I’ll fix your face or the visit’s free.
     Plastic surgery, nips and tucks
     You’ll be looking like a million bucks.

     Looka those pitchas, ain’t they hot?
     You’ll look good, too, like as not!
     Just call my numbah, free of toll
     Why should you look like an ugly troll?

     You’ll be lookin good like a rapster
     Folks start stealing your tunes on Napster
     Guys’ll love ya, dig your face
     Why keep lookin like sucha disgrace?

     Call me up, you’re glad you did
     Ugly skin you’ll soon be rid.
     Amex, Visa, Mastercard,
     Payment plans that ain’t so hard.

     So don’t forget, pick up that phone
     Soon’s you get yourself back home.
     I’ll have you looking good, one, two three
     Or else my name ain’t Doctor Z.


Dis stop is 77th Street, 68th Street Huntah College is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     It was a limo, now it’s the train;
     Tomorrow’s sunshine, but now it’s rain.
     The market’s mine, for taking and giving
     It’s the way I earn my living.

     Today’s losses, last week’s gain.
     A day of pleasure, months of pain.
     We sold the puts and bought the calls;
     We loaded up on each and all.

     I’ve seen it all, from Fear to Greed,
     Good motivators, they are, both.
     The fundamentals I try to heed
     Run your gains and avoid big loss.

     Rates are down, I bought the banks
     For easy credit, they should give thanks.
     Goldman, Citi, even Chase
     Why are they still in their malaise?

     “The techs are drek,” I heard him say
     But bought more of them, anyway.
     I rode the bull, I’ll tame the bear
     I’ll scream and curse and pull my hair.

     So why continue though I’m such a ****?
     I’ll cut my loss if I find honest work.



Dis is 68th Street Huntah College, 59th Street is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     He rides the train from near to far,
     In and out of every car.
     “Batchries, batchries, tres por un dolar!”
     Some folks buy them, most do not,
     Are they stolen, are they hot?
     “Batchries, batchries, tres por un dolar!”

     Who would by them, even a buck?
     What’re the odds they’re dead as a duck?
     “Batchries, batchries, tres por un dolar!”
     Why not the Lotto, try your luck,
     Or are you gonna be this guy’s schmuck?
     “Batchries, batchries, tres por un dolar!”


Dis is 59th Street, change for de 4 and 5 Express and for de N and de R, use yer Metrocard at sixty toid street for da F train.  51st Street is next. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     “Dat guy kips ****** wit me, Wass he
     tink, I got time for dat ****?  Man, I
     got my wuk to do, I ain gona put
     up with him
     no more.”

          “I don’t know what to tell this dude. Like,
          I really dig him but
          ***?  No way.  And
          He’s getting all too smoochie face.”

     “Right on, bro, slap dat fool up
     side his head, he leave you lone.”

          “Whoa, send him my way.  When’s the last
          time I got laid?  I’m way ready.”

          “Oh, Suzie,..”


Dis is fifty foist Street, 42nd Street Grand Central is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.



     Abogados es su amigos, do you believe the sign?
     Are they really a friend of mine?
     Find your lawyer on the train
     He’ll sue if the docs ***** up your brain.

     Pick a lawyer from this ad
     (I’m sure that you’ll be really glad)
     You’ll get a lawyer for your suit,
     Mean and nasty, not so cute.

     Call to live in this great nation
     1-800-IMMIGRATION.
     Or if your bills got you in a rut
     1-800-BANK-RUPT.

     We’re just three guys from Flatbush, Queens
     Who’ll sue that ******* out of his jeans.
     Mama’s proud when she rides this train
     To see my sign making so much rain.

     No SEC no corporations
     We can’t find the United Nations.
     Just give us torts and auto wrecks
     And clients with braces on their necks.

     Hurting when you do your chores?
     There’s money in that back of yours.
     Let us be your friend in courts
     Call 1-800-SUE 4 TORTS.


Dis is 42nd Street, Grand Central, change for the 4, 5 and 7 trains. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Toity toid is next.  Watch out da closin doors.


They say there’s sev’ral million a day
From out in the ‘burbs, they pass this way.
Most come to work, some for to play
They all want to talk, with little to say.

Bumping and shoving, knocking folks down
A million people running around.
The hustle, the bustle the noise that’s so loud
Get me far from this madding crowd.

“We can be shopping instead of just stopping
And onto the next outbound train we go hopping.
Hey, it’s a feel that that guy’s a-copping!”

They want gourmet food, from steaks down to greens
Or neckties and suits, or casual jeans,
It’s not simply newspapers and magazines
For old people, young people, even for teens.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Thoidy toid Street, twenty eight is next.  Watch out da closin doors.


     “So what’s the backup plan if
     He doesn’t get into Trevor Day?
     I know your
     heart’s set on it, but we’ve only
     got so many strings we
     can pull, and we can’t donate a
     ******* building.”

           “Hooda believed me if I tolja the Mets
          would sail tru and the Yanks get dere
          by da skinna dere nuts?
          I doan believe it myself.  Allya
          Gotta do is keep O’Neil playin hoit
          And keep Jeter off his game an
          We’ll killum.

               “My sistah tell me she be yo *****.  I tellya I cut you up if you
                ****** wid her, I be yo ***** and donchu fuggedit.”

     “I wish you wouldn’t talk like that.
     And we can just **** good and
     Well find some more strings to pull!”

          “Big fuggin chance.  Wadder ya’ smokin?”

               “Yo sitah she ain my *****, you be my *****.  I doan be ******
                wid yo sistah.  You tell her she doan be goin round tellin folks
                dat ****.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Twenty eight Street, twenty toid is next.  Watch out da closin dowahs.


     Do you speak Russian, French or Greek,
     We’ll assimilate you in a week.
     If Chinese is your native tongue
     You’ll speak good English from day one.

     Morning, noon, evening classes
     Part or full time, lads and lasses.
     You’ll be sounding like the masses
     With word and phrase that won’t abash us.

     Language is our stock in trade
     For us it’s how our living’s made.
     We’ll put you in a class tonight
     Soon your English’ll be out of sight.

     If you’re from Japan or Spain
     Basque or Polish, even Dane,
     Our courses put you in the main
     Stream without any need for pain.

     We’ll teach you all the latest idioms
     You’ll be speaking with perfidium.
     We’ll give you lots of proper grammar
     Traded for that sickle and hammer.

     Are you Italian, Deutsch or Swiss?
     With our classes you can’t miss
     The homogeneous amalgamation
     Of this sanitized Starbucks nation.


Dis is Twenty toid Street, 14th Street Union Square is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.


     “Ladies and Gentlemen, I hate to bother you
     But things are bleak of late.
     I had a job and housing, too
     Before my little quirk of fate.”

     “There came a day, not long ago,
     When to my job I came.
     They handed me a pink slip, though,
     And ev’n misspelled my name.”

     “We’ve got three kids, my wife and me.
     We’re bringing them up right.
     They’re still in school from eight to three
     With homework every night.”

     “I won’t let them see me begging here,
     They think I go to work.
     Still to that job I held so dear
     Until fate’s awful quirk.”

     “So help us now, a little, please
     A quarter, dime (or dollar still better),
     It’ll go so far to help to ease
     The chill of this cold winter weather.”

     “I’ll walk the car now, hat in hand
     I do so hope you understand
     I’m really a proud, hard working man
     Whose life just slipped out of its plan.”

     “I thank you, you’ve all been oh so grand.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is 14th Street, Union Square, change for da 4 and 5 Express, the N and the R.   Astor Place is next.  Watch out da closin doors.


     The hours are long, the pay’s no good
     I’m far from home and neighborhood.
     All day I work at Astor Place
     With sunshine never on my face.
     Candy bar a dollar, a soda more
     A magazine’s a decent score.
     Selling papers was the game
     But at two bits the Post’s to blame
     For adding hours to my long day.
     All the more work to save
     Tuition for that son of mine: that tall,
     Strong, handsome, American son


Dis is a Brooklyn Bridge bound Numbah 6 Train.  Yer at Astah Place, Bleekah Street is next.  Watch out da closin doors.


     Summer subway’s always hot, AC’s busted, like as not
     Tracks are bumpy, springs are shot ‘tween the cars they’re smoking
     ***.

     To catch the car you gotta run they squeeze you in with everyone
     Just hope no body’s got a gun 'cause getting there is half the fun.

     Packed in this car we’re awful tight seems this way both day and
     night.
     And then some guys will start a fight.  Subway ride’s a real delight.

     Danger! Keep out! Rodenticide! I read while waiting for a ride.
     This is a warning I have to chide:  
     I’m very likely to walk downtown, but I’d never do it Underground.

     Took the Downtown by mistake.  Please, conductor, hit the brake!
     Got an uptown date to make, God only knows how long I’ll take.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Bleekah Street, Spring Street is next.  Watch out da closin doors.


     The trains come through the station here,
     The racket’s music to my ear.
  &nbs
Images, overheard (and imagined) conversations.  @2003
I.
My face resembles your face
less and less each day. When I was young
no one mistook whose child I was.
Features build coloring
alone among my creamy fine-***** sisters
marked me Byron's daughter.

No sun set when you died, but a door
opened onto my mother. After you left
she grieved her crumpled world aloft
an iron fist sweated with business symbols
a printed blotter dwell in the house of Lord's
your hollow voice changing down a hospital corridor
     yea, though I walk through the valley
     of the shadow of death
     I will fear no evil.

II.
I rummage through the deaths you lived
swaying on a bridge of question.
At seven     in Barbados
dropped into your unknown father's life
your courage vault from his tailor's table
back to the sea.
Did the Grenada treeferns sing
your 15th summer as you jumped ship
to seek your mother
finding her     too late
surrounded with new sons?

Who did you bury to become the enforcer of the law
the handsome legend
before whose raised arm even trees wept
a man of deep and wordless passion
who wanted sons and got five girls?
You left the first two scratching in a treefern's shade
the youngest is a renegade poet
searching for your answer in my blood.

My mother's Grenville tales
spin through early summer evenings.
But you refused to speak of home
of stepping proud Black and penniless
into this land where only white men
ruled by money. How you labored
in the docks of the Hotel Astor
your bright wife a chambermaid upstairs
welded love and survival to ambition
as the land of promise withered
crashed the hotel closed
and you peddle dawn-bought apples
from a push-cart on Broadway.

Does an image of return
wealthy and triumphant
warm your chilblained fingers
as you count coins in the Manhattan snow
or is it only Linda
who dreams of home?

When my mother's first-born cries for milk
in the brutal city winter
do the faces of your other daughters dim
like the image of the treeferned yard
where a dark girl first cooked for you
and her ash heap still smells of curry?

III.
Did the secret of my sisters steal your tongue
like I stole money from your midnight pockets
stubborn and quaking
as you threaten to shoot me if I am the one?
The naked lightbulbs in our kitchen ceiling
glint off your service revolver
as you load     whispering.

Did two little dark girls in Grenada
dart like flying fish
between your averted eyes
and my pajamaless body
our last adolescent summer?
Eavesdropped orations
to your shaving mirror
our most intense conversations
were you practicing how to tell me
of my twin sisters     abandoned
as you had been abandoned
by another Black woman seeking
her fortune     Grenada     Barbados
Panama     Grenada.
New York City.

IV.
You bought old books at auctions
for my unlanguaged world
gave me your idols Marcus Garvey Citizen Kane
and morsels from your dinner plate
when I was seven.
I owe you my Dahomeyan jaw
the free high school for gifted girls
no one else thought I should attend
and the darkness that we share.
Our deepest bonds remain
the mirror and the gun.

V.
An elderly Black judge
known for his way with women
visits this island where I live
shakes my hand, smiling.
"I knew your father," he says
"quite a man!" Smiles again.
I flinch at his raised eyebrow.
A long-gone woman's voice
lashes out at me in parting
"You will never be satisfied
until you have the whole world
in your bed!"

Now I am older than you were when you died
overwork and silence exploding your brain.
You are gradually receding from my face.
Who were you outside the 23rd Psalm?
Knowing so little
how did I become so much
like you?

Your hunger for rectitude
blossoms into rage
the hot tears of mourning
never shed for you before
your twisted measurements
the agony of denial
the power of unshared secrets.
Astor Feb 2016
Hi

Hey :)

What's up ?

Just on a dinner date w my parents

That's really awesome
When you get home can we talk

About what!

I don't know I'm just in a weird mood sorry if I'm bugging you

No no no astor I'll be home soon

Thanks so much

Sorry to bug you are you home yet

I'm on the way home right now baby what's up?

I dont know I'm just sad

About what little one

I just fall on people so easily and it's never returned, and that's one thing but at the same time I'm always used but never wanted
I don't know I'm just being dumb

Baby girl you are so loved. And you're not dumb at all! Are you sad about Elise?

Kinda but more than that I look at people like you and her and I see people so wonderful and beautiful no one wants me except for nudes

astor sweetheart love is so fickle, but I promise you on my whole heart that it will find you. You are smart and important and beautiful and worth so much love, you just gotta wait for it to find you. Lovely child I swear to you

How can that be true though not as good at people think I am, and I'm a ****** still

Virginity is overrated and it doesn't even exist
You are so good! And you're so little you have so much time
I'm sorry you feel lonely let me hold you

I'm just being dumb and whiny, but like it just feels like ever single one of my friends has done things and people on hell think of me as a little weird girl
I Just want to be wanted

I feel you astor, I wish I could give you a whole world full of boyfriends and girlfriends and support and love

That's you. But I jut want someone just for a little while to love me
I know I'm not the best looking person out there but I want someone to love me even for a minute

I promise you you will have that experience!!
Sorry that was an accident
And idk no one has ever really wante d me
Sorru

Don't be sorry astor. I'm here for you girls
I'm just really nervous
Thank toy so might
You're so amazing

You are baby it's all you
No actually I can't believe that I am even talking to you right now youre amazing

Shhhh shh
you sometimes make me cry and you sometimes give me hope its just a sunday night to you but to me its the end of the world and revival
Bruce Levine Aug 2018
Upper East Side
The Hamptons
Aspen, Colorado
The plastic people
Follow each other
Moving in herds
Like cattle to the
Slaughter

Drifting
Floating
Shifting focus
From one charity event
To another
Whatever’s trendy
Whatever’s fashionable
Whatever’s happ’ning
Whatever’s the need
Tainted new artists
Society’s rejects
The film-maker who fits in with
The flavor of the month
The disease or the cause
That captures the moment
Stigmas overlooked
Deformities relieved
By one hyper exertion
By one pseudo good deed

Changing bedrooms
Changing partners
New alliances
Noblesse oblige

Mrs. Astor’s
Four hundred
Reinvented forever
Reinvented with fervor
On the edge
Of hypocrisy
Keeping up with the Jones’s
Maintaining the houses
Paris, Rome, Cote du Jura
Malibu, Palm Beach
Couture fashion
Madison, Rodeo
Worth avenues united
Avenues of the liege

Location, location, location
The right address unspoken
Dinner in the right places
Sporting events to be seen
Three martini luncheons
Halcion evenings
Business is business
Where money’s retrieved

Look to plastic people
For fashionable guidance
No matter the moment
No matter the need
Remember to catch them
While jetting to Santa Barbara
Saint Maarten, San Troupe
San Marco, warp speed
They live in their milieu
Can’t function outside it
Can’t follow a shadow
That others believe

It’s easy to find them
They leave behind footprints
But barely a mem’ry
Or singular creed
Other than finding
The latest in fashion
The latest persona
Or new plastic breed
So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.
RoDin Sep 2013
this astor
ravenous bird.
preying,
tangling,
lovers' hearts
dramatically,
passionately:

dis-ASTOR-ously.
Went for a cruise on the maiden ship Titanic,

A wonderful ship everyone said would be epic

I was not scared because it was unsinkable

To be in fear would for me be unthinkable

Wanted to sail far away to another land

Where my life, I think could be quite grand

Unpacking my suitcase in a luxurious liner

This is the one yacht that could not be finer.  

Passengers enjoyed dinner, dancing, and other entertainments.

All the days of the trip they would enjoy the embellishments

I heard that people like Astor, Guggenheim Straus, Thayer and Gordon

Would be on this ship including Stead, Fulrelle, Gibson and Morgan

On April 14, 1912 I was that evening returning to my room

Walking down the corridor I heard a deafening boom

Went to find an RMS crew member

When I was told on deck to assemble

He handed me a life jacket just in case

And to get in the lifeboat because there was space

Passengers were lowered down by the crew

The first little boat had just a few

A man started quickly paddling our tiny boat

Once far away he stopped and we would just float

Everyone watched as we heard screaming, crying and yelling

Amongst the chaos we heard music and saw the flares flying

  In the early hours of April 15, the ship’s lights flickered out and then went straight up vertical

We all heard the moans of the iron and watched it break in half and it sank uncontrollable

From quite a distance I saw an ocean of people

Out in the middle of the sea, no one felt hopeful

Soon there was no sound

As we all looked around

Shivering crying and wondering

If we are going to live or die pondering






Copyright 2013

All Rights Reserved
KD Miller Dec 2016
I wrote this in November and was not happy with it;
"
I heard passion on the streets of New York City
the sea foam of the sky hanging on the Persian shield watching over us
the gloaming brings retrospect
the healthy green pendant of the six train matches the bushes in the square
in Little Ukraine
it is dark
we bounce as we step
I know when I move I will
be on my own
she tells me she hears yelling. is it happy exclamation or anger
I don't know. I say. I don't know"

12/25/2016

On the sidestreets of Little Ukraine
men smoked cigarettes and said *pryvit

and KNL said it's because you look slavic

but i'm pennsylvania dutch! i laugh
shoofly pie, not sochniki
off the 33rd street stop

and it was getting to be dark out
the sky heliotrope and true blue
I heard a noise

did you hear that too? I say to her
It was angry or happy? she asks, more like states
I don't know, all i said.

*But it's passion.
It's passion.
On the streets of new york city. That would make a good poem, right?
I’ve cried a lot over you
It was a nasty break up

When I left I said
We’re through
And
I’m never coming back

It’s been 18 years now
And I’ve seen and heard things about you
In the meantime

And I have to say
With no ill intent
That you have really let yourself go
I wasn’t prepared for this in coming back
It’s ironic because it’s why I left you

When I washed my hands of you
I consoled myself
With thinking
In fact
Knowing
That you were a *****
Who gave it up too easily
Or a monster like Frankenstein’s
Electrified on a table
Not quite dead
But not quite alive

A friend once said that you were
Always nicely coiffed
But walked about
With a long trail
of **** smeared toilet paper stuck
to the bottom of your superb shoe
Scraping under and behind
And unbeknownst to you

I’ve walked and walked
Everywhere
With a book
So as not to look
Crazy
And I’ve sat waiting
For you to appear
Suddenly

I’ve sniffed the air
For you
On this street and on that
Stalking you really
But you were gone.
I sat in that park for a long time

Washington Square
With my little book
After
One short story or two I closed the book
I left
There’s nothing here.
You’re gone.

The first time you made me stop
in my tracks completely
I was bewildered on First Avenue
heading south
It was long ago
Now I realize that it
was
a premonition
I was suddenly lost
I stared at the sign that read
K-I-E-V in neon to my left
I told myself
“You know where you are”
“You know exactly where are you are”
And in any event, keep heading south
“You know where you are.”

Upon my return
all these years later
it happened again on Canal
I stared hard at elderly Chinese couples
Hoping for eye contact
which I never got
Looking for an answer
An explanation
Their strategy for survival
Is this Co-Existence or a Time Loop gone WRONG?
How many of us are actually ghosts?
An old boyfriend told me once that they don’t like you.
And neither do the Poles.

“Is this the real life?”

I forgot until quite recently that
Not so long
afterwards
in Astor Place
I thought about you again
I thought that you must have moved over one block
West
But that’s just not possible.
It really is you.
This is you.

So casting you to the side
as I have done
As I had done
Will it help me at all?
Has it helped me at all!

Now I wonder if you are
a captive monster
rendered impotent
by steel and concrete?
Or a jammed low frequency
that dulls the mind
which Science won’t render mute?
Was it a healing potion
The perfect ratio
of
**** and **** and rage
That was
The Most Holy of Trinities?
Spurned and now this

If we made it again
A perfect batch
Could it re-start your heart and keep it
beating?
Like the Doctor in the stormy moonlight?

Do the tides help at all?
I don’t miss you if that’s what you’re thinking.
KD Miller Nov 2016
I heard passion on the streets of New York City
the sea foam of the sky hanging on the Persian shield watching over us
the gloaming brings retrospect
the healthy green pendant of the six train matches the bushes in the square
in Little Ukraine
it is dark
we bounce as we step
I know when I move I will
be on my own
she tells me she hears yelling. is it happy exclamation or anger
I don't know. I say. I don't know
Emma Zanzibar Aug 2011
The city sounds like the muted trumpet beats of a the nineteen year old protege.
Who is sitting in the shadow of the black cube sculpture on Astor Place.

There's a sixteen year old waiting for the subway,
She is singing alone, to You Make Me Feel So Young, while her absent-minded mother snaps along.

Tonight she will relive the boys she has known, who have held her waist and kissed her mouth and
She won't feel anything because
she is unconsciously dancing to the trumpet music and jazz playing around her in Washington Square.
Mikaila Nov 2013
When you get there
I wonder, will it be sunny
Or cloudy?
Will the streets breathe mist
The way I've always heard they do?
When you get there,
Will that strange light kiss your face
As tenderly as the sun does here?
It better love you right, London air.
When you get there
I wonder
Will there ever be a moment or two
As you wander down unfamiliar roads and lanes,
When you can feel me missing you?
I think all cities, all across the world,
Have some sort of connection,
Like a spiderweb of light
Netted over a cerulean marble.
I hope London will love you
Like I know my city loves you
(because I do and we love alike, New York and I)
Maybe I'll try my hand at a transmission overseas,
Like a telegram
But with feelings.
Maybe I'll go to my city
When you get to London- the very day-
And stand beneath the clock tower down at Astor Place
(where I first saw the city sky)
And wonder, like my five year old self did, if it looks anything at all
Like Big Ben.
Maybe I'll stand there and say hello to you,
As if my city will send a whisper
Halfway around the world
On the wind
To yours.
And if I do that
Who knows-
Maybe it really will
Get there.
The time machine was just a dream and
never real at all and
the unravelling of this travelling tale,over coffee,
under sail upon the ocean known as 'fail'
is one big disappointment to me.
I wanted to be there in Red Square when the flags came down,I
wanted to dance with Nancy Astor,
wanted to watch the disasters of wars,
watch Beethoven sweat over scores.
What a waste to be given a taste and have it taken away,
you say,
'yesterday is gone'
I think it's waiting somewhere to mess up our hair and blow through
the streets like it did once before,
one day we'll open the door and let it back in,
it's all in the mixing,
this fixing of time and
one day
today
the machine will be mine.
Monday Morning

When I opened the kitchen door the fridge had an attack of the shakes
then feel into dejected stillness which bayed in my ears.
To break this force of nothingness I spoke and sounded like a duck and
the beer bottle held in my clammy hand fell
with a foamy splash on the floor; wordless
Fear…why me?
The fridge rattled again but there was nothing of worth on its shelves other than bacon, eggs, cheese…Stop, I feel sick.
Turned on the tap and fat maggots dropped into my glass, that too ended
on the floor; fled, outside people, starred at me because
I was dressed in a red bathrobe with Hotel Astor stamped on the back.
wordvango Jul 2017
she walked along the avenue of Park
and Fifth street alone
with her parasol
a wool skirt down to her
ankles
past the Astor
past the Innocence
of her aspiring expensive tastes
her watching the others
buying happiness
she just visited
the showcases
walked slower in Greenwich Village
remembering the review
she read in Forbe's magazine
feeling so close
yet alone
Bruce Levine Aug 2018
I had a daydream
That I was transported back
To Old New York.
But the time was confused,
The eras overlapping.
Was I a New York Knickerbocker
Or a Gilded Age socialite?
Were my friends the Theodore Roosevelts
Or Mrs. Astor, the Vanderbilts,
Carnegies, Howells or Upton Sinclair?
With Gilded Age manners
And pride in couture.
Was I living on Washington Square
Or in a Fifth Avenue mansion?
The confusion was scary
And my timeline divided.
And yet there was something
That comforted me, held me
Like a blanket.
Society changes
But dreams are everlasting.
And Old New York remains a mem’ry;
Painting a picture,
Holding a candle, a gaslamp, a light
To brighten the moments
With happier eras,
And flights of imagination
Of times out of sight.
As Old New York remembers
The passage of time
That rekindles our passion
For elegance and splendor;
That brings on the daydreams
That remain Old New York.
Charles Sturies May 2018
An icky flophouse in downtown
LA,
The Astor Hotel- a famous New
York City Hotel,
The hotel breslin in midtown south
In N.Y.- an out of the way one
A rusty- watered motel room late at
Night on a lonely stretch of the
Jursey Pike,
A run down drive in Chapagin I stayed
In with a 'Girlfriend' so we could do it.
Evan Stephens Apr 2019
Neruda
my father,
Plath
my mother -
watch how
their child
eats the
raw
peach
fingers
of dawn
with
teeth
sharp
as poems.

Within
me, a
tower of
patience,
where
I stand
calm as
barefoot
trees.

It rains,
drops
fat as
cherry
stones,
as I
nestle
my stripe
against
my throat
in my
good
black
shoes,
aching
circles
of smiles
on my
cheeks.

Darling,
come hide
in my
heart
& peek
at the
soft
world
when
you are
ready.

There is
room for
both of
us in
here to
watch
the
accordion
of my
ribs
play
Astor
on loop
until the
cherry
rain
dies in
the branch
of sky,
revealing
the playing
card of
morning.

Occasionally
I will
pack a
suitcase
of language
and flee
to your
heart,
hiding
behind
the petals
of history
and art.
I know
I will
be safe
from
the shackles
of the
glacial
darkness.

Neruda
my father,
Plath
my mother -
I'm patient
& inevitable.
Love,
forgive
my queries
& take my
nine lives.

We have
claimed
the sun.
Come,
let us
steal the
moon, too.

— The End —