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Roam my beach
Where proof gets stranded
With every inch of water.
I will keep my secret shelter
In the dunes.

Here I dig to cover
(As the Nile's favourites once endured)
Ones like me.
I think.
I too built my sphynx to oulast
The odds, the waves,
And time.

Past the lawns of lakeshore
The family still waits
For the feast.
As for the calf, save the leather.
Rings don't look good on me.
What will come from all the rejoicing.
Oh god!

My brothers, Jake and Ben, understand:
The inheritance was never mine alone.
Let the feast begin.
Save me a seat.
I have an unusual friend. A small man with charms of a gentle redneck. He holds court in his garage for his acquaintances, those free or at large. His demeanour is rustic, but his wisdom self-taught. His name is Byron ( I know, it's too good to be true),  not lordly, but Byron likes the girls and light brew. Byron says, “I'll kick your ***.” every time we play golf. Not yet. His voice is chasmic and often influenced by distractions. And then on a cold, witch-***, heathcliffe driving winter's day, with the wood stove well-fired, a rascally friend opens the door, and Byron yells, “Shut the door. Do you think wood grows on trees.” On leaving the same day he advises me, “Don't slip on the ice. It's frozen.” I didn't tell  you Byron has one eye. Better yet, a patch on the other. He looks more like post Frodo  ignoring the “Don't run with scissors" warning from Mother Baggins, than he does Lord B. I dropped my pipe once on his garage floor. A special pipe. It's my bowling pipe. I don't smoke tobacco.  Byron thinks it clever to call me at work and tell my secretary he and I are bowling after school. Byron mixes metaphors. So, my pipe has dropped. Byron says, “ Let me help. Three eyes are better than two.” His cleverness can backfire. I tried to be sensitive, but there was neither an honourable or dishonourable way out. Byron hung an oak wood sign near his stove. He makes his own stain, and rubs it evenly in circles with his wife's old nylons. “It's great for the *******,” he'll quip. The two ***** of the sign are joined with leather straps and stainless steel studded to the wood. The letters painted within the stencilled lines are a dark, rich mixture. The joke. “Lift flap in case of fire.” Normally one lifts the flap. “Not now stupit. In case of fire.” I discreetly pointed out the t.The sign quietly disappeared and was never mentioned again. He'll never kick my ***.
To do something else; a picnic
Basket with salad
And a bottle of kiwi wine
On a blanket
In the garden
Is as good a place to sit and
Not talk
As any

Sun setting behind pines and
Birches
The land owner's five year old girl
Has kittens
On her summer dress

We laugh as she plays
With our cat
Which seems to have grown
Affectionate of
Her

And somewhere on Earth
Love finds its way
To the surface of itself
And takes a long
Awaited
Breath.
Wise scarecrow with
Awareness both harrowing and
fallowing, wisdom and knowledge.

Straw in glove you stand in a field
straw man, scarer, protecter of the
unseen world, and fields.

Kuebiko (崩え彦 "disabled prince")
you have no legs to roam,stood out in the wet and cold.
You and I Mr scarecrow are alike, no working legs.

Afflicted ******,our minds still know
Impaired we are a pair of straw myths
Because he stands all day outdoors, he knows everything
Because I sit all day indoors, I know time.
© JLB
Kuebiko (久延毘古?) is the Shinto kami ("god; deity") of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness.
 May 2014 William Crowe II
Sanaa
I want to feel your lips pressed against mine
as you moan my name
while I surrender a smirk
after you fall to my neck
and form rose petals above my shoulders,

I want to hear you speak
when it’s late and no one’s awake
when it’s you and me
beneath the trees and the towers
as we look from below
captivated by the canvas above us,

I wish to stay by your side
when you tell me you must leave
for your job or your mother
and I wish to linger as well
when you plead for my company
as I ignore my family.

If it weren’t against tradition
I would plant flowers on you
every time I’d think of your lips
and if it weren’t for our religion
I would sleep beside you
in the most innocent of the phrase
and literal in the sense
to stay by your anatomy
as our souls fly to the sky,

I am reluctant to enunciate these words to you
in worry that you’ll see me
the same no longer
because I hide behind a veil
through my speech and my stance,
the swaying and rustling skirt
when I find myself dancing
steps away from you
as we stroll by the beach,

Now I know this may not concern me
but if I were to speak
and unzip my censored language,
I would tell you
that I crave you
and your mind and your body and your soul
and I want you, all
with your scars and your moles
and the crooked smile
which forms above your chin
as you paint your lips
against mine.
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