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You Are the Texture

…………………………

~ for all of you,
you, you poet~



Impasto

is a technique used in painting,
where paint is laid on an area of
the surface thickly, usually thick
enough that the brush or  painting-
knife strokes are visible.

Paint can also be mixed right on
to the canvas. When dry, impasto
provides texture; the paint appears
as if, to be coming out of the canvas.


<1:47pm>

Cut & Paste

is a technique used in poetry writing,
we refer back to our visions, heard words,
the eyeful, the earful, scents, the reads read,
all in the mind’s palette blended, thickly, but
the merging fused, every word~in~coloration,
it is unique, reincarnation, copying impossible.

The imagery, cut and pasted from thy heart and
soul, upon canvas, your poems~pieces each appear
as you-are-texture, you becoming out of, you, the canvas.

<2:04pm>


Postscript*
………………

it is not lost on me that the
scars, our words,herein,
we note too frequently, almost casually,
are, can be, the selfsame
words/painting-knife
employed
for our first and foremost
canvas we utilize,
is ourselves…
our bodies, ourselves
Fri Jun 23
2023
On the white screen dance the stringed dots
Mind spilled codes of hieroglyphic thoughts
Slowly they emerge handholding lines
Not always yielding intended designs.
Something was brewing inside the head
Coaxing to weave and take it ahead
The drunken horses so wildly gallop
There is no leash to make them stop.
Nerves are taut and they won't relax
Till all is vented they reach the ******
It was thus fated the moment it was sown
What's to be grown could never be known.
As the fever wanes arrives the new child
It may be adored or it may be defiled
The canvas is washed clean as in the rain
Something is brewing to be vented again.
Some poems never end,
Nor were meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on,
Free to steal it,
For ownership passes to you,
with your first reading,
And lost when you close it,
Stamp it and release it into the atmosphere.

But some poems do. End.
Unique and distinct,
Pockmarked-faced at birth.
Owned by my initials,
Never to see the shelves of a
Lending Library.

Like this one:

Cannot remember a single day
When suicidal thoughts
Were not heard clearly above the fray
Of jingle-jangled, responsibilities
Demanding my immediate attention.


The end.


NML
a tribute

~

memories...
in fading sepia we find,
the romance of
another time;
albums filled
with black and white,
of glossy faces
burnt in fading light;
boxes of our ko-dak-chro-ments,
gone-by treasures,
once-upon-a-moments;
wistful years once crystal clear,
mem’ries drowned in haze,
resurface now,
renewed in tears,
...as we remember well.

memories...
the yellow ribbons tied,
’round an ol’ oak tree;
anxious waiting to make an “us”,
the anticipation of a “he and me”;
until the news from distant shore,
yet another casualty of war,
and now remains but this,
a marble slab inscribed,
in accolades of former glory,
merely remnants ’midst the pines;
on forest lawn where promises,
tween two for’er became untwined,
...as she remembers well.

memories...
so many are the ways
the mem’ry onward lives
even this, a,
“do this in...” request
restores a covenant anew
a "remembrance of..."
the “we” here left behind,
be it in the bread we break,
this forever to remind,
a sacrosanct entreaty made,
promise sealed as blood in wine,
reserving not for deities alone,
but given us immortal souls,
to us a gift at birth,
of staggering import,
responsibility of heavy worth;
of after-ashes keeping still,
an ever-after captured with
the shutter, brush and quill,
...so we remember well.

memories...
its keeping cherished lovingly
though its loss,
its diminishment bereaved;
as lovers silent grieve,
those lost to us yet breathe,
in memories ’midst the breeze.
forgetful of the slightest
until one day in finality
their mortal soul is set free
into immortality.
...to for’er remember.

memories...
to us, a call, a charge,
a “ne’er forget”
a duty large
a “do this in
remembrance of”
this our promise
to e’er remember,
always keep;
forgetting never,
to carry the flame,
while we yet live
in sunshine’s grip;
an oath is sworn,
that forever we,
shall always ready be,
for in remembering best,
the tears flow easily,
and so it isn't pity,
of a loss i seek,
no,
for ’tis in finding memory
that i shall always weep,
...as i remember well.

~

post script.

of love lost in the haze of war; of lives changing motion, a baby is born, as a grandmother moves into memory care... a cycle of life, brought full circle best in remembrance.  and this makes remembering perhaps the most important facet that defines, sets us apart as humans, best captured in this thought, "in forgetting the past we cease to be and bring hope forward for the future. and so we remember... for we must never forget!” and so we line our shelves, our walls with them, visiting inscribed stones behind fences.  

dedicated today to our memories each of loved ones, lovers lost; but on this dark eve, especially those who lost those souls, three thousand strong, a darkest day of remembrance, this September the eleventh, who never got to say goodbye... so we remember well!
Indeed

this important and yet impotent word,
sometimes hurled with mighty scorn,
or quiet whispered ruefully reflectively,
empowering, yet so weakly confessional, that
it is a word equally reveling in overarching wonder,
or a summarizing a simplicity of inability,
to surrender by weak agreement…

indeed,
 that selfsame word,
indeed,
I’ve employed usage unthinkingly casually,
mis-appreciating its power of causality,
used so often in poems, slipping it in to the
hilt, succinct dagger of irony, killing easily,
and yet only 17
thousand
poems of the mega-thousands here,
have been designated with the honorific
*#indeed
a  flawless poem
if such there were,
will always be,
the next one

my poor soul,
my rag tag heart
has no censor,
so careless, reckless,
as if words were but
frivolous treasures,
easy spent, easy get

if only, how I wish I
could harvest my best,
with golden cutlery excise
the single flawless poem,
that I know in my possess

lay down this hand so weary
from cupping tears,
be satisfied at long last,
so much so,
that my casket lowered,
hands in repose companioned,
clutching his best, easing his rest,
a paper record to join his ash,
his flawless poem,
at long last
Written in ten minutes when Frivolous Treasure, Ingrid, and SE Reimer
excised it from with me, a triage performed and a poem delivered, fluid and tear wet,  while Mozart's Serenade No. 13 for Strings harmonized what ever music the man has left.

flawless? Perhaps one slightly less flawed.

give us your names and I will write someday
what my heart knows exists

Words are hopeless, poor substitutes for what they in vain,and we too, we call the heart's decay but this poem give unto me a deeper satisfaction than most...
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