Submit your work, meet writers and drop the ads. Become a member
 
Your wounds bleed past tomorrow
an inconvenient truth
Unsutured blame — till death reclaims
its healing absolute


(Dreamsleep: March, 2024)
sometimes I feel invisible, sometimes I feel so seen
but mostly I exist inside the subtle in-between
I tarry in the stillness, let it satisfy my soul
but carry all the pieces that You give to make me whole

on paper I am brighter than the sun on any day
but underneath my skin I am another kind of way
I give up all the energy I have inside of me  
and leave myself with nothing more than everything I need

today I feel as visible as every kind of Grace
I walked into this morning knowing I would see Your Face
the papers I’ve been reading made their way out of my hands
so here I am rewriting all the words I know I can
slow down, you’ll get there.
I listened to the rhythms of my every single day
and learned that I throw daggers more than I could ever say
I keep my body grounded but I keep my mind afloat
still, every intercession comes from my own Spirit’s Hope

I listened to the words I kept on letting out of me
and learned that I can’t bury what I cannot not believe
You keep my body moving and You keep my mind intact
with every intercession, You make all of me come back
were built where the chickens did live

where the old cottages were and some time back a photo occurred to remind.

bungalows

seemed modern to me, then the Shirley’s came, Mr and Mrs, with two boys in short trousers.

brian and the other one

they had wallpaper with galleons on while we had distemper  that was best not to lean on

my mum looked after those boys and once took them to grans

think it was Brian who slipped on the glass roof he climbed and split his leg open

next to them were a lady who had a baby born and showed me how to breastfeed with a rubber **** and me a child under 8

i think there were three bungalows in all

them days mother did not shop at coop,  nor did her mother  either, something regarding dividends
Fifteen years going on sixteen,
well recall many pinprick
moments of our combinatory
existentialism

But an early moment reappeared,
in a period of contemplation as I
this morn, wove my way thru Manhattan
city streets, during my diurnal walk of
composition, a tradition Walt Whitman
passed on to me, in Leaves of Grass, so
over my Manhattan journey~obstacle course,
now a three times weekly endeavor, of
a two and one quarter miles duration,
this came unto me

Very early on, in our ro~dance
we attended some cocktail/
business function, properly attired,
a first for us, and thus a tad exciting,
and in the elevation machine at the
Waldorf Astoria Tower sky bounding,
she stun gunned me with the simplest
of positories…

How shall you introduce me?.

this nimble tounge, so rarely at a loss,
gave an intuitive and simple answer:
You are my girl friend, no pretense,
I proffered and she thoughtfully
replied,

While an absolute truth,
perhaps since I am a Nana,
over twice,
and you, a Grandfather
over thrice,
perhaps something less
juvenile is in order?


Mmm, perhaps you are right, then
let me suggest boldly to name you
as my lover, none other and let
their mouths fall agape so full
of their crackered
canapés?

She paused a moment on our ascent,
replying,

Undoubtedly true and such
a good lover are you, but the touch of ******
in many an impoverished mind, gives it a
tangy hint of the unseemly tho, b u t
if that’s your preference, lover will it be,
but perhaps wordsmith, you keep on trying?


Ah I knew a rejection letter when I got one,
so cruising higher, proffered a ‘my best friend?’
but her glance clearly indicated that suggestion,
wholly unworthy of my skilled verbosity and
more appropriate to a dodgy dog, if such I did
possess

The elevators of NYC, are sure and swift in
elevating its population, and a growling
desperado emotive was taking me hostage,
I had what is now a “3S look,” an abbreviation
for when I wear my Simply Stupefied Smile

Perhaps I may suggest that should the need
arise for you to introduce me in a phrase accurate
and simple, that might suffice?


Smilingly weakly, I, poet, awaited what surely
was to be an obvious solution to my wordy
and worldly failure,

Please introduce me as
Your Biggest Fan
and I shall, dear one,
if asked,
will offer you up as my
Only Love Poet


And to this day, when introduction~making,
I feel the sweet smile of an invisible and
silent kick in my humbled and egotistical
****
a mostly truish & lightly embellished story
flannel shirt and torn blue jeans
she always held her cards close
to her fragile heart
her wild heart

(a heart not for me)

and she fades into a cold wind
whitens into snowflakes
and wild infatuation

i'm faded

the torn page
from a list of lovers
broken and sad

my love is moonlight and mare's tails

the night's stars
shot full of lost tomorrows
***mares tails...are clouds that indicate a coming storm
~
March 2024
HP Poet: Caroline Shank
Age: 77
Country: USA


Question 1: A warm welcome to the HP Spotlight, Caroline. Please tell us about your background?

Caroline Shank: "I am 77 and I live in Milwaukee, Wisconsin. When I worked for Barnes and Nobel for ten years, customers asked me frequently for suggestions. I believe 'The Alexandria Quartet' by Lawrence Durrell is a serious contender for best prose fiction which has been written. Also 'The English Patient' by Michael Ondaatje is such a teaching tool on how to write the greatest novel ever written. I digress."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Caroline Shank: "I have been writing poetry since the adolescent striving of the very lonely. I am not sure how long I have been posting to Hello Poetry. At least 3 years, or maybe 5?"


Question 3: What inspires you? (In other words, how does poetry happen for you).

Caroline Shank: "The unusual image will send me running for pen and paper. Usually what inspires the senses: a wind, an odor or perfume. I still remember my love affair with Chloe perfume. And! English Leather! Those were the days. Great sadness or anger will send me to my laptop but those poems do not usually survive."


Question 4: What does poetry mean to you?

Caroline Shank: "Poetry means that I have a place in a wonderful place. Once in awhile."


Question 5: Who are your favorite poets?

Caroline Shank: "My favorite poet's are: T. S. Eliot, Rainer Maria Rilke (the Stephen Mitchell translations), E. E. Cummings. I am a fan of Sara Teasdale's, her From the Sea is amazing. I save Shakespeare for the best nuggets ever. Anna Peters, her “I Am Not a Gentle Person” is a tour'd if ever. I love the poetry that is a much needed relief from The Civil War. Especially Lorena. I guess that's a song. Only one poem of Ezra Pound's, The Metro. It is a graduate course in image exploration."


Question 6: What other interests do you have?

Caroline Shank: "I used to be a huge consumer of books. I read all the time. I find that at my age I can't keep reading without finding something else to do."


Carlo C. Gomez: “We wish to thank you for giving us this opportunity to get to know the person behind the poet, Caroline! We are honored to add you to this series!”

Caroline Shank: "Thank you, Carlo! I am very grateful for all the encouragement you have given me."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Caroline a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #14 in April!

~
Next page