...
I was born into this shadow of beauty we call the American dream, but I was raised in foreign silhouettes. The same exact silhouettes that raised my mother. My first memories were of her forest gods and alpine stories that have taught me how to write spiderwebs into the hearts of the miserable so my words could hold them together. My deadushka's magic could turn monsters into swans with a wink because his love was so contagious. My babushka's, on the other hand, showed me how to howl like darkness so even the wolves would know silence. I was born as spilled as it comes; as ink.  I now understand what tragedies look like at first;  ("Blessings")

As my mother picks her way across a war with me in her arms, the world catcalls that I am a half-blood puppet. The daughter with Russian strings and American footsteps. I arrive in America where I am reminded I belong here, but that was the first lie that my mother ever fed to me. To this day, it still tastes like expired love.

As my father spent all his kindness on me in the earliest years of my life I was given an English tongue and it bullied my Russian one into suicide. That is the only thing my father ever planted in me that he wanted to grow. Those seeds of words I would later bear fruit as ripe poetry.  Those fruit of the novels I will someday write as fiction into flesh. However, what is written beneath our skin doesn't necessarily always fit in our mouths. My father's greatest mistake was beating me into a ghost, but giving me the power to write about his hauntings.  His abuse moves into our house shortly after he realizes I am a tragedy, not a blessing.

As I write myself into the moon one day I will become, I meet a boy who's laughter makes all the planets look dull.  We learn to not walk like apologies, but like young legends. He was my first real taste of sunlight since I was brought here, and he spoke heaven into my eyes until I saw it. We loved each other like Peter Pan and Wendy did; deeply, cluelessly, and forever. Our immortality was a toy in the eyes of those who envied us. Yet he summoned the fires we should have feared as kids, but instead we stared into them and smiled. We were happy, and we were never sorry for that.

April 3rd, 2007. He died. That was the day I was old enough to grow out of a blessing and into the clothes of a tragedy. That was the day the heaven spilled from my eyes like the great flood and went with him. My mother theorizes that is why my eyes aren't as blue as hers anymore. The sounds of bullets hitting bodies today, even ten years later, between then and long ago, has the power to create painful afterimages of him. The post traumatic stress unfastens my blood from my my body and the poetry reacts by shutting me down all at once. Death asks me to write a spiderweb into his own heart, but I refuse.

I adopted grief into my family and he got along with abuse pretty well. To survive, I've left the nostalgia of that boy to hibernate deep in my bones.

Today is April 3rd, 2017.  I stand before a headstone that exists only sometimes in my head. I kneel before it and leave the skeleton of my love like a bouquet of roses. The shadows and silhouettes align, and I hold hands with both of them.

I weep as the odes of "it's not your fault" fall onto my ears like they do every year. From friends, lovers, and family. They mean well. Who knows, maybe someday I will have what it takes to believe them.

But he never grew up, so guilt still ***** it's wings here.

---"Sermons with a colorblind priest."

A Story of Scientology and the
Mental Health System Connection


MARILYN

"Her weapons were her crystal eyes... driving every man mad... (dark) as the dark night she was... had what no one else had..."
BANANARAMA "Venus"

Upon first meeting with Marilyn the first thing I was struck by were her eyes. If the eyes are the windows of the soul, hers were the stained glass of Winchester Cathedral. They were absolutely beautiful. Polished obsidion orbs that seemed to have an inner light for all their blackness. The second thing I noticed were her teeth. Strong. Perfectly even, and glistening white. Lastly her height and *figure. Again, I shall use the Winchester Cathedral metaphor... she was positively that... not just a brick house, she was marble! Cantilevered, with flying buttresses everywhere! WOW!

Now, I'm not a lesbian. But if I were, Marilyn would have been in trouble! I was to notice flaws in her looks as time went on. Her thick, shiny raven hair was poorly cut, and her face, while striking, was not all that beautiful. Her features were even and well proportioned, but she was not a classic beauty.  She was of arabic/caucasian liniage. If I were to be perfectly honest with myself, I noticed these imperfections because I was somewhat envious. She was a man-magnet. Ms Pac-Man! I'm not an ugly woman. But I couldn't hold a candle to Marilyn!

As fate would have it, I became her "twin". We were on the buddy system at the beginning of our Sea Org training, and I was paired up with Marilyn. As luck would have it, we hit it off. Even though I felt like a shadow next to her light, I also really liked her. And she liked ME. She never lorded her looks over me. Her brilliant smile could melt the stoniest heart. And we enjoyed the same things. Though she was no artist, she really appreciated art. I actually drew her portrait (which she kept and framed, she told me many years later). We would take long walks around the Hollywood area, and, when time allowed, went to the beach. Santa Monica Pier. She had a droll sense of humor which i could appreciate, and i made her laugh, too. We got along very well.

Our Mission, should we decide to accept it (or NOT), was to write letters to people who had, at one time, been interested in scientology, or the Sea Org (not necessarily in that order). We were told that we to up our "statistics" daily. All jobs were measured statistically. Now, even at THAT age, I knew the Samuel Clemmons quote, "There are lies. **** lies. And statistics." But i thought it prudent not to mention that to anyone.

So, we were to write letters. We worked out a system for staying "upstat". We figured if we wrote LONG letters, and took breaks at first, then wrote shorter letters as time went on we could "beat the system". So we did. We never competed with each other. I was slightly faster than she (I'm a writer, obviously) but she didn't care. I could write. But she could spell. I was never good at that (I HAVE autocorrect on my phone, lol!).

Our I/C (in charge) never really bothered us. We were "upstat". So we joked around and had fun with it. We were allowed to go out and have a little time off occasionally.
I remember going to see the first STAR WARS movie with Marilyn and another dude who was totally smitten with her. She didn't even feign interest, even if he WAS very funny, and good looking in a diminutive way. But he was around her in a holding patern! Like a hummingbird to a honeysuckle! Shaharizade had mesmerized him with her seven veils! But the poor man never got anywhere. So he started to evince interest in me! But got nowhere in that arena either! Poor dude! So, that's how it worked. Marilyn would draw masculine attention. And, eventually, I would be "second pick". Oh, well. I knew better than to "get involved". There was a strict rule about "fratenization". A polite term for ***". THAT was VERBOTEN! It was grounds for RPF, should the partners be unmarried. And since I had NO desire to marry any of them, those dudes were out o luck.

Time went on. FRU  (Flag Recruit Unit) didn't seem so bad! And then there was the lure of my final destination. Flag Land Base... Finally I was ready to take my

...*1,300 mile Greyhound bus!

Sometimes, change is easy
It feels like trying on a new pair of shoes from a favorite department store
If the change feels good and fits, you move forward
You wear change like a badge of honor, a personal achievement
Then, feeling accomplished and joyful, with your chin raised a little higher, you let change enrich your spirit, a necessary transfusion to the soul

Sometimes, change is ugly
It feels like sticking bare feet into a thick  mud and wondering why there is resistance
You swing wildly at the fear, as if there was actually someone there
The possibility of change turns you into the victim and the aggressor, fighting tooth and nail to protect the now
Then, spent and weary, when your defenses are low, you let change break through, like water overflowing a dam

Riding high on crests
Whispers hidden 'neath the waves,
Our desire to drown