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Eugene Mar 2018
Tag-araw na naman at tuwing sasapit ang buwan ng Marso, Abril at Mayo ay malimit pumunta sa isang hindi pamilyar na lugar ang magkakabarkadang sina Potsi, Tapsi, at Seksi.

Ang pagpunta sa baybayin o beach ay nakagawian na nilang gawin taon-taon. Ito rin ang kani-kanilang paraan upang pansamantalang makalayo sa napaka-abalang lugar sa Kamaynilaan.

"Pots, Sek, saan naman ang destinasyon natin ngayong taon? Malapit na ang holy week. Kaya dapat mayroon na tayong napagkasunduan," tanong ni Tapsi.

Tapsi ang palayaw na binigay sa kaniya ng kaniyang magulang dahil paborito niya ang pagkain ng iba't ibang uri ng tapa na may sinangag. Ang totoo niyang pangalan ay Mateo Paulo Sibucay.

Dahil dalawa lang naman silang lalaki, siya ang may pinakaguwapong mukha maliban na lamang kay Seksi na maganda dahil babae ito. Itinuturing din siyang hunk sa kanilang kompanya sa matikas na pangangatawan nito kahit hindi naman siya pumupunta sa gym.

"Perfect ang Laiya, Taps, Pots! Ano agree kayo?" namumungay ang mga mata ni Seksi nang sagutin nito ang tanong ni Tapsi.

Si Seksi, gaya ng palayaw niya ay kakikitaan naman ito ng kakaibang kaseksihan sa katawan. Malakas man itong lumamon ay hindi naman ito tumataba. Mahilig siya sa mga matatamis at paborito niya ang pagkain ng iba't ibang uri ng keyk. Ang tunay naman niyang pangalan ay Katarina Sek Javellana.

"Basta may mabibilhan ng pagkain kapag nagutom ako, okay na okay sa akin ang lugar, Taps at Sek," sagot naman ni Potsi habang may hawak-hawak na dalawang jolly hotdog sa kaniyang mga kamay.

Kulang na lamang ay mabilaukan ito dahil panay ang lamon nang lamon nito kahit may nginunguya pa sa bunganga. Siya ang mataba sa kanila pero ayaw niyang tinatawag niyang tawaging mataba. Mas gusto niya ang salitang chubby dahil cute daw ito sa pandinig niya. Ang tunay naman niyang pangalan ay Pocholo Travis Sigalado.

"Nakakahiya ka talaga, Potsi. Mabilaukan ka oy!" wika ni Tapsi.

"Heto, tissue o! Sahurin mo ang mga nahuhulog. Sayang din iyang pagkain. Alalahanin mo na maraming mga bata ang nagugutom sa kalsada," sabay abot naman ng tissue ni Seksi kay Potsi.

"Kaya nga sinisimot ko ang pagkain kasi sayang 'di ba?" ngunguso-ngusong sagot ni Potsi habang nagpapatuloy sa pagnguya sa kaniyang kinakain.

"Saan ba ang Laiya, Sek?" ani Tapsi.

"Sa Batangas lang naman siya. Mga isa't kalahati hanggang dalawang oras ang biyahe mula sa Maynila. Set na natin?" nakangiting sagot naman ni Sek habang ang dalawang hinlalaki ay naka-senyas ng aprub.

"Sa Black Saturday tayo pumunta para madami tayong makikitang mga tanawin!" gulat naman ang dalawa sa sinabi ni Potsi at pansamantala pang nagkatitigan sina Sek at Tapsi. Pagkatapos no'n ay nagsipagtawanan sila.

"Agree ako diyan sa Sabado de Gloria. Teka, 'di ba sa susunod na linggo na iyon?" ani Tapsi.

"Okay lang iyon, handa na rin naman tayo palagi e. Kaya walang problema. Sasakyan ko na lang ang gagamitin natin para makatipid tayo sa gasolina," si Potsi na ang sumagot matapos uminom ng mountain dew.

Tumango na lamang ang dalawa dahil alam naman nilang sa kanilang tatlo ay si Potsi ang laging handa. Minsan nga ay si Potsi na ang taya sa kanilang summer outing taon-taon e.

"At kung may problema kayo sa budget, ako na rin ang bahala ha? He-he," tatawa-tawang sabi ni Potsi na ikinatawa na rin naman ng dalawa.

"Maasahan ka talaga, Potsi! Gusto mo order pa kami ng pagkain sa iyo?"

Masayang nagtatawanan ang magbarkada sa Jollibee nang mga oras na iyon dahil sa kaibigan nilang si Potsi. Pare-pareho na rin naman silang may mga trabaho. Kaya wala nang problema sa kanila ang pera.

#TravelFriendsGoals ang motto nilang tatlo. Si Tapsi ay isang Real Estate Broker agent habang si Seksi naman ay isang Fashion Model at si Potsi ay isang Food Blogger. Lahat sila ay iisa ang hilig--ang maglakbay at libutin ang mga natatagong lugar sa Pilipinas.

*

Lumipas ang isang linggo, araw ng Sabado ay maagang umalis mula sa Quezon City ang magkakaibigan. Gamit ang sasakyan ni Potsi na Toyota Revo ay bumiyahe na sila. Si Potsi ang nagmamaneho, si Seksi naman ang tumitingin sa mapang dala niya habang si Tapsi ay panay ang kuha ng litrato sa sarili sa likuran ng sasakyan.

"Hindi ka ba nagsasawa sa mukha mo, Taps? Guwapong-guwapo ka sa sarili a!" tanong ni Potsi habang tumitingin-tingin sa rear-view mirror ng sasakyan. Nginitian na lamang siya ni Tapsi.

"Hayaan mo na 'yang broker nating kaibigan. Alam mo namang siya lang ang may magandang mukha sa inyong dalawa. Ha-ha," asar ni Sek kay Potsi.

"Anong guwapo? E kung pumayat ako 'di hamak na mas may hitsura ako kay Taps!" depensa naman ni Potsi.

"Oo na, Pots. Mas guwapo ka naman sa akin ng kalahating paligo lang naman kapag pumayat ka 'di ba? Bakit kasi ayaw mo akong samahan sa gym para makapag-work-out ka na rin at mabawasan ang bilbil mo?" ani Tapsi kay Potsi.

"Gusto mo ibaba kita sa gitna ng kalsada, Taps? At saka, hindi ko na kailangan mag-gym. Food is life. Enjoy life, enjoy goya sabi ng commercial ni Kim Chiu," naiinis na nagpapatwang sagot naman ni Potsi habang nakatuon pa rin ang atensiyon sa kalsada. Lihim na lamang na natawa si Seksi sa dalawang kaibigan.

"Ikaw naman, hindi na mabiro. Alam mo namang love kita e lalo na nang malaman kong love mo abs ko! Ha-ha," pang-aalaska na naman ni Tapsi.

"Mukha mo! Mas marami akong abs sa iyo, tabs nga lang at malalaki pa! Ha-ha," napuno na naman ng tawanan ang loob ng sasakyan. Asaran kung asaran. Iyan ang nakasanayan na nila.

Lumipas ang isang oras na biyahe ay nakatulog na sina Tapsi at Seksi habang si Potsi ay gising na gising ang diwa dahil habang nagmamaneho ay panay ang dukot nito sa baon niyang mga pagkain malapit sa kaniya.

Dumaan pa ang isang oras ay napansin ni Potsi na parang may mali sa direksyong tinatahak nila. Agad niyang kinuha ang mapang dala ni Seksi at tiningnan ito. Dahil hindi niya kabisado ang nakapaloob sa mapa, ginising na lamang niya si Seksi.

"Sek! Sek! SEEKKK!" tulog-mantika ang babae, kaya sumigaw na lamang si Potsi na ikinagulat din ni Tapsi sa back seat.

"Sorry. Naliligaw yata tayo. Tingnan mo ang mapa, Sek," agad namang tiningnan ni Seksi ang mapa at sinipat-sipat ang kinaroroonan nila.

"Ihinto mo nga ang sasakyan muna, Pots," sinunod naman nito si Sek at pansamantalang itinigil ang sasakyan.

"Ano, naliligaw na ba tayo, Sek?" binali-baligtad pa ni Seksi ang mapa para lang siguraduhing tama ang tinatahak nilang lugar patungo sa isang sikat na resort sa Laiya, Batangas. Ngunit, may napansin siyang kakaiba.

"Nasa Laiya na nga tayo, guys pero bakit tila napadpad tayo sa isang gubat na ito?" lahat ay napatingin sa itinuro ni Seksi sa mapa at binasa ang nakasulat doon.

"Satur-Death? Ano iyan? Hindi mo ba nakita ang lugar na iyan diyan sa mapa, Sek?" tila may kung anong kakaibang simoy ng hangin naman ang dumampi sa mga balat ng magkakaibigan ng mga oras na iyon matapos sambitin ang katagang Satur-death.

"Patingin nga? Kinilabutan ako sa pangalan e. Satur-death, tunog saturday o sabado tapos may death? Kamatayan? E 'di ba sabado ngayon? Don't tell me may mangyayaring hindi maganda sa atin?" sabay-sabay na nagkatinginan ang tatlo habang nakatigil ang sasakyan sa gitna ng kalsada na hindi pamilyar na lugar. Tahimik ang lugar na iyon at ni busina, tunog o mga sasakyan ay wala kang maririnig o makikitang napapadaan.  

"Ang mabuti pa, bumalik na lang tayo sa kung saan tayo kanina nanggagaling. Baka mali lang talaga ang napasukan natin. Baka shortcut lang ito, guys," nagtatapang-tapangang wika ni Seksi.

"Ang sabi sa pamahiin, kapag naligaw daw tayo, hubarin natin ang mga damit natin," nagpapatawang wika ni Potsi.

"Anong hubarin? Baka ang ibig **** sabihin, baligtarin!" pagkaklaro ni Tapsi.

"Pareho lang naman silang may 'rin' sa dulo e," dagdag pa ni Potsi. Napailing na lamang sina Tapsi at Seksi at naghubad na lamang upang baligtarin ang kanilang damit.

Matapos baligtarin ang damit ay pinaandar na ni Potsi ang sasakyan. Dahan-dahan na lamang niya itong minamaneho upang makabisado ang kalsadang kanilang tinatahak.

Tatlumpung minuto na ang nakalilipas nang matagpuan nila ang isang karatula sa gilid ng kalasda na nakadikit sa isang puno.

"THIS WAY TO LAIYA!"

Agad na nabuhayan ng loob ang magkakaibigan dahil sa nakitang sign board na nang tingnan nila sa mapa ay nakaukit naman iyon.

"Deretso na lang tayo, Potsi at mararating na natin ang mismong resort sa Laiya," iyan na lamang ang nasabi ni Seksi nang mga oras na iyon.

Nang malampasan nila ang karatula ay bigla na lang naging makulimlim ang kalangitan at biglang bumuhos ang ulan. At hindi nila inasahan ang isang palasong bumutas sa kaliwang gulong ng sinasakyan nilang Toyota Revo.

Gulat na gulat ang mukha ng magkakaibigan nang biglang gumewang-gewang ang sasakyan at nabundol ito sa isang puno. Mabuti na lamang at hindi sila napuruhan. Kaunting galos lamang ang kanilang natamo kaya agad din nilang inayos ang mga sarili.

Nang mga oras na iyon, sa side-mirror ng sasakyan ay may napansin si Seksi na papalapit sa kanilang kinaroroonan. Nang ilang metro na lamang ang layo nito sa kanilang sasakyan ay nakita niyang may hawak itong pana at palaso. Pinakawalan niya ito at tumama kaliwang bahagi ng side-mirror.

"BABA! LABAS! Takbo na tayo! May gustong pumatay sa atin. Labas na!" sa taranta ay isa-isang nagsilabasan sa loob ng sasakyan ang magkakaibigan. Napasubsob pa ang mukha ni Potsi sa damuhan pagkababa nito. Agad na inalalayan siya ni Tapsi upang makatayo habang si Seksi naman ay sumisigaw na.

"Takbo! Takbo na! Bilis!"

Walang lingon-lingon ay agad na silang nagsitakbuhan ngunit hindi pa man sila nakakahakbang ay isang palaso ang tumama sa kaliwang binti ni Potsi dahilan upang mapabitaw ito sa balikat ni Tapsi at natumba.

Napahiyaw sa sakit si Potsi. Gulantang naman ang mukha ni Seksi. Nagmadali siyang balikan ang kaibigan at tinulungang makatayo si Potsi dahil malapit na malapit na ang salarin sa kanila.

"Iwan niyo na ako, Taps, Sek!" kitang-kita na sa mga mata ni Potsi ang panghihinat at takot nang mga oras na iyon. Kahit umuulan ay pansin na pansing naluluha na ang kaibigan.

"Hindi ka namin pwedeng iwan dito, Pots! Sama-sama tayo! Sek, bilis iangat natin si Pots. Isa, dalawa, tatlo!" kahit mabigat ay nagawa pa rin nila itong itayo upang makatakbo at makalayo sa kung sino man ang gustong pumatay sa kanila.

Nang muli na silang hahakbang ay hindi nila napansin ang paglapit ng hindi pamilyar na nilalang at itinarak sa likuran ni Potsi ang matulis na palaso. Agad na lumingon sina Tapsi at Seksi sa salarin nang sumigaw nang malakas si Posti.

Doon ay mulagat silang pareho nang isa na namang palaso sana ang tatama at itatarak kay Sek. Mabuti na lamang ay maagap si Tapsi. Binitawan niya si Potsi at agad na sinugod ang salarin.

Parang torong iniuntog ni Tapsi ang ulo niya sa tiyan nito at pareho silang natumba sa magkabilang direksyon. Nang mga sandaling iyon, habang patuloy sa pagbuhos ang ulan ay naaninag ni Seksi ang mukha ng gustong pumatay sa kanila.

May suot itong maskara sa mukha na ang tanging makikita ay ang mga mata lamang niya. Ang mga balat sa leeg, kamay at paa ay parang bangkay na naagnas. Matatalim din ang mga kuko nito sa mga kamay at paa.

Itinuon ni Sek ang atensiyon sa kaibigang si Potsi na nang mga oras na iyon ay tila nawalan ng malay. Niyugyog-yugyog niya ang kaibigan. Pinakiramdaman niya rin ang pulso nito at pinakinggan ang tibok ng puso. Doon ay napagtanto niyang may pag-asa pa si Potsi.

"Taps! Buhay pa si Potsi!" sigaw niya sa kaibigan.

"Tumakas na kayo, Sek! Ako na ang bahala rito! Alis na!" agad na sinugod si Sek ng kaharap at nahagip ng tulis ng palaso ang kaniyang braso dahilan upang makaramdam siya ng hapdi.

Hinila-hila naman ni Sek si Potsi upang dalhin sa ligtas na lugar. Kahit hindi kaya ng kaniyang mga braso ay pinilit niya pa ring hilahin ito.

Samantala, dinampot ni Tapsi ang palasong nabitawan ng may sa kanibal na nilalang at pinatamaan ito sa pamamagitan ng pagtarak ng palaso. Parang gutom na gutom naman ito dahil naiilagan niya ang bawat pagtarak sa kaniya ng palaso.

Animo ay isang baliw na nakakita ng kaniyang laruan ang kaharap ni Tapsi. Hindi naman nagpatalo ang huli. Nang muling itatarak sa kaniya ang palaso ay napigilan niya ito at sinipa sa gitnang hita ang kaharap. Napahawak naman ito sa kaniyang hinaharap. Hindi na rin sinayang ni Tapsi ang pagkakataon upang makaganti.

Agad niyang kinuha ang palasong nabitawan niya at itinarak iyon sa leeg. Makailang beses niyang hinugot-baon ang palaso at itinarak muli sa iba pang bahagi ng katawan nito. Sa leeg, sa mata, sa butas ng tainga maging sa bunganga at ang panghuli sa puso nito.

Hingal na hingal man si Tapsi ay nagawa pa niyang tanggalin ang nakabalot na maskara sa mukha ng kaniyang kalaban at doon nakita ang inuuod-uod ng mukha. Hindi niya nasikmurang pagmasdan kaya nasuka si Tapsi. Kinalaunan ay pinuntahan na lamang niya si Sek na hindi pa rin nakakalayo sa kakahila sa kaibigang si Potsi.

Punong-puno ng dugo ang mga kamay, mukha at kasuotan ni Tapsi nang makita siya ni Sek. Nahuhugasan lamang iyon sa bawat patak at buhos ng ulan.

"Kailangan na nating makaalis dito, Taps. Kailangan maisugod si Potsi sa ospital!"

"Saan tayo hihingi ng tulong e, nakita mo namang mukhang halimaw ang nakalaban ko, Sek,"

"Si Potsi, Taps. Anong gagawin natin? Marami ng dugo ang nawala sa kaniya,"

"Hindi ko alam pero sana tumila na ang ulan nang makita na natin ang dinadaanan natin para makahingi tayo ng tulong. Tulungan mo na akong buhatin si Potsi. Siguro naman--"

Hindi pa natatapos ni Tapsi ang kaniyang sasabihin nang maramdaman niyang may matulis na bagay ang tumusok sa kaniyang batok na tumagos sa kaniyang lalamunan.

Sigaw naman nang sigaw si Sek at hindi na malaman ang gagawin. Nakita niyang may papalapit naman sa kinaroroonan nila. Kailangan na niyang iwanan ang mga kaibigan at iligtas ang kaniyang sarili para makapagtago.

Sa isang malaking puno sa 'di kalayuan ay doon nagtago si Sek. Tanging mga mata na lamang niya ang nagmamasid sa kung ano ang puwedeng gawin ng mga ito sa kaniyang mga kaibigan.

Katulad ng napatay ni Tapsi ay ganoon din ang mga hitsura ng kani-kanilang balat at mukha. Katulad sila ng mga kanibal na gustong pumatay ng tao. Isang babaeng may mahahabang buhok ang may hawak na tabak ang walang kaabog-abog na tumabas sa leeg ni Tapsi.

Gustuhin mang sumigaw ni Sek ay hindi niya magawa. Tinakpan na lamang niya ang kaniyang bunganga at parang gripong sunod-sunod naman sa pag-agos ang kaniyang mga luha nang makita ang sinapit ng kaibigang sina Tapsi at Potsi.

Gamit ang tabak ay isa-isa naman nilang pinagtataga ang katawan ni Potsi. Pinutulan nila ito ng braso at ibinigay sa isang maliit na batang sabik na sabik na kainin ito habang ang isang may katangkarang lalaki ay panay ang sipsip at dila nito sa ulong-pugot ni Tapsi.

Duwal na duwal na si Sek nang mga oras na iyon at agad na nagsuka. Sa kasamaang palad ay matalas ang pandinig nila at narinig siya ng isang matangkad na lalaki at inamoy-amoy ang paligid upang malaman ang kinaroroonan niya. Pigil-hininga naman si Sek at isiniksik ang sarili sa punong pinagtataguan niya. Takip-takip na rin niyang muli ang kaniyang bibig upang pigilan ang kaniyang paghikbi.

Nakiramdam pa si Sek sa kaniyang paligid kung naroroon pa ang mga halimaw. Tanging ang pintig na lamang ng kaniyang puso ang kaniyang narinig nang mga sandaling iyon kaya naman ay marahan siyang tumingin sa direksyon kung saan naroon ang kaniyang mga kaibigan.

Isang mata pa man lang ang kaniyang nailalabas nang biglang bumulaga sa kaniya ang isang inuuod na mala-demonyo ang mukhang nakangiti sa kaniya at hinawakan siya sa buhok.

Nagpupumiglas si Sek at pilit na tinatanggal ang kamay nito sa buho. Pero isang malakas na suntok sa sikmura ang kaniyang natikman. Agad siyang kinaladkad habang nakahawak pa rin ito sa kaniyang buhok at dinala sa kinaroroonan ng kaniyang mga patay na kaibigan.

Napatakip na lamang sa kaniyang bibig si Sek nang mapagmasdan ang sinapit ng kaniyang mga kaibigan sa kaniyang harapan.

Hawak-hawak pa rin ng lalaki ang kaniyang buhok ay agad na itinutok sa kaniyang leeg ang matulis na tabak. Pigil hininga at lunok-laway na lamang ang nagawa ni Sek nang unti-unting hinihiwa ang balat sa kaniyang leeg hanggang sa maabot ng tabak ang ugat nito. Sabay-saba
A ride in the metro
is always an adventure.
Getting coins for departure.
Waiting for the trains.
with baggage in hands.
Roughed up buns.
Messed shirts.
Oversized sweaters.
skinny jeans.
converse shoes.
Green bag.
Glasses on.
earphones in.

The metro runs like a bird
running for rescue
of her child in trouble.
Blows off all the hair.
trying to gather balance,as
it almost blew me off.

getting in is a mission.
for first timers like me,
we like to be polite
and let others get in
and get out
before we could.
even if it meant you have to
wait for another to come in.


Getting in was an
ACCOMPLISHMENT.
with all people staring at you.
like you are welcomed as
an angel in hell.
i manage to get a hold of a handle.
surviving till your stop is
horrendous.
ranging from
smelly armpits
to foul smelled oiled hair
to watching cheap gel
used on scanty hair,
to seeing weird chick humming songs
as if nobody;s watching them lip sync
as if they were
auditioning fro their life's
biggest concert
to people staring you
like you'll just get *****,
to guys reading scandalous and
****** news
deeply interested
to people who like it
when girls fall on them.

Its a funny trip.
to girls talking about how
romantic is their friend's boyfriend
to couples getting an excuse
to get close to each other
and holding hands.
Wow.


A metro ride is
a new adventure
altogether.
everyday.New people.
New places.
New experiences.
NEW life.
NEW everything.

I liked it today.
for a change.
sigh.
a normal ride from the metro for shopping my new glasses .and while the trip,was the above mentioned,funny and interesting new experience.
Liam Lockey  Aug 2013
Metro
Liam Lockey Aug 2013
I know that look upon your eyes,
As we're waiting in the busy line.
Tell me that it's a big surprise,
But I know that you'll never be mine.

So we'll board this busy train
Glad you'll never know this pain
Just a couple days ago
We were riding on the metro
I'm gonna let you go,
Can't keep holding on.

Just a couple more stops to our town,
As you tell me about your little world.
Can't you see me, that I'm feeling down?
But you're looking at the pretty girls.

So we'll board this busy train
Glad you'll never know this pain
Just a couple days ago
We were riding on the metro
I'm gonna let you go,
Can't keep holding on.

Sing it with your old guitar
Old friend you'll go far
Just another one last drink
So I've got time to think
Make your mind up
Because I've been in love

So we'll board this busy train
Glad you'll never know this pain
Just a couple days ago
We were riding on the metro
I'm gonna let you go,
Can't keep holding on.
Hewasminemoon Jul 2015
Scene VI – The Car Ride


Location notes: Quai Henri IV is located on the Right Bank just west of Pont d’Austerlitz.

Jesse: Glad somebody does. Now, this is better than the Metro, right?

Céline: Definitely!

(The camera cuts ahead of the car, leading it as it pulls onto the main road. The conversation continues.)

Céline: I was thinking...for me it's better I don't romanticize things as much anymore. I was suffering so much all the time. I still have lots of dreams, but they're not in regard to my love life. (Cut to interior of the car.) It doesn't make me sad, it's just the way it is.

Jesse: Is that why you're in a relationship with somebody who's never around?

Céline: Yes, obviously, I can't deal with the day to day life of a relationship. Yeah, we have, you know, this exciting time together and then he leaves, and I miss him, but at least I'm not dying inside. When someone is always around me, I'm like suffocating!

Jesse: No, wait, you just said that you need to love and be loved...

Céline: Yeah, but when I do it quickly makes me nauseous! It's a disaster... I mean I'm really happy only when I'm on my own. Even being alone...it's better than...sitting next to a lover and feeling lonely. It's not so easy for me to be all romantic. You start off that way and after you've been ******* over a few times...you...you…you forget about all your delusional ideas and you just take what comes into your life. That's not even true I haven't been...******* over, I've just had too many blah relationships. They weren't mean, they cared for me, but... there were no real...connection or excitement. At least not from my side.

Jesse: God, I'm sorry, is it...is it really that bad? It's not, right?

Céline: (Shaking her head with eyes nearly watering.) You know...it's not even that. I was...I was fine, until I read your ******* book! It stirred **** up, you know? It reminded me how genuinely romantic I was, how I had so much hope in things, and now it's like...I don't believe in anything that relates to love. I don't feel things for people anymore. In a way...I put all my romanticism into that one night, and I was never able to feel all this again. Like...somehow this night took things away from me and...I expressed them to you, and you took them with you! It made me feel cold, like if love wasn't for me!

Jesse: I... I don't believe that. I don't believe that.

Céline: You know what? Reality and love are almost contradictory for me. It's funny...every single of my ex’s...they're now married! Men go out with me, we break up, and then they get married! And later they call me to thank me for teaching them what love is, and…

Jesse: (Smiling sympathetically.) Oh God. (Rubs his face with both hands.)

Céline: …and that I taught them to care and respect women!

Jesse: (Pointing at himself.) I think I'm one of those guys.

Céline: (Yelling.) You know, I want to **** them!! Why didn't they ask ME to marry them? I would have said "No", but at least they could have asked!! But it's my fault, I know it's my fault, because...I never felt it was the right man. Never! But what does it mean the right man? The love of your life? The concept is absurd; the idea that we can only be complete with another person is...EVIL!! RIGHT??!!

Jesse: (Sheepishly.) Can I talk?

Céline: (Speaking more quietly.) You know, I guess I've been heartbroken too many times. And then I recovered. So now, you know, from the starts I make no effort…because I know it’s not going to work out, I know it’s not going to work out.

Jesse: You can't do that. You can't do that, you can't live your life trying to avoid pain, at the expense of en...

Céline: (Interrupting.) OK, you know what? (Moving her fingers to mock the movement of Jesse’s mouth as he speaks.) Those are words! I've gotta...I've gotta get away from you. (To Philippe.) Stop the car, I want to get out!

Jesse: No, no, no, don't...don't get out.

Céline: You know, it's being around you...

Jesse: Keep talking...

Céline: (Jesse grabs her arm) Don't touch me! (Slaps his hand.) You know, I wanna get on a cab...

(To Philippe.) Monsieur! Arretez-vous! Non, non, c'est bon, au feu la! Juste au feu, au coin, il y a un metro meme! Je veux prendre le metro. (Sir, please stop! No, no, it’s okay, at the next traffic light, at the corner, there is even a metro! I want to take the metro.)

Jesse: (To Philippe) No, no, no, keep going... (To Céline) No, listen, I'm just so happy... (To Philippe) Thank you, just keep going...(To Céline.) Alright. Look, I am just so happy, alright...to be with you. I am. I'm so glad you didn’t forget about me. OK.

Céline: No, I didn't...and it ****** me off, OK? You come here to Paris, all romantic, and married, OK? ***** you! Don't get me wrong, I'm not trying to get you or anything. I mean, all I need is married man! There's been so much water under the bridge, it's...it's not even about you anymore, it's about that time, that moment in time that is forever gone, I don't know!

Jesse: You...you say all that, but you didn't even remember having ***. So...

Céline: (Flatly, with resignation.) Of course I remembered.

Jesse: (Confused.) You did?

Céline: Yes! Women pretend things like that. I don’t know…(Laughs.)

Jesse: (Still confused.) They do?

Céline: Yeah, what was I supposed to say? That I remember the wine in the park and...us looking up at the stars fading away as the sun came up? We had *** TWICE (claps her hands), you idiot!

Jesse: Alright, you know what? I'm just...happy to see you, even if...you've become an angry, manic depressive activist. I still like you! I still enjoy being around you!

(Reaches out to touch her face, but pulls his hand back quickly, before she notices.)

Céline: And I feel the same. (Laughing.) I'm...I'm sorry, I don't know what happened. I just...I had to let it all out. I...

Jesse: Don't worry about it.

Céline: I'm so miserable in my love life, in my relationship, I always act as... like...you know, I'm detached, but I'm... I'm dying inside. I'm dying because I'm so numb. I don't feel pain, or excitement. I'm not even bitter, I'm just...uh…

Jesse: You think you're the one dying inside? My life is twenty four-seven...BAD.

Céline: I'm sorry.

Jesse: No, no, no...I mean, the only happiness I get is when I'm out with my son. I've been to marriage counseling, I've done things I never thought I would have to do. I lit candles, bought self-help books, lingerie...

Céline: Did the candles help?

Jesse: HELL. NO. (Plaintively.) Alright, I don’t love her the way she needs to be loved, and...I don't even see a future for us. But then I look at...at my little boy, sitting at the table across from me, and I think I would suffer any torture to be with him for all the minutes of his life. You know, I don't wanna miss out on one. But then...there's no joy, or laughter, in my home. You know, and I don't want him growing up in that!

Céline: Oh, no laughter? That's terrible. My parents have been together for 35 years and even when they have a bad fight they end up laughing like crazy.

Jesse: I just...I don't wanna be one of those people who are...getting divorced at 52 and falling down into tears admitting that they never really loved their spouse, and they feel that their life has been (waves his hand, as if being pulled) ****** up into a vacuum cleaner! You know, I want a great life. I want her to have a great life. She deserves that! Alright? But we're just living in a pretense of a marriage, responsibility and all these...just...ideas of how people are supposed to live. Then I...I have these dreams...

Céline: What dreams?

Jesse: (Looks away distantly, eyes starting to water.) I have these dreams, you know, that I’m…I'm standing on a platform, and uh, you keep going by on a train, and...you go by, and you go by, and you go by, and you go by, and I wake up with the ******* sweats, you know? And then I have this other dream, oh...where you're...pregnant, in bed beside me, naked, and I want so badly to touch you, but you tell me not to and then you look away and...and I...I...I touch you anyway, right on your ankle and your skin is so soft and I wake up in sobs, alright? (Inhales deeply.) And my wife is sitting there looking at me, and I feel like I'm a million miles from her, and I know that there's something...wrong! (Céline reaches out to stroke Jesse’s face, but pulls her hand back before he sees her.) You know, that I ca...that I can't keep living like this, that there's gotta be something more to love than commitment. But then I think that...I might have given up...on the whole idea of romantic love. That I...I might have put it to bed that...that day when you weren't there. You know, I think I might have done that.

Céline: (Eyes starting to water again.) Why are you telling me all this?

Jesse: I'm sorry. I don't know, I'm...I...I should...I...I shouldn't have.

Céline: You know, it's so weird...that people think they are the only one going through tough times. I mean when I read the article I thought...your life was perfect. A wife, a kid, a published author. (Jesse laughs.) Your personal life is more of a mess than mine! I'm sorry! (Both laugh.)

Jesse: Well...I'm glad it's good for something.

Céline: (To Philippe.) Oh, monsieur, c'est la! Rentrez dans la passe la. (Sir, this is it. Pull into the alley right there.)

(Camera cuts to exterior of the car pulling into the driveway of Céline’s apartment.)
Claire Mar 2014
Every day
on the orange-line metro, she would wait;
wait with her lovely mahogany harp
and it's worn, threadbare case
for a dollar;
a piece of tangible hope,
as delicate strings of rhythm
filled her ears
and controlled her senses.
What people couldn't see
was the way her soul poured itself
into each pluck of a fragile string,
and how her eyes remained
fluttering,
as the entire symphony
harmonized around her insignificant tune;
vibrating through her chest;
booming through the auditorium,
which was really just an orange-line metro
and a lone woman with a lovely mahogany harp.
So the empty case came as no surprise
to anyone
except her,
as she shed a single warm tear
and stepped off the train into the cold, bitter night.
ghost queen Mar 2019
The train slowed as it pulled into la Gare de l’Est, the cars bumping and wheels grinding as it came to a stop. It was late. I’d have to move fast to catch the last metro home. I didn’t have the energy, I was tired, cold and hungry, which made me grumpy.

I slung my satchel around my chest, grabbed my carry-on, and made my way to the exit. As I neared the door, I could feel the cold January air flooding into the car. I tightened my coat around me as I stepped down the stairs onto the quay, carry-on in my right hand.

Looking for the nearest exit, I turned left without looking and ran full on into woman. Our bodies collided, time slowed, as we compressed into each other. Her hair flowed into my face like an ocean wave. I could smell her hair, her scent, her femininity. She squealed in surprised, her voice full of youth and nubility.  

The world rushed back into real time and I saw her. My eyes opened wide in awe and disbelief that a woman could be so beautiful. I remember her eyes, supernaturally blue, sapphire blue, as if they glowed from a power within; her skin, white, milky, alabaster, as if she were a statue come to life; her hair, black, glossy, like the feathers of a witch’s raven.

Our eyes locked. Her angry gaze cut through me. I felt exposed and in danger. I looked down and apologized. “Excusez-moi mademoiselle,” I said, putting my right hand to my heart and bowing slightly as if addressing a queen.

I looked back up. Our eyes meet. She had assessed me in the blink of her eyes. She regained her composure, her body relaxed, she touched my arm, and said, “excusez-moi, I was not looking where I was going,” which I sensed was untrue.

I stepped aside. She passed, turned her head, looked me dead in the eyes, gave me a slight smile, and disappeared into the stream of the exiting crowd.

I was perplexed and confused. I’d never had that sort of exchange with a woman before. I didn’t know what to make of it. Was it good, bad, or somewhere in between?

The crowd had thinned. I started walking toward the metro station, looking for #4 Port d’ Orleans, increasing my pace before I missed the last metro home. I followed the signs, and descended the stairs to the quay. There were a few people and groups, up and down the quay, quietly waiting. I leaned on a large concrete pillar, too tired to pay attention to my surroundings, waiting for the train, smelling the air filled with exhaust from electric motors. I could hear the hum of the approaching train. In an instant it was in front of me, slowing down, coming to a stop, the doors hissing open.

I waited a bit, for the groups to board the train. Tired and on auto-pilot, I leaned down, picked up my carry-on, boarded, and sat down on a folding seat by the door, putting my carry-on between my legs.

The train slowly accelerated, humming, rocking, back and forth melodically. I looked up out of curiosity to see who else was on the last train, and I saw her, sitting on the first bench catty-corner, facing towards me. Surprised and caught off guard, that I would ever see her again, I  immediately looked down, not wanting to be caught staring, looking at her from the corner of my eyes.

I couldn’t get over how beautiful she was. Preternaturally beautiful, as if she wasn’t one of us, somehow not human. She was reading a Kindle, iPods in her ears. Her dress was Parisienne, black on black, the only color, the blue in her eyes, and the blood red of her lips.

She oozed sensuality, sophistication, and confidence. How could that be for a woman so young, a woman in her early 20s?

She read quiescently, only her thumb moving, ever so slightly, as she page forward through her Kindle. Her eyes never looked up, not even to see who new entered the car, when stopped at new stations.

I would look up, occasionally, to glimpse at her. She was fascinating to me, not only because of her beauty, but from her vibe. I couldn’t explain it, couldn’t figure it out. Why was I so drawn to her, like a moth to flame?

The train pulled into to Ile-de-la-Cite, rapidly slowing down, passengers counter balancing so as not to fall over. The doors hissed open. In the corner of my eyes, I saw her stand up and start walking up the aisle towards the doors, towards me. I raised my head slowly, our eyes met, locked, time stopped. She smiled, subtly, but enough for me to see. Her eyes, gentle, tender, inviting. I smiled, a slight smile back, my eyes saying everything she wanted to hear.

She turned and exited the train. I stared at her, my mouth open in amazement. The klaxon sounded, the door started closing. Panic surged up within me, as I feared I would never see her again. I bolted up from my seat, headed towards the door, abandoning all behind me. The doors slammed shut with thud, I pulled down on the handle, they were locked.

The train started to move, I looked at her. She was looking back. Our eyes locked, as the trained sped off into the darkness of the night.
Mitchell Feb 2013
Goodbye Prague, to a city I never thought I'd know.
Goodbye Prague, to a heaven that is lined with shattered beer bottles and stamped out cigarettes the junkies and the hobo's here still manage to get a  few puffs out of.
Goodbye Prague, to a hell that was once hovering with the feelings of control, manipulation, and more control, but now is twirling top speed to a land unknown.
Goodbye Prague, you seductive ***** with your cheap liquor, beer, and cigarettes, smelling of aged mahogany mixed finely with an acidic burst of fresh *****.
Goodbye Prague, I do not know when I will see you again, but I hope that I do and that I never grow so old that I forget you.
Goodbye to your abstract animals smeared black, screaming in the exploding summer sun. Goodbye to freshly cut pigs heads and cow flesh, hanging in your storefront window, tempting every passerby like the *****'s of Amsterdam.
Goodbye to every cobblestone that shines after a fresh rain or snow, slippery to the newcomer, an annoyance to the amateur, thoughtless to the old timer.
Goodbye to the potraviny's stocked with two crown marked up ***** and space vegetables shaped and colored in a one and only kind of vernacular; without you, I would have half-drunkenly stumbled home towards dreams of menial headaches and shadowy beer or perhaps to The Oak to drink alone.
I scream so long through faint puffs of carbon nicotine clouds made illuminated by the icy orange street lamps 800 years old glow!
I scream so long to late metro's and early trams!
I scream so long to the roaring rocks who reflect the faces of aging clocks!
So long to passed out bums and unforgiving metro officers. So long to dollar fifty beers and the fear of getting deported. So long with counting silver crown to make even, seeing my math prowess has lessened. So long embedded needles and bottle caps deep within the snowy cobble. So long listless wanders all their money thrown away until the month of May comes to knock on their door. So long alleyway romance 100 crown notes and old men in their rickety fishermen boats. So long sad masked faces who in their forward march sit stunned seeing fortune picks only some. So long through the grey mist stabbed with neon signs that attract the youth and the mad. So long to the feeling everything I had to say was the wrong thing. So long to feelings of foreign familiarity whose ball and chain were slowly starting to rust away. So long in song to the player's of Riegrovy hill whose voices I just couldn't stand. So long I've come to understand everyone's got a choice to live or wish they did. So long to the wide swept hills of Petrin, where angel's of lore go to rest atop dusted fresh snow, among the dotted new born vine. So long to the sound of wet metal against metal, a scream of order carried on the blue man's shoulder. So long to a city whose architecture reminds me of old men's faces and whose color reminds me of elderly women's dresses. So long to smoking in front of children without a second thought for their health. So long to racism that is wicked, but grunted genially - the executioner smiles at the accused - the gravedigger's weep for the dead - the ant makes a break for a hill not his. So long forlorn love whose only remedy for a cure is the beer sitting in front of you. So long to wondering what's going on in the world, when all I want and got is what's right in front of me.
Farewell Prague, you shadowed street walker, a cloak of stars around you, finding all that owe you  your due.
Farewell Prague, you in the morning eyes half mast, snow crunching underneath stony white.
Farewell Prague, miss-handler of crooked time pieces stating the obvious, ignoring to blame bluntly on youthful alcohol abuse.
Farewell Prague, you took me up the hill and through the woods where ravens, black as gutter ice, crackled down at me like showers of New Year's fireworks.
Farewell Prague, you gave me peace where I once thought I was unable to have.
Farewell Prague, you befriended me, then ordered me a shot that made me cough, then ordered me a beer so we could sit and truly feel what it is to sit and wallow in our time here.
Farewell Prague, you entranced me with view after view to a city to stubborn to die.
Farewell Prague, I leave you like you would leave me.
Farewell Prague, to your fat snow flakes that drop into wide eyed children mouths, tasting of iron whiskey rye, though they do not flinch at the taste.
Farewell Prague, I leave you with a hush of a whimper, bitter as the cold, and indifferent as the server's over at Cafe Lourve.
Farewell Prague, with a thousand miles of graveyards, where ghosts barely have the strength to weep.
Farewell Prague, I admit I never knew how to love until I came to visit you.
Farewell Prague, as I stare out your cracked and smoky tram windows, my thoughts not my own, shop windows and naked, screaming men, their cigarettes bouncing in between their lips like a jack of spades on smack, where at last we see that life is only a worth a **** if lived.
Farewell Prague, I see the cards there on the table and you're winking at me while I stand at the backdoor, and what's more, there's a secret you've got to give that I refuse believe.
Farewell Prague, to your open sore catastrophe of society, KFC on every block, and Starbuck's on every other, and on the other other are the lined' wino's shaking open handed and spread for a case of cardboard vino.
Farewell Prague, to the nasty smoker's in trams that just stopped caring.
Farewell Prague, to a city rhythm generated by an ignorant originality and uniqueness, where the same has no name and the the plain jabber on about their jobs in their pretty blue jeans.
Farewell Prague, because to say goodbye would mean we don't have that friendly tone.
Farewell Prague, I see to sacrifice oneself for the comfort of the elder or the opposite fills me with agitated obligation stationed in a vessel older than I've ever lived - yet I know it, for it is me.
Farewell Prague, you are a lost lullaby caught in the wind of an elastic multi-colored pin-wheel, shining riches of the rainbow into the eyes of children, who all whistle when they snore.
Farewell Prague, a button upon the Earth, like every man.
Farewell Prague, a love song sung in the depths of a damp grey hall, rivers all around, so the sounds too much to drink were outlandish in high emotion, juvenile commotion.
Farewell Prague, we were young - not caring about the future, but of course, with worry in our hearts for worry is a sign of human being human; yet, still, we asked nothing of one another and you gave and I gave and you took and I took and we walked underneath one another's blanket's until we were no longer cold and the winter showed to be just an annoying individual at the party.
Farewell Prague, to your lack of complications, making simplicities acceptable again.
Farewell Prague, to the snow that never stops falling, all while slumbering within dream until the seam is ripped so the old can die.
Farewell Prague, I've shined every marble staircase and washed every tram window; you owe me nothing because I like you.
Farewell Prague, to the long nights bleeding away at the table alone, the lady fast asleep, lit by the dim orange glow of the twisted streetlights below.
Farewell Prague, to the long nights forgetting pains of existence and accepting every solution to ward of resistance.
Farewell Prague, our long talks and hovering walks, always forcing me to balk.
Farewell Prague, at last you got the praise you have always deserved.
Farewell Prague, to hot humid nights filled with *** and butter in the summer and cold bitten cold of ***** and juice a la winter.
Farewell Prague, to bad service but good drink and food.
Farewell Prague, you curious tale the bravest man would waver to say.
Farewell Prague, to bridges galore and more dead leaves then wrinkles on my crooked face.
Farewell Prague, at night the sheen of liquor wears off only if you let it be so.
Farewell Prague, to all the those lonely mornings bent head into book on the way to work.
Farewell Prague, how long till you grow to be young again?
Farewell Prague, how long till I admit my defeat to you?
Farewell Prague, how long until I accept I'm the last fool in this world?
Goodbye Prague, the last soldier is standing, but the war is not yet won.
Goodbye Prague, to your hazy stars glimmering and shining for an indebted audience.
Goodbye Prague, the sun breaking through ink spilled colored clouds, the birds chirping, the dogs barking, and us wondering where we started.
Goodbye Prague, your churches are empty so the sins of man run rampant and at last the prayers of men go unanswered; we now abandoned to fend for ourselves.
Goodbye Prague, the puncturing purity of your ways make me giggle in delight as I listen to the cool piano man play; his eyes on the horizon shattering like toppled china.
Goodbye Prague, at last there is a time where we both get what we want.
Goodbye Prague, the verandas are chilled with the dew of winter and the snow glitters like bitter diamonds as the fool tips his hat to shy away the sunlight.
Goodbye Prague, every rain drop that fell upon me was a gift you can never take away.
Goodbye Prague, the fool adheres to agnostic rules but the cruel here see no reason to sue.
Goodbye Prague, I think therefore the dust of escape reflects the waves of the river Vlatva.
Goodbye Prague, to your lack of vowels.
Goodbye Prague, when the night wavers hear the Beherovka weep into its own glass, love leaving her forever making no note to Kissy.
Goodbye Prague, tram driver's unforgiving in their merciless need for schedule.
Goodbye Prague, the last homage to the war standing like a shining diamond neath chipped and shattered rubble.
Goodbye Prague, a listless memory mentioned only in drifting dream.
Goodbye Prague, every loving glance smelling of freshly poured beer over newly fallen snow.
Goodbye Prague, to your hardness, your beauty, and your madness.
Goodbye Prague, your days wet with rain, stricken by sunlight, reflecting white emerald into the window panes of passing trains.
Goodbye Prague, at last you got what you deserved.
Goodbye Prague, now I can weep and say I have trampled upon your cheek and slunk through your veins and trudged through your blood and skipped through your hair and saw every line - both sought after and nought - you have acquired through time.
Goodbye Prague, there is no reason to get excited, you are free.
Goodbye Prague, I see the silhouette of the trees that line your hills and I am forsaken to see the leaves turning from jovial yellow greens to disregarded and disparaged furnaces of dim fire reds and browns.
Goodbye Prague, the people within you deserved all of the credit.
Good Prague, the people outside of you deserve what ever they believe they do.
Goodbye Prague, you family to families with common sense and love rampaging through your barley stained veins.
Goodbye Prague, perhaps there is nothing under your rubble, maybe already all is lost for everyone, everywhere, but maybe, you living the simpler life, can show all that life can be so.
Goodbye Prague, you gave me letters, words, lines, commas, apostrophes, and dashes, paragraphs, pages, and eventually, a story; I leave you marked.
Goodbye Prague, an old friend whose hand I shook but knew would one day turn my back on.
Goodbye Prague, the bite of your cold generosity and your bustling love leaves man with nothing but to bike back with no chance of triumph.
Goodbye Prague, street cleaners clean up your wear and tear from the mothers and fathers that bore you, some 800 years ago; ageless, you loom longer than they would like.
Goodbye Prague, battling sleep as the ***** raps for more and more, none that the man has.
Goodbye Prague, the night is curling in as the wave crashes to the short and I am the lost sun looking for a place to rise, trying to get to the sky.
Mateuš Conrad Jul 2016
it's the 50th anniversary edition of william burrough's naked lunch, with the original cover, looking at all the annexes is like watching modern history with Russian annexing Crimea, anyway...

indeed the nature of addiction, i chose mine to
cure my insomnia - i *chose
mine -
the less nasty less mythical name for it is indeed
metabolism - any hard-craft alcoholic walks into
a bar - drunk ******* and egoistically gluttonous
idiots come out like giraffes - vomiting into
the gutters, more Marilyn Monroe moments
showing off knickers even without the metro gust -
you drink enough and watch people drinking
for the psychoactive ingredient for dis-inhibiting
effects (buttered up talk, smooth there, quasi
Don Juan wannabes) - as Burroughs said: PLAN
YOUR ADDICTION - become addicted if some other
weakness is beating you - amtitriptyline doesn't
work without alcohol to what's desired as the lullaby
effect prior to K.O. - don't measure up to a veteran,
he'll beat you with experience, given it works -
i can imagine why hallucinogenics aren't metabolically
affecting - too much implants concerning the
world beyond, and god, and the secret of the universe -
you can't get addicted to these things - because there's
the bad trip, and you're off the hook - no more spiritual
trips looking for answers - repetition of the everyday
kills it off like flicking off a light switch - but, years
after the Beat movement, the Beats really did underestimate
the addiction of marijuana - they thought it was
the ****** drunk... oddly enough marijuana is linked to
alcohol and ****** addiction, it too is metabolic -
i'm not a medical expert... but i have heard of stoners
and their munchies - anything relating to food,
to metabolism is included, marijuana is the middle-guy
between the standards and Disney -
you heard of being monged, right? marijuana is as addictive
as alcohol - originally a giggly drug, a conversation
starter - marijuana - ends up being
an Jason Segel and Ed Helms film Jeff, who lives at Home,
it's this uncontrollable effect that proper intentions of
marijuana have: supreme thoughtlessness - or
the present vogue concerning "mindfulness" -
Jeff basically overthought himself on the high - he didn't
detach himself from thinking, now he's paying the price -
he's making completely random associations -
and why do stoners always waste their time in front
of t.v. or television - marijuana is a purely auditory drug -
******* to the park, pretend to be a fake Buddha imitation
and create the void in yourself to make your mind
the M25 at 3 a.m. - but this innocence with the Beat
movement associating itself with marijuana is partly
why it was legalised - the government wants rejects and,
to be frank? retards - that's why they legalised it -
they knew with the munchies jokes that marijuana had
the same metabolic addiction components as alcohol and
***** - you're metabolic dude! once addiction sets in
you're no longer in control of brain-freeze - you didn't
think it up on the psychoactive Everest - when the nice
sensation was still there, marijuana realised you zombie much
later - all the in-jokes of stoner culture suddenly passed you,
simulation dementia ensued - i'm way past the psychoactive
asset of alcohol, no slurred speech, no nothing -
but i retain the psychoactive point of metabolising excess
alcohol: if i didn't, i would sleep! i wouldn't sleep!
don't get me wrong, i get the point that i can't really
experience the negatives of reaching the psychoactive purpose
of alcohol and ***** in a street or join the football hooligans -
and surgeons drink to calm the nerves and calm the hand -
but alcohol is more cool headed and less phantasmagorical
than ***** addiction, for one thing your palette improves -
you find the most boring tasks liberating -
but the nights are the real nights, esp. if slumped on the sofa
watching t.v., unless you don't have a backlog of un-watched
Versailles or Billions episodes, you really need to go for
a 4 mile walk and breath the air - then half-sleep for
about an 2 hours (because you have limited money and
sometimes you pass a day without Auburn Whitney) -
you become rigorous - the prime solipsism - no time for
girlfriends, doesn't matter, my genitals weren't mutilated
as a child, no one forced a ****-*******-marriage-ring
on my finger - i can actually enjoy addiction - i end up
eating one meal a day - of course my face looks candyfloss
puffed up - but my soul is partly helium pubescent -
alcohol addiction is not ***** addiction even both
are primes of metabolism takeovers - no hung-overs too,
no blackouts - no fake "i can't remember" stories
when something ****** up happened - and certainly no
innocent look at the fact that marijuana is also a metabolic
addiction - unless of course you limit psychic ingestion
(excluding music, music is great to arrive at thoughtlessness),
but as most stoners (the next alcoholics) prove,
garbage the mind with American Dad and then get hungry -
binge eat - the stomach can drag the brain right down
into the acid pit and fry it - zombies galore - you won't be
able to catch yourself stopping thinking, the stomach
will do that for you, and you'll enter the zombie apocalypse:
just like my neighbour - there's a rat-like ritual involved,
for example, most people get sleepy from marijuana -
so it's not an addiction standing at a bus stop
pretending to be waiting for a bus and smoking?
that's addiction - the metabolic Gargantua has already caught-up,
addiction is primarily a solitary affair - it just depends
what you do with it... i'd be ashamed with my alcoholism
if i didn't write poems - the counter-effect is that i feel
some sort of social-inclusion when the day finishes -
i feed the cats, write invoices for my father (40% of
18 - 35 year olds live with their parents, because all
the foreigners bought all the houses intended as: buy to let -
is my money going down my drain, or is this
a post-Freud Oedipus stigmata killing familial relations
altogether?), cook, clean the house once a week,
cut the cats' nail and brush them - and to counter
what i don't do? can you imagine listening to a symphony
with only violins playing? not so genius hearing that
sort of Hollywood story with only cameo characters speaking.
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11

— The End —