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Marian  Apr 2013
Flamingos
Marian Apr 2013
Flamingos are my VERY favourite bird,
I love their adorable faces and their feathers of soft
Dark pink satin
They look so innocent and sweet
Never fly away, my sweet birds
If you would I would cry very hard
My tears would make an ocean for them
To wade and swim through
And my love for them would turn
Into to a mighty palm tree, tall and strong
With it's lacy green leaves providing shade
For you, my adorable Flamingo
And my thoughts about YOU would
Be transformed into infinite grains of sand
My blue eyes would turn into the sky
That you would fly in
But please, my dearest Flamingo
Never fly away forever
Or my heart should break
And turn into the blooms of Bleeding Hearts
My heart would be like petals squished and ruined
Never to be put together again

*~Marian~
I dedicate this to my VERY favourite bird, Flamingo!!! :) <3 They are just SO adorable and sweet!!! :) <3
C S Cizek Sep 2014
Saturday alone on a love seat
for two with my roommate
plucking away at twisted nickel
across the room.

Unshowered, unmotivated,
a maybe Monday.

My clean laundry's a footrest
for ***** feet fresh off the
almost autumn asphalt.
Come visit us.

Be unshowered and unmotivated
on this maybe Monday.

Don't worry, the door's unlocked.
There's just a few hundred
flamingos waiting to get in,
but they should move

at the sound of your unshowered,
unmotivated, maybe Monday footsteps
It's 2:54 PM and I haven't done ****.
K Balachandran Aug 2013
Distant night built a home at the heart of the forest, sun had long forgotten,
lovelorn moon set up its nest for memories-
in that lake where 1000 migrant flamingos live for months,
When the hands of dark night creep towards them on the sly
flamingos tightly shut their eyes and dive deep in to the waters of sleep,
when the evergreen memories of ****** moon each one desires haunt.
As the moon wanes, the night lay in wait, in its forest home dreaming white flamingos
                              that swim in the pool of milk the moon has created for her sweethearts.
The interplay of duality- darkness and light- is complex
more like the warp and weft interdependent
to weave a  reality,  not diametrically opposite like love and hate(I suppose)
Beautiful
and
Improbable.

Like so many
of our
human
relationships.
This evolved into my first (10W) poem.
©Elisa Maria Argiro
the river flows as
living memory

the birds of the
Nile are its
knowing eyes

fly catchers
ply the rich
delta
probing
sediments
of sand
washed
from
distant
Nubian
mountains
eons
ago

layers of
recollection
go fathoms
deep

shrieking
gulls
plumb the
mud flats
with heroic
persistence
as they did
when the
first rafts
drifted out
of the
Great Rift
ferrying
civilizations
forebears
to the
opening chapters
of world history

the first
seafarers
competed with
greedy spoonbills
to navigate
porous
papyrus
crafts
through
the narrow
channels
of the
Damietta,
transporting
ideas, skills
and goods
to build an
emerging
world

mallards
troll the
same
gentile
eddies that
goaded the
Mother of
All Waters
to float the
basket cradling
Yahweh’s
infant prophet
Musa, into the
loving arms
of Bithiah
who nurtured
the vanquisher
of Osiris’
galleries of
Gods

a litany
of conquests
rolled on the
silver waves
of this river

conquerors
maneuvered
the truculent
currents
like sharp
eyed hawks
skimming the
pliant waters
with well
extended
razor quick
talons
picking the
Nile’s bounty
clean

this fertile
delta remembers
more than
6,000 seasons
of harvests

the
cycles of time
has produced
seasons of plenteous
abundance and
desperate privation
all cleverly exploited
by generations of
fearless herons
who wrangled
the demons
of hardship
to route the
dread of hunger
expelling despair
from the Egyptian
DNA, etching
a new hieroglyph
of freedom onto
survivors hearts

the Niles
sorrows
and glories
perpetually
wash this
magnanimous
delta
surely as
the gentle
wakes
of feluccas
continue
to lap its
shore

the marshes
have not withered

the verdant
reeds prosper

flamingos find
the water
rich in fish

in due
season
the red
lotus will
paint
the arcuate
alluvial
fans in
scarlet
autumnal
hues

In the
Valley of
the Kings
the shadows
of migratory
flocks mark
the foundation
stones of the
pyramids
as they did
when slaves
pushed them
into place

the eternal
lines of
pharaohs
rule has fallen,
their gods
imprisoned
in hieroglyphs
adorning their
royal tombs
on display
in the worlds
museums

the weathered
pyramids continue
to crumble

the face of
the sphinx
withers away

torrents of
blood flowed
in this rivers
currents, now
strained clear
by the reeds
anchoring
its banks

the fleeting
rule of regimes
are pictured
as momentary
reflections
skimming along
the ripppling
water; the
rise and fall
of rulers is
captured like
the shifting hues
sunrises and
sunsets bespeak
upon the waters

the ascending
waves of
the Sacred Ibis
dance atop
the Nile’s gray
waters; the
river jumps
to life as the
graceful wings
take flight
to foreign
destinations;
expecting
to return
again as
the cycles
of seasons
round once
more

as the Nile flows
its memory deepens
the eyes of the birds
watch and remember


Music Selection:
Gary Bartz, I've Known Rivers

Oakland
3/31/12
jbm
Andrew Parker Nov 2017
Written on 11/20/2017

That awkward moment when someone flirts with you on a dating app and says "I like that you look masculine."

You see,
I never saw masculinity as a part of me.

My identity was always flamboyant,
wearing pink shirts and sashes,
crop tops with styling gelled eyelashes,
sparkling headbands and dazzling bandannas,
snapback hats featuring giant bananas,
I dressed with the raging flamboyance of flamingos!
Sporting a certain type of femininity that only a gay man knows.

All the trimming and cutting, and shaving and nairing,
for hours,
as time and body hair intertwined in the showers,
washed masculinity off my body down the drain,
Experienced electrolysis burns, but the pain
had infected my thoughts,
like each hair is unnatural.  

Purge it all,
Scorch and torch it all,
Leave nothing at all!
No trace
of evolution's flawed attempt to grace
me with an adaptive advantage to take on the world's harsh climate.  
I admit,
this hair entangles me and strangles me,
it also oozes out of me like pimples from a pore,
a ***** to testosterone,
poor me - a victim of nature's masculinity.
What a hairy situation I've gotten myself in.

--

Femininity.
Its bestowed upon me by society.
When I sashay or say hey gurl hey,
society recognizes these things as girly and gay,
not a very masculine way to walk or talk.  

Stereotypes about *** and gender are so easily manipulated.
Like a circus performer on the tight rope,
the suspense keeps people wondering where will I fall?

But hold me under a microscope and you will see it all,
a million molecules that makeup my femininity.
I wear skinny jeans and tank tops,
then get complimented on them by dude bros,
like yo that's tight- where'd you get it boss?

I bought it in the girl's section at Ross.

My toe nails painted and displayed for public view,
flip flops emboldened with matching turquoise hues,
Femininity is worn on me like a fabulous armor plate.

--

Fast forward to a fateful date during No-Shave November.
I remember,
growing out my ****** hair for the very first time,
I wore it like a mask,
portraying a fictional character who was masc-uline.
Bathing in manliness at this masquerade.
It was through this charade,
that I grew
... temporary happiness for me from all of you.

The compliments they poured in.
My once smooth canvas of a face,
waiting to be crafted into the Mona Lisa,
had been turned into an artistic masterpiece,
'Gay Man with Amnesia',
of who he used to be.
A painting of someone society wanted,
someone whose masculinity was outwardly flaunted.
But inside, I felt taunted,
each time they complimented
me and my newfound masculinity.

--

Then, it happened on Grindr,
a gay dating app.
This masculine mishap.

A stranger's message read, "I like that you look masculine."
It sounded even stranger in my head.
Their profile description read,

"Masc 4 Masc
Masculine man seeking other masculine men to hangout with."

That's when I felt it.
My mask had made me masc.

This particularly manic morning brought me to ask
myself in the bathroom mirror,
"Who the hell am I looking at?"

In sheer terror, I teared-up,
scanned the portrait of 'Gay Man with Amnesia',
and then decided to tear it up!

I grabbed my electric razor,
grum grum grummm
as these blades grazed my face and chin,
I was offered sweet, soft, porcelain skin - my absolution.

pause

heh heh
When I came to and snapped out of the amnesia,
eager to see results of this restorative procedure,
the mirror was fogged with steam and slop.

I tried logging in to my laptop's webcam,  
for naught.  
The ****** recognition feature -- didn't recognize me
... but finally, I did.

Once again, I see the man behind the masc-ulinity.
Kyle White Jul 2014
I know where to find you
drunk in the garden
having another existential crisis
conversing with the plastic pink flamingos
they think you're 'hollow'
and that your exterior is too polished
he sees his own reflection when he looks at you

Your youth was made up of  
cringe-worthy hair styles and room temperature beer
with the taste of **** and vinegar
and the prospect of milk and honey
alas, you're 24 now
perfecting the art of escapism
disenchanted, delusional  

You're just clearing your throat
to say nothing at all
ahem
and continuing to romanticize recycled lifestyles
in the name of authenticity
Dorothy A May 2016
She remembered it well. Ben made no bones about it, as he told his little sister, "You want to make something of your life, you got to get out of here and don't look back."  And he did just that, saying his goodbyes to her as he embarked off into the army.

There's a whole other world out there than just Jasper Island

How terrifying of a concept that was to Rachel back then. Ben was almost three years older, and without him it was just her and Pop . Jasper Island was all she knew, and at the age of sixteen that was a terrifying concept to a shy girl who had been sheltered her whole life.

Rachel envied Ben. Between the two of him, he was the only one who really remembered their mother. She was close to three-years-old when her mother left this earth. Ben was six. Her recollections of her dear mother were like vapors, like dreams that had lost most of their definition.

There was only one time she really could envision her mother correctly. She could just faintly recall her mother hanging up sheets outside, and they were blowing in the wind like sails, matching her mother's windblown skirt. Rachel was giggling as her mother tried to shoo her out from getting caught up in those magical sheets. She could still remember the beauty of her mother as she snuggled up against her, her mother catching up to her impish daughter as she twirled up in one of the sheets like a girl trying to play dress up. Her mother's skirt smelled like a soft perfume mixed with the sea.

Everywhere, as a child, Rachel was surrounded by sea. It made her dreary home pleasant after she lost her mom. The sea was a constant friend. With its mystery and its beauty, the sea gave her a right to dream of what lay beyond it. Ben was right. She needed to get out from under her little, protective shell. She would read Ben's letters that came  Germany, where he was stationed, and would dream of being there, herself.

Pop never mentioned Ben, again, like he didn't exist. Her father was a distant man, a fisherman who never had much for conversation or desire for closeness. Rachel was used to his distance, for that was her norm. But as she grew up, she realized he was bitter when he lost her mother. Rachel's aunt, Roberta, her father's sister, clued her in on his former life before marriage. She told Rachel, "Your father never was a man to show his emotions. He shied away from people and would rather tinker around in his tool shed or be out on his boat. I sometimes don't know what your mother saw in him, for she was quite a social gal."

Rachel saw herself more in her distant father, more than she cared to see. She was artistic, and felt more at home with a paintbrush than with anything else. She would paint pictures of anything--the quaint homes around where she lived, the woods and nature, and especially anything  to do with the sea.

Everyone told her she had talent. She won a talent contest in her school, though the pool of artsy students was small. Her island school was about three times the size of a one room schoolhouse, and it was quite easy for her to shine there. Was she really that talented? Many of her teachers saw and encouraged her abilities. They  wanted her to do something with her gift, and surely not to waste it. Everyone said so--except her pop. He never took much notice.

Ben was right. Frightened as she was, Rachel decided to try to make it on the mainland. It just became too irresistible of a notion. She promised her father, "I'll write to, Pop". He didn't even face her as she was saying goodbye, so she repeated, "Pop...I am going to write, will keep in touch".

"Don't bother", he simple replied. He wouldn't even look at her, but buried his nose into his newspaper.

Eight years later, on Jasper Island, Rachel stood before the home she grew up in. Those words still stung.

Don't bother

Pop had died. Aunt Roberta was the one to inform her, and she wasn't able to get back in time before the funeral. It was a small one--you could count the attendees on one hand--but her pop probably wouldn't have cared either way.  Rachel felt numb about it all. How should she feel? She knew she should grieve for her father, but the tears didn't come. He was such a hard man to know.

It would be nearly half a year before she returned to Jasper Island. She was living in Europe at the time, and she had moderate success in living off her art.  It was enough of an experience in which she could support herself. She first saw her brother in Germany then eventually went to Rome, to Paris and to London, working her way through as she traveled. Eventually, she stayed in London and became an art teacher. But now here she was again on Jasper Island.

She looked upon her hold house for the longest time. It looked so different. There were new shutters, a new coat of paint, and it didn't seem right with the backdrop of the sea. The house was yellow and the plastic pink flamingos were an eyesore to her. New residents occupied the house, and it just didn't seem right or real. Though she had no claim on it anymore, it still was her home. Now it was sold off soon after her pop died. She never even got a chance to stand inside for one last time, to peer into her old room or sit upon the back porch and bask at the beauty of the sea.

She tried not to appear too nosy, as she looked out back. Clothes were hanging up on the line, blowing in the breeze, and she thought of the faint memory of her mischief with her mother so long ago.      

Rachel didn't dare to knock on the door. Perhaps, she knew the people inside. Everyone knew everyone on that island. If she did know them, she didn't really want to know the details. She was the intruder, after all. Or was it the other way around?  

She made her way around and marveled how time seemed to catch up with her island home. There was a new movie theater in place of the beat up one that she knew as a child. The playground by the school looked so much better it wasn't filled with children. Hardly a soul was there, like all the children had grown up, or something.  

Aunt Roberta was her only real link to her old home now. The few friends she had left a long time ago, just like her. Her mom's people vacated the island long before she ever met them. Aunt Roberta was still there to receive her, though. She had something special for her.  Gathering up two shoe boxes, she handed them to her niece. Rachel wondered what what the contents were, and she couldn't believe her eyes.All the letters she promised to write to her pop were all in there in those two boxes.

"I found them," Aunt Roberta said, amazed herself, "after cleaning out my brother's closets. He kept them all, it seems."

Rachel promised that she would write home, and she did. And it was true--her pop saved every single letter or postcard she ever sent him.  The envelopes were all opened up, so he obviously looked at them. She was amazed that he didn't  throw them away or burn them.  Never once, did he write her back, and Rachel thought he had completely dismissed them and disowned her.

Holding those envelopes and postcards in her hands was like finding some rare and valuable artifacts, and now the tears would come. For the first time in quite some time, Rachel felt something when it came to her distant father. It was everything rolled into one--her island home, her mother, her brother, her father, her sense of self--and she just wept freely as her aunt held her tight and comforted her.

Rachel never cared about the money. Her pop never made a will. He never owned much, but Aunt Roberta would make sure she was fair about the money. Rachel would have traded every cent of it if only she was to see her father one last time. She wanted to come back sooner, but she feared she would not be welcome, that the door would be slammed in her face. Now her only way to see her father was at the cemetery were generations of fellow island dwellers met their resting place.

At the grave, her parents were buried side by side, and the sea was their backdrop. It was just as her father would have wanted it. Rachel cleared away a few weeds, and she placed a handful of wildflowers at her mother's grave. "Hi, mamma", she said out loud. "I miss you and wish I could you could be here, again. I see you in my mind, and you are that young, delightful mother I still think of. " The sound of the breezes, and the birds constant communication of chirping, was a calming response.

She then addressed her father's grave, "Pop", she started to say, "Thanks for keeping those letters. I know it was hard for you now. We all left you, didn't we? Mamma, Ben...me..."

Rachel looked out into the sea. The sun was shining well, and it was like the waters were filled with diamonds. That enchanting sea--that is what her father cherished the most. He taught her how to swim there, not to be afraid of the waters but to respect the strength they held. He protected her from feeling so small and scared by it. He taught her about what was in the sea and how to fish from it. She smiled and thought of how she would have rather collected pretty seashells than to handle a slimy fish . He reaped so many things from the sea, and she knew he belonged to it. She closed her eyes and tried to think of such moments between her father.

Before she left, she held an unopened letter in her hand and said, "Pop, I got really, really sad looking at all those letters, especially because I can't write to you anymore. I'm just amazed you have them. I hope you read them, and if you did, I hoped you knew I really loved you". She smiled at what her dad would probably think as silly sentiment. He probably was rolling in his grave right now, squirming from all this mushy stuff. But at least now, she could tell him she loved him.

Rachel put her hand on his tombstone and stroked its rough exterior. She added, "Well, then I thought--who is to say I can't write? So I did. I got a letter for you,Pop, and I'm going to read it to you, now. Hope your listening."

She didn't know when she would come back for another visit to Jasper Island, but she knew she would return. Unlike Ben, she would not go way and never look back . How could she deny it as her home? She opened the letter, cleared her throat, and read it out loud, "Dear Pop, I hope you are at peace. I hope you are proud of me and that you hear me now. Take care of Mamma, and I'll see you on the other side." After she stopped, the tears came again, rolling down her check. She closed up the letter, put it on her father's tombstone and laid a rock on it to anchor it well. Eventually, the elements would get to it--the sun, the rain, the changing seasonal forces--but for now it was in good shape,

As the ferry made it's way from Jasper Island, the land became smaller and smaller, until it was just a speck in her view. But once it was the whole world to her, not just a destination to visit. Nevertheless, it wasn't some insignificant blip on the many maps of the world. It would always beckon her. Rachel could never forget Jasper Island.
Nota: his soil is man's intelligence.
That's better. That's worth crossing seas to find.
Crispin in one laconic phrase laid bare
His cloudy drift and planned a colony.
Exit the mental moonlight, exit lex,
Rex and principium, exit the whole
Shebang. Exeunt omnes. Here was prose
More exquisite than any tumbling verse:
A still new continent in which to dwell.
What was the purpose of his pilgrimage,
Whatever shape it took in Crispin's mind,
If not, when all is said, to drive away
The shadow of his fellows from the skies,
And, from their stale intelligence released,
To make a new intelligence prevail?
Hence the reverberations in the words
Of his first central hymns, the celebrants
Of rankest trivia, tests of the strength
Of his aesthetic, his philosophy,
The more invidious, the more desired.
The florist asking aid from cabbages,
The rich man going bare, the paladin
Afraid, the blind man as astronomer,
The appointed power unwielded from disdain.
His western voyage ended and began.
The torment of fastidious thought grew slack,
Another, still more bellicose, came on.
He, therefore, wrote his prolegomena,
And, being full of the caprice, inscribed
Commingled souvenirs and prophecies.
He made a singular collation. Thus:
The natives of the rain are rainy men.
Although they paint effulgent, azure lakes,
And April hillsides wooded white and pink,
Their azure has a cloudy edge, their white
And pink, the water bright that dogwood bears.
And in their music showering sounds intone.
On what strange froth does the gross Indian dote,
What Eden sapling gum, what honeyed gore,
What pulpy dram distilled of innocence,
That streaking gold should speak in him
Or bask within his images and words?
If these rude instances impeach themselves
By force of rudeness, let the principle
Be plain. For application Crispin strove,
Abhorring Turk as Esquimau, the lute
As the marimba, the magnolia as rose.

Upon these premises propounding, he
Projected a colony that should extend
To the dusk of a whistling south below the south.
A comprehensive island hemisphere.
The man in Georgia waking among pines
Should be pine-spokesman. The responsive man,
Planting his pristine cores in Florida,
Should ***** thereof, not on the psaltery,
But on the banjo's categorical gut,
Tuck tuck, while the flamingos flapped his bays.
Sepulchral senors, bibbing pale mescal,
Oblivious to the Aztec almanacs,
Should make the intricate Sierra scan.
And dark Brazilians in their cafes,
Musing immaculate, pampean dits,
Should scrawl a vigilant anthology,
To be their latest, lucent paramour.
These are the broadest instances. Crispin,
Progenitor of such extensive scope,
Was not indifferent to smart detail.
The melon should have apposite ritual,
Performed in verd apparel, and the peach,
When its black branches came to bud, belle day,
Should have an incantation. And again,
When piled on salvers its aroma steeped
The summer, it should have a sacrament
And celebration. Shrewd novitiates
Should be the clerks of our experience.

These bland excursions into time to come,
Related in romance to backward flights,
However prodigal, however proud,
Contained in their afflatus the reproach
That first drove Crispin to his wandering.
He could not be content with counterfeit,
With masquerade of thought, with hapless words
That must belie the racking masquerade,
With fictive flourishes that preordained
His passion's permit, hang of coat, degree
Of buttons, measure of his salt. Such trash
Might help the blind, not him, serenely sly.
It irked beyond his patience. Hence it was,
Preferring text to gloss, he humbly served
Grotesque apprenticeship to chance event,
A clown, perhaps, but an aspiring clown.
There is a monotonous babbling in our dreams
That makes them our dependent heirs, the heirs
Of dreamers buried in our sleep, and not
The oncoming fantasies of better birth.
The apprentice knew these dreamers. If he dreamed
Their dreams, he did it in a gingerly way.
All dreams are vexing. Let them be expunged.
But let the rabbit run, the **** declaim.

Trinket pasticcio, flaunting skyey sheets,
With Crispin as the tiptoe cozener?
No, no: veracious page on page, exact.

— The End —