Submit your work, meet writers and drop the ads. Become a member
In the hour of death, after this life’s whim,
When the heart beats low, and the eyes grow dim,
And pain has exhausted every limb—
  The lover of the Lord shall trust in Him.

When the will has forgotten the lifelong aim,
And the mind can only disgrace its fame,
And a man is uncertain of his own name—
  The power of the Lord shall fill this frame.

When the last sigh is heaved, and the last tear shed,
And the coffin is waiting beside the bed,
And the widow and child forsake the dead—
  The angel of the Lord shall lift this head.

For even the purest delight may pall,
And power must fail, and the pride must fall,
And the love of the dearest friends grow small—
  But the glory of the Lord is all in all.
Hic. On the grey sand beside the shallow stream
Under your old wind-beaten tower, where still
A lamp burns on beside the open book
That Michael Robartes left, you walk in the moon,
And, though you have passed the best of life, still trace,
Enthralled by the unconquerable delusion,
Magical shapes.
Ille. By the help of an image
I call to my own opposite, summon all
That I have handled least, least looked upon.
Hic. And I would find myself and not an image.
Ille. That is our modern hope, and by its light
We have lit upon the gentle, sensitive mind
And lost the old nonchalance of the hand;
Whether we have chosen chisel, pen or brush,
We are but critics, or but half create,
Timid, entangled, empty and abashed,
Lacking the countenance of our friends.
Hic. And yet
The chief imagination of Christendom,
Dante Alighieri, so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.
Ille. And did he find himself
Or was the hunger that had made it hollow
A hunger for the apple on the bough
Most out of reach? and is that spectral image
The man that Lapo and that ***** knew?
I think he fashioned from his opposite
An image that might have been a stony face
Staring upon a Bedouin's horse-hair roof
From doored and windowed cliff, or half upturned
Among the coarse grass and the camel-dung.
He set his chisel to the hardest stone.
Being mocked by ***** for his lecherous life,
Derided and deriding, driven out
To climb that stair and eat that bitter bread,
He found the unpersuadable justice, he found
The most exalted lady loved by a man.
Hic. Yet surely there are men who have made their art
Out of no tragic war, lovers of life,
Impulsive men that look for happiness
And sing when t"hey have found it.
Ille. No, not sing,
For those that love the world serve it in action,
Grow rich, popular and full of influence,
And should they paint or write, still it is action:
The struggle of the fly in marmalade.
The rhetorician would deceive his neighbours,
The sentimentalist himself; while art
Is but a vision of reality.
What portion in the world can the artist have
Who has awakened from the common dream
But dissipation and despair?
Hic. And yet
No one denies to Keats love of the world;
Remember his deliberate happiness.
Ille. His art is happy, but who knows his mind?
I see a schoolboy when I think of him,
With face and nose pressed to a sweet-shop window,
For certainly he sank into his grave
His senses and his heart unsatisfied,
And made -- being poor, ailing and ignorant,
Shut out from all the luxury of the world,
The coarse-bred son of a livery-stable keeper --
Luxuriant song.
Hic. Why should you leave the lamp
Burning alone beside an open book,
And trace these characters upon the sands?
A style is found by sedentary toil
And by the imitation of great masters.
Zlle. Because I seek an image, n-ot a book.
Those men that in their writings are most wise,
Own nothing but their blind, stupefied hearts.
I call to the mysterious one who yet
Shall walk the wet sands by the edge of the stream
And look most like me, being indeed my double,
And prove of all imaginable things
The most unlike, being my anti-self,
And, standing by these characters, disclose
All that I seek; and whisper it as though
He were afraid the birds, who cry aloud
Their momentary cries before it is dawn,
Would carry it away to blasphemous men.
my eyes, too blind from the light of hell to see
pray for you to choke the blasphemy out of me

ave maria, gratia plena, dominus tecum. benedicta tu in mulieribus, et benedictus fructus ventris tui, iesus. sancta maria, mater dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae

you misread my plea and loosen your holy grip
and more sins spill from my ****** lips

ave maria, gratia plena, dominus tecum. benedicta tu in mulieribus, et benedictus fructus ventris tui, iesus. sancta maria, mater dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae

my tongue is heavy with heresy
but still i babble hypocrisy

ave maria, gratia plena, dominus tecum. benedicta tu in mulieribus, et benedictus fructus ventris tui, iesus. sancta maria, mater dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae

amen
Brent Kincaid Jan 2017
Christ, religious people are boring,
Just like the nutsos in the street.
Half the time they start me snoring
So I run away in abject defeat,
Because reason can’t get through
A wall of defensive superstition
Which gives us back nothing but
Mumbo jumbo to every question.

If the neighborhood catches fire
It is only but a holy God’s will.
(It would be great we victims had
A place we could send God the bill.)
When innocent children die off
Is that what a loving God wanted?
That "God sees the sparrow" stuff
Gets rather quickly blunted.

What kind of wrathful *******
Lets genocide have a field day
And doesn’t make widespread disasters
Permanently dry up and go away?
If God created all of us people
In his own best saintly image,
He sure must be an ugly sod who
Needs to go back to scrimmage.

If a country had a dictator
As capriciously vicious as him
It would surely trigger worldwide
A call for a God with better whims.
For thousands of years now, it seems
People have been issuing prayers
To some kind of entity at large
That is constantly taking us nowhere.

Maybe it is exactly as possible
That this whole show is erroneous
And the big guy on a cloud is fiction
Made up out of fear and just bogus?
Isn’t this just some cave-dweller dream
To explain what folks found frightening?
Should we be running our world today
By ideas of folks afraid of lightning?
(A play in one act.)

The Knight.
The Lady.

Voices of men and women on the ground at the foot of the tower.
The voice of the Knight’s Page.



     The top of a high battlemented tower of a castle.  A stone ledge,
     which serves as a seat, extends part way around the parapet.
     Small clouds float by in the blue sky, and occasionally a swallow passes.
     Entrance R. from an unseen stairway which is supposed to extend around
     the outside of the tower.

The Lady (unseen).
Oh do not climb so fast, for I am faint
With looking down the tower to where the earth
Lies dreaming in the sun.  I fear to fall.

The Knight (unseen).
Lean on me, love, my love, and look not down.

L.
Call me not “love”, call me your conquered foe,
That now, since you have battered down her gates,
Gives you the keys that lock the highest tower
And mounts with you to prove her homage true;
Oh bid me go no farther lest I fall,
My foot has slipped upon the rain-worn stones,
Why are the stairs so narrow and so steep?
Let us go back, my lord.

K.
                           Are you afraid,
Who were so dauntless till the walls gave way?
Courage, my sweet.  I would that I could climb
A thousand times by wind-swept stairs like these,
That lead so near to heaven.

L.
                              Sir, you may,
You are a knight and very valorous;
I am a woman.  I shall never come
This way but once.
(The Knight and the Lady appear on the top of the tower.)

K.
                     Kiss me at last, my love.

L.
Oh, my sweet lord, I am too tired to kiss.
Look how the earth is like an emerald,
With rivers veined and flawed with fallow fields.

K.  (Lifting her veil)
Then I kiss you, a thousand thousand kisses
For all the days ere I had won to you
Beyond the walls and gates you barred so close.
Call me at last your love, your castle’s lord.

L.  (After a pause)
I love you.

(She kisses him.  Her veil blows away like a white butterfly
over the parapet.  Faint cries and laughter from men and women
under the tower.)

Men and Women.
The veil, the lady’s veil!

(The knight takes the lady in his arms.)

L.
My lord, I pray you loose me from your arms
Lest that my people see how much we love.

K.
May they not see us?  All of them have loved.

L.
But you have been an enemy, my lord,
With walls between us and with moss-grown moats,
Now on a sudden must I kiss your mouth?
I who was taught before I learned to speak
That all my house was hostile unto yours,
Now can I put my head against your breast
Here in the sight of all who choose to come?

K.
Are we not past the caring for their eyes
And nearer to the heaven than to earth?
Look up and see.

L.
                   I only see your face.

(She touches his hair with her hands.  Murmuring under the tower.)

K.
Why came we here in all the noon-day light
With only darting swallows over us
To make a speck of darkness on the sun?
Let us go down where walls will shut us round.
Your castle has a hundred quiet halls,
A hundred chambers, where the shadows lie
On things put by, forgotten long ago.
Forgotten lutes with strings that Time has slackened,
We two shall draw them close and bid them sing—
Forgotten games, forgotten books still open
Where you had laid them by at vesper-time,
And your embroidery, whereon half-worked
Weeps Amor wounded by a rose’s thorn.
Shall I not see the room in which you slept,
Palpitant still and breathing of your thoughts,
Where maiden dreams adown the ways of sleep
Swept noiselessly with damosels and knights
To tourneys where the trumpet made no sound,
Blow as he might, the scarlet trumpeter,
And were the dreams not sometimes brimmed with tears
That waked you when the night was loneliest?
Will you not bring me to your oratory
Where prayers arose like little birds set free
Still upward, upward without sound of flight?
Shall I not find your turrets toward the north,
Where you defied white winter armed for war;
Your southern casements where the sun blows in
Between the leaf-bent boughs the wind has lifted?
Shall we not see the sunrise toward the east,
Watch dawn by dawn the rose of day unfolding
Its golden-hearted beauty sovereignly;
And toward the west look quietly at evening?
Shall I not see all these and all your treasures?
In carven coffers hidden in the dark
Have you not laid a sapphire lit with flame
And amethysts set round with deep-wrought gold,
Perhaps a ruby?

L.
                  All my gems are yours
And all my chambers curtained from the sun.
My lord shall see them all, in time, in time.


(The sun begins to sink.)

K.
Shall I not see them now?  To-day, to-night?

L.
How could I show you in one day, my lord,
My castle and my treasures and my tower?
Let all the days to come suffice for this
Since all the past days made them what they are.
You will not be impatient, my sweet lord.
Some of the halls have long been locked and barred,
And some have secret doors and hard to find
Till suddenly you touch them unawares,
And down a sable way runs silver light.
We two will search together for the keys,
But not to-day.  Let us sit here to-day,
Since all is yours and always will be yours.

(The stars appear faintly one by one.)

K.  (After a pause.)
I grow a little drowsy with the dusk.

L.  (Singing.)
    There was a man that loved a maid,
    (Sleep and take your rest)
    Over her lips his kiss was laid,
    Over her heart, his breast.

(The knight sleeps.)

    All of his vows were sweet to hear,
    Sweet was his kiss to take;
    Why was her breast so quick to fear,
    Why was her heart, to break?

    Why was the man so glad to woo?
    (Sleep and take your rest)
    Why were the maiden’s words so few—

(She sees that he is asleep, and slipping off her long cloak-like
outer garment, she pillows his head upon it against the parapet,
and half kneeling at his feet she sings very softly:)

    I love you, I love you, I love you,
    I am the flower at your feet,
    The birds and the stars are above you,
    My place is more sweet.

    The birds and the stars are above you,
    They envy the flower in the grass,
    For I, only I, while I love you
    Can die as you pass.

(Light clouds veil the stars, growing denser constantly.
The castle bell rings for vespers, and rising, the lady moves
to a corner of the parapet and kneels there.)

L.
Ave Maria! gratia plena, Dominus—

Voice of the Page (from the foot of the tower.)
My lord, my lord, they call for you at court!

(The knight wakes.  It is now quite dark.)

There is a tourney toward; your enemy
Has challenged you.  My lord, make haste to come!

(The knight rises and gropes his way toward the stairs.)

K.
I will make haste.  Await me where you are.

(To himself.)
There was a lady on this tower with me—

(He glances around hurriedly but does not see her in the darkness.)

Page.
My lord has far to ride before the dawn!

K.  (To himself.)
Why should I tarry?

(To the page.)
Bring my horse and shield!

(He descends.  As the noise of his footfall on the stairs dies away,
the lady gropes toward the stairway, then turns suddenly, and going to
the ledge where they have sat, she throws herself over the parapet.)


CURTAIN.
Christmas Eve mass
The Ave Maria begins to play
Images start to run through my mind
Some of now and some not of this time

                    Ave Maria

I see the Manger before me with our dear Lord as a babe
It quickly switches to a stranger letting her babe be aborted away

                   Gratia plena
                   Maria, gratia plena
                   Maria, gratia plena
  

I see our Lord speak of peace
Then see our soldiers defending another's keep

                  Ave, ave dominus  
                  Dominus tecum

  
  I hear the mortar shells as they fly through the air
I hear our soldiers whisper their prayers

                Benedicta tu in muli eribus
                 Et benedictus
                 Et benedictus fructus ventris


I see Jesus take someone in
Only then to see someone not give a second look at the homeless man

                Ventris tuae, Jesus  
                  Ave Maria


A mother and child searching for shelter
Dressed only in thin clothes in a harsh winter

                 Ave Maria  
                 Mater Dei
                 Ora pro nobis peccatoribus
                 Ora pro nobis
                Ora, ora pro nobis peccatoribus


I see Him hung upon the cross
To now seeing a man beheaded for proclaiming his Christianity is not lost

                 Nunc et in hora mortis
                  Et in hora mortis nostrae
                  Et in hora mortis nostrae
                  Et in hora mortis nostrae            
                  Ave Maria


The song has now ended and my eyes are wet
The tears I let fall all for remembrance
Lest us not forget
These thoughts ran through my head during mass last night.  Merry Christmas everyone. Let is not forget....
You cannot judge me, dear fellow
For I was and am to be
Like the moon, stars and sun in the meadow
Here in the great world of dreams.

Yet when I slept, I saw Him beside me
When I had awaken, I was alone
And when I had died no more

Ego sum dominus fati mei...
*Ego sum dominus anima et fati mei...
Derek DM May 2017
No little script
That I have wrought
Could be so perfect
So tightly fraught
With such tones
and Temperament
With your bones
And subtle inference
Yet there you hum
Whilst I write
To catch a crumb
Of your in-finite
Sing a hallow
Gold, cold refrain
So I may swallow
And remain in-sane
For the aria, my dear
Splays my soul
And such, I fear
Might that, be all
Il Supremo, Vivaldi
Stanley Wilkin  Jun 2017
Dominus
Stanley Wilkin Jun 2017
Shadow crept into my life one dismal winter’s night
Perverting me with its touch.
They came from the shadows
Formless beings made of hatred,
Of greed.
Without a care they plucked me from my nest
My life
As if I were but a simple pebble from a beach
A memento for their wives.

I was not for their wives, however
But for those of a greater disposition.
Those of antiquated lineage
The founders of our way.
Those with jewels on their fingers,
Flowers in their hair
Perfume floating in the air.

Before long I was swept away
Into a new life of servitude,
One from which there was no escape,
No Sanctuary.
Shackles on my hands,
Lashes on my back
I did their bidding with a smile on my face
To distract me from my pain.

It was no use.
Months floated by
As if my life were but a dream.
The same routine.

Months became years
I was still theirs.
My face still belonged to the back of their hands,
My back to the clap of their whip,
My ribs to the force of their kicks.
No reprieve for a lowlife like me.

I came to accept my life in time.
It was my fault.
The woods were never a place for my kind
The son of a prefect,
The pretty little boy with slaves of his own
Who belonged to him.
Their bodies
Their souls.

Only now do I realise there was no luck involved
In fate’s betrayal of her child
I deserve this
This life of servitude.
By my son: Stephen Francis
Chris Behrens Feb 2013
Pocketa, pocketa
Christopher B. Behrens
pianist, classical
fell on his assical
shattered his spine

Married his sweetie
Recovered completely
six kids and two keeties
all keep him line

Yacketa, yacketa
Christopher B. Behrens
Loves his Lord Jesus
Who loves us and sees us
Through thick and through thin

Lots sixty pounds of fat
Jumpin' Jehosaphat
Some might think that proves that
he's full of win

Ceteris Paribus
Christopher B. Behrens
Is deeply musical
sometimes confusical
Plays on guitars

To kids at their bedtime
He sings "You're my Sunshine"
And sometimes at nighttime
he smokes a cigar

Hexasyllabically
Christopher B. Behrens
Econ and Business
But software's like Christmas
And work is like play

Deskwise, a Latinist
Cat-In-the-Hatinist
Vobiscum Dominus
Have a nice day.
Here's a little autobiographical double-dactyl (ish).
Nadine Caruana Aug 2010
Stomach Churning Mankind, Dizzy spells over the Human Race.
I question and turn, "the top of the food chain."
Creators of technology, bringers of pain.
Yet I see small weakening cracks all over their face.

Attention seekers, stalkers and unwanted love,
psychologically misguided, socially excluded.
small secrets and whispers, where one always intruded;
gossip carried into the skies, like feathers light, above.

Ripping at one's defined thought, ruining it with paranoia,
Pushing one's life aside, focusing on obsession,
Wishing nothing but a pair of eyes, some sort of detection;
a heart leading nowhere, lips quivering with question.

Women are 'weak' men are 'pathetic'
children barely bear name aside ignorance.
teenagers with morality that is of absence.
And the old are useless, eyes bearing something synthetic.

I sit here and give myself every insult; I belong to the Genus.
I feel feebleness grip my heart, that is when purpose diminishes.
I question if old power was real; Caesar, and Dominus!
And I realize, "Every story can be made," And that is where thought finishes.



**- N.C
*Most of these poems appear on my art gallery http://greatwhitey.deviantart.com.  If you suspect copyright or anything 'stolen', you may message me there for confirmation.*

— The End —