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Donna Jul 2018
So there she was I
knew I saw Jennifer the
fairy in the sky

O she twinkled bright
left happy zig zags flowers
floating so freely

Anyway as I
sunbathed whilst dean fished ,I saw
a big willow tree

Oh my he looked like
had the **** , Jennifer made
his eyes go bosseyed!

She was trying to
round up the dragonflies but
they kept flying off

I was observing
as usual eating a cheese
and tomoto roll

Jennifer was bored
again so she surfed across
the pond racing the

mallards and swans , her
tiny wings tried to keep up
but she had slowed down

But Jennifer was
not going to lose , she loved
to win always..it

was a problem she
had since she was born , her best
friend Peter the Snail

told her on many
occasions to lose is not
a bad thing it can

be a good thing as
well , but she'd much to learn
For now she wanted

to win, she fired
her bow and arrow and hit
a passing carp fish

All of a sudden
The carp turned into a
dragon , she jumped on

his back and both raced
through the sky towards Mr
Willow who was still

in a grumpy mood
but I could actually see
a twinkle in his

eye , he waved his long
arms in the air , Jennifer
and the dragon

had won the race , the
swans and mallards huffed and puffed
not happy with her

winning , I looked at
her and smiled , by now my big
toe was hurting me

And Deans fishing rod
was bleeping , he had caught a
carp, but oh no it

wasn't a carp it
was a dragon,  Jennifer
had forget to turn

him back into a
carp , wooo me and dean run as
fast as we could back

to van where he drove
like a maniac to dodge
the dragon who once

was a carp , as I
looked out the rear window I
could see Jennifer

giggling , she was
riding the dragon with her
bow and arrow , I

thought to myself she's
a mischievous fairy
And I just smiled wide

I got home quickly
and me and dean had salad
and a nice cold drink

Dean still can't believe
we got chased by a dragon
Maybe one day I

shall tell him about
Jennifer the fairy and
I bet he'd smile too

:)
Just quickly wrote this I used my imagnation to make a story about my fairy called Jennifer she popped up in my mind again , was inspired at fishing trip today xxxxxx
Have a lovely week and soz if I don't get to read you all I'm getting married in 3 weeks so life is hectic **
Lv u all take cares <3
Jade Apr 2013
a carp said to a guppy
why are you so grumpy
and the guppy replied
sometimes feelings are hard
Blake was right.
hell in heaven's despair,
and heaven in hell's despite alright.

ah, said the carp.
whether it is they who should be considerate,
or you?
which do you think is better of the two?
let it go and you'll feel more at ease.
one can never do as they please.

with that parting sentence,
down went the guppy,
in darkness, surprise and fear
without a scream no one would hear
into the carp.

Finally, thought the carp,
The Guppy shut up.
CK Baker Jan 2017
I can’t wait to be a hundred;
turning over the thoughts
and plots, of Caledon
floating on Zimmer inserts
and dusted Florsheims
three steps forward
in a dream woven
summer afternoon

Through the barn doors
and bee keeper flats
assimilating voices
from Sachems
and Forbes
and Hope Healers
coming and going
as the countryman
comes and goes

You can feel it
in a place like this
the 3 in the tree memories
of Allis Chalmers
and combine parts
of Sundrim poppers
and shallow carp fields
of patterned lawsons
and fading caulk
(on the ripped and rolled
frontier seats)

it’s a wishing well
for the peddler
and bold hydrangea...
both peeking their way
through the rusted
grinders wheel
Nigel Morgan Oct 2012
The courtesan and poet Zuo Fen had two cats Xe Ming and Xi Ming. Living in her distant court with only her maid Hu Yin, her cats were often her closest companions and, like herself, of a crepuscular nature.
      It was the very depths of winter and the first moon of the Solstice had risen. The old year had nearly passed.
      The day itself was almost over. Most of the inner courts retired before the new day began (at about 11.0pm), but not Zuo Fen. She summoned her maid to dress her in her winter furs, gathered her cats on a long chain leash, and walked out into the Haulin Gardens.
      These large and semi-wild gardens were adjacent to the walls of her personal court. The father of the present Emperor had created there a forest once stocked with game, a lake to the brim with carp and rich in waterfowl, and a series of tall structures surrounded by a moat from which astronomers were able to observe the firmament.
      Emperor Wu liked to think of Zuo Fen walking at night in his father’s park, though he rarely saw her there. He knew that she valued that time alone to prepare herself for his visits, visits that rarely occurred until the Tiger hours between 3.0am and 6.0am when his goat-drawn carriage would find its way to her court unbidden. She herself would welcome him with steaming chai and sometimes a new rhapsody. They would recline on her bed and discuss the content and significance of certain writings they knew and loved. Discussion sometimes became an elaborate game when a favoured Classical text would be taken as the starting point for an exchange of quotation. Gradually quotation would be displaced by subtle invention and Zuo Fen would find the Emperor manoeuvring her into making declarations of a passionate or ****** nature.
       It seemed her very voice captivated him and despite herself and her inclinations they would join as lovers with an intensity of purpose, a great tenderness, and deep joy. He would rest his head inside her cloak and allow her lips to caress his ears with tales of river and mountain, descriptions of the flights of birds and the opening of flowers. He spoke to her ******* of the rising moon, its myriad reflections on the waters of Ling Lake, and of its trees whose winter branches caressed the cold surface.

Whilst Zuo Fen walked in the midnight park with her cats she reflected on an afternoon of frustration. She had attempted to assemble a new poem for her Lord.  Despite being himself an accomplished poet and having an extraordinary memory for Classical verse, the Emperor retained a penchant for stories about Mei-Lim, a young Suchan girl dragged from her family to serve as a courtesan at his court.
      Zuo Fen had invented this girl to articulate some of her own expressions of homesickness, despair, periods of constant tearfulness, and abject loneliness. Such things seemed to touch something in the Emperor. It was as though he enjoyed wallowing in these descriptions and his favourite A Rhapsody on Being far from Home he loved to hear from the poet’s own lips, again and again. Zuo Fen felt she was tempting providence not to compose something new, before being ordered to do so.
      As she struggled through the afternoon to inject some fresh and meaningful content into a story already milked dry Zuo Fen became aware of her cats. Xi Ming lay languorously across her folded feet. Xe Ming perched like an immutable porcelain figure on a stool beside her low writing table.
Zuo Fen often consulted her cats. ‘Xi Ming, will my Lord like this stanza?’

“The stones that ring out from your pony’s hooves
announce your path through the cloud forest”


She would always wait patiently for Xi Ming’s reply, playing a game with her imagination to extract an answer from the cinnamon scented air of her winter chamber.
      ‘He will think his pony’s hooves will flash with sparks kindling the fire of his passion as he prepares to meet his beloved’.
      ‘Oh such a wise cat, Xi Ming’, and she would press his warm body further into her lap. But today, as she imagined this dialogue, a second voice appeared in her thoughts.
      ‘Gracious Lady, your Xe Ming knows his under-standing is poor, his education weak, but surely this image, taken as it is from the poet Lu Ji, suggests how unlikely it would be for the spark of love and passion to take hold without nurture and care, impossible on a hard journey’.
       This was unprecedented. What had brought such a response from her imagination? And before she could elicit an answer it was as though Xe Ming spoke with these words of Confucius.

“Do not be concerned about others not appreciating you, be concerned about you not appreciating others”

Being the very sensible woman she was, Zuo Fen dismissed such admonition (from a cat) and called for tea.

Later as she walked her beauties by the frozen lake, the golden carp nosing around just beneath the ice, she recalled the moment and wondered. A thought came to her  . . .
       She would petition Xe Ming’s help to write a new rhapsody, perhaps titled Rhapsody on the Thought of Separation.

Both Zuo Fen’s cats came from her parental home in Lingzhi. They were large, big-***** mountain cats; strong animals with bear-like paws, short whiskered and big eared. Their coats were a glassy grey, the hairs tipped with a sprinkling of white giving the fur an impression of being wet with dew or caught by a brief shower.
       When she thought of her esteemed father, the Imperial Archivist, there was always a cat somewhere; in his study at home, in the official archives where he worked. There was always a cat close at hand, listening?
       What texts did her father know by heart that she did not know? What about the Lu Yu – the Confucian text book of advice and etiquette for court officials. She had never bothered to learn it, even read it seemed unnecessary, but through her brother Zuo Si she knew something of its contents and purpose.

Confucius was once asked what were the qualifications of public office. ‘Revere the five forms of goodness and abandon the four vices and you can qualify for public office’.
       For the life of her Zuo Fen could not remember these five forms of goodness (although she could make a stab at guessing them). As for those vices? No, she was without an idea. If she had ever known, their detail had totally passed from her memory.
       Settled once again in her chamber she called Hu Yin and asked her to remove Xi Ming for the night. She had three hours or so before the Emperor might appear. There was time.
        Xe Ming was by nature a distant cat, aloof, never seeking affection. He would look the other way if regarded, pace to the corner of a room if spoken to. In summer he would hide himself in the deep undergrowth of Zuo Fen’s garden.
       Tonight Zuo Fen picked him up and placed him on her left shoulder. She walked around her room stroking him gently with her small strong fingers, so different from the manicured talons of her colleagues in the Purple Palace. Embroidery, of which she was an accomplished exponent, was impossible with long nails.
       From her scroll cupboard she selected her brother’s annotated copy of the Lun Yu, placing it unrolled on her desk. It would be those questions from the disciple Tzu Chang, she thought, so the final chapters perhaps. She sat down carefully on the thick fleece and Mongolian rug in front of her desk letting Xe Ming spill over her arms into a space beside her.
       This was strange indeed. As she sat beside Xe Ming in the light of the butter lamps holding his flickering gaze it was as though a veil began to lift between them.
       ‘At last you understand’, a voice appeared to whisper,’ after all this time you have realised . . .’
      Zuo Fen lost track of time. The cat was completely motionless. She could hear Hu Yin snoring lightly next door, no doubt glad to have Xi Ming beside her on her mat.
      ‘Xe Ming’, she said softly, ‘today I heard you quote from Confucius’.
      The cat remained inscrutable, completely still.
      ‘I think you may be able to help me write a new poem for my Lord. Heaven knows I need something or he will tire of me and this court will cease to enjoy his favour’.
      ‘Xe Ming, I have to test you. I think you can ‘speak’ to me, but I need to learn to talk to you’.
      ‘Tzu Chang once asked Confucius what were the qualifications needed for public office? Confucius said, I believe, that there were five forms of goodness to revere, and four vices to abandon’.
       ‘Can you tell me what they are?’
      Xe Ming turned his back on Zuo Fen and stepped gently away from the table and into a dark and distant corner of the chamber.
      ‘The gentle man is generous but not extravagant, works without complaint, has desires without being greedy, is at peace, but not arrogant, and commands respect but not fear’.
      Zuo Fen felt her breathing come short and fast. This voice inside her; richly-texture, male, so close it could be from a lover at the epicentre of a passionate entanglement; it caressed her.
      She heard herself say aloud, ‘and the four vices’.
      ‘To cause a death or imprisonment without teaching can be called cruelty; to judge results without prerequisites can be called tyranny; to impose deadlines on improper orders can be thievery; and when giving in the procedure of receipt and disbursement, to stint can be called officious’.
       Xe Ming then appeared out of the darkness and came and sat in the folds of her night cloak, between her legs. She stroked his glistening fur.
       Zuo Fen didn’t need to consult the Lu Yu on her desk. She knew this was unnecessary. She got to her feet and stepped through the curtains into an antechamber to relieve herself.
       When she returned Xe Ming had assumed his porcelain figure pose. So she gathered a fresh scroll, her writing brushes, her inks, her wax stamps, and wrote:

‘I was born in a humble, isolated, thatched house,
and was never well versed in writing.
I never saw the marvellous pictures of books,
nor had I heard of the classics of earlier sages.
I am dimwitted, humble and ignorant . . ‘


As she stopped to consider the next chain of characters she saw in her mind’s eye the Purple Palace, the palace of the concubines of the Emperor. Sitting next to the Purple Chamber there was a large grey cat, its fur sprinkled with tiny flecks of white looking as though the animal had been caught in a shower of rain.
       Zuo Fen turned from her script to see where Xe Ming had got to, but he had gone. She knew however that he would always be there. Wherever her imagination took her, she could seek out this cat and the words would flow.

Before returning to her new text Zuo Fen thought she might remind herself of Liu Xie’s words on the form of the Rhapsody. If Emperor Wu appeared later she would quote it (to his astonishment) from The Literary Mind and the Carving of Dragons.

*The rhapsody derives from poetry,
A fork in the road, a different line of development;
It describes objects, pictures and their appearance,
With a brilliance akin to sculpture and painting.
What is clogged and confined it invariably opens up;
It depicts the commonplace with unbounded charm;
But the goal of the form is of beauty well ordered,
Words retained for their loveliness when weeds have been cut away.
CK Baker Mar 2017
lady craighead played the blues
on a stand-up samick
in the ***** room
along side the parsons project
and squabbling dogs
and night moves

stairs creek
up the mezzanine trek
wool sheets slide
on finished floors
little angels
play late into the seventh
(a closing match nearing
the midnight hour)

croaking toads and cicada
sing in the blue moon
musty smells and mothballs
settle deep in the vault
the kettle boils
and cat coils
as the pump house rolls
its heavy drawl

the red phone rings
and bird clock sings
(behind the ruddy stall)
a sleeman variation of the ruy lopez
employed heartily
by the incomparable master jack
marble toast burning
wringer wash churning
chris craft running
near the old carp canoe

rooster calls
and west wind squalls
rustle through the porch screen door
chicken *** pies
and rogue flies linger
a rocker chair placed
near the  sepia face
(softened by the intricate frame)

donkey in tow
(with a fastened ***)
maggie in her dreams
of green tambourines
the nocturnes
reflections
and whispering gospel bells

tractors pull on
the grinder stone
horses lay still
in the mid-day sun
a trump card is fingered
at the furnace click
(crosswords and puzzles are next!)
while the sparrow
and that **** rabid fox
are drowning
deep in castles well
Raj Arumugam Jul 2011
Kintaro, wonder-child
with just a bib of red and gold
often red-naked;
Kintaro, child of nature
of the Ashigara mountain
friend of rabbit, monkey, squirrel,
tanuki and fox
Oh Kintaro! save us from this wild carp
so gigantic no human can tame
or catch -
Oh Kintaro! Super child, child of thunder
sent by red dragon of Mt Ashigara -
Oh subdue the Gigantic carp,
Oh Kintaro – save us!

and see now Kintaro comes
leaps into the waters
and Kintaro fights the carp
Kintaro subdues the monster
and the waters leap out
and flow like rivers
and they fill lakes and ponds
and Kintaro has subdued the carp
and we are all safe now again!
Thanks to Kintaro!


and so may all boys be strong
may all boys be brave
like little boy Kintaro
like mighty, mighty Kintaro
poem based on the Japanese tale of Kintaro, a legendary hero who had immense powers even as a boy; art by Yoshitoshi
Johnny Noiπ Nov 2018
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Because he burns the light of the gods and serpents, for the works of men are not like the faces of six souls. Apollo has prayed in the night.
Freezing dusk is closing
    Like a slow trap of steel
On trees and roads and hills and all
    That can no longer feel.
        But the carp is in its depth
          Like a planet in its heaven.
        And the badger in its bedding
          Like a loaf in the oven.
        And the butterfly in its mummy
          Like a viol in its case.
        And the owl in its feathers
          Like a doll in its lace.

Freezing dusk has tightened
    Like a nut ******* tight
On the starry aeroplane
    Of the soaring night.
        But the trout is in its hole
          Like a chuckle in a sleeper.
        The hare strays down the highway
          Like a root going deeper.
        The snail is dry in the outhouse
          Like a seed in a sunflower.
        The owl is pale on the gatepost
          Like a clock on its tower.

Moonlight freezes the shaggy world
    Like a mammoth of ice -
The past and the future
    Are the jaws of a steel vice.
        But the cod is in the tide-rip
          Like a key in a purse.
        The deer are on the bare-blown hill
          Like smiles on a nurse.
        The flies are behind the plaster
          Like the lost score of a jig.
        Sparrows are in the ivy-clump
          Like money in a pig.

Such a frost
    The flimsy moon
        Has lost her wits.

          A star falls.

The sweating farmers
    Turn in their sleep
        Like oxen on spits.
The Fire Burns Sep 2016
Ask me what I want to do, go fish
if I had a genie, it’s what I would wish
in the lake, river, creek or pond
eagerly cast next to a fern frond

Wiggle my bait and work it some more
hoping a fish cannot ignore
flipping up under docks
or the edges of piles of rocks

Working the tree stumps
waiting on a big thump
on my lure, adrenaline pumps
waiting for the end of my rod to jump

Bass, on Carolina, Alabama, or Texas rigs
crappie and pan fish I’ll catch on a jig
white bass and hybrids, on slabs and spoons
I have even caught them casting at  loons

Sam Rayburn, Cedar Creek or Lake Fork
I’m getting excited just like a dork
Tawakoni, Amistad, or Nacogdoches
if I ran out of bait, man I would use roaches

Livingston, Stryker, or the Trinidad  Lake
catching some fish, fry them up on a plate
bait cast, and spin cast, pushbuttons oh wow
I also can fly-fish, I taught myself how

Gar, carp and buffalo, anything that bites
looking for something to make my line tight
Matagorda, or Galveston, or Port A
I have no problems fishing  the bay

Intercoastal waterway or out in the surf
no problems cooking surf and turf
Black drum, Red fish or Speckled trout
as long as they’re biting I’ll never pout

Whiting, and Croakers and even Hardheads
catching are fun, getting the slime off you dread
gaff tops are pretty, but just as slimy nasty
I’ve never had any, I hear their pretty tasty

Flounders are flat and so are sting rays
but if that’s what’s biting I’ll fish everyday
jacks, and mackerel and bonnet head sharks
so many fish in the ocean, that’s just a start.

How about invasives, silver carp and snakeheads
cast for the snakehead, jumping carp in a net
I’ve fished lots of bass, native and Florida strain
but there is one thought that sticks in my brain

Is I’d like to go catch some peacock bass
top water action would really kick ***.
catch and release or serve it up in a dish
as you can see I really love to fish

— The End —