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Grahame Jun 2014
“My Lady! My Lady! Arise from your bower,
    I’d show you something, come down from your tower!”
The maid into the Lady’s chamber goes,
    she is intent on telling her news.

“My handmaid, my handmaid, what’s all the row?
    Don’t you know I’ve been asleep until now?
I am in my bed, in nightclothes I’m dressed,
    so please impart to me, that which you feel pressed.”

“My Lady! My Lady! Please get out of bed!
    it needs to be shown you, it can’t just be said.
In your private garden is something to see,
    you wouldn’t believe it if you heard it from me.”

The Lady arises, and in her clothes dight,
    descends from the tower in the still of the night.
“Hurry, please hurry,” the handmaiden said,
    “lest what I would show you has already fled.”

They reach the tower’s base, both breathing hard,
    go out of the tower, and into the yard
That they walk across, right up to the gate,
    which the Lady unlocks, though the hour is late.

This garden is private, the demesne of the Lady,
    hedged and bowered, everywhere shady.
With windy gravel paths, carefully laid,
    and only attended by the Lady and maid.

This is her refuge, her own privy lair,
    where she’d repair, far from the care
Of running the castle, looking after the keep,
    which often oppressed her, until she could weep.

Her husband, the Lord, is oft-times away,
    in ‘The Field of Mars’, in the thick of the fray,
Leaving the Lady in the castle alone,
    who, for a pastime’s made the garden her own.

She lovingly tends the plants and the trees,
    which were chosen to tempt birds, butterflies and bees.
And, by selecting ones with strong scent,
    she could know, by smelling, at night where she went.

She now knows this garden like the back of her hand,
    and loves to walk through it, or simply to stand
Admiring the vistas, or taking the air,
    now, lead by the maid, she follows to where
A unicorn lies, wounded with a spear,
    stretched out in an arbour, showing no fear.

The Lady and maid, now hand-in-hand
    slowly approach, and before it do stand.
“My Lady, my Lady, now do you see why
    to observe it yourself I have brought you nigh?
If I’d said, in your garden was a unicorn,
    I fear you would have treated my words with scorn.”

“My handmaid, my handmaid, yes, you’ve done right,
    to bring me here, to show me this sight.
And now, we must help with this poor creature’s plight.
    We’ll pull out the spear, I hope that’ll be right.”

“Return to the castle and fetch water hot,
    and cloths to clean, and what simples we’ve got,
And needle and thread to mend this wound.
    Hurry! Go now! Don’t just stound!”

Back to the castle the maid does hurry,
    while, for the Lady, she does worry.
They’ve neither seen such a creature before,
    and know not if a grudge it bore.

Slowly the Lady approaches the beast,
    cinching her kirtle around her waist.
By its side on the ground she kneels,
    and slowly reaching out, she feels
The unicorn’s flank, to try to decide
    how far the spear has pierced its side,
While the unicorn, with lugubrious eyes,
    gazes at her face as still it lies.

Soon the maid returns with the gear,
    which she lays on the ground, conveniently near
To where the Lady is stroking the creature,
    staring in wonder at each feature.

Two brown eyes, limpid and large,
    a spiralling horn crowns its visage,
Muzzle and feet, all black as jet,
    hide as white as milk, unset.

Ears pricked up, alert and keen,
    tail and mane both long and sheyne.
They know not how long there it has lain,
    with open mouth, panting in pain.

The maid hands the Lady a dampened cloth,
    which she uses to mop up the blood, then doth
Grasp the shaft of the piercing spear,
    and with one pull, draws it clear.

The unicorn gives just one start,
    then lies there, still, although alert.
From the wound comes forth a little blood,
    which the Lady staunches as best she could.

The Lady does the wound clean and dress,
    and stitches the edges, neat as a seamstress.
She wipes the unicorn’s fevered brow,
    then she and the maid wonder what to do now.

The sun’s rays over the garden wall creep,
    So the arbour, still in shadow deep
Slowly brightens up, and then
    the beams light up the unicorn, when
A flash of light blinds their eyes,
    and when they can see, to their surprise,
At the place where lay the unicorn
    there’s now a girl lying, looking forlorn.

Amazed, the Lady and handmaid stare
    at the girl, with a stitched wound, lying there.
Seeing her naked, exposed to their sight,
    they cover her form with a length of samite.

The sun does slowly the arbour warm,
    and they think she’ll now be safe from harm,
Then gradually, she opens her eyes,
    looks at them, and then she cries.

Her whole body with her sorrow shakes,
    the arbour echoes with the sobs she makes,
She appears so fragile and delicate,
    and seems to be inconsolate.

The Lady, sitting by the girl’s side,
    is concerned that the wound might open wide.
So violent is the girl’s paroxysm,
    that she fears it might cause the suture to schism.

So taking the young girl in her arms,
    she cuddles her closely, to soothe her alarms,
And with gentle rocking to and fro,
    the girl, exhausted, to sleep does go.

Later, the Lady feels the girl’s hot,
    and realises she a fever has got.
From the simples she makes a febrifuge,
    which she administers in the arbour refuge.

The sun is almost overhead,
    so fleetingly the time has sped.
The arbour now is cool with shade,
    while the Lady continues administering aid.

The samite cloth is soaking wet,
    so some of the Lady’s clothes does the maid get.
Also fresh water, because she does think
    the girl might like a cooling drink.

She sees the girl is sitting up,
    so offers her water in a cup,
And then offers her a silken gown,
    though wonders if she can dress on her own.

The Lady asks, “Can you put this dress on?”
    Weakly, the girls says, “I’ll try anon.”
Although, when she tries, she cannot stand,
    so the maid offers to give her a hand.

With the help of the Lady and the maid,
    in the dress, the girl is arrayed.
And then she says, still seeming dismayed,
    “Thank you for your help, I’ve been so afraid.
And if you’ll continue sitting near,
    I’ll discover to you just why I am here.”

“My stepmother did me cruelly treat,
    though when with my father, she seemed so sweet,
And because his love, he between us divided,
    to separate us, she then decided”

“She semblanced gaity by day,
    while always looking for a way
To make me seem as a fool, or worse,
    and to appear in all things as perverse.”

“At night she magic studiéd,
    while my father, drugged, lay asleep in bed.
I tried to tell him of her deceit,
    though he always maintained she would not cheat.”

“Eventually, she found a way
    of letting me stay a fille by day
While becoming a unicorn filly at night.
    Against her magic I could not fight.”

“I knew it would break my father’s heart
    to discover his wife had used black art,
And so I thought it a kinder way
    to pretend to go on holiday.”

“I forged a letter from a friend
    inviting me to go and spend
A few weeks visiting her home,
    and took the chance to distantly roam.
And that is why I happened to come
    into these woods, near your home.”

“Because I’m a unicorn at night,
    I live in the woods, like an eremite.
I try to keep to my cave by day.
    I have found this is the best way.”

“As a lady in the wood,
    it’s difficult to find any food.
My clothes are ragged and all torn,
    I’m better off as a unicorn.”

“As a unicorn, I’m able to eat.
    There’s grass all around, and shoots so sweet.
There are ponds and streams where I can drink,
    and this is my best chance I think.”

“I left my cave early last night,
    however, there was still some light.
The sun had only just then set,
    and I, some grass, was eager to eat.”

“It was then I did realise
    I wasn’t alone. To my surprise
A band of hunters, going home,
    by chance through your woods did come.”

“They, straightway, their horns did sound,
    and then let slip their pack of hounds.
I desperately fled away,
    and from my cave was forced to stray.”

“I managed, in front of the pack, to keep,
    meanwhile, my strength, did slowly seep.
On reaching a river that did rapidly flow,
    I desperately leapt it, and over did go.”

“Just as I landed on the further bank,
    I felt a sharp pain in my flank.
A huntsman had chanced a spear to throw;
    I thought I’d been given a mortal blow.
Because the hounds couldn’t the river cross,
    they had to reckon me as a loss.”

“I carried on, full of fear,
    until, to the castle wall I came near.
Then seeing a garden gate open wide,
    I managed, painfully, to struggle inside.”

“I staggered into this arbour deep,
    hoping it would me safely keep.
Then, passing close by, walked your maid,
    and I made a noise though I was afraid.”

“I didn’t want to die alone,
    so I made a sound before she was gone.
I only wanted someone to be there,
    I didn’t expect to receive any care.”

“Your maid came in, quite unafraid,
    and saw me, as on the ground I laid.
And from her eye fell down a tear,
    so then I knew I’d naught to fear.”

“I could now die in company,
    except your handmaid said to me,
‘You stay there, some help I’ll get,
    I will not let you die just yet.’”

“So she brought you, and you helped me,
    and for that I’ll always grateful be.
And now, if you’ll kindly open that door,
    I’ll return to my cave and you’ll see me no more.”

The Lady and her maid said, “No!”
    adding, “from here we shall not let you go.
You have still got a crippling wound
    and for it to mend it needs to be bound.”

“My maid can fetch some serving men.
    They’ll carry you to my chamber, and then
We can give to you the care you need.
    With this plan I hope you’ll concede.”

The girl said, “Nay, this I must gainsay,
    I really must now go away.
How do you think you’ll cope with the sight
    of a unicorn in your bedroom at night?”

The Lady and handmaid thought about this.
    Then the Lady said, “I wis!
My old nursemaid lives near the wood.
    We’ll get you to her, I know we could.”

“She has a cottage and a little land,
    a stable and outbuildings round it stand.
For love of me she’ll look after you,
    I think that is the best thing to do.”

“My handmaid, fetch some serving men,
    and ask them to bring my litter, and then
They can carry the girl to my old nursemaid.
    You’ll be safe there, look not afraid.”

The handmaid goes to find some men,
    while the girl and Lady stay snug in their den.
The girl tells the Lady about her life,
    and the struggle to cope with the constant strife
Which arose from the stepmother treating her ill,
    while her father seemed totally bent to her will.

The maid returns with the men and the litter
    and though the girl said she does feel fitter,
They place her on it, and she’s then transported
    carefully to the nurse’s home. All is sorted.

To alert the nurse, the maid goes on ahead,
    and the nurse listens carefully to what is said.
She quickly makes a spare room ready
    to look after the girl, who is so needy.

The girl is gently placed on a cot,
    while the nursemaid, making some water hot,
Gives the girl a sleeping potion,
    and covers the sutured wound with a lotion.

She binds the wound with cloth that’s clean,
    then asks the Lady what it does mean.
The Lady asks her nurse, so dear,
    to keep it secret, which the nurse does swear.

The nurse then listens, quite bemused,
    how the wounded girl’s been so badly used.
And the outcome, really tragic,
    of the stepmother’s evil use of magic.

The nurse says that of course the girl may stay,
    and the garden’s enclosed, so she will not stray
At night, when become a unicorn,
    so she should be quite safe there alone.
And, furthermore, while the girl is there,
    she’ll try to find a way to save her.

The Lady and maid walk back to the tower,
    and start climbing the stairs to the Lady’s bower.
The Lady asks the maid about the gate,
    if she knows why it had been open so late.

The handmaid said, “I must confess,
    I knew the gate was open, yes.
Oh please try not to be angry with me,
    I had unlocked it with my key.”

“Why were you out, my maid, at night?
    Why couldn’t your business wait until light?”

“My Lady, I have made a match,
    a soldier who’s in your night-watch.
His duty’s at night, he sleeps by day,
    so I have managed to find a way
To see him sometimes, if I can,
    Together, we have made a plan.”

“Although he’s always on duty late,
    he’s occasionally stationed by the gate
Of this garden, near the bower,
    and then he lets me know the hour.”

“When he’s there, I use my key,
    to enter the garden secretly.
I go through it, to the gate,
    then open it, for some time with my mate.”

“So I suppose, when late last night,
    I had opened the gate for a sight
Of my leman, I must have forgotten to
    close it tight when to him I did go.”

“Then, later on, when going home
    through the garden, I heard a moan.
And tryi
Amy Lowell  Nov 2010
1777
I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
There's an ancient, ancient garden that I see sometimes in dreams,      
   Where the very Maytime sunlight plays and glows with spectral gleams;  
   Where the gaudy-tinted blossoms seem to wither into grey,              
   And the crumbling walls and pillars waken thoughts of yesterday.        
   There are vines in nooks and crannies, and there's moss about the pool,
   And the tangled weedy thicket chokes the arbour dark and cool:          
   In the silent sunken pathways springs a herbage sparse and spare,      
   Where the musty scent of dead things dulls the fragrance of the air.    
   There is not a living creature in the lonely space arouna,              
   And the hedge~encompass'd d quiet never echoes to a sound.              
   As I walk, and wait, and listen, I will often seek to find              
   When it was I knew that garden in an age long left behind;              
   I will oft conjure a vision of a day that is no more,                  
   As I gaze upon the grey, grey scenes I feel I knew before.              
   Then a sadness settles o'er me, and a tremor seems to start -          
   For I know the flow'rs are shrivell'd hopes - the garden is my heart.
No more of talk where God or Angel guest
With Man, as with his friend, familiar us’d,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam’d. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death’s harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous’d;
Or Neptune’s ire, or Juno’s, that so long
Perplexed the Greek, and Cytherea’s son:                        

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor’d,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas’d me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem’d chief mastery to dissect
With long and tedious havock fabled knights
In battles feign’d; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon’d shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall’d feast
Serv’d up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem.  Me, of these
Nor skill’d nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress’d; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
Twilight upon the earth, short arbiter
“twixt day and night, and now from end to end
Night’s hemisphere had veil’d the horizon round:
When satan, who late fled before the threats
Of Gabriel out of Eden, now improv’d
In meditated fraud and malice, bent
On Man’s destruction, maugre what might hap
Of heavier on himself, fearless returned
From compassing the earth; cautious of day,
Since Uriel, regent of the sun, descried
His entrance, and foreworned the Cherubim
That kept their watch; thence full of anguish driven,
The space of seven continued nights he rode
With darkness; thrice the equinoctial line
He circled; four times crossed the car of night
From pole to pole, traversing each colure;
On the eighth returned; and, on the coast averse
From entrance or Cherubick watch, by stealth
Found unsuspected way.  There was a place,
Now not, though sin, not time, first wrought the change,
Where Tigris, at the foot of Paradise,
Into a gulf shot under ground, till part
Rose up a fountain by the tree of life:
In with the river sunk, and with it rose
Satan, involved in rising mist; then sought
Where to lie hid; sea he had searched, and land,
From Eden over Pontus and the pool
Maeotis, up beyond the river Ob;
Downward as far antarctick; and in length,
West from Orontes to the ocean barred
At Darien ; thence to the land where flows
Ganges and Indus: Thus the orb he roamed
With narrow search; and with inspection deep
Considered every creature, which of all
Most opportune might serve his wiles; and found
The Serpent subtlest beast of all the field.
Him after long debate, irresolute
Of thoughts revolved, his final sentence chose
Fit vessel, fittest imp of fraud, in whom
To enter, and his dark suggestions hide
From sharpest sight: for, in the wily snake
Whatever sleights, none would suspicious mark,
As from his wit and native subtlety
Proceeding; which, in other beasts observed,
Doubt might beget of diabolick power
Active within, beyond the sense of brute.
Thus he resolved, but first from inward grief
His bursting passion into plaints thus poured.
More justly, seat worthier of Gods, as built
With second thoughts, reforming what was old!
O Earth, how like to Heaven, if not preferred
For what God, after better, worse would build?
Terrestrial Heaven, danced round by other Heavens
That shine, yet bear their bright officious lamps,
Light above light, for thee alone, as seems,
In thee concentring all their precious beams
Of sacred influence!  As God in Heaven
Is center, yet extends to all; so thou,
Centring, receivest from all those orbs: in thee,
Not in themselves, all their known virtue appears
Productive in herb, plant, and nobler birth
Of creatures animate with gradual life
Of growth, sense, reason, all summed up in Man.
With what delight could I have walked thee round,
If I could joy in aught, sweet interchange
Of hill, and valley, rivers, woods, and plains,
Now land, now sea and shores with forest crowned,
Rocks, dens, and caves!  But I in none of these
Find place or refuge; and the more I see
Pleasures about me, so much more I feel
Torment within me, as from the hateful siege
Of contraries: all good to me becomes
Bane, and in Heaven much worse would be my state.
But neither here seek I, no nor in Heaven
To dwell, unless by mastering Heaven’s Supreme;
Nor hope to be myself less miserable
By what I seek, but others to make such
As I, though thereby worse to me redound:
For only in destroying I find ease
To my relentless thoughts; and, him destroyed,
Or won to what may work his utter loss,
For whom all this was made, all this will soon
Follow, as to him linked in weal or woe;
In woe then; that destruction wide may range:
To me shall be the glory sole among
The infernal Powers, in one day to have marred
What he, Almighty styled, six nights and days
Continued making; and who knows how long
Before had been contriving? though perhaps
Not longer than since I, in one night, freed
From servitude inglorious well nigh half
The angelick name, and thinner left the throng
Of his adorers: He, to be avenged,
And to repair his numbers thus impaired,
Whether such virtue spent of old now failed
More Angels to create, if they at least
Are his created, or, to spite us more,
Determined to advance into our room
A creature formed of earth, and him endow,
Exalted from so base original,
With heavenly spoils, our spoils: What he decreed,
He effected; Man he made, and for him built
Magnificent this world, and earth his seat,
Him lord pronounced; and, O indignity!
Subjected to his service angel-wings,
And flaming ministers to watch and tend
Their earthly charge: Of these the vigilance
I dread; and, to elude, thus wrapt in mist
Of midnight vapour glide obscure, and pry
In every bush and brake, where hap may find
The serpent sleeping; in whose mazy folds
To hide me, and the dark intent I bring.
O foul descent! that I, who erst contended
With Gods to sit the highest, am now constrained
Into a beast; and, mixed with ******* slime,
This essence to incarnate and imbrute,
That to the highth of Deity aspired!
But what will not ambition and revenge
Descend to?  Who aspires, must down as low
As high he soared; obnoxious, first or last,
To basest things.  Revenge, at first though sweet,
Bitter ere long, back on itself recoils:
Let it; I reck not, so it light well aimed,
Since higher I fall short, on him who next
Provokes my envy, this new favourite
Of Heaven, this man of clay, son of despite,
Whom, us the more to spite, his Maker raised
From dust: Spite then with spite is best repaid.
So saying, through each thicket dank or dry,
Like a black mist low-creeping, he held on
His midnight-search, where soonest he might find
The serpent; him fast-sleeping soon he found
In labyrinth of many a round self-rolled,
His head the midst, well stored with subtile wiles:
Not yet in horrid shade or dismal den,
Nor nocent yet; but, on the grassy herb,
Fearless unfeared he slept: in at his mouth
The Devil entered; and his brutal sense,
In heart or head, possessing, soon inspired
With act intelligential; but his sleep
Disturbed not, waiting close the approach of morn.
Now, when as sacred light began to dawn
In Eden on the humid flowers, that breathed
Their morning incense, when all things, that breathe,
From the Earth’s great altar send up silent praise
To the Creator, and his nostrils fill
With grateful smell, forth came the human pair,
And joined their vocal worship to the quire
Of creatures wanting voice; that done, partake
The season prime for sweetest scents and airs:
Then commune, how that day they best may ply
Their growing work: for much their work out-grew
The hands’ dispatch of two gardening so wide,
And Eve first to her husband thus began.
Adam, well may we labour still to dress
This garden, still to tend plant, herb, and flower,
Our pleasant task enjoined; but, till more hands
Aid us, the work under our labour grows,
Luxurious by restraint; what we by day
Lop overgrown, or prune, or prop, or bind,
One night or two with wanton growth derides
Tending to wild.  Thou therefore now advise,
Or bear what to my mind first thoughts present:
Let us divide our labours; thou, where choice
Leads thee, or where most needs, whether to wind
The woodbine round this arbour, or direct
The clasping ivy where to climb; while I,
In yonder spring of roses intermixed
With myrtle, find what to redress till noon:
For, while so near each other thus all day
Our task we choose, what wonder if so near
Looks intervene and smiles, or object new
Casual discourse draw on; which intermits
Our day’s work, brought to little, though begun
Early, and the hour of supper comes unearned?
To whom mild answer Adam thus returned.
Sole Eve, associate sole, to me beyond
Compare above all living creatures dear!
Well hast thou motioned, well thy thoughts employed,
How we might best fulfil the work which here
God hath assigned us; nor of me shalt pass
Unpraised: for nothing lovelier can be found
In woman, than to study houshold good,
And good works in her husband to promote.
Yet not so strictly hath our Lord imposed
Labour, as to debar us when we need
Refreshment, whether food, or talk between,
Food of the mind, or this sweet *******
Of looks and smiles; for smiles from reason flow,
To brute denied, and are of love the food;
Love, not the lowest end of human life.
For not to irksome toil, but to delight,
He made us, and delight to reason joined.
These paths and bowers doubt not but our joint hands
Will keep from wilderness with ease, as wide
As we need walk, till younger hands ere long
Assist us; But, if much converse perhaps
Thee satiate, to short absence I could yield:
For solitude sometimes is best society,
And short retirement urges sweet return.
But other doubt possesses me, lest harm
Befall thee severed from me; for thou knowest
What hath been warned us, what malicious foe
Envying our happiness, and of his own
Despairing, seeks to work us woe and shame
By sly assault; and somewhere nigh at hand
Watches, no doubt, with greedy hope to find
His wish and best advantage, us asunder;
Hopeless to circumvent us joined, where each
To other speedy aid might lend at need:
Whether his first design be to withdraw
Our fealty from God, or to disturb
Conjugal love, than which perhaps no bliss
Enjoyed by us excites his envy more;
Or this, or worse, leave not the faithful side
That gave thee being, still shades thee, and protects.
The wife, where danger or dishonour lurks,
Safest and seemliest by her husband stays,
Who guards her, or with her the worst endures.
To whom the ****** majesty of Eve,
As one who loves, and some unkindness meets,
With sweet austere composure thus replied.
Offspring of Heaven and Earth, and all Earth’s Lord!
That such an enemy we have, who seeks
Our ruin, both by thee informed I learn,
And from the parting Angel over-heard,
As in a shady nook I stood behind,
Just then returned at shut of evening flowers.
But, that thou shouldst my firmness therefore doubt
To God or thee, because we have a foe
May tempt it, I expected not to hear.
His violence thou fearest not, being such
As we, not capable of death or pain,
Can either not receive, or can repel.
His fraud is then thy fear; which plain infers
Thy equal fear, that my firm faith and love
Can by his fraud be shaken or seduced;
Thoughts, which how found they harbour in thy breast,
Adam, mis-thought of her to thee so dear?
To whom with healing words Adam replied.
Daughter of God and Man, immortal Eve!
For such thou art; from sin and blame entire:
Not diffident of thee do I dissuade
Thy absence from my sight, but to avoid
The attempt itself, intended by our foe.
For he who tempts, though in vain, at least asperses
The tempted with dishonour foul; supposed
Not incorruptible of faith, not proof
Against temptation: Thou thyself with scorn
And anger wouldst resent the offered wrong,
Though ineffectual found: misdeem not then,
If such affront I labour to avert
From thee alone, which on us both at once
The enemy, though bold, will hardly dare;
Or daring, first on me the assault shall light.
Nor thou his malice and false guile contemn;
Subtle he needs must be, who could ******
Angels; nor think superfluous other’s aid.
I, from the influence of thy looks, receive
Access in every virtue; in thy sight
More wise, more watchful, stronger, if need were
Of outward strength; while shame, thou looking on,
Shame to be overcome or over-reached,
Would utmost vigour raise, and raised unite.
Why shouldst not thou like sense within thee feel
When I am present, and thy trial choose
With me, best witness of thy virtue tried?
So spake domestick Adam in his care
And matrimonial love; but Eve, who thought
Less attributed to her faith sincere,
Thus her reply with accent sweet renewed.
If this be our condition, thus to dwell
In narrow circuit straitened by a foe,
Subtle or violent, we not endued
Single with like defence, wherever met;
How are we happy, still in fear of harm?
But harm precedes not sin: only our foe,
Tempting, affronts us with his foul esteem
Of our integrity: his foul esteem
Sticks no dishonour on our front, but turns
Foul on himself; then wherefore shunned or feared
By us? who rather double honour gain
From his surmise proved false; find peace within,
Favour from Heaven, our witness, from the event.
And what is faith, love, virtue, unassayed
Alone, without exteriour help sustained?
Let us not then suspect our happy state
Left so imperfect by the Maker wise,
As not secure to single or combined.
Frail is our happiness, if this be so,
And Eden were no Eden, thus exposed.
To whom thus Adam fervently replied.
O Woman, best are all things as the will
Of God ordained them: His creating hand
Nothing imperfect or deficient left
Of all that he created, much less Man,
Or aught that might his happy state secure,
Secure from outward force; within himself
The danger lies, yet lies within his power:
Against his will he can receive no harm.
But God left free the will; for what obeys
Reason, is free; and Reason he made right,
But bid her well be ware, and still *****;
Lest, by some fair-appearing good surprised,
She dictate false; and mis-inform the will
To do what God expressly hath forbid.
Not then mistrust, but tender love, enjoins,
That I should mind thee oft; and mind thou me.
Firm we subsist, yet possible to swerve;
Since Reason not impossibly may meet
Some specious object by the foe suborned,
And fall into deception unaware,
Not keeping strictest watch, as she was warned.
Seek not temptation then, which to avoid
Were better, and most likely if from me
Thou sever not: Trial will come unsought.
Wouldst thou approve thy constancy, approve
First thy obedience; the other who can know,
Not seeing thee attempted, who attest?
But, if thou think, trial unsought may find
Us both securer than thus warned thou seemest,
Go; for thy stay, not fre
I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                              But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                        Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
                                          Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.

IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?
Chill
Fingers of yew be curled
Down on us? After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

    The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.
st64 Sep 2013
collector of iron and all things metal
carried without slightest lament
by
beautiful brown-and-white nag with overflowing mane
clip-clops up and down
every road there is
and even beyond



1.
little doubt exists
of fine ingenuity
of said collector
who wastes no moment nor chance
to scour every luck’s platform
with sharp intuition and assiduous eyes
          an old stove with absent racks
          a precious copper geyser gutted with no fittings
          pine-planks discarded due to skew-cuts
          aluminium pipes abandoned with twisted ends
          old screws with rusty whorls from an recently bucket-kicked geezer’s garage
          parts of a car . . . an ****** gearbox and ancient exhausts
heaps of junk and piles of crap clang on cart
a veritable dump in some eyes but those of
the cool collector who takes all the sweepings in gracious stride
cast-off penalties and chaffs of society’s unwanted

2.
once a week on Saturdays
these wares are parked near the parking lot
for all to approach
to see
a fine spread of legend and lore
     bric-à-brac and books to browse
so many things of interest
     magazines and manuals with miscellany-topics under the sun
     hipflasks of silver and clear-cut carafes
     unused greeting-cards with dressed-up paper-dolls
     rare literature well-thumbed with care
and things you’d sure chuck out
mechanical entrails and shiny things
yet
quite a spectacle to behold
costing a joke but for you
a fraction of today's ha'penny

3.
nobody knows why the quiet collector takes the time of day
to re-inforce that fixture-presence
a kindly soul with half-smile always flirting round the lips
and greets with old-century warmth o'er book-edge, markedly a poem-spine
walking closer to peep curiosity around
relaxed eyes let one be
          no compulsive sales-talk
          no eager-****** hopping
just sitting back in deep hiker’s green fold-up chair
easy posture and half-drooped eyes with soft drink close at hand

4.
the collector really watches all who pass
     who go by on their daily trails with rituals oft unchanged
     who fuss ever-plaintive over facetious deets like school-tasks
as they return their books long overdue while whistling smasher-hit tunes (never to be heard)
     who rush to catch an ever-noisy taxi with their own raucous guards
     who help heaving housewives cursing under breath climb on board
as their groceries groan and nearly drop from overladen plastic bags
     who ignore for now with studious intent the hobos on the pavement there
     who beg lost coins for empty-belly from the tattered purses in bosoms
while others cry out impatient at peripheral nuisances
     who act as indiscreet ‘car-guards’ ostensibly guarding cars, even with folk in it

yes, he watches
and observes with keen eyes yet never obvious
even those who saunter by
with pondering glance and walking stick
even as years have graciously touched their brow
he sees them *tut-tut
the ******* on the wall
like stray-dogs in a pound

5.
once in an often while
this collector who loves a rediscovered hypothesis
to explore the myriad facets of humanity
does an odd turn now and then
when walking to the toilet at the local library
which has parked itself adjacent to this lot
drops a twenty-buck note near the side
and soon joyful sees the utter surprise
when tired high-school kids with sullen backpacks
do a double-take
espy their luck . . . whoo-hoo, look!
their gloomy cloaks of learning plain melts
they take off sure-footed and lighter of heart
and repair to the fish-and-chips shop
they share their vinegary ***** in a finger-licking circle
and amity strong-cemented in a cool memory
that they’d recall with fondness many years later
at their 20th school-reunion
and as grand-dads visiting a dying pal

pangs of hunger satisfied
and
not only by them


next time
that note will be dropped in the park nearby
where effete winos sleep their lives away
     who ken much and give not a care
     a kind long not recognised
educated derelicts debate on war-merits and erstwhile musicians play melodic arpeggios
sitting in the gentle arbour-shade of mutual acceptance
with chess-mad players
working out strategy in rapt blade-moves
which belie and scorn the forgotten titles to their name
along with Ph.D to boot

6.
when night-time hails - all grows still again
and settles, though just for a nibble of time
it’s pack-up time
the listening collector hears the owl-hoot’s call
and knows the time has come to rest a bit
     for when the morrow dawns
     all neatly packaged in a brand-new gift called day
it’s back on the road again
to observe once more
with trusted nag in tow
clip-clop . . . clip-CLOP

7.
and the collector is the one
the housewives invite with alacrity to Xmas-lunch
the taxi-drivers offer gifts of goodwill
the school-kids give their chips and last treats
the vagrants seek out to share a ciggie and sympa-chat
the grown men visit for esoteric slim-tomes and philosophical advice
the shopkeepers welcome reassuring presence of

yes, this quiet collector
is the inadvertent guest
to shores of the lonely
the too-busy and life-ridden folk
who seek a sweet smile
just once in a while
in a world
where compassion is not justified by its deep-touches of poverty





no fruitless labour
in one who sees little detriment
but senses the full value of
every item’s moment in vanilla-time
while trying always
to catch
the finest one can be



supreme harvest, indeed
yes :)
love . . . love . . . love . . .





S T, 1 September
Happy Spring Day!
And . . . er . . . catch some sun-rays . . . while ye can :)



Sub – entry : 'empty chairs'

Songwriter: Don McLean


I feel the trembling tingle of a sleepless night
Creep through my fingers and the moon is bright
Beams of blue come flickering through my window pane
Like gypsy moths that dance around a candle flame

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would

Moonlight used to bathe the contours of your face
While chestnut hair fell all around the pillow case
And the fragrance of your flowers rest beneath my head
A sympathy bouquet left with the love that's dead

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would

Never thought the words you said were true
Never thought you said just what you meant
Never knew how much I needed you
Never thought you'd leave, until you went

Morning comes and morning goes with no regret
And evening brings the memories I can't forget
Empty rooms that echo as I climb the stairs
And empty clothes that drape and fall on empty chairs

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would



http://www.youtube.com/watch?v=AwzHlyVRc9o
Jake Easterlind May 2013
Attrition

It's a cold, raining day in February. My name is Henri Arbour. The year is 1916, and I wake to find myself drowning in my trench along Western France. I escape my damp dwellings with a soaked, freezing coat and a pack of cigarettes. I pray they were on a high enough shelf that they're dry enough to escape my tremors. Counting on my luck, they weren't. But you could look at my luck either way; I was lucky enough to not catch a bullet yet during my year in Hell, but luck would probably have me catch trench foot. To me, that would be worse than getting shot to death. But today, luck was more or less on my side, as I found but one smoke that would light. Lucky me. Beliveau, my only friend left of the group of old pals that accompanied me to this horrid swamp of mud, blood, and decay, soon came to greet me with his dead expression. He was the only person who wanted to be here less than me, ******* was he scared. Whenever some'd go over the top, he'd be in the corner ******* himself. Can't  blame him. The roar of those machine guns goes quite appropriately well the harrowing slaughter they cause. Jesus, listen to me, that must've been the most depressing thing I’ve ever heard, and yet, I can't help but laugh a little. A bit psychotic, huh? But that's what this ******* war'll do to ya, make ya cynical as Hell. With all this digression, I missed what Beliveau had just said. Funny how the mind tends to wander more out here. “What?”, I asked, slightly uninterested. “I said a new shipment of rations just came in.” Instantly a glow came to my face. Heh, so deprived that I get this excited at the mere thought of not having to **** some disgusting rodent just to get some food in my stomach tonight. Pretty sad, huh? I wouldn't know, not anymore. I was especially happy because the last shipment that was supposed to come a month ago had been fire bombed on the way. Tonight, we'll rejoice on this small personal victory. If only we could drink away our sorrows as well, but that'll be another day. One when this ****** strife is just a distant memory that we're all trying to suppress...

- - -

It's now late March. I've been slowly losing sanity this past month, partially due to sleep deprivation, partially due to the things I've seen, the two being closely related. All month long our trench has been getting bombed, just shell upon never-ending shelling that just seems to go on and on through the never. Two weeks ago, I saved Beliveau, but at a mental cost. I noticed him talking with some other guys and saw him laugh. I called him over and asked how he seemed so relaxed. “I really don't know, I just-”, before he could finish there came a burst of light from where the others were standing. The blast hit us pretty bad. The images, though, those were visions of pure Hell on earth. What I saw in that seemingly insignificant instance in time, I can't-I-I won't ever-. For all this time my body had been raw, but now my mind was following in suit. My body is slowly becoming a shell, housing dark, black emptiness.

- - -

It's mid April now and sleep has become a distant dream. The shelling stopped, but my mind has been becoming consistently unhinged. I can't stop thinking about the incident from a month and a half ago. It's now quite evident that I'm quickly losing control of my psyche. I can't escape these images no matter how hard I try and I'm losing my grip on reality. I can't even remember my own name. What was it? Henri Ar-Ar, or was it- no, no, I have no idea now. Exhaustion is taking over full force now. I can't tell if I'm just falling asleep or dying, can't tell the difference anymore, but all I know is that it's comforting. If I just close my eyes maybe I'll wake up in the morning, or maybe I'll let go and just slip away. In the morning I woke to a loud bang and then nothing. My eyes were to blurry to see anything and scent seemed to be my only sense still in able use. It was hotter than usual, which caused everything to have an even worse rotting smell. Suddenly my hearing returned. I began to hear voices in German. A soldier started to poke me with the **** of his gun to see if I was still alive. In a panic, I grabbed my rifle and began stabbing wildly with my bayonet, still unable to see quite clearly. I was still alive, so I-”H-Henri...” Oh God, b-but, no! It had all been a dream. When I opened my eyes, I saw blood dripping down the barrel of my gun, and as I panned up, I realized what I'd just done. Beliveau was dead.

- - -

It's been three days. Beliveau was still dead. Last night my comrades decided to exile me over just shooting me in my twisted head, on account of being a traitor. It was worse than death, cause now I'd live with the guilt for the short five minutes left in my life. It was something I never imagined happening when I came into this war, but was quickly turning into a horrifying nightmare. In the morning, they sent me packing into No Man's Land with just a revolver and six rounds. I leave now, lost to this dying world around me. “Beliveau... I'm sorry. Sorry all of our friends died, sorry you witnessed so much before-before... sorry.” This ******* war has taken everything from me. My body's battered, my name is gone, my mind is obliterated, and I'm in oblivion. I can't-I can't-I, “ping”, gone. “Ahh!...”, Heavy Breathing. I wake to the sound of a train running over tracks. I'm unrelieved. It's mid April, 1916. My name is Henri Arbour. My personal Hell begins.
Ashish Gupta Jan 2013
Standing resplendent in a baroque topiary,
Under a florid arbour as an arched canopy,
Her pulchritude in moonlight, is the plenary
Picture of, the muse, the Goddess Calliope.

My heart’s reminiscence of our first encounter,
Like a fragrance in my mind wafts around,
Whose Pareidolia in every-thing sketches her
Face, to which it is entirely spellbound.

Were the Fates to keep us apart,
As the sculptor Pygmalion I would be.
But Aphrodite won’t breathe life into my art,
For not my Galatea, I love my Calliope.
Copyright (c) 2013 Ashish Gupta
CC BY-NC-ND 3.0, www.ashishgupta.biz
--
Pareidolia : http://en.wikipedia.org/wiki/Pareidolia
Galatea : http://en.wikipedia.org/wiki/Galatea_%28mythology%29
Nigel Morgan Aug 2012
I wake and the light of this fine day edges round the curtain.
The birds have chorused and my left foot lies cold outside the sheets.
Standing in my nightgown I draw the curtains and look out at my garden.

Let me pad downstairs, open the front door and walk brief steps
to the arbour of ferns and shells. From a cane chair
I shall view my private corner with its tiny pool and privet hedge:

whilst there is still a little dew; whilst the cobwebs still glisten;
whilst there is no wind, just a grumble of the surf at Porth Neigwl,
the sound my father makes dozing over his paper.

Miniature, enclosed, protected I will place my thoughts
in this dolls’ house garden, amongst the dank, dark shadows
of its many rooms, its parterred spaces.

You don’t walk in this garden; you take a step . . .
and you are elsewhere. Take three steps and you are quite lost.

I hear the kitchen door bang in the manor house,
Meriel is taking breakfast to my sisters.
I think I shall stay here a moment longer.
Plas yn Rhiw is an ancient manor house in North Wales. It is situated on the Lyn Peninsula and overlooks the vast bay of Hell's Mouth. The Keating sisters restored the house and Honora created its beautiful Arts & Crafts garden. The poet R.S.Thomas and architect Clough William Ellis were friends and frequent visitors.
ryn  May 2017
Explorer
ryn May 2017
lush cornucopia of greens
and overlapping canopies.
rays filtered through
somewhat a broken lens.

an arbour found
which carelessly took root.
calling out,
inviting,
offering sanctuary
from the shrill calls
of the turbulent outside.

a harbour
to which my heart
had taken to.
and had intended to stay.

but such is the nature
of man.

     no other man's peace
          can be left unruffled.
     no other man's cocoon
          can be left unravelled.
     no other man's haven
          can be left uninvaded.
     and no other man's trove
          can be left unraided.


like before I'll have to go.
and just like man's exploratory nature,
I leave seeking another
unfound recluse.
inadvertently,
paving the way for more to come.
Paper flowers bloom
Lush Fuchsia bougainvillea
Cover the arbour
One day as leep by a captivating woke essence in your handscaught in your arms woke getting up after nearly having died ...you gave me your breathing air and calm your back to life, releasing the fear more gregarious, after opening my senses almost incinerated i learned that the stars trembled me to reach it

I started a new life to sharing with you,
sometimes i feel that in your hands sap this life to revive my acuity,
what to unfold my body, she quadrupled making me shiver by quakes your tenderness.

But today on the eighth day of the universe,
divided my feet walking to you for every step of light sonica,
road on it being over your carnal finesse frosted still light beams for aboriginal embracing love with your gutted threat to the end dump body, being today only light story emerged from any pythagorean indigo.

Eight feet by my raving not walk on forgetful slip hugs and achieve that without it on my feet, making you a path of kisses on a piecemeal moan  covering your pleasures in quiet regia union, sealing and my memories to mummifying the most sensitive areas disown make me when you suffer from almost feel much pleasure.

Your feet chafe my eighth willing body as your hands it to me, this is your feet eight  feet, and your finger eleven flute my way to you open your columns wet and trembling, born in the tropics decorative colors flashing your eyes when mine yours take on your innocence as a mother's dismissal, genesis as a maternal layoffs in the grotto shaggy times makes me roof for to paint with my kisses and my mouth full of oils,  full streaking manias those desires that are further under your skin, deep lining up to associate to me ...!

My seven feet is the semi - obese and language lenticular spider mine, unleavened filling the food, its highest sing syllabic, make your paint  blue and moan molecules liquid call themselves, with its concavity make the bio - live surgery last transplanted hallucinate ... vibratory column of my responsibility on your body, cutting all fear, every element of your flesh lying addict to me hanging on my conscience all descontrol physionomy, losing my light steps sonica falling into the abyss of your distances fragrances, falling in ovation interapeutica licking your body my breath, like a sixth sense.

I meditate burning between your legs, dying as i was born of a woman wild servant, fawn as an almost died for a hunter, i prefer my conscience advance day and night to your legs to die of living where one day saw in the recesses; the greatest pleasures with ambitions to break all your secrets, all your defenses to break your falling on my tyranny, allegory huge walk along the invisible to other united take that helped me your surplus usages, enter you and your being, feeling peace penetrate you, not feeling loving preact, or not to have you in the distance but hugging everytime you Drodida to moisten your words to me,  stuttering of desire.

My six feet organizing penetrates you feast on enraged cowbells,wishes with malice and early pregnat, alcamphor extreme longevity and erectile espermiosicotic, with smoothness and irradiating polish your rattling,
spitting cushion on my bones,
like a sapphire on until your clothes,
and as a inseparable attachment unit dispensable.

My bringing night of Saint John in your prayers for imaginary pain coexist
in between taking you doing it my trees by spoil collude copulate,
taking you stormy ray to the phenomenon with the masses elephantine hitting you on your shoulders, your ******* armpits challenge your beasts i want my grind with canines and incisors to create a new universe of shed your joy to laugh about our loving.

The five feet; rub your skin like a shower delicate pituitary
******* kilometers of rivers into criminal triads morbid on your face ...
as well as the sand masturbates the waves,
on the sand and wave nail with my eyes my spells dominating you,
rolling you thousand times to my love trades.

You shall be called Drodida; worship the everlasting orbit of my sight,
when i go for your absence mount your toxin grotesque gasp;
the stalk watered voluminousity  your mouth singing your sweating my
groaning  telling my cries thinking with my worst vanity,
the turn on rotation vanitatory what you just do me with your stalks and not my serous waters in my effervescent mouth in your ******* astral, arrested in any language your thinking lubrication retained me and your touching, what i always touch in you.

The five feet as a tightening necromantic porosity your skin that change shape your temples and declaims pretending aridity lovers bad; lords nomades covered them your area leafy tagled branches covered to neat legends of penalties appealed fables o mytofagic eaters; brotherhoods of the worst disease of not having small Mt. in high with it my staff rooted in resisting demolition and other eroding sorrow, reverie spoil it captive in your infinite journey of ecstasy explosional femic.

The four feet light make a gentle sonica, dry your language lenticular stalk ciliary zone, enter your supra entails, the cave unexplored wider,enter with both arms with herbs pulsating symmetrical cottoned sleeping in your walls and grotto forms  desensitized, insense redeem the pain of window pastoral bishop uniting both peni-***** areas full of gems balsamic, percusionatives full of eyes.

The three feet,
running is my hand movements on your ******* imprisoned,
they are my two hands scratched by scratching the delivery of your birth.
touch my hands that know not touch, when he was born without willing,
but my biohands touch your skin attached to transfer and progressive evil of love for the shores of cry to the center or your body centers clung to my hands over your thoughts rampant, wanting to stay in the fact to see you perisphery merge at twilight of our our sunken eyes friction and wet kisses dormitation delightful of travel and destructive of wickedness;
fulgurative but doubt of living or dying your enjoyment perpetuate.

The second feet,
you are you loving me on my feet vertically like a weak tower,
ash as rain that spread my fire for you.
i take my hands and i took a walk in the seas of ******* bellowing.
you took the scrub the eternal holy and spinal vocabulary of your mouth muted outrage both enjoy your subumbilicales areas.

The first is my feet Drodidaged,
it full landed liquid bathing you, your eyes full of ***** petals and replete, as bastions fallen with their helmets  gnawed your moans, that resound in memory of trees expectant that divert all about us practice,
only your tilt knee …will exalt   the  time for my happiness excessive.

My feet first,
it is my son music turret  ram rope breaking your every arbour grotto, asleep by the dream Drodida you commanded you do to me,
to rock for you and cutting wheel kissing my return to continue all apocalyptic dreams and your most ****** on my ways about it forever astral.
Plane  it me  come the way to sleep with me,
come see how i am able to teach Drodida
ways of sleeping next to me !!


Jose luis  / 0ctober 2003 -  Copyright 15 – all rigths reserved
Metaphysic Spirit  Erogenous Desire...
Edward Coles Dec 2013
To bed I took, in habitual slumber,
cursive prayers die at my cynical tongue,
all pinned badges of the day cast-off
to the floor, only for my sorry soles to
impale upon, come morn. ‘Come morn!
I called, to the chasted walls;
‘come morn!’ I sang,
hoping to fill the thinned curtains
with a filter of light.

In oil paints, old dreams coloured themselves
in patient, kaleidoscopic hues. Though
withered of form, they delight in me,
promise to deliver in utero joys,
connection to the Great Mother;
all that was lost in the fall.
The fall of man,
so gravely reported, and so
limiting to humankind.

I fell. I fell to sleep as Romans did peace.
With grudge, with dissonance; mind-silence apparent
only upon the death of the day.
With stubborn regard, my ears tarried in vigil,
I awoke to each pine of the hallway,
each tremor of heart, pulse of thought,
and Lord of sound.
‘Come death!’ I sighed,
to my life’s rushing blackness,
‘come death!’ I cried, to my stars.

In cannabis, I attune, only to calm;
to bask in the light of some meadow-less dawn,
and in pains, I pray only for dullen thoughts,
to poison my days in some indolent mess.
And of Ávila, Teresa
shelters my mind. She comes to me
in sorry demise.
‘My child,’ she calls, voice echoed since,
‘fellow child,’ she pines, entrusted sphinx.

Spawn of Thebes, she riddles through centuries,
all panicked pores, all sickening spirals,
forgotten in the present, all-eternal.
A shepherd am I, amongst my thoughts,
she calls thus that I am not my mind,
rather, a chosen observer,
the sum-of-parts;
to be confused not upon the
idiocratics, more, ‘what is.’

A lowing at my window, she calls unto me
in reverberated tongue, nutritious tone,
a cyclone of holistic power.
Bright glimmer of light, she calls once more, ‘my child!’,
she cries, ‘my fellow child of the Lord!
Please, rain unto me your sorry state,
lack of appetite,
cooling plate. Oh, you that live so solemnly,
you who knows not of the arbour of life.’

I call not in terror and I call not in my fright,
upon the window, that ghostly glimmer,
she heals the walls in half-light, swimming
in opal reflections of ripples and chimes.
And, she is calling for beauty,
she is singing unto me,
‘come morn!’ she weeps,
‘come morn, and with it, the tidings,
of your blessed life to be!’

Stumbling, I trip over the apparition’s words,
she speaks not in life’s shadows and sinister plot,
but only in those that speak like a God.
In the awful haze of light-polluted skies,
auspicious streets and government plot,
her prophecies fair, but yet
not practical.
‘Come now!’ I say, in no hope, ‘come
now,’ I say, an adult.

‘There’s no space for me here in this lifetime,
there’s no soil for my roots to embed,
in painful years past, I’ve been in sorrow,
and I’ll be expecting them in all the years, hence.
So what, if I’ll join the army,
or some other capricious,
malicious intent?
All tributaries lead to the river,
as all humans to their torturement.’

Teresa, she radiated with colours,
and Amy, who lived within my chest,
they called out as one in my silence,
as a union, a conquest of the childhood mind,
to abolish the present tense.
As one, they sang unto me,
They sang, ‘be born!’
under the moonlit streets, ‘be born
to all that you are, and ever you could be!’

And from this dream I came out in denial.
From this dream, I appeared to awake. I awoke
to the song of the starlings, and to
the precious pleasure of life’s augment.
With this groggy thought I’ll admit that,
in separation I fell apart,
I call, ‘come out!
‘come out and greet me!
Old Eden, my eternal womb.
The union of mankind and nature,

and the union of our pasts combined.’

— The End —