Akankah…
Kita akan terus begini?
Terpisah oleh jarak bermil – mil
Walau hanya dalam dunia fatamorgana
Kuingin kau kembali ke sisi
Seperti saat kita bersama dahulu

Akankah…
Pertemuan pertama kita
Hanya tinggal kenangan?
Walau hanya dalam dunia fatamorgana
Kuingin kau kembali dan melinkupiku dengan sayapmu
Seperti saat kita pertama berjumpa dahulu

Akankah…
Janji kita
Hanya tinggal sebuah janji?
Walau hanya dalam dunia fatamorgana
Kuingin kau kembali dan kita saling mengkaitkan jari
Seperti saat kita berjanji dahulu

Akankah…
Cinta kita
Hanya tinggal sebuah kata?
Walau hanya dalam dunia fatamorgana
Kuingin kau kembali dan berkata
Walau jarak dan ruang memisahkan kita
Aku percaya jika hati t’lah bicara
Takkan ada yang mampu memisahkan kita

they day finishes with: at last! a schoth reserve
for highlands nomads!
     long gone is the fatamorgana of soberness
coupled with a very softcore soviet sleep
experiment: i chance you to also say:
the soviet sleep experiment is a way to censor
dreams, **** it: another paul mccartney
can write another yesterday into the repertoire,
you can hear of marathon-men who did over
100 hours without sleep, and when it came to
sleeping: hour-long interludes...
as all the p.o.w's realised was the case:
stop this dream-industry of disney! stop it!
nearing 36 hours is nothing,
when i'm going to do a hiatus in Poland visiting
my grandparents i'm planning to top that,
perhaps 48... just to get the glory days of Jews
in ancient Egypt and Joseph the adviser to
the pharaoh: 7 lean years, followed by 7 years
of starvation: what we otherwise carpe diem
over-indulgence - Moses wrote the book
of disgrace... when things turned sour,
obviously he was *******, just a little bit,
from a Jew becoming an adviser to the pharaoh
by interpreting his dreams which were always
in abundance given his lavish lifestyle...
dreams come to people who aspire to lavish
lifestyle, dreams come to people who take no
pleasure from the simplest prospects of a peaceful
hermitic life... they need both the lavish life
and the lavish hope of an afterlife with abundant
dreams... they can't master the opposite:
from simple pleasures that life has to offer:
one forsakes the capacity to the need to dream...
yet those who attain a comfortable Buddhist /
bourgeoisie / middle life: through the ethic of hard
labour find dreams nonsense... only
aristocrats find meaning in dreams, because
they have enough life insurance to guarantee them
the very unentertaining life, hence the Freudian
cinema, and here is their seeking of meaning,
because outside of their sleep nod,
their meaning is already akin to a predatory creature
kept in a zoological confinement, rather than
beckoned to attest the prime element beyond
the classical elements of fire and: where was the
Japanese army bombing the hell out of that
****** tsunami to make the orca-surf shrapnel?
where? nowhere! the reporters were there prior,
i'd swear you could have done the reverse Aleppo
with that tsunami wave by bombing it and
saving lives... but no... atoms bombs were never
intended for warfare as such, they're non-profitable...
all the arms-dealers across the world make more
money from millions of bullets and thousands upon
thousands of guns being sold: atom bombs make
no economic sense... atom bombs make
no economic sense in terms of dealing arms...
the soviet sleep experiment was one of the topics
at the end of today... the other was feline pavarotti
in a cattery: i swear to god that ginger is acting
too much like a bloodhound... moans all the ******
time, i've heard every kind of Tosca, but a cat's Tosca?
never in my life has a cat so many variable versions
of meow... animals really do possess their owners,
but in a way that shows the owners to themselves...
a poem a day: keeps the psychiatrist away.
and back to the soviets, who discovered Yiddish
dream-factory ******* that only applies to
aristocrats akin to Wilhelm Oedipus II,
    i never understood why people desired so much
from dreams, pure unconscious doesn't allow it,
it's shallow dreaming that becomes easily swayed
by a decreasing poignancy of the senses that
creates dreams, and as we've already been told:
they're bound to millisecond intervals -
snoring can be seen as a prompt for dreaming,
but then pure unconscious that's beyond the sensual
realm of pulverising you with everything external
          doesn't allow dreams, because it allows rest...
the subconscious makes more sense in terms of dreams
than what it currently prescribed,
             on the fully-waking hour of what people call
reverse-psychology (popularly), or who people can
influence you and treat you as a pawn...
   in the waking hour the theory of the subconscious
is that it's somehow there, and it's brimming with
theories ranging from the unitary stealth workings
of a superego, to advertisers competing for your
attention, as in: how can this person be manipulated?
that's the strain of thought working from consciousness
where you are said to have: no free will,
no critical approach toward the world with thought,
that you are naive and gullible...
  such people do exist, because they're not working
on the subconscious from the unconscious position,
hence they are most probably highly-developed dream-machines,
they probably even dream in colour and remember
dreams vividly... but take all the things i said
about the subconscious from a conscious pinpoint
and invert the starting point from an unconscious
pinpoint, and all that manipulating dynamic that
the subconscious is supposedly is fed fades
   to simply expose the subconscious as the medium
of dreams, whereby dreams appear from a sensory
hush of all external factors... a few days back i dreamed
i woke in a bed covered in cobwebs and spiders crawling
in them... the last thing i remember looking at?
my pet incy-wincy hanging on a silken web in
the corner of my room... for this to be true,
and for all that pompous subconscious theoretical *******
to go away, to actually work on the subconscious
having a dream reality rather than a reality of
being easily swayed by superego or advertisement
and willingly giving up your will to external factors
that go beyond mere senses... you have to acknowledge
at least 36 hours of the soviet sleep experiment, clock:
no nodding.m i've set the threshold,
the junkies did over 100 hours without sleep,
but they were army material, i'm... dunno.
              a break with an article on melanie martinez,
and then back into today's end...
    it's pouring cats & dogs outside, and will so
throughout tomorrow, one of the street lamps has
turned itself into solitary disco strobe...
   e.e.m. (epileptic eye movement)
           vs. r.e.m. (rapid eye movement) -
the difference? the latter invokes the theatrical curtain
of the eyelids... the former invokes your eyes
having rolled to the back of your head so you only
see the sclera...
but a real life problem too!
in these pseudo-capitalistic societies, companies
have started to do the Pontius Pilate tactic,
they are companies without employees,
what they want are subcontractors, people who
are self-employed, because actually employing
employees is bad business for them: you have to
have a pension fund... and what capitalist wasn't
old people getting money for doing nothing?
most construction companies are following this trend...
but the problem with that is that these companies
are employing useless managers, construction
site managers that should be on a site for at least 2
days a week... even 3... so they can get the knitty-gritty
of organisation done and the project runs smoothly...
but as i've already known for months,
say a roofing company from Gloucester is given
a London-based contract... it has employed a
project manager... who 1st of all doesn't have the right
credentials to be a manager... and this pleb travels
to London from the village of Gloucester
and is on a construction site for about half an hour,
doesn't make any notes,
and spends the rest of the time being a ******* tourist
in and around London, a day like this happens,
an authentic waterproofing problem...
   so you have these flats near the city airport,
and they're connected with walkways and have planters
too... you lay the concrete, then do the waterproofing:
primer, hotmelt, fleece, hotmelt, felt.
                  now the problem, why impose self-employment
and also employ parasitical managers who know
jack **** or are interested in selfies on tower bridge?
only because they can get a cheap train ticket back
to the village of Gloucester before the rush-hour commute?
the problem is simple, or hard, depends whether
there's an actual plan and someone is bothered..
four elements...
       1. drainage matt,
             2. pebbles,              3. filter layer
and 4. ~artificial turf... plastic-like, not asphalt,
     i grant it a status of artificial asphalt,
  or turf coloured copper...
the debate ranged about where the filter layer should go,
but there was no manager with the appropriate
method statement to give... the ******* crane arrives
at 8am, and he texts the day before that he might have
an answer by noon... or that some other manager should
be consulted to the method statement...
i suggested that first: the drainage matt, then the pebbles,
then the filter layer and then the artificial asphalt...
   the other suggestion was: drainage matt,
filter layer, pebbles and then the artificial asphalt
        given that pebbles will never be spread like
a plateau of concrete, meaning there will be pockets
beneath the artificial asphalt to soften the walk
and give more spring to the step...
                  and then i read a newspaper in england
and start to think: are these the only people on an actual
payroll? with safety in retirement schemes?
          i used to think of journalists as daring...
Watergate journalism that did something...
               then you turn on the 24 news channels
and state media is no different to free-enterprise media...
     as people my age say: television is really
a piece of 20th century antiquity... who gives a ****
that millions watched a man walk on a moon
on it... at least a billion people watched the cinnamon
spoon challenge from some ******* on the internet!
     or that guy who gave his cat l.s.d.,
or that guy who jumped off tower bridge and caught
pneumonia and had to be rescued...
still, the rain is ******* down, i've got my headphones
on, and that rebel street-lamp has turned into
a discoteque strobe's of needy rhythmic epileptics -
as every: i count most psychiatric terms in popular
use as undercover poetics, people who don't read
poetry, nonetheless apply psychiatric terms
   an unilateral transcript of denoting them as metaphor(s)
in everyday sprechen; and yes,
our informal vocabulary usually suffers for the fact
that we have chosen a fixed (courteous, hierarchical)
formal vocabulary, that erodes any chanced deviation
akin to a cat-stretching: e.g. (a) so and so died,
(b) oh, i'm sorry,        (c) and you're the one who
brought back the resentful Lazarus?
(d) as if you could have, prevented the inevitable;
a conversation between four strangers.

Estefannia, Estefannia;
A past t'at is mine, a poem t'at's gone;
A censured love impaired and sourly torn;
A carving of my soul, of my early years;
A sonata and melody t'at hath passed by;

Estefannia, Estefannia;
A drama t'at canst never lie;
Even in illness and dark hysteria;
Thou breathe and liveth on inside of me;
Thou forgivest and forgetest me every single day;

Estefannia, Estefannia;
Our stories are one and so is our poetry;
Whenst I writest, and so wilt thou;
Thou art part of me, a twin to my flesh;
Thou gigglest and wakest me up to a morning dew.

Estefannia, Estefannia;
A poet like me now and in th' past;
T'ese memories of thine shalt ever last;
Like twists of fate t'at shalt ne'er halt;
Like a feeling t'at shalt stay e'erlasting.

I combeth thy hair and feelest thy lips;
I touchest thy skin and walketh by thy feet;
My past is one, and too is thine;
Just like thou owneth half of me and of mine;

I liveth and breatheth by thy soul in me;
I hath my veins wherein floweth thy blood;
I and thou shalt ne'er be apart;
Thou art with me, in flesh and in my heart.

Estefannia, Estefannia;
A poet of life and love and hatred;
A seer into wintry and sunny days;
A speaker t'at ne'er be portrayed;
A lonely soul at night and in broad daylight.

Estefannia, Estefannia;
A mystery lover one hath yet not found;
A fine artist shattered by her grounds;
A midnight and morning and afternoon poet;
A wanderer cursed for even her own good;

Estefannia, Estefannia;
One betrayed by her own gown;
Detested by night and its hazel dystopia;
For all sirs wanteth her t' be alone;
To die in her weeps and moronic hysteria.

Estefannia, Estefannia;
Still a lily blooming in yon rotten air;
With cheeks too balmy and sickly and fair;
Ah, so w'ere is love, w'ere might t'is love be?
Might t'ere be not one love for she?

Estefannia, Estefannia;
Alone in her dreamy gardenia;
Longing for love and admission;
In a ruptured world and academia;
Within a dry, and sour dream of oblivion.

Estefannia, Estefannia;
Clever in her poems and fantasies;
Witty in her charms and parodies;
Ah, but such a soul is often forgotten;
T'ey wantest her to fade and be gone in seconds.

Estefannia, Estefannia;
Ah, what a despised, poor honest soul;
Tangled in a planet filled with filth and foul;
A name t'at a gent shalt ne'er call;
A soul t'at one e'er seeks to fall;

Estefannia, Estefannia;
A soul a gent shan't bot'er to remember;
A love a prince destroys, and swaps, and shatters;
A patience ****** into many calls and delays;
A poem t'at finally hath no more to tell of and say.

Estefannia, Estefannia;
A poet with such abandoned peace of mind;
A dame uncloaked in storms and pouring rain;
A lover whose poems t'ey wishest to slaughter;
A diligent soul every gent longest to ******.

Estefannia, Estefannia;
To whom life hath become too pitiful;
To whom such worlds hath been greatly sinful;
Who seeks a love t'at not even exists;
Who is mocked and smothered by such beasts.

Estefannia, Estefannia;
Whose labyrinth of love is lost somewhere;
But whose patience sounds sweeter and more beautiful;
Perhaps th' right time's to come, and thou'lt see an heir;
A young poet both legitimate and thoughtful;

Estefannia, Estefannia;
Within thy heartbeat recall my whisper;
Amongst the suns' rage and maleficent thunder;
But whenst love becomest two-faced and atrocious;
Thou art still a laugh t'at stays with me;

Estefannia, Estefannia;
For love is hateful, it is unfair;
For love ne'er smiles, nor shalt it care;
For thou art too pristine for its world and itself;
For thou art as pure and prone as pearls.

Estefannia, Estefannia;
Perhaps fate shall unburden thee of what thou beareth;
And relieve thee of thy worried breath;
Ah, Estefannia, love shalt be a sign to thee tomorrow;
I hope it shalt be raining and see some snow.

Estefannia, Estefannia;
Almighty is awake t'ere, and listening;
His verses are clear through such birds singing;
Singing and gliding and singing and gliding through th' suns;
Lurking by th' clouds and t'eir shivery Friday afternoon.

Estefannia, Estefannia;
For thee a love is riding through th' air;
A love carried by a magnificent persona;
T'at shalt emerge once thou finishest thy painting;
And hovering again through thy writing.

Estefannia, Estefannia;
Let's now see night and its fatamorgana;
O'r past poets art all t'ere, watching and guiding thee;
So let not t'is love make thee fear;
For 'tis to arrive whenst thou may not hear.

Estefannia, Estefannia.
One shadow and one fear,
One laughter and one tear.
And t'ere is no mimicry in th' sky, my dear,
For all is one past, a past we canst no more hear.

Estefannia, Estefannia
Spells blew through thy fingers,
Just like t'ese archaic written words.
Like hasty clouds t'at run not off water,
Thou wert once trapped, within t'ese sullen words.

Estefannia, Estefannia
A song of thy voice t'at rings in my ears;
But a song of love, of slumbering vice and hate.
Ah, Estefannia, I am thy soul and still here;
For life is not yet over, and turning back is not late.

Estefannia, Estefannia;
Write all again tomorrow and after;
For poems and thou shalt e'er be together;
For love is t'ere, as thou shalt still seek;
As a breeze t'at flows, whilst it cannot speak.

Umur berpihak dengan raga
menahan gejolak membara jiwa
umur menggengam hati dan berdoa
"tuhan, jangan kau membuatnya buta
mengejar idealisme, terkekang fatamorgana.
kembalikanlah ia,
ke mana hidup menuruti realita."
umur makin takut melihatnya
mendobrak dinding bata
batasnya dengan dunia
"Tiada guna,
di luar sana
kau hanya akan binasa,
ku hanya memiliki cinta
dan ku tak ingin kau kecewa..."
"Bukan cinta bila tangisan
membanjiri mata,
bukan kasih jika wilayah ditempa
membatasi ruang bermuara
semua perilaku hina padaku tertimpa
ku terima dengan hati leluasa
tanpanya ku tak akan bermetamorfosa
jangan kau berlara-lara
melihat juangku yang remaja
kekacauan ini indah
membuatku merasakan untuk kali pertama
hidup tiada kesempatan kedua."

Coventry once I left behind and thee too;
But look: I wouldst sail the seas with thee alone!
Thee alone, Immortal, t'at other souls shall feel mocked;
Mine is the night ship and thine the dawn voyage;
Ah, t'at the blind earth knoweth our hearts are its enterprise;
T'at shall be empty not, even th' sun disappears and moonlig't dies.

To thee whom I once loved, and now still do;
To thee for whom t'is heart beats, and shall take revenge;
To thee for whom my soul was blown, and by whom I'th grown alone;
Ah, thee, bewildering me too much by thy passionate desire.
Ah, Immortal, talk me no love talk, but take my life-all of it;
As though all men's streams are but fused in thee, thee alone!
Ah, Immortal, t'at fierce scent of thy red summer skin,
Too is just one of tonight's rampage of flurry wind!

And t'ese lines of love hath thou laid onto me, within
The breath and warmth of so many pleasant places;
Immortal, Immortal, Immortal--and like the beauty of Sofia;
I believeth in thy loveliness, in thy kind and timeless fatamorgana.
Immortal, my mountain, my earth, my everything;
Immortal, the very birth yon icy oceans hath to sing!
Immortal, hath thou seen the decree of fate;
T'at love is still t'ere for us, for 'tis never late?

Thy eyes are like heavens' broad fields beneath, and ever rejoicing;
Ah, darling, for I canst but see all gold and silver--plain and honest in 'em;
A drama like a song, a stage play like a vanished poem;
But one t'at turns again brave and crimson;
Toward' th' very end of the dark season.
I'd love to see thee pry love into my hungry heart again;
To watch thee brutally scorn and defy peace t'at hath existed
Piercing such through thy lonesome heart; raised, but now denied.

Ah, Immortal, I blame th' sun for its gladness;
And raise my contempt toward' the unknowing skies;
Like blood flowers, my heart too is emptied with madness;
T'at one wonders why it exists still and cannot die.
I wanteth to take thee again through the city's old brakes;
And introduceth thee to the idle flames of my song;
As beautifully and vengefully as misty poetry by th' lake;
T'at none is to see--nor to steal from me, as t'ey may fly or pass along.

Dalam tidurku
Masih kucumbu bayang-bayangmu
Yang takk sopan datang bertamu tanpa beritahu dahulu
Pesona hitammu menghantui pikiranku 
Rasa ingin menggenggam, mencium dan merasakan(mu)
Walau hanya bayang semu

Kali ini aku tidak ingin memikirkan apapun
Tidak juga tentang(mu)
Untuk apa memikirkan hal mustahil dimiliki

Kini setapak dua tapak terjajahi 
Selalu menjadi penenang hanya kopi 
Pahit, 
Tapi aku lebih suka yang demikian,
Tanpa pemanis, 
Sebab 50% kemanisan hidupku 
Dibawa pergi bersama bayangan(mu) yang semu.

the minute you write on the other side of the napkin... the fold, you get into tattooing a Braille itchiness.

the napkin is a variant of compressed wood...
it's not a piece of paper...
you could wipe you *** with a napkin,
but that's hardly considerate of your ***
being as hard-edged to do so, likewise,
with a piece of paper.

intro done, the loadage...

it's almost bewildering that we employ so
many people to talk,
but not a single person to listen -
   so many people are paid to talk
but no one is paid to listen, so the crowd moves away.
language, as poetry:
in the modern application of it, is already trying
to do the Alcatraz (summed up and staring
Clinging Eastwood Cry Baby, or Baby's got
a Burner, or Hot-Draw! **** me, that's
adventurous!)          diversion tactic (you might
still be reading this mea culpa of mea culpas
that's prescription drugging you into digging
into the classic novella)...
escaping the Alcatraz       /     straitjacket
of conforming to recognisable forms of poetry -
i say fake! to the person who uses metaphor
announcing the use of...
                 i want uninhibited poetry,
i want poetry that bumps into poetic techniques
unconditionally, strangers in queue-ball
antics on the street getting cravat or guillotine
standards for lottery...
           but conscious conformity?
                  get me jack-in-the-box to ola a hello
once more to revive Sherlock Hitchcock...
                   any phobia is atomic,
the world is created from little fears,
            emerging into the big fear: a life not lived...
but then there's an antidote to that:
       if given a miniscule life... don't fear it...
examine it... at least you can then become entertained
by theatricals ascribed to the greater lives...
or have beens.
                     i want uninhibited poetry...
when i say poetry i want opera, not graffiti...
   which is to say: being conscious - premeditating
the use of, e.g. a metaphor...
          it's not good enough, i don't want to read
poetry as recognised as poetry, or poetry
recognising itself as such, i want to see the automaton,
i want to see an art so well engraved in the
provider of such enticement as to paint
as a decorator might paint, even within the framework
of a monochromacy... the parts he misses in
covering a bleak wall of white to be redone...
again, and again...
    but what i expect of poets?
a gamble... only *one attempt... any second or third
attempt i deem incomprehensible in terms of
beginning in the thirst place... ya: thirst.
i want to see thirst: the bulging larynx more ready
to gulp water in a desert than entice saying
something, meaning the latter has no power
over conjuring an oasis, or a fatamorgana.
continued?
           but everyday usage...
applies no similar acknowledgement of orientating
grammar, to be conscious of certain words as being
nouns does suppose an obstruction for the fluidity
of language... there's the everyday fluidity of
language than transcends such emulations
      of acquiring a desirable stoppage forwarding
dogma... yet poetry is bound to a dogma of
applying distinctive orientations,
to suggest that a piece of scribbling is actually
poetry.
does one (kingly pronoun collective,
meaning with entourage) thus say:
to fall in love also equates to celebrations of
Valentine's day,
or to go to war also means: waving a bayonet?
to generally emphasise...
  man was not established with this system
of encouraged "learning" tactics...
           there's no point talking evolution
when man is stagnate, sedimentary,
upkeeper of the status quo...
                   which almost insults the man
that encoded sounds in runes...
             perhaps the rune-encoder didn't
end up encoding while donning spectacles?
the emphasis is on making language more
fluid, and therefore acceptable,
   rather than what's advertised as this
solace-space of sofa, duvans, and free-spirited
******-load of artificial smiles.
oh, mind you, artificial intelligence has
not emotion, a bit like a woman on her
first extra terrestrial date...
                    with honing: having no
emotion means there's no conscience -
meaning crafting an artificial intelligence has
not ontological basin in man -
as man has no ontology to begin with...
  just as god as no ontology to begin with,
since we're already in his deviation from
the beggars' question: to no greater pleasure
has it been to create something without
man's thought in it.
     but not only is traditional poetry respected,
as in stressing an awareness of metaphor
or pun, as a sense of desirable technique
with even more desired identifiers...
      but then language per se, can't see
why someone writing a rubric sentence
need to grammatically categorise and give unto
their use of language a miser dissector...
        for example: the tradition of writing letters,
reduced to a pseudo-postcard form
         of the email...
              the formal begins with: dear ms. judy
the informal begins with: hey yoyo!
                    there's no dear ms. smith
(or the careless mrs. smith -
get on with it, the waltz and ballroom died
   when we groped under too many chandeliers
and gagged for the *******'s reproach
to dating) -
            as with the lateral diversion:
the internet not see as a possible place of
thinking has reduced the possibility of expressing
thought, into a conglomerate
         of seemingly necessary conversationism.
i'm not talking: i always thought that a white
page, whether in shrunk oaken or pixelated
and written upon: was the double-standard
expression of surrender...
formal letter writing was replaced by robots...
all the letters we ever get (via email)
are informal...
       addressed to no one exactly,
beginning with hi, hi, hello...
               give us a ******* handshake
rather than this pristine tofugu...
yep, that, and then ******... but that's how it
avalanches... you write on a napkin on
one of the sides, you turn it over
and then you realise you tattooed something
akin to Braille onto it.

unique: in that the great cancan o'
h'americana spandex english...
          is littered with acronyms...
             a minor observational point...

also... that there's a europe
as confined to scandinavia...
there's most certainly western europe...

a southern europe...
             although... clogging up the "detail"
with spain... reconquista
   and not the shame...
               a barricade of goths...
                            leftover in the bizarre
gesticulation of a history...
and at: a history...

                 that the italians
                                    cannot be the heritage
of ancient rome: given
the cappuccino is a "nuance"...
  otherwise the greeks are bankrupt...
their history worth of envy is
being exhausted...

                  there's a western europe...
there's a... southern europe...
               but of an eastern europe...
such a piquant vogue of vocab that has
to cherry-pick into existence
an estonia and the latvians...

               central, europe?
                      all that is germany...
beside the fact that prussian-germany...
and the prussians could be bundled
up with the other baltic states...

little o' czech republic...
      a minor ally poland...
                    some alleviated circumstance
of an oriental allure within
the confines of russia...

             it breaks my heart
to see england unfathomable...
               currently without a near
perfect engagement strategy...
      coming to the fore with a headache
of diamond-studded gills...
        that there are
bipartisan "rats" and the ship is
sinking...
    otherwise the provincial aspect
of weeding out...
detestable aspects of cosmopolitanism...

that London could be treated as:
London-London... rather than London-England...
because of the great yawn
of the heliocentric adventure of sci-fi fun...
i.e. what is the copernican west?
what is the copernican east?

       perhaps a return to some sort of
language formality...
to escape with a poetry is hardly
a reconstitution of the soul
to a modern letter: dear sir... yours faithfully...
or a very modern hello! kind regards!

europe as a claustrophobia...
             it's such a limiting delight of...
that there somehow was...
a premeditation...
    to **** with premeditation allows the status:
******...
but to **** by accident is a "mere":
homicide...

              such grave consequences...
the culprit and the tool: but also the thought
involved...

but is there something self-deprecating
about english humour?
a pride of borrowed history...
unlike the interlude of non-existence
bound to Poland...
        this... castrated figment of my old
imagination...
                rule britannia referring
to a period prior to the empire and a ref.
to an english-spanish exchange...

then again...
   how did the spanish: then not the spanish...
create... a post-racial south america...
the tinged copper and auburn
lure of the delight...
there must be "something" sobering
bout an anglo-saxon realism...

that there's a tinge of taming the viking
horde... there's no share
in "grief" should the west arrive
at being licked by a mongolian
extract of prose...

           but always the very
formidable tow of the culprit cog
and:  **** in machina...
              easier to posit a god-phantom
ex-, as that gravity in extension orbit
linear of Pluto...

              postcards from Saturn... anyone?
otherwise, this... simply...
the english have exhausted the concept
of world... of geocentrism...
            
but then the forever soap-opera demand
of the local affairs...
how heliocentrism abides by a breath...
side by side with geocentrism
of the soap opera...
              to have to heave
a concern for the stars and the moon cycles...
this finite basis of a rooting...

        that the forerunner of / for the h'american
presidential candidacy
looks simply bored.... or rather...
unexpecting... while the first lady
is so glued to reciting the autocue
like a evil...
wild-eyed and pure ergonomic...
  a jeffrey dahmer seems to
have a more sedated glee of the eyes...

the first lady is... poison of the soul...
her eyes are cobweb knitting fatamorgana...
bringing to the table of
the arrogance of multiculturalism...
it's hardly a heritage incorporated...
there's the breaking of bones
in how to move forward...
at least the food served by the indians
or the turks has made it
as a pop staple on the high street...
it's very common to want to learn
a disguise of... the incoming horde...
the reception party will be glad
at being fed...
                               chimichurri:
give me curry... a loose translation...
                  
what am i to offer these isles when...
what all these others...
arrivals make such...
  pronounced additions to a life worth living...
turkish barbers... indian takeaways...
such prominence...

a work ethos in the shadows...
a shadow for a body...
a reconciliation with the body-work
of father...
i am forever to test the hobby market...
these formidable words like:
pineapple... like mango...
       some variation of "foreign" inventions...
never the placid anglo- prefix
titillating the paranoia: non-bilingual schizoid...

a dozen europes and a historical agony
surrounding the base narrative "primordial":
of...  i dare say... byzantine-&-darwinistic...
that the byzantines reworked a more
fashionable period before... settling for the laurel
before the shock & awe of the ottoman conquest...
or that darwinism is as much
a lesson in history as it is a lesson in biology...
that... the latter... is...
such a stereotypical predominance
of expected behaviour...

that the former is a... overt over-simplification
of a desire for work, wheat and time...
or a designation of space...
it's not that darwin is not a dickens...
but at least... the world is still inaccurate
with a dickensian take on:
with this here england...
arriving at the 20th century...
cricket players being dubbed...
fancifully: the tourists...
shouldn't all english people have
that affix?

                      there's that...
as there's also...
                  the copernican revolution
has been made impossible by someone as far removed
as william burroughs...
who insist... the ancient egyptians knew
of the heliocentric demands...
that the geocentric model was backward
thinking... that the ancient greeks
were the only people to ever think:
and we have only moral plagiarism to mind...
and a plagiarism of eureka!
or that thinking can escape
the narrative and riddle the heights
with spontaneity...

    this prolonged... western european...
admiration for a people that are currently...
made into an economic scrutiny *******-riddling...
imagine my disconcerting: hier und jetzt!

the wooden stairs are creaking...
there's a strain most unfathomable...
like that associated with a cavern...
and a man's eye having to invest in making
a bridge a reality...
that history is a reflective tool...
nothing sinister or military in nature...
a beer could be considered warm ****...
a bucket-load of camel spit...
should i guise it as such?

           to heave a beginning...
somehow i can't find... a work-around
of a western europe...
spain is still catholic...
             ireland... well... whatever...
the same self-depreciating humour
is to be expected...
          anything serious...
forward moveable and come along
has to be littered with that...
fable of the protestant work ethic...

it's impossible to have a father
who's an underpaid technician in the field...
whereas... mongrel romanians
are elevated to the status of
manager...
           pitch-perfect: ethno-central...
on the continent where
there are: "some differences"...
   zu liben unter deutsche wie deutsch'...
well... to live among the english
is to have to forever retain an otherness...
a foreign attitude of...
down the line... the capacity to...
integrate with a cousin or two being
towed...
if you knew a thing or two about
immigrant poles...
they're not very... forthcoming...
they are so hard riddled on the integration
project...
there is no in-group preference
other people a priori stress...

so... fallacy and fake number 1...
       so much for reading a milan kundera
essay...
in the context: that newspapers are
to be read!
   it's impossible to concern oneself
with the concept of a newspaper as
aligned with: not being read...
force-fed turkey glut and baron fat...

         help the pope to sing!
                        it's not like...
there wasn't a shortening reaction
phase to re-orientate the dynamism of: future "lore"...
europe is such a little place...
made even oh so much more tiny...
provincial... solipsistic...
by these island-dwelling folk that
the english tourists care to concern themselves
as being...

that the english language
is thoroughly recognised as the lingua franca
of old...
to tease learning some arabic or mandarin
is a question of aesthetic...
old fool and bigger than the lost "little"
of a worship...
such gravity... concerning the names...
Angevin...
                Merovingian... Capulet...
           Stuart... Windsor...
    my own sorrow: this common name...
           well...
                        all crippling demands...
big or small...
                   hell... there are bigger onces...
there's no known house of David or or Solomon...
such a borrowed gesticulated at...
the shadow drawn...
                   i forfeit!
from the ant people that abide...
to the swollen eye sore of blindness i tow:
a recreational soviet pact of: me's stealing Siberia!
borys!

A poet like me, disdained and condemned by the world,
Disfigured by its face, made sealed and melancholy by my own,
As if today, there is nothing else more temporary than words;
I need to survive while standing on my feet alone.

I dislike mud and earth, unlike them all;
I think death is divine and life is temporal;
But I know not, why others declare it is magnificent;
For it is but a gulf of disgust, made of enemies and no friend.

Once I fell in love, within our last winter; 
I saw him again and again during the rest of November;
He was my Sofian star, across the days of December;
He was the charm of my life, with whom I imagined life together.

He had poems on his tongue, and sweet was his mouth;
While his solemn breath was as smooth as yon farm's berries;
He was ageing, but rich and adequate in his youth;
His songs were as innocent as spring's red cherries.

Ah, but why idyll needed to go, and but sulkily swifted away;
When I was consumed, and only greed was in my chest;
Perhaps as a poet I should have had more to say;
And then, should I have said more, would he have stayed and rested?

He is jailed now, in his own Paris' shrubs and sins;
He is a detached monster too arrogant and mean;
And in that tragic summer he caught the arms of a white lady;
One selfish lady of Paris, the daughter of a plain bourgeois;

A lady with round snowy curls of brown hair;
Which blew like an evil tempest among the winds;
For she cared only for the world's primmest affairs;
She was the most brutal such pious souls have seen.

And to me now, that there is no more reason to be in love;
I shall hibernate 'till else might come and make me laugh;
For yon last one though, this should be his last stanza;
I shall burn his memory by tonight's red fatamorgana;

And run, run, run, my darling, into the rain;
Hope thy wife will defile you and put you into stains.
Perhaps you shall enjoy such delicate years in hell;
Whatever it takes, I wish you good luck and hope all is well.

And let her **** you by a midnight's swords;
When you walk out to watch more feeding swans;
She shall laugh and giggle as you leave these worlds;
She shall grab your purse and quickly hide behind;

And grin over your pulse as it grows weak;
She shall be the last to hear you speak.
But as you die, she shall not hold your hand;
She shall play with the cheeks and hairs of another man.

And let you be buried, buried, buried in my past;
Now you can taste her skin while being filled with lust;
Make her **** you into shreds and lure you into disgrace;
While you think she is the sweetest of all embrace.