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My chapbook of poems, "A Small Token Of My Esteem", is available at lulu.com. Remember me through poetry; these words, and those I wrote before. …
Poems
Michael R Burch
Apr 2023
TRANSLATIONS OF SCOTTISH POETS
These are my modern English translations of poems by the Scottish poets William Dunbar, Robert Burns, William Soutar and Hugh MacDiarmid.
Ballad
by William Soutar
translation/modernization by Michael R. Burch
O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!
O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!
Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.
The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!
The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch
One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain
and I thought of the last wild look that you gave
when you knew you were destined for the grave.
There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these irrational hearts of men
and I think that, perhaps, at last I ken
what your look meant then.
Sweet Rose of Virtue
by William Dunbar
loose translation/interpretation by Michael R. Burch
Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue men hold most dear―
except only that you are merciless.
Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet nowhere one leaf nor petal of rue.
I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.
If the tenth line seems confusing, it helps to know that rue symbolizes pity and also has medicinal uses; thus I believe the unrequiting lover is being accused of a lack of compassion and perhaps of withholding her healing attentions. The penultimate line can be taken as a rather naughty double entendre, but I will leave that interpretation up to the reader! 'Sweet Rose of Virtue' has been described as a 'lovely, elegant poem in the amour courtois tradition' or courtly love tradition. According to Tom Scott, author of 'Dunbar: A Critical Exposition of the Poems, ' this poem is 'Dunbar's most perfect lyric, and one of the supreme lyrics in Scots and English.' William Dunbar [c.1460-1530] has been called the Poet Laureate of the court of King James IV of Scotland.
Lament for the Makaris [Makers, or Poets]
by William Dunbar
loose translation/interpretation by Michael R. Burch
i who enjoyed good health and gladness
am overwhelmed now by life's terrible sickness
and enfeebled with infirmity...
how the fear of Death dismays me!
our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free...
how the fear of Death dismays me!
the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee...
how the fear of Death dismays me!
no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world's vanity...
how the fear of Death dismays me!
Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée...
how the fear of Death dismays me!
that strange, despotic Beast
tears from its mother's breast
the babe, full of benignity...
how the fear of Death dismays me!
He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower...
how the fear of Death dismays me!
He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee...
how the fear of Death dismays me!
artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
'how the fear of Death dismays me! '
in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee...
how the fear of Death dismays me!
i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty...
how the fear of Death dismays me!
i have seen Him pitilessly devour
our noble Chaucer, poetry's flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!
since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!
there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from 'the fear of Death dismays me! '
Comin Thro the Rye
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
To a Mouse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!
I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!
I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!
Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!
You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!
That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure cold winter's icy dribble
and hoarfrosts cold!
But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!
Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch! , behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!
To a Louse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.
You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.
Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.
Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.
My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!
I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?
Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!
O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!
Auld Lang Syne
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?
For times we shared, my darling,
Days passed, once yours and mine,
We'll raise a cup of kindness yet,
To those fond-remembered times!
Have you ever wondered just exactly what you're singing? 'Auld lang syne' means something like 'times gone by' or 'times long since passed' and in the context of the song means something like 'times long since passed that we shared together and now remember fondly.' In my translation, which is not word-for-word, I try to communicate what I believe Burns was trying to communicate: raising a toast to fond recollections of times shared in the past.
Banks of Doon
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed—never to return!
I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.
The poem 'Comin Thro the Rye' by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in The Catcher in the Rye. In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the 'catcher in the rye, ' rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a 'catcher' in the rye, but about a girl who has met someone in the rye for a kiss (or more) , got her underclothes wet (not for the first time) , and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are 'easy.' Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves.
Comin Thro the Rye
by Robert Burns
modern English translation/interpretation by Michael R. Burch
O, Jenny's a' weet, poor body, // Oh, Jenny's all wet, poor body,
Jenny's seldom dry; // Jenny's seldom dry;
She draigl't a' her petticoattie // She's draggin' all her petticoats
Comin thro' the rye. // Comin' through the rye.
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.
Gin a body meet a body // Should a body meet a body
Comin thro the rye, // Comin' through the rye,
Gin a body kiss a body, // Should a body kiss a body,
Need a body cry? // Need anybody cry?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.
Gin a body meet a body // Should a body meet a body
Comin thro the glen, // Comin' through the glen,
Gin a body kiss a body, // Should a body kiss a body,
Need the warld ken? // Need all the world know, then?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.
A Red, Red Rose
by Robert Burns
modern English translation/interpretation by Michael R. Burch
Oh my luve is like a red, red rose // Oh, my love is like a red, red rose
That's newly sprung in June: // that's newly sprung in June
Oh my luve is like the melodie // and my love is like the melody
That's sweetly play'd in tune. // that's sweetly played in tune.
As fair art thou, my bonie lass, // And you're so fair, my lovely lass,
So deep in luve am I; // and so deep in love am I,
And I will luve thee still, my dear, // that I will love you still, my dear,
Till a' the seas gang dry. // till all the seas run dry.
Till a' the seas gang dry, my dear, // Till all the seas run dry, my dear,
And the rocks melt wi' the sun; // and the rocks melt with the sun!
And I will luve thee still, my dear, // And I will love you still, my dear,
While the sands o' life shall run. // while the sands of life shall run.
And fare thee weel, my only luve! // And fare you well, my only love!
And fare thee weel a while! // And fare you well, awhile!
And I will come again, my luve, // And I will come again, my love,
Tho' it were ten thousand mile! // though it were ten thousand miles!
Keywords/Tags: Scot, Scotland, Scottish poem, modern English translation, translations, Robert Burns, William Dunbar, William Soutar, Hugh MacDiarmid
These are my modern English translations of poems by the Scottish poets William Dunbar, Robert Burns, William Soutar and Hugh MacDiarmid.
Ballad
by William Soutar
translation/modernization by Michael R. Burch
O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!
O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!
Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.
The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!
The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch
One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain
and I thought of the last wild look that you gave
when you knew you were destined for the grave.
There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these irrational hearts of men
and I think that, perhaps, at last I ken
what your look meant then.
Sweet Rose of Virtue
by William Dunbar
loose translation/interpretation by Michael R. Burch
Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue men hold most dear―
except only that you are merciless.
Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet nowhere one leaf nor petal of rue.
I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.
If the tenth line seems confusing, it helps to know that rue symbolizes pity and also has medicinal uses; thus I believe the unrequiting lover is being accused of a lack of compassion and perhaps of withholding her healing attentions. The penultimate line can be taken as a rather naughty double entendre, but I will leave that interpretation up to the reader! 'Sweet Rose of Virtue' has been described as a 'lovely, elegant poem in the amour courtois tradition' or courtly love tradition. According to Tom Scott, author of 'Dunbar: A Critical Exposition of the Poems, ' this poem is 'Dunbar's most perfect lyric, and one of the supreme lyrics in Scots and English.' William Dunbar [c.1460-1530] has been called the Poet Laureate of the court of King James IV of Scotland.
Lament for the Makaris [Makers, or Poets]
by William Dunbar
loose translation/interpretation by Michael R. Burch
i who enjoyed good health and gladness
am overwhelmed now by life's terrible sickness
and enfeebled with infirmity...
how the fear of Death dismays me!
our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free...
how the fear of Death dismays me!
the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee...
how the fear of Death dismays me!
no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world's vanity...
how the fear of Death dismays me!
Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée...
how the fear of Death dismays me!
that strange, despotic Beast
tears from its mother's breast
the babe, full of benignity...
how the fear of Death dismays me!
He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower...
how the fear of Death dismays me!
He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee...
how the fear of Death dismays me!
artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
'how the fear of Death dismays me! '
in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee...
how the fear of Death dismays me!
i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty...
how the fear of Death dismays me!
i have seen Him pitilessly devour
our noble Chaucer, poetry's flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!
since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!
there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from 'the fear of Death dismays me! '
Comin Thro the Rye
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
To a Mouse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!
I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!
I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!
Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!
You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!
That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure cold winter's icy dribble
and hoarfrosts cold!
But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!
Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch! , behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!
To a Louse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.
You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.
Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.
Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.
My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!
I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?
Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!
O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!
Auld Lang Syne
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?
For times we shared, my darling,
Days passed, once yours and mine,
We'll raise a cup of kindness yet,
To those fond-remembered times!
Have you ever wondered just exactly what you're singing? 'Auld lang syne' means something like 'times gone by' or 'times long since passed' and in the context of the song means something like 'times long since passed that we shared together and now remember fondly.' In my translation, which is not word-for-word, I try to communicate what I believe Burns was trying to communicate: raising a toast to fond recollections of times shared in the past.
Banks of Doon
by Robert Burns
translation/interpretation/modernization by Michael R. Burch
Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed—never to return!
I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.
The poem 'Comin Thro the Rye' by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in The Catcher in the Rye. In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the 'catcher in the rye, ' rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a 'catcher' in the rye, but about a girl who has met someone in the rye for a kiss (or more) , got her underclothes wet (not for the first time) , and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are 'easy.' Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves.
Comin Thro the Rye
by Robert Burns
modern English translation/interpretation by Michael R. Burch
O, Jenny's a' weet, poor body, // Oh, Jenny's all wet, poor body,
Jenny's seldom dry; // Jenny's seldom dry;
She draigl't a' her petticoattie // She's draggin' all her petticoats
Comin thro' the rye. // Comin' through the rye.
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.
Gin a body meet a body // Should a body meet a body
Comin thro the rye, // Comin' through the rye,
Gin a body kiss a body, // Should a body kiss a body,
Need a body cry? // Need anybody cry?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.
Gin a body meet a body // Should a body meet a body
Comin thro the glen, // Comin' through the glen,
Gin a body kiss a body, // Should a body kiss a body,
Need the warld ken? // Need all the world know, then?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.
A Red, Red Rose
by Robert Burns
modern English translation/interpretation by Michael R. Burch
Oh my luve is like a red, red rose // Oh, my love is like a red, red rose
That's newly sprung in June: // that's newly sprung in June
Oh my luve is like the melodie // and my love is like the melody
That's sweetly play'd in tune. // that's sweetly played in tune.
As fair art thou, my bonie lass, // And you're so fair, my lovely lass,
So deep in luve am I; // and so deep in love am I,
And I will luve thee still, my dear, // that I will love you still, my dear,
Till a' the seas gang dry. // till all the seas run dry.
Till a' the seas gang dry, my dear, // Till all the seas run dry, my dear,
And the rocks melt wi' the sun; // and the rocks melt with the sun!
And I will luve thee still, my dear, // And I will love you still, my dear,
While the sands o' life shall run. // while the sands of life shall run.
And fare thee weel, my only luve! // And fare you well, my only love!
And fare thee weel a while! // And fare you well, awhile!
And I will come again, my luve, // And I will come again, my love,
Tho' it were ten thousand mile! // though it were ten thousand miles!
Keywords/Tags: Scot, Scotland, Scottish poem, modern English translation, translations, Robert Burns, William Dunbar, William Soutar, Hugh MacDiarmid
Michael R Burch
Apr 2020
Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch
Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery
Translations of Scottish Poems
Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch
Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.
Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.
I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.
Ballad
by William Soutar
translation/modernization by Michael R. Burch
O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!
O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!
Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.
The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!
Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss
Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch
i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!
our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!
the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!
no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!
Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!
that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!
He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!
He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!
artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”
in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!
i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!
i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!
since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!
there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”
To a Mouse
by Robert Burns
modern English translation by Michael R. Burch
Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!
I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!
I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!
Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!
You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!
That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!
But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!
Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!
To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch
Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.
You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.
Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.
Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.
My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!
I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?
Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!
O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!
A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch
Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.
And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.
Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.
And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!
Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?
For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!
Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch
Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!
I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.
"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric
by Robert Burns
modern English translation by Michael R. Burch
Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?
Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.
The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery
Translations of Scottish Poems
Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch
Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.
Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.
I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.
Ballad
by William Soutar
translation/modernization by Michael R. Burch
O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!
O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!
Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.
The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!
Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss
Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch
i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!
our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!
the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!
no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!
Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!
that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!
He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!
He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!
artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”
in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!
i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!
i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!
since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!
there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”
To a Mouse
by Robert Burns
modern English translation by Michael R. Burch
Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!
I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!
I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!
Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!
You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!
That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!
But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!
Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!
To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch
Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.
You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.
Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.
Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.
My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!
I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?
Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!
O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!
A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch
Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.
And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.
Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.
And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!
Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?
For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!
Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch
Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!
I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.
"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric
Mateuš Conrad
Mar 2020
doubly toasted rye bread...
anything on it...
of course i'm not going to treat it
as a bagel: although i should...
some smoked salmon...
the mayo and cucumber and dill...
come to think of it...
toasted rye bread would work
better than a bagel...
we're not having some brick lane
salted beef, and bagel...
salted beef... good that you asked...
what makes it so... cosmopolitan, i.e. pink?
himalayan salt... i was thinking of
prague salt... don't ask me why...
how? i heard it down the line...
again: larry tesler died a few weeks ago...
well "weeks"... 20th of feb of this year he
passed away... as reported...
larry tesler... it's not an everyday
name... but under the umbrella of darwin that
becomes darwinism:
a group-fire, a get-together, a come-together...
larry tesler is a bit like
a michael faraday...
somewhat of a "mystery"...
like... never... i was daring to confess:
those revisions of the cursor...
the phantom hand... of a 2D object in a 3D
object... those 2D ferns in the original
tom raider... moving rapidly when approached...
i can hear the bemoaning...
no new scientific "theory" has resounded true
in the past decade...
unless it's that Higgs': hiccup or... boson...
that only happened a few years ago...
don't... agitate... the... beehive!
i've finished one whiskey and ms. coca
ms. venezuela - ms. novella...
but i'm still pretending to drink from
an empty glass -
perhaps agitating the whiffs of scotch
perfumes to come...
how often do i use the larry tesler
method?
well... if i want some... braille...
some glagolitic... some runes...
pretty much all the time...
toasted rye bread... i'm thinking of eating
some roasted rye bread...
the english being bewildered...
and that's because the former raj
brought with them the cinnamon the cardamom...
ever eaten a curry that listed
rosemary or thyme as a prime ingredient?
can i please just eat this
dogshit, then?
sourdough bread... not pop enough...
beside the zeppelins... rye bread galore...
pumpernickel bread... a german thing...
the name changes... but...
there's only so much toasted white and brown
bread you can eat... before having
an ancient hunger become arise in you...
the baltic cuisine of piquant herrings...
plenty of dill... and rye bread...
- i asked the swabian about this windsor affair
concerning the saxon: the ants-in-his-pants
little brother saxon...
the german who needed to go outside of saxony...
burgundy wouldn't suffice....
had to see the world: become a semite...
a wandering "plague"...
the postman... the dove of "repose"...
this is still about larry tesler by the way...
⠓⠑⠗⠑ - larry tesler...
ⰕⰖⰕⰀⰣ: " "
ᚺᛖᚱ: " " (ditto, as above)...
woman: a human female being -
because she's not: woo man...
and she is not: woe, man...
she's a human female being -
that's what everyone might had said...
when being stripped...
to the basics of grammar:
i, pronoun - definite article: the -
noun of nouns -
the in between cardinal nouns...
table, fox, wool...
in between cardinal nouns...
box, moon, whiskey and (conjunction)...
the royal pronoun: one would expect...
the other royal pronoun: we would agree to such
claim... given our entourage...
louis XIV very much liked such
pronouns...
they are the disembodied courting
presence of ghost: where we should be...
to posit...
and what if i want to be known as: there?
can't a they become a there -
i know that's asking too much...
after all... there is an adverb -
perhaps i feel like... being an: ad- -verb
rather than a pro- -noun...
there said: it's a cul de sac
and the peoples are gagging for
lessons in grammar... this is still about larry tesler!
well... it's become more of a toasted
rye bread "analogy"...
to be less denoted by noun -
more associated with verbs -
does that even matter what pronoun?
what if i want to be an adverb: base?
there is an adverb... here is an adverb...
why is BEING a noun...
and not an adverb?
become is a verb...
becoming an adjective: although it could
be stressed as a noun: could...
i think of being... on the lines
of a "here" and a "there"...
nothing is a pronoun...
while nowhere is an adverb...
being is a noun but in all fairness it could
be treated as an adverb...
being alone...
if only it was as simple as...
turning on a lightbulb while at the same time
expenting falling pirouettes of snow...
all this words deserved to be archived
in trash...
i'm not a betting man and none of these
grammatical arguments really probe me...
i have invested in them a pet-peeve...
and they're nothing more...
but whenever i hear about them being
stressed... i wonder why the counter
argumentation doesn't fall for talking about
this logic on a purely grammatical level...
to update the tabernacle of holiest of the holy
"pronoun" with...
something akin to... by adverb standards...
etc. -
this is still about larry tesler, though...
and about toasting some rye bread...
nonetheless -
i'm not that old but i'm already tired...
i imagine eating custard as being...
somewhat alleviating...
but not actually eating any custard...
just imagining eating it
and pretending to drown - gurgling it...
once more: this is still concerning larry tesler...
mind you... larry tesler doesn't exist
on wattpad...
but all these other would be publishers...
allow larry tesler to exist...
along with that little gremlin that doesn't work...
i.e. ©... not even new york times has
obstructed larry tesler ctrp + c / ctrl + p...
© - yeah.... "copyright"... my ****** ***...
wattpad has actually made actual © "progress"...
you can't use a larry tesler "heimlich" on:
those most scared of texts...
poems by 16 year olds!
just saying...
you don't need a bagel to enjoy smoked salmon
with a dollop of mayo some cucumber
and dill... rye bread works just as well...
**** i'm hungry!
- again... what (a pronoun) - sorty of © "copyright"
logo is that... when you can larry tesler that
with... export it via highlight and ctrl c / ctrl p?
wattpad doesn't allow you to ctrl c / ctrl p...
at its height it was publishing that
goldmine of one direction fan fiction by
14 year old cherries...
i guess you can larry tesler
wikileaks: back in the day...
so if not larry tesler... who was behind
ctrl a? does it matter - if there's no toasted
rye bread in my gob... just these words
congesting and subsequently constipating my head?
good thing i have earned myself
a bad back - the golgotha "wisening" /
humbling... of digging up roots in the garden
where trees and shrubs once stood...
these words are... hardly a compensation's
worth of balm... but before i gorge on some toasted
rye... they just have to do.
anything on it...
of course i'm not going to treat it
as a bagel: although i should...
some smoked salmon...
the mayo and cucumber and dill...
come to think of it...
toasted rye bread would work
better than a bagel...
we're not having some brick lane
salted beef, and bagel...
salted beef... good that you asked...
what makes it so... cosmopolitan, i.e. pink?
himalayan salt... i was thinking of
prague salt... don't ask me why...
how? i heard it down the line...
again: larry tesler died a few weeks ago...
well "weeks"... 20th of feb of this year he
passed away... as reported...
larry tesler... it's not an everyday
name... but under the umbrella of darwin that
becomes darwinism:
a group-fire, a get-together, a come-together...
larry tesler is a bit like
a michael faraday...
somewhat of a "mystery"...
like... never... i was daring to confess:
those revisions of the cursor...
the phantom hand... of a 2D object in a 3D
object... those 2D ferns in the original
tom raider... moving rapidly when approached...
i can hear the bemoaning...
no new scientific "theory" has resounded true
in the past decade...
unless it's that Higgs': hiccup or... boson...
that only happened a few years ago...
don't... agitate... the... beehive!
i've finished one whiskey and ms. coca
ms. venezuela - ms. novella...
but i'm still pretending to drink from
an empty glass -
perhaps agitating the whiffs of scotch
perfumes to come...
how often do i use the larry tesler
method?
well... if i want some... braille...
some glagolitic... some runes...
pretty much all the time...
toasted rye bread... i'm thinking of eating
some roasted rye bread...
the english being bewildered...
and that's because the former raj
brought with them the cinnamon the cardamom...
ever eaten a curry that listed
rosemary or thyme as a prime ingredient?
can i please just eat this
dogshit, then?
sourdough bread... not pop enough...
beside the zeppelins... rye bread galore...
pumpernickel bread... a german thing...
the name changes... but...
there's only so much toasted white and brown
bread you can eat... before having
an ancient hunger become arise in you...
the baltic cuisine of piquant herrings...
plenty of dill... and rye bread...
- i asked the swabian about this windsor affair
concerning the saxon: the ants-in-his-pants
little brother saxon...
the german who needed to go outside of saxony...
burgundy wouldn't suffice....
had to see the world: become a semite...
a wandering "plague"...
the postman... the dove of "repose"...
this is still about larry tesler by the way...
⠓⠑⠗⠑ - larry tesler...
ⰕⰖⰕⰀⰣ: " "
ᚺᛖᚱ: " " (ditto, as above)...
woman: a human female being -
because she's not: woo man...
and she is not: woe, man...
she's a human female being -
that's what everyone might had said...
when being stripped...
to the basics of grammar:
i, pronoun - definite article: the -
noun of nouns -
the in between cardinal nouns...
table, fox, wool...
in between cardinal nouns...
box, moon, whiskey and (conjunction)...
the royal pronoun: one would expect...
the other royal pronoun: we would agree to such
claim... given our entourage...
louis XIV very much liked such
pronouns...
they are the disembodied courting
presence of ghost: where we should be...
to posit...
and what if i want to be known as: there?
can't a they become a there -
i know that's asking too much...
after all... there is an adverb -
perhaps i feel like... being an: ad- -verb
rather than a pro- -noun...
there said: it's a cul de sac
and the peoples are gagging for
lessons in grammar... this is still about larry tesler!
well... it's become more of a toasted
rye bread "analogy"...
to be less denoted by noun -
more associated with verbs -
does that even matter what pronoun?
what if i want to be an adverb: base?
there is an adverb... here is an adverb...
why is BEING a noun...
and not an adverb?
become is a verb...
becoming an adjective: although it could
be stressed as a noun: could...
i think of being... on the lines
of a "here" and a "there"...
nothing is a pronoun...
while nowhere is an adverb...
being is a noun but in all fairness it could
be treated as an adverb...
being alone...
if only it was as simple as...
turning on a lightbulb while at the same time
expenting falling pirouettes of snow...
all this words deserved to be archived
in trash...
i'm not a betting man and none of these
grammatical arguments really probe me...
i have invested in them a pet-peeve...
and they're nothing more...
but whenever i hear about them being
stressed... i wonder why the counter
argumentation doesn't fall for talking about
this logic on a purely grammatical level...
to update the tabernacle of holiest of the holy
"pronoun" with...
something akin to... by adverb standards...
etc. -
this is still about larry tesler, though...
and about toasting some rye bread...
nonetheless -
i'm not that old but i'm already tired...
i imagine eating custard as being...
somewhat alleviating...
but not actually eating any custard...
just imagining eating it
and pretending to drown - gurgling it...
once more: this is still concerning larry tesler...
mind you... larry tesler doesn't exist
on wattpad...
but all these other would be publishers...
allow larry tesler to exist...
along with that little gremlin that doesn't work...
i.e. ©... not even new york times has
obstructed larry tesler ctrp + c / ctrl + p...
© - yeah.... "copyright"... my ****** ***...
wattpad has actually made actual © "progress"...
you can't use a larry tesler "heimlich" on:
those most scared of texts...
poems by 16 year olds!
just saying...
you don't need a bagel to enjoy smoked salmon
with a dollop of mayo some cucumber
and dill... rye bread works just as well...
**** i'm hungry!
- again... what (a pronoun) - sorty of © "copyright"
logo is that... when you can larry tesler that
with... export it via highlight and ctrl c / ctrl p?
wattpad doesn't allow you to ctrl c / ctrl p...
at its height it was publishing that
goldmine of one direction fan fiction by
14 year old cherries...
i guess you can larry tesler
wikileaks: back in the day...
so if not larry tesler... who was behind
ctrl a? does it matter - if there's no toasted
rye bread in my gob... just these words
congesting and subsequently constipating my head?
good thing i have earned myself
a bad back - the golgotha "wisening" /
humbling... of digging up roots in the garden
where trees and shrubs once stood...
these words are... hardly a compensation's
worth of balm... but before i gorge on some toasted
rye... they just have to do.