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Ako si Kaboom
20/F/Lipa City, Philippines   

Poems

Ken Pepiton Dec 2018
Taken, gotten, or made, the point of anything
can pierce through everything…

slow
Slow think,
make real

re-al-ize
what fighting for life is…
this is the only
try,
it is not a test.

Take your time, use it wisely,
if that means anything.
Wise, I meant.
No offence, if wise is anathema to your kind,
die,
die if I knocked the reason for being right
outa you,
did you hear cognitive dissonance?
did it sound like
this. LOUD?
listen,
rolling rolling rolling
crash crumble rolled in nurse rime frosted
fables of monsters and maids
Thor, witharoar likka Lion King?

or the light brigade,
CHARGE?

thunder words from lost generations of
reasonless riddles for children,

Why did Peter Pumpkin-eater have a wife, but
couldn't keep her here?
Was that okeh? Oh, wait.
Ah, I see, I say,
they never tell that whole story any more.

Know why? They forgot it. In the war.

Duck'n'cover,no
crying, how long?
When begins forever? Did no one tell you, child?

Taken or made, the point of anything
can pierce through everything
like it was nothing, given
enough pre-sure-sup
poser-power

War, as a game, has a reason.

Battle, hitting, slapping

stop touch, stop now slap
slap back

or cry
oh no no ma

waddayahsay?  A theist or atheist
who started this war?

space case, or
lover of wisdom, met on the road
to Emmaus, discussing Wiles's proof
firming Fermi's connection to the matter of fear,
3, 2, 1

Kaboom, but with a whump you feel in your teeth

1, 2, 3 Fermat's last theorem ,
easy as pi an no re me

ABC to
Michael Jackson to
Howard Bloom because he

inadvertently, began
an-ionic converstatic re-vibe time warp
meme,
which vibe, started the legendary Sixties. I was alive.
Radioman,
a sixty cycle white-noise humm heard every where these days

There was a gospel song, "Turn Your Radio On".
my theme, open the window in the top of your head,
as it were,
a new,
as new as

a novel-state of water, H three Ohs, re-al-ity ification,
Ah, a shared Oh, I remember now, how this works…

like a poem

at the edge of a water vapor bubble in a boiling body of water,
at the edge of the bubble, water becomes a wall of water,
not vapor, not flowing liquid,

but a wall, insulating the vapor in pressing opposing force
to permit, from permission,
meaning with a message same as the message,

is that the right word? per-mission-grant, is power given,
agency,
that idea….
wait for the sign….?

By sharing an ion ic bond as a quest to make a point
for a free story to go,
the question marks you. Let the snake dance.

Press your point,

whetted edge,

slice through ties holding worthless axioms
with withered dendrites dangling disconnected
in participles
unfired for centuries muttering,
enchanting, enthralling enchained melodies
of ambitious syllables vying for idle minds
to rope in,
unbranded, wild
bucking ideas,
whip-twig, slap-face,
tanglewood  thicket, catclaw and mesquite,
willow,

wait.
And the old man remembered the willow whistle,
so He asked Grandfather,
How is such a whistle made?
And when he knew,
he made one.

A willow whistle with two notes,
like an Oscar Meir Wiener one.

-- and that was a different time
I got lost here, bucked up…
maybe
--- listen, way back--- we-ain't whistlin' Dixie---
we ain't marchin', as t' war.

D'thet mean some sign to pro-phet -ic take?
Tophet?
Ancient cannon fodder shield walls,
a moaning
Pro-phy-lactic warning of the danger of not
knowing exactly
what a war is for?

Get back on,
relieved of any idle baggage words believed
to mean other than I say.

Nullify
Idle words with cultural meanings from
what you thought you knew when you feared hell.

Loose
those peer-locked memes
made of meaninglessness, per se,

shaped and molded into fashions
of expression, once needles and awls,
now, dull as tinker's damns for swearing,
with any effect.

But tools, none the less, a stitch in time took a tool.
An awl or a needle, and a thread, thick or thin,
dependin' on the mendin' needed
to redeem an idle word,
its meaning all bloodied with the tyranny of time.

An awl or a needle,
a tool for a task, mending a tear
where curses, never meant, spent
the entire dark ages, lying, lying, lying

powerless, pointless aimless, proverbial proverbial proverbial
verbiage, vaneless shafts launched at unseen marks,
signs, as it were, a spark,
triggers,
rumored since the sixties,
the first sixties, when Cain killed Able.
Howard Bloom was but a mere gleam
in our mito-mother's eye,
but, no doubt,

his role is real,
in loosing the forces Ferlinghetti locked in
City Lights mystery of secret meanings room,
which un
mystified and blew away upon opening
the door to
meanings mapped on
scrolls rolling and unrolling
idle ideas,
rites of passage, as it were,
Pre-bat-bar-mitz vah
as a fashion
like VBS,

to tickle little minds and make em wiggle.
MEMEMEME, I did it,
mea culpa,

the holy place
Here we are…

On Vacation, leave a message.
-----

See, wee hairs in your ears wiggle, making,
signaling, the need

to scratch that itch, that itching hearing feeling ear… hear that

don't scratch, listen

listen

60 cycle humm, steady, bass, but no thump whumpwhump;
soft, deeep.
ooooooooo or mmmmmmmm or in betwixt, steady thrumm
hear another, and another… sixty in a second,

one in every million ambits twisting,
threading qubits, radiating signals in the field
wireless, blue-tooth... satellite...

can you feel that?

hummmms, all around us, since the womb.
We are not the children of the greatest generation,

We are the children of the last generation of
**** sapiens sapiens non-augmentable-us.

We, the augmented, recycled ideas,
possessing
minds of Adamkind,

is that a secret or a sacred?
Is this
a new thing, an
unknown unknown known known now?

Ah,
novelty.

Whose is fear? Who was afraid of Virginia Wolf?

Should I remain in fear of her now, if I knew why then?
God would know such answers.
Proving my imagined AI guides are not God,
but lesser beings,

haps I recall.
I defined these things,
these thoughts that shape themselves,
forming words and phrases
I saw
shiny. Crow-like,
gleams seen, captured and claimed mine,
I tucked them away,
a sign in a thought in an imagined image made 4
real once more, to be seen from the shore,
new land new world
a fourth for some, a fifth or more for others...

haps happen, I'm not sure how,

Born or emerged, as a bubble, what do you say?

Reserve judgment.
Grant me your grace for now, until you solve my riddle.

Ah, the old way.
Right. Which way,  'ere, 'ear
and do we roll the rock with silent haitch or harsh, shhh

someone's waking up,
a bit grumpy,
don't you dare oppose me in this, the kid is certainly my son

Michael went stark raving mad when I told him, Billie Jean knew better all along...
the link, axiomatic,
the fatherless child has been claimed

hence, the thread to Howard Bloom, meme-ic,
meme-ic, like the Roadrunner,

but with the real Coyote, as the hero in this bit of
whatever, such meandering maundified maun maund  
mound

wind blown crystal silicon dunes
mounded up to that point where granulated
beens and dones

begin to slide at an angle,
a ***** deter-mind by the weight of the rock

We made it.
I know where this is.

This is a novel that has Sisyphus being happy
as the main premise behind the idea of anyone ever being
able, en abled, or un-dis-abled or un-dis-enabled,
if one of those is right,

Sisyphus being happy
is the main premise behind
the idea of anyone ever being glücklich,
happy, blessed, lucky.

How happy is your ever after?
When did forever begin?

"A man is as happy as he makes up his mind to be"
Abe Lincoln, is said to have said,
after the seance, maybe.

You push on, dear reader, make some sense
re-ligare or relegare, but take a stitch,

pull-tight,
do what works the first time as far as it goes, and try each, as needed,
it may be that we invented this test.
To make us think it is a test,
to sort ourselves out.

Get back on,

see who went crazy and who found the thread, if the same thread
this is that, right,
the same train of thought,
the same idea
spirit wind
sign
?
A snake facing west standing tippy-tail on a singularity;
a point in time?

Why are you reading this?
Curiosity Shoppes trade in interesting, alluring, click-bait

Pay attention, watch, you shall see

imagine this is the dream,
the stream, the flow, the current, the cream

in a dime coffee at the drug store on the corner

the rounded-corner, in a square-cornered town,
the most right corner of the twelve that quarter what it was

Punctuate, wait, imagine you read ancient Hebrew or Greek and there
are no dyer diacritical's who can twist one's
end tensions into knots

dread extensions, we could sell those,
is that an idea? did somebody
sell white folks dread extensions and black folk dolly pardon wigs?

Did that happen the real real?

-----
Battlefield Earth, oshit
scientology ology ology ology

allaye allaye outs in free

WE we wee every we you imagine you are good in, we

We have a war to win again, we heroes rolling from your
myths of Sisyphus torn from minds trampled
in the mud beyond the Rhine,

Mushrooms. magi are aware, you are aware, of course,
this course includes Basic Mycelium Net Adaptation or Augmentation
BMNAA, eh? So you know.

Camus and many of his ilk were ill-treated, the questions
they asked were memorized, maybe in our cribs ala
Brave New World.

We are all Alphas, always were, of course, you know.

Shall we imagine

more? Re-legare, eh, sistere. Point .(Back to the top.)

or agree? Make peace.
Practice, like Eazy-Bake,
the cook must swallow the first bite. May the best cook win.
A continuing examination of opposing forces when good is the goal, who could be against that? The old word war is festering, inflaming evil to start a try, therefore,  I whet the edge and swing wide
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
You taught me to count and I counted the days, and the days mounted up and still I counted the days and I got old and tired and lost count of the days.
I can start again,
I can number the drops of rain that fall
I can count them all,
you
taught me that.
But
you never taught me about time
about how it is wasted in fruitless endeavour
on the dumb and the clever in equal quantity,
a pity really.

It's a disorder to order the order of things
and much easier to see what disorder brings,
chaos or not?

A plot against Kings and those who hold dominion,
those who drag us down and pinion our arms
to tag us with lasers and pull out our eyes.
A plot against the lies that restrain us
are you with me?
chaos or not?

Still counting,
being obsessive possesses me,
a demon ******* me
a succubi for an eye?
or is the sleep that builds up the bridges I see,
ready for me?
I have numbered the pages and each new leaf I've burned,
counted,
lost count and returned to count once again,
all drops of rain in the end.

Time and the beads of its abacus feeds on me,
I will count the beads one
by one and one day
fruitless or not
I will have got the
number right.

Between Brighton and Hove and New Cross gate, when all is still and time can wait.

Kaboom.
Kaboom
Kaboom.
I
thought it was a magic spell to break the link 'twixt time and Hell but
just three words that make no sense but still,
kaboom,
I tried again but still
the same.

The beads fall into line and like a Rubik's cube, time falls into place,
if I see the face of my creator
if I dance with Marilyn on the moon
if once again
all is all too soon but
if I mention,
mention time after time, then
perhaps I'll be allowed to stand a little longer in the line that gets much shorter and time will wait to see the words which freely flow from me,
if not,
I'll be seeing you all on the other side.