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Marie-Niege Nov 2016
I dream of you in ten shades of blue,
belly as beastly as the moon as tarred as the rounds of your eyes, I bud feathers beneath the bulbs of my lungs as your chin crepes down to the sun, I dream of you as the cold bites my blossoming cheeks, palms as big as the sky, as bold as my tongue during a spat over and over again, love and hate and versa and versa, I dream of you during my wake as I lay shaking, bones glued to the pulps of my skin, I dream of you but only as I breathe and so then what of my death, will you leave me as she left you and he, I and her and we, baby, baby, tell me, do you often dream of me too?
Edna Sweetlove Feb 2015
Wee Angus McSporran, the world's most accurate marksman, is deployed  to Afghanistan and Iraq as a ****** in the Royal Scots Guards. In spite of his diminutive stature (4ft 8in), we see him skilfully shooting men, women and children by the score, convinced they are terrorists and a threat to our freedoms in the West. He becomes emotionally involved with the gigantic ginger-haired Pipe Sergeant-Major **** McKnob, the loudest piper in the British Army and a famous poofter. We see Angus and **** in some of the most explicit ******* love scenes ever shown in a mainstream movie (tastefully filmed in soft focus and sponsored by KY-Jelly).

When **** is blown to smithereens by a roadside bomb planted by American freelancers in order to implicate the Taliban, Wee Angus goes into deep depression and becomes obsessed with his skill as a ******, often shooting "allied" soldiers in so-called "blue on blue" friendly fire. After each shooting we see the image of the ghostly dead Sergeant-Major appear as in a dream, his kilt a-swirl and his pipes wailing a tragic dirge in scenes reminiscent of Braveheart.

When Wee Angus triumphantly notches up his 500th **** (including over 75 US military personnel and several important Afghan politicians), the British government decide it is time to withdraw him from active service. In order to gain patriotic press coverage in the run-up to a General Election in Britain, it is agreed that Wee Angus shall be awarded the Victoria Cross by HM the Queen.

We see Wee Angus, in full regimental uniform, marching up the Mall to Buckingham Palace to receive his medal, his telescopic-sighted ******'s rifle looming heavily on his childlike shoulder, being cheered on by crowds of thousands of wellwishers. Tragically, when he is crossing the road in front of the Palace, he does not hear a new environmentally friendly eco-diesel double-decker London Transport bus approaching (his hearing has been seriously impaired by the noise of battle) and he is mown down, his scream being amplified to eardrum-splitting levels of horror. The camera lingers lovingly on his crushed body and we see scenes of unimaginable grief in the crowds who have taken Wee Angus to their hearts. His lover, the strapping Pipe Sergeant-Major **** McKnob, appears as an angel and weeps by Wee Angus's squashed corpse.

In the final scene, reminiscent of the closing minutes of Slumdog Millionaire, the massed marching pipe bands of the Assembled Scots, Irish and Welsh Guards appear as if by magic and the entire crowd cast all inhibitions to the wind and indulge in a life-enhancing Highland Dance and Ceili around the Victoria Memorial facing Buckingham Palace. The film ends with a heart-breaking shot of the Queen coming out on the balcony in front of the Palace and having a fatal heart attack with the shock of what she sees before her. Prince Charles is seen gleefully rubbing his hands together in the background: at long last, he is King! *(end titles shown over a shot of him groping Camilla's naked sagging ****)
This is the first in my new series of Film Scripts for the 21st Century.
softcomponent Jan 2014
in the crazy clasp of a darker place is the beginning of a laughing statue and it was nothing like any of this as far as the ketamine kept me floating above every objectivity so who was I beyond the flattery becoming bespecalled across my essence by surrounding loveships in-order to my left-: Sibelle, a mysterious artisan I believe all writers with a habit to smoke most certainly would (or have) fallen in love with at some point after an introduction; she's got these feline eyes of curious enamour and curly, short hair like Picasso curls and a soft, tough speech to her (INTEGRITY!!) perhaps a hard nut to crack sometimes but worth the effort to sit and get to know her, highly definitley one of the most beautiful women I've ever met-- where the existential confusion in her eyes twists to a smile in-which manifested is happiness-of-the-absurd, she secretly loves everybody like we all do but won't quite venture forth into extradimension to mention (to mention) ((but she does now because drugs bring us into Mind At Large as Huxley called it))

Greg-- a well-spoken sage of preference to beautiful confusion, a legitimately happy Boddhisatva who has found his bliss in the random number generator of life.. he showers everyone with praise and every love he harbours is a very very true love you just want to hold him close and cuddle, me particularly in a way that forgets the ******* connotation that says 2 men can't hold hands as good friends.. who invented my mind anyway? a culture vulture? or culture as represented in sculpture? forget it, Greg is a good looking fellow but not just that he has the brains and brilliance, there is no doubt in my mind he is eternal. sometimes I wonder if he forgets me in the throng of university personages like Kelvin has, but what a beautiful place to start-- I'm glad I met him and he is already a best friend.

Hunter-- classiest person I have ever met he's got a crick in every step that softly whispers his manifestation of the human condition in an art-gallery frame for centuries of witness to come. He is quickly taking the place of a very best friend to me but I never like to say there is one above the rest as it's impossible to make love exclusive.. but he has always been in my life in his rusty little class-car Jerry (or so it feels) and I hope the four of us know each other unto death... a soft-hearted punk-rocker with a temporal soul of glowing brilliance and lucidity, I love the guy like a long-lost brother I intend to never lose again; he is somewhere between on-screen and behind-the-camera in all situations, like a movie character who appeared to show us all Holy Moments needn't be framed becuz yer eyes are cameras and this is the nature of reality (a filmmaker if I ever knew one).
excerpt- - 'the mystic hat of esquimalt'
Casey Risk Oct 2018
So much to say, so few words find my lips
It’s like I kissed a girl
And gave her all my words

At first I thought it was my breath
She took away

She spoke and I listened
In awe,
Of the way her sentences glided from
The back of her throat, tongue, teeth, lips-
Lips.

I once kissed a girl
And left all my words on her lips
Like some weird- ****** up- *******
Little Mermaid

She was Ursula and Prince Eric
Stealing my freedom
My voice but still
My captain, knight in shining armor

She was the prince
The sea witch
Everything I was warned of
Everything I still dreamed about

When Ursula took Ariel’s voice
She used it for another
But she used it for me
On me-
But the good words got used up

They were on a countdown timer
Without restart or pause
Then there were only bad words
Then none

I once kissed a girl and gave her all my words
Now I have none left.
buckwheat  Feb 2015
Dear Porky,
buckwheat Feb 2015
Humans still engage
in ******* play
with masks & beads?

I am so glad we have
come so far for a dollar.

That kitty litter is fresh too!
Kevin  Feb 2017
truffle fries
Kevin Feb 2017
i remember meeting you in the back of house, where your words were loose and wild. i was brining some guests plates in that needed to be cleaned after their meal. i got to talking with some coworker about some
******* coworkers talk about, probably complaining about some old lady who wanted truffle fries and only got regular fries. you had to chime in when there was a cadence with some ******* comment to display your manliness and status amongst your kitchen staff. that game always seemed counterproductive to me. you pinned me for someone i wasn't. i did the same to you. somehow along the way, between all your lewd remarks, we became friends. i believe it  began over our affinity for the Buffalo Bills. You said you liked them because they were the underdogs and you hated the Miami Dolphins. I told you they were my hometown team and you said "no ****. get the **** outa here. You're from Buffalo?" the way you said it lead me to assume you were from New York. You told me you were from upstate and missed it. I told you how much time my family spent up there in the summers, doing outdoorsy things. burning fires, drinking beer underage, walking barefoot through the forrest. we bonded. we learned a lot more about each other. you were divorced and knew that you could never love another woman as much as you loved your ex. she gave you two beautiful kids. she also took 3/4 of you paycheck and left you for broke. the rest you drank away with me when our shifts were over. you told me about your drug habits, and i told you about mine. i told you about my childhood and you said you were sorry. i helped you drive your kids to school when your ex wife was too busy. we got drunk and shot so much ****. there was a chip on your shoulder. there was a chip on mine too. i got to see you cry when i accused you of using again. i think you knew what i said was true. i came down on you hard because i had just lost two jobs, a girlfriend i thought would have my children, and someone that lived in your apartment complex crashed into my brand new car while i was waiting on you. we were on the way to get your kids from school. you knew i meant well but i could see the guilt in your eyes. i helped you with your kids a handful of times after that. we would get breakfast after and talk about work and women. after work we'd get ****** and eat at some small Mexican stand in 90 degree weather. i fell asleep at the wheel and totaled my car some time later. shortly after i left for tour and then you died. some secrets you take to the grave. thank you.

— The End —