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Lawrence Hall Feb 2018
Lefttard fascist libtard Russian troll loony mother * *er freaks stupid idiotic childish rant Antifa **** troll comrade idiots like you tide pod generation snowflakes * you Marxist serial felon MSM useful idiots street justice fanboy alt.right * dunal trumpf lunatic leftist *phile ** * in your * your ****** loser freak pos pack heat ammosexuals smh screwball lefties community organizers trumptards professional agitators if we could ban idiots like you you donkey *s you lying * comrade Lefttard fascist libtard Russian troll loony mother * *er freaks stupid idiotic childish rant Antifa **** troll comrade idiots like you tide pod generation snowflakes * you Marxist serial felon MSM useful idiots street justice fanboy alt.right culy dunal trumpf lunatic leftist *phile ** * in your * your ****** loser freak pos pack heat ammosexuals smh screwball lefties community organizers trumptards professional agitators if we could ban idiots like you you donkey *s you lying * comrade Lefttard fascist libtard Russian troll loony mother * *er freaks stupid idiotic childish rant Antifa **** troll comrade idiots like you tide pod generation snowflakes * you Marxist serial felon MSM useful idiots street justice fanboy alt.right culy dunal trumpf lunatic leftist *phile ** * in your * your ****** loser freak pos pack heat ammosexuals smh screwball lefties community organizers trumptards professional agitators if we could ban idiots like you you donkey *s you lying * comrade Lefttard fascist libtard Russian troll loony mother * *er freaks stupid idiotic childish rant Antifa **** troll comrade idiots like you tide pod generation snowflakes * you Marxist serial felon MSM useful idiots street justice fanboy alt.right culy dunal trumpf lunatic leftist *phile ** * in your * your ****** loser freak pos pack heat ammosexuals smh screwball lefties community organizers trumptards professional agitators if we could ban idiots like you you donkey *s you lying ** comrade

*Employ all caps and strings of exclamation marks ad lib
mark john junor  Feb 2016
fanboy
mark john junor Feb 2016
starlet of the silver screen
crafted herself to display the power of her beauty
and practiced in the art of visual seductions
she desires to be intoxicating
to move men to noble heights without saying a word
to ****** the hearts of men with just a smile
to be center stage in the brilliant light of adulation
her craft allows her to be anyone she wants
princess or pauper
a master of her craft she is every man's dream
she is true beauty
at the height of her career
a hollywood starlet
an american goddess
the love affair daydream of every fanboy
i look into those velvet eyes
and see all that ever could have been
all things ever desired
she's a starlet of the silver screen
woman boldly striking a seductive pose
assured and strong
true beauty
american goddess
John Jan 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica.
     I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that.
     Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night,  after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one.
     One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth.
     What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785.
     Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on.  But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me."
    
     The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with  Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us.
     At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward.
     Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned.
     "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned.
     The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it.
     "We have to open it," Jessica proclaimed after a second of curious inspection.
     "There's no way were going to find the key," I told her.
     "So we'll break the lock, Jack. Duh," she replied in her sassiest tone.
     I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe.
     "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below.
Jessica smiled again, very pleased with herself and looked to me.
     "Wonder what's inside...," She said, lifting the top half of the box open.
     After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself.
     I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands.
     "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her.
     "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!"
     "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening.
     I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness.

     Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong.

     I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.
It's definitely more of a short story but I felt obligated to post it here for some reason.
KellzKitty  Jan 2015
Hate
KellzKitty Jan 2015
The heavy girls are too heavy
The skinny girls are too thin
The **** is perfect
The nerd is a try hard
The fangirl is a freak
The fanboy is gay
The goth girl is a *****
The goth boy is insane
The person who asked for help today just needed a person to talk with
But in today's society we only follow hate and gossip
That skinny girl can't gain wait
That fat girl doesn't know what to do
That **** maybe varsity but he's got problems too
The nerd is poor and wants to go to college and the only way to do that is through a scholarship
The fangirl lives in a fictional world because of the judgmental people in her own
The fanboy does the same and it doesn't matter wheather or not he is straight or gay
The goth girl isn't a ***** she just listens to her music and wears black
The goth boy isn't insane he just wants his happy life back
The person who asked for help today really did need it
But now it's too late for her and now her death has been completed
All of these people could be good or bad but you will never know that
Because in today's society we only follow hate a gossip
So the next time you see a strangers face
Go on say hi and see what they say
Some might stick their noses up and walk away
But for others a stranger being friendly just might make their day.
I'm in 10th grade and I see a lot of hate and here a lot of things being said in school.hate is an ugly thing
who the hell doesn’t want to be a Jedi
seriously you can control the force and **** siting  
on you couch playing cod all you want is the Mt due in the fridge an don't want to get up
force that **** over to you
like really come on you think this stuff is for nerds
no its not don’t think for one seconded that you didn’t liked something nerdy
hid it from your friends *** they thought it wasn’t cool because you have
you may not remember but you did.
there had to be a moment were you wanted to be a Jedi or join the rebellion or even the empire.
But now you all act to cool for ****
why not go back to you child hood and remember how much fun you had
playing lightsabers, wands and Nurf stuff
also when you came upon an automatic door an acted that you used the force on it
am I right or am I just a fool
I know every generation had their wish to be’s.
Maybe you weren’t a WARS fan
maybe you were a Treckie
or one for the Doctor and his big blue box
or a Wizard with an owl
but at least once in your life you were a nerd
or a fanboy or a fangirl over what you saw as the coolest thing.
Now once again who da hell wishes they were a fracking Jedi,
star fleet officer, a companion of the Doctor or even a student of Hogwarts
Raise yo hand now.
John May 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica. I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that. Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night, after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one. One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth. What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785. Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on. But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me." The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us. At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward. Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned. "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned. The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it. "We have to open it," Jessica proclaimed after a second of curious inspection. "There's no way were going to find the key," I told her. "So we'll break the lock, Jack. Duh," she replied in her sassiest tone. I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe. "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below. Jessica smiled again, very pleased with herself and looked to me. "Wonder what's inside...," She said, lifting the top half of the box open. After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself. I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands. "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her. "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!" "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening. I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness. Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong. I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.u
Originally wrote this as a reddit.com/nosleep thread. Hope you all enjoy it nonetheless.
Mateuš Conrad Oct 2017
mort omni videre,
  mort videre omni,
  i don't know how to properly attack
attack a god...
  but i do know what if i didn't
write while, i could consider
myself an alcoholic...
death all seeing /
death sees all...
       just about as much as:
gods sees a lot of donkeys...
   all i know is that,
  if didn't write a single world
while drunk, i could be considered
the local joke, the drunk...
the ******* of the shittest possible
gambler,
      but i actually do write something,
and that makes me what,
duke of edinburgh in waiting?
no, it just means that u actually
have something to offer...
   it might not be the spectacular
sober horror stories of a steve,
           sure i write a lot concerning
my personal life,
  which, joyously enough contains
more cats these days than actual people,
the fact being, when i drink,
but nonetheless keep a pedantic approach
to spelling and punctuation,
the fact that i write, and that my drunk
opinions are sometimes worth more
than the sober opinions of others...
now, if i simply drank,
and didn't bother these idle hands into
some sort of work, sure,
even i'd consider myself a drunkard,
but these bacon rashes, these scratches
of attempt at a novel,
  always end up proving me wrong,
so i have my sharpshooter *****
concoction, and i really am,
contemplating taking a ****...
         and yes, i am perched on a windowsill
like a crow on a crow, donning
a band t-shirt like it's the 19-80s...
    fanboy all the way,
         but when you get introduced into
a prog rock band as original and non-celeb
at king crimson -
                     well...
drinking really becomes that all
much more fun,
scaring the neighbours...
  or converting them into cult members...
to be honest,
after you punch yourself in the face
to turn your knuckles in plums to wake
up in order to pay attention to
the drinking: you have just passed the -
i really don't give a **** gate.
Nathan Burgess May 2014
Fun under duress

Chemical Warfare over those young precocious girls.

Assuming slabs of history for fanboy waste under my nose.

Cause he don't hide his sweat
Cause she don't hide her sweat

I don't want to write but I want to be a writer, regarded and treated with the reverence which is inversely portrayed by a liar.

Some practical purpose under the surface of this romantic veneer.

Rhymes for dimes

Race for impression

Don't identify your neurosis

Big scary life

Things for the sake of themselves (are my favorite?)

And now we've got to settle with the fact that death isn't some glorious encore.

like I've already felt all my youth

Not so ego driven

And a grain of salt

There's still a tree limb hanging above with a dog whining at the road.

So your skin looks dead in that blouse honey but I can't blame you. Baldness under duress sends me swirling away from the action that you sow. I'm really sorry for what we've done and I think I've run out of ideas on how to let you know. It must be exhausting keeping your composition tied to the image of a doll, an oozing thing re-purposed to pose as crystalline overuse. It sits in the growing pool when I kiss your eyes from cold impulse to shut you up because I'm sick with culture.

For Some petty sense of animal wellness

Stuck in your addictions you forgo all that luscious thought. Losing sight of that purging of traditional fear you wont even miss it that shiver in silver water down your spine when she whispered in your ear, cornered in warm salt you fall face first and scream for your life but only the subtle bark on an unwanted friend can react.


A childhood full of hopes that stranger can want from you anything but what they can show.
False wood has a special smell in my head, since all of that basement love.
And its all just part of the warmth in snowy veils overhead when my desire for a life without need surges through my gut. A memory of subtle lavender and small words in big worlds. Sad a hearts acceleration move in different space.
But when I find the peak that's kept me going in the dark with my habits on my ankle the sky might turn away when misconceptions of a mind catch up inversely with a shrinking bough.

Cruder vowel can cut and I'll find myself running the mile backwards through thorns mockingly gathered. I covet this sense you seem to have says you So my solution says ******* but I'll never let the peel roll back from my eyes anywhere but behind your back.

Strangers live in a constant state of fear from one another, tense that the guy across from you might take everything if given a moment to react. So straighten up and flood yourself because there isn't any room for understanding or a kiss of mutuality.

Loneliness and horniness don't make a good mixture.

It's fine to think you might learn something from me as long as i ***** it before too long and we're back in equilibrium to the present.

Tongues and penises.

I may be miserable now but I have hope that life can be like a newborn opening his eyes in the forest for the first time.

Dusty attic scent from past crime or ascent is sordid now dictating response. Salty water knees from slowly branching trees are cut quickly from a mind past caring. Walking justice way can implode a simple desire defining conversational restriction thoughts.
Hana Belanger Apr 2016
The domino effect of positive energy sources from your smile like a flowing river in spring
Tilting your head slightly to the side and letting yur spaghetti hair cascade to your shoulders
Soft eyes the color of clouds blanketing the skies of Great Britain filled with empathy and tranquility
A voice dripping with a Brighton accent
Smooth and sweet like pure maple syrup drizzling off a stack of fluffy buttermilk pancakes
Your laughter powerful enough to supply a whole city with energy

My little Goldielocks,
Growing up before our eyes
You were just a shy little fanboy praying to posters on walls
Mayday Parade, Sum 41, and My Chemical Romance creating the Holy Trinity of Punk that you adored so much
Who knew you would be touring cross the world with your little pop punk band,
Opening for your heroes.

Your guitar sheds tales of sleepless nights due to long hours of practice
Tales of channeling blood, sweat and tears to create powerful lyrics
Tales of performances and tou pranks pulled with your four best mates
An anthology of memories that endlessly grows as As It Is explores new worlds
But don't worry
We will always love our kangaro racist ostrich

Oh Benji boy,
A new chapter is being typed up in your autobiography:
The chronicles of Benjamin Biss
You have gained a siamese twin to look after and care for
The pic to your guitar that you carry with you all the time
A shadow to follow and stand with you
The energy card to your Charizard
A wonderful wife to enjoy life with

Bissington,
With love I say this to you
Change that Never Happy, Ever After to a Happily Ever After and remember
Stay posi bro
This poem was written for Ben Biss, singer and rythm guitarist for As It Is, for his wedding. As It Is is one of my all time favorite bands.

— The End —