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Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Paul Hardwick Nov 2011
BACKGROUND.

I was working at an international airport as a aircraft cleaner, this ment we went on to the planes to clean them before they went on there next flight.

I was the supervisor of a team of 6 that night, so it was my job to go to the aircraft and talk with the number one, (the number one is the head hostess), she told us when we could board the aircraft.

At the door I could see a young girl and a lady, sitting in the front row, I asked the number one if we could board, she told me they are waiting for a wheel chair for the young girl.

The wheel chair did not turn up until after this story.

This is what happened next.

I will pick the story up after my question to the number one.


THE SHORT STORY, OF A TRUE EVENT IN MY LIFE.

I am standing on the aircraft by the young girl and the number one, when I heard the girl say.

MOM! can I see the controls of the plane.

I am not sure if the number one heard this, so I related to her.
She told me she would ask the captain, and left to do so.

I was alone with the girl and the lady, so I spoke to the lady.

Hi i said, where have you come from?

The lady answered, we have been to disney land.

Wow or something like that I said, that must have been fun, the young girl spoke up.

it was, I saw lot of things, Micky Mouse.

I asked the girl her name.

Samantha she said.


At that the number one came back.

And told us, as soon as the wheel chair is here, the captain say you can look at the flight deck.

The young girl said, can I not go now?


I needed to get my cleaning team on the aircraft!

So I said to the number one.
I will carry her to the flight deck if that is ok.

It was agreed.

So I picked up young Samantha, and carried her forward to the flight deck. number one and Lady behind me.

The number one past me, to ask the captain, if this was ok, and it was.

As we entered the captain said, hi my name is John. the young girl said hi my is Samantha, welcome sammy, said the captain.

The co pilot stood up, to give Samantha his seat.

The captain and Sammy talk about the instruments.

The captain still had his head phones around his neck, What are those?

Sammy asked.

That is my contact with the flight controllers he said, can I have a go?  Sammy said.

The captain put on his head phone and asked the control tower, and she did have a go.

Then the wheel chair turned up, and the captain was told by the number one.

You must go now Sammy, thank you John she said, I picked her up from the co-pilots seat,  thanked the captain, and the co-pilot on the way out, also the number one, and took the girl down the plane, Sammy then asked me.

What is your name?

Paul I said, she then said this to me.

Thank you Paul I will remember that the rest of my life, at this the lady burst into tears, I placed Sammy in the wheel chair and walked with them to the exit.

I asked the lady, why do you cry, she told me that Sammy was dyeing of cancer and he flight was for a cure and a trip to disneyland, but the cure, did not work, and Sammy might be dead within the year.

I cried for about an hour!
B J Clement Jun 2014
Gordon and I waited outside, while the Australian soldiers were carried onto one of the transports. They were all stretcher cases, men who had been shot or blown up by Malayan terrorists I think. When every one was taken on board, Gordon and I were told to board the other Dakota type aircraft, along with a large chest of spare parts, and two air frame fitters. Both aircraft were identical and equally sparse and noisy, described as flying pigs by the pilot of our aircraft, who was a Flight Searjeant. There were two nursing sisters on the other aircraft, looking after the injured men,  our aircraft was almost empty by comparison. We took off with the engines roar filling our ears, and turned towards Ceylon, now renamed Sri Lanka. I prefer the former name personally. That part of the flight went ok, although there was no sight of land until we touched down in Colombo.
Colombo was quite beautiful and I can't recall where we were billeted but I do recall that there were rows of wooden bungalow's set amidst cocoanut palms. There were lot's of nuts on the ground, still in their husks, but we could not break them open without some kind of tool. We were also warned to keep clear of falling nuts, which could be lethal to anyone below.  The following morning we left Ceylon and headed out across The Java Sea, looking for a small island which if memory serves was called Koepeng.  That's when things started to get a little hairy!!
MasterPlutonium Nov 2014
A NEW DAY ARRIVES ON THE BLUE SEA,
THE LIGHT TOUCHING THE SAPPHIRE WATER.
THEN, WITH THE RUSH OF WAVES
BREAKING UPON ON THEIR METAL HULLS,
FOUR SHIPS OF GREY-PAINTED IRON & STEEL
CUT THROUGH THE WATER OF GLASS.

THE FIRST IS A NOBLE AND MAGNIFICENT WARSHIP,
A GREAT MONSTER OF IRON, FURY, AND GLORY,
A BATTLESHIP THAT WILL SPARK YOUNG BOYS IMAGINATION WITH COMPLETE FIREPOWER, KNOWN AS THE “GUN CLUB”.

FOLLOWING BEHIND IS AN CARRIER
WITH MANY WARPLANES THROTTLING
FOR LAUNCH, ANXIOUS FOR COMBAT.

NEXT IS A DESTROYER, ITS CREW
TRYING ITS BEST TO RESTRAIN ITSELF
AND STAY WITH ITS BROTHERS IN ARMS.

LAST, BUT CERTAINLY NOT LEAST, IS A CRUISER,
A MERE SMALLER REPLICA OF THE
BATTLESHIP, BUT NOT BE UNDERESTIMATED.

BELOW THESE SURFACE BEHEMOTHS IS A
SILENT STALKER OF THE DARK ABYSS,
A FAST SUBMARINE, MASTER OF THE ART OF ATTACK.
WITH A SIGNAL PASSED BETWEEN THE
WARSHIPS, THE FLEET GOES ITS SEPARATE WAYS
AND PREPARES TO FIGHT A MORNING WAR;
A STORM OF UNPRESCIDENT CHAOS AND DEATH.

AS THE SUN BEGINS TO TOUCH CLOUDS,
A ROAR OF ENGINES ECHOES ACROSS
THE BRIGHTING SKY,
IN TURN JOINED BY THE CACOPHONY
OF MACHINE GUNS FIRING THOUSANDS
INTO SQUADRONS OF ENEMY JETS.

FRIENDLY AIRCRAFT BLAST IN THE AIR
FROM THE DECK OF THE AIRCRAFT CARRIER,
EAGER FOR EPIC DOGFIGHTS AS ONBOARD
SYSTEMS LOCK ONTO ENEMIES.

FROM THE DESTROYER ERUPT STREAKS
OF ANTI-AIRCRAFT MISSILES FROM
HIDDEN SILOS BELOW ITS DECKS.

SUDDENLY, A EXPLOSION ECHOES ACROSS THE OCEAN,
A SECOND LATER, GEYSERS OF WATER
ERUPT INTO THE AIR AMONG THE FLEET.

RADAR AND SPOTTERS CONFIRM THE
ENEMY ON THE HORIZON, JUST OUT OF MISSILE RANGE.

ON THE COMMAND OF THE ADMIRAL,
THE CRUISER JOINS THE SUBMARINE
AND LAUNCHES TORPEDOES
FROM THEIR DECKS AND TUBES.

WHITE COLUMNS OF WATER AND
STEEL ERUPT LIKE TOWERS AS
TORPEDOES HIT THEIR MARK.

BUT A SOUNDS LIKE SRIENS SCREAMING
ALL THEIR MIGHT ECHOES ACROSS
THE BATTLEFIELD AND LOOKOUTS POINT
OUT TWO ARCHING PILLARS OF FLAME
CURVE DOWN TOWARDS THEIR TARGET.

DOOMED TO ONLY WATCH, CREW
MEMBERS FIRE BULLETS TO STOP THE
MISSILES FROM THE SUB.

BUT THE EXPLOSIONS THAT FOLLOW AND
THE SHOCKWAVES THAT CAUSE GROWN
MEN TO BE SLAMMED AGAINST BULKHEADS
CONFIRM IT; ALL HANDS LOST.

THE CRUISER, NOW FAR FROM FRIENDLY
SUPPORT, WAGES A WAR OF IT OWNS AS
IT BECOMES SURROUNDED BY THE ENEMY.

BUT AFTER MISSILE, SHELL, AND TORPEDO,
THE OCEAN CLAIMS HER QUARRY WITH
WAVES OF RAGING BLUE FLOODING THE DECKS.

THE DESTROYER, FURIOUS OF THE
LOSS OF HER BROTHERS IN ARMS,
EXPELLS ALL OF HER WEAPONS IN HOPES
OF HITTING AT LEAST ONE OF THE ENEMY.

IN LUCK, THE FOE'S SUBAMRINE AND DESTROYER
BURN OIL AS THEY SINK, BUT FOR A PRICE:
THE DESTROYER BEGINS ITS SLUMBER
TOWARDS THE DARK ABYSS.

ALL SHIPS REMAINING ARE THE
CARRIERS AND THE MIGHTY DREADNOUGHTS
KNOWN AS BATTLESHIPS.

THE CARRIERS CONTINUE THEIR AREIAL DUALS,
LAUNCHING AIRCRAFT BARELY CAPABLE
OF FLIGHT OR FIGHT.

THEN, WITH THE SOUND OF DRAGONS,
THE BATTLESHIPS BEGIN THE FINAL PHASE
OF THE OCEAN BATTLE.

CLOUDS OF FIRE, SMOKE, AND STEEL ARE
BELCHED WITH ANGER INTO THE AIR
AS BOTH SHIPS FIGHT AROUND THE
STILL-BURNING HULLS.

SURVIVORS, DESPERATELY HOLDING ONTO
SCRAP TO STAY AFLOAT, CHEER THEIR FELLOW
BATTLESHIPS ON AS THE GREAT IRON GIANTS
DUKE IT OUT FOR THE HONOR OF THEIR NATION.

FINALLY, THE “GUN CLUB” BATTLESHIP,
EXACTLY AS SOON AS THE GREAT ORB
OF THE SUN BEGINS TO SINK, DESTROYED
THE ENEMY WITH ALL SIXTEEN INCH GUNS
LAND SHELL AFTER SHELL INTO THE ARMOR.


INTERNAL FIRES FINALLY CAUSE THE
STEEL BEHEMOTH TO SINK FOR ITS
CHANCE AT GLORY, VANQUISHED.

“HIT!! YOU SANK MY BATTLESHIP!”
I RAISE MY ARMS IN VICTORY AS MY
FRIEND AND MYSELF PLACE THE
FINAL PIN INTO THE FINAL RESTING
PLACE OF THE MISSING BATTLESHIP.
THUS MARKS THE END OF A BATTLESHIP GAME,
BUT IMAGINATION DRIVES THE BATTLE ON.
This poem was one of my best poems ever. Despite the name, this was originally named "A Game of Battleship." Pardon me for the confusion.
nivek  May 2014
aircraft
nivek May 2014
the only aircraft over head:
sea rescue helicopters;
no commercial flights
every now and then
shattering every nerve
military jets
low fast dominant
and deathly
Gary Lewis  Oct 2013
Untitled
Gary Lewis Oct 2013
Erebus disaster - November zulu niner zero one
November zulu niner zero one
This is Vanda Station.
We have clear weather with no cloud and little wind.
If you want to fly over the dry valleys we will flash you with our signal mirrors so you can pinpoint the station.

Vanda Station, this is NZ niner zero one
Roger, we are now just north of Cape Hallett and will call you again for directions.
November Zulu Niner zero one Vanda Station.
Roger It’s a right hand turn just after Beaufort Island.

For the next few hours
There was no word
worst feared not heard
The radio crackled through the night
In the un natural sound of SSB
All crew up drinking coffee and tea
with the midnight sun
Glued to the HF single sideband
November zulu niner zero one
November zulu niner zero one
This is
mac centre mac centre
howcopy
November zulu niner zero one
This is
vanda station vanda station
five four zero zero
Relay relay mac centre mac centre
Please contact mac centre eight niner niner sefen
Contact mac centre eight niner niner sefen
Relay relay mac centre
Contact mac centre eight niner niner sefen howcopy

All through the night
Over and over
Hour after hour
The same message
Until that fateful call
Feared by all
Mac centre mac centre
This is
navy three two one
wreckage sighting wreckage sighting howcopy

mac centre
navy three one niner
Longitude
One six sefen
Two sefen echo

Latitude
Sefen six
Two six sierra
howcopy
Mac centre mac centre
This is
Navy three two one
Correction Correction
I say again latitude
I say again Latitude
Sefen sefen
Two six sierra
howcopy
Mac centre
Navy three two one
Ahh ahh mac centre There appear to be no survivors
Howcopy
So it was then,
That the on board data longitude error some would blame for the crash
Is something that happens often but is accommodated by good airmanship
by not relying on one thing alone.
was repeated in similar fate
by a latitude error
in the crash site location message
from the search aircraft XD01-48321
that found a terrible sight
that the sun stayed up on late
on a truly awful night
when 257 souls met their fate.
©GARY LEWIS.2009
Nat Lipstadt Aug 2013
Sittin' On The Dock Of The Bay (Razor Blades, Pills, & Shotguns)

Sittin' on the dock of the bay,
Watching the sun slip, Simon-says, slide away,
Cheeks blushing flushing from orange ray-guns,
Drinking blush rosé to oil our eyes
For the subtle story the sky shortly will reveal,
For the subtle story the sky shortly will revel.

Grievous judgement to make,
Thinkin' skills possessed to praise,
When but yesterday I easy confessed,
At the Blue Canoe Bar, I did not.

(The clouds were magnificent. No, I cannot write a poem about the cloud colors. Their shape shifting inexhaustible.  Mine eyes high on their creativity.  I'm just not good enough a poet to tamper with that sky.)

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.


No impulse. We pledged that tonight, ours,
One hour of sunset over Silver Beach.
Brought the wine, forgot the pillows,
So Abraham & Sarah went prepared to sacrifice
All feelings in their butts for the greater glory
Of love and one of nature's great poetic challenges..

The conundrum~miracle of every sunset
O'er bay, lake or ocean, is its special,
Only-In-Nature unique way of customizing
Its descent just for you.

No matter where one observes,
No matter where you worship,
Wherever your temple, mosque or church situé,
Tennessee, Rhode Island, the Philippines,
Germany, Colombia, even in the ole U.K.,
(yes, you, I know it, yes, you!)
The very same setting sun we all see,
Sends a magic dazzle gold orange path invitation
To the exact spot you are voyeuring,
One sun, all destinations equal before human.

How can that be?

Trepidation and tremblingly,
The clouds.

She leans on me, a perfect fit,
My back resting against a pylon,
So we see the clouds
With common exactitude,
But it is a quiet time, silence only shared.
Images stored silently within ourselves,
For we see the formation, man, woman,
Precisely and exactly, totally differently.

The clouds.
An armada moving imperial and imperiously
At a stately speed, saying I am awesome, fear me.
The largest cloud bank is an aircraft carrier,
Miles long, painted horizon blue-grey unsurprisingly.

The small white wisps, fast destroyers, stealthy submarines,
Moving fast to protect the mother ship,
Running random to confuse enemy radar and the
Pathetic, limited, human eye.

The colors.
Here I fail willingly, unashamedly.
So many sunsets, so many hearts,
All different, all the same.
Lacking knowledge, I cannot tender,
I cannot offer you tenderness to love
Enough,
The variety of oranges, gold, varietals interspersed
By the pinks, the cornea, singed,
And mock myself for all my meager brain yields is
Good Humor creamsicle comparison...a delicious irony

You who write after midnight
Of razor blades, pills and shotguns,
And not marked two decades even, on this planet,
You want hard,
Write a poem about a sunset in ways never done before.


You, who are wracked with despair
Speak to the man with no job for months
And mouths to feed and a life insurance policy.
Speak to me.

I want to tell you to get over yourself,
But you reject that old saw. Ok.
Get onto to yourself.

I have walked the hallways of deep despair,
Heard the bells ring between periods that signal only the next
Hell,
And to this day, still do,
But still I try to write external of sunsets and greater glories.

How many lives depend on you? Are you proud of your weakness?
Do you hate me yet for acknowledging out loud,
We are both cowards?

I have five mouths to feed,
Before I parse a morsel.
Two less than two,
What do you have but to
Grow yourself?

Yeah coward.
Too yellow to write about a
Yellow sunset, cause that is hard in a way incomprehensible
Until tried.
Or the passing of your mother who could not speak clearly
But you, thru her eyes knew that she had poems to yet recite.
Run away like I did ashamed with frustrated failure.
Why should I coddle, give you easy soft?
**
.
If you come here to share, well and good.
If you come here to find comfort, good.
So gaze upon these words and feel
The love that only experience has earned.

What do you know of heartbreak?
Imprisoned for decades in a loveless life,
I walked by the water nightly,
Yes, the same waters where I CinemaScoped
Yesterday's sunset, and walked away.

You can read about if you look it, look me, look here,
Look up!

So do something hard, something external.
Fail but love yourself more for just having tried.
Then try something else.

The saddest poem ever wrote
Was not yours, where you titillate with daring words
Razors, pills etc.,
The saddest poem ever writ
Was this one, a meager vanity to capture a
Sunset that keeps trying every day to
Surpass
Supersede
Its previous glorious failure,
Like we should too.
Keep trying

Now, I shall rest,
For I know that soon I shall see, feel, think,
Of something new that will make me eager to

Write a new poem.


August 3~5, 2013
When I am less tired, I wil edit the typos. But life is full of typos, but sometimes you just gotta not look back, even if you leave a trail of typos behind you. But writing this has mentally exhausted me in a different way.  I will rest from writing to recover. Dig out some old ones, maybe

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.
Chris Gower Mar 2010
I don’t care,
That you don’t care,
About caring about
What I care for.

And you know what?
I don’t care that
You won’t care for
the only thing that I really
care for.

What if I care about
cake? Would you not
care about cake?

Would you not care
ABOUT CAKE?

You care about cake, of course you do.
I can see it in your eyes and by
that tell tale dribble at your mouth.
Cake is something that will
make your legs quake with
butter cream goodness.

A good cake baked,
makes you proud to be
a cake baking citizen in
a country that will let you
bake cake.

So what if I care about
democracy. Would you not
care about democracy?
Would you let people live
in fear of the **** of a gun,
Would you care that there
are those who are on the run
from tyranny and violence
who know pain and loss,
that you could only
wake up from,
in a cold sweat?
As you turn and toss
in your memory foam bed.

There is more happening on this Earth
Then cake.
There are greater causes
than choosing between
Thortons Double Chocolate Celebration
and that traditional Victoria Sponge your
Mother-in-law won in a raffle last week.

The struggle humanity faces, is to live
in harmony with each other.
It cannot be resolved with cake.
You cannot bring democracy
to a country with cake.
Or can we?

What if we swapped,
Non radar detectable aircraft
For dairy delectable foodcraft,
What if we swapped
12inch shells for
12 thousand babybels?
What if we stole
RPGs and gave back
MSG’s (they’re less harmful
in the long run, if thrown at you).

What if, for once, everyone cared.
And then we’d get somewhere.
Every voice in every home
Would not be a voice alone,
And for once, we’d all agree about the fact
we like cake and democracy for all.
I wrote this poem with performance in mind, although the layout is still considered and reasoned.
“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,

Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.
Gary Lewis  Oct 2013
Untitled
Gary Lewis Oct 2013
Erebus disaster - November zulu niner zero one
November zulu niner zero one
This is Vanda Station.
We have clear weather with no cloud and little wind.
If you want to fly over the dry valleys we will flash you with our signal mirrors so you can pinpoint the station.

Vanda Station, this is NZ niner zero one
Roger, we are now just north of Cape Hallett and will call you again for directions.
November Zulu Niner zero one Vanda Station.
Roger It’s a right hand turn just after Beaufort Island.

For the next few hours
There was no word
worst feared not heard
The radio crackled through the night
In the un natural sound of SSB
All crew up drinking coffee and tea
with the midnight sun
Glued to the HF single sideband
November zulu niner zero one
November zulu niner zero one
This is
mac centre mac centre
howcopy
November zulu niner zero one
This is
vanda station vanda station
five four zero zero
Relay relay mac centre mac centre
Please contact mac centre eight niner niner sefen
Contact mac centre eight niner niner sefen
Relay relay mac centre
Contact mac centre eight niner niner sefen howcopy

All through the night
Over and over
Hour after hour
The same message
Until that fateful call
Feared by all
Mac centre mac centre
This is
navy three two one
wreckage sighting wreckage sighting howcopy

mac centre
navy three one niner
Longitude
One six sefen
Two sefen echo

Latitude
Sefen six
Two six sierra
howcopy
Mac centre mac centre
This is
Navy three two one
Correction Correction
I say again latitude
I say again Latitude
Sefen sefen
Two six sierra
howcopy
Mac centre
Navy three two one
Ahh ahh mac centre There appear to be no survivors
Howcopy
So it was then,
That the on board data longitude error some would blame for the crash
Is something that happens often but is accommodated by good airmanship
by not relying on one thing alone.
was repeated in similar fate
by a latitude error
in the crash site location message
from the search aircraft XD01-48321
that found a terrible sight
that the sun stayed up on late
on a truly awful night
when 257 souls met their fate.
©GARY LEWIS.2009

— The End —