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Oscar Wilde  Jul 2009
Charmides I
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Hopi Butler Nov 2011
You’re a liar
You’re a cheat
You’re everything
She doesn’t need

She’s so stupid
She’s so gullible
To believe you
To believe your lies

Fool me once
Shame on you
Fool me twice
Shame on me

I’m so stupid
I’m so naïve
I believed that
You made her happy

All I see now
Is unfaithful lies
All I see now
Is her tear-stricken eyes

Fool me once
Shame on you
Fool me twice
Shame on me
Madeline Oct 2011
"You know, what the most annoying thing is?"
Stacking box, after box, after box
in her empty-floored home.
"What?"
"Knowing how," stack, "lost," stack, "I'll be."
She drops to a box, face in hands. "******* it."
What do you say
To the widow of an adulterer,
To the crier of sorrows
you've never known?
"I'm sorry."
"******* it, you're sorry. Everyone's sorry."
What do you say to all the bitterness
of a woman stacking, stacking, stacking
The boxes of her new life?
I sit on the divan by the window. "What do you want
me to say?" I ask.
Naive.
"****, I don't know." Sighing. "Say you know
He really loved me
And that even though I'm just your pain-in-the-***
broken-hearted
and stupid older sister,
who's made too many mistakes to count,
and who's never ever been there when you need her
because she's too busy with her
piece-of-****
******* accident
of a husband,
you really love me too."
Looking up at me
with tear-swimming
mascara-ringed green eyes
under a black fringe
of artistic bangs.
"Of course I really love you." The automaton of my voice.
"You're my only sister."
Tears falling onto
white velvet wrists.
"I really miss him.
That *******."

If only
he hadn't been
the adulterer

With me.
lmvm Oct 2014
1.
My name is Delilah, how may I help you?
You were blinded by my grace.
You always saw hints of my betrayal.
My friends made it clear to you that I was a
hairdresser.

I cut off your hair an inch every night.
You saw it coming.
You did.
But I'd never cut all your hair off.

2.
Rule number one: Do not get attached.
Do not kiss on the mouth; you'll get attached.

Just because he took your innocence, doesn't mean him not wanting to marry you

(, him not wanting to kiss you anymore
or him not loving you,)

is a good enough reason to cry.

3.
He treats you like a child, yet he expects you to not be clingy, be needy or cry.

He demand you not to hug another boy
(not even your friends),
yet complains you're too desperate for affection.

4.
Prince Charming has a thing for little girls.

Stop being so mature for your age.

5.
Prince Eric has a thing for older women.

Stop being so immature, you're not a child anymore.

6.
Perfection has a girlfriend.
Perfection loved you.
Perfection tastes your wine and lingers on tip of your lips.
Perfection caresses your ******* and whispers sonnets into your ear.
Perfection goes back to his girlfriend.

7.
Leave him.
Leave him.
Scream out "Hallelujah!"
Leave him.
Go back to your Lord.
Leave him.

You stand next to him.
He looks at you as if you aren't there.

Leave him.

His hand touched the handles and not you.

Leave him.

You look at him.

Leave him.

You burn your bible.
You stop praying.

Leave him.

You kiss him, and you no longer think of your Saviour.

Leave him.

You have a new god to worship.

Leave your new god.

Leave him.
Leave him.
Leave him.

You stay.

8.
Your messiah burns your heartache into your wrists as the gospels kisses the flames.

Princes, perfection and new found gods are all weak in front of the All Mighty,

but strong in front of your naive, delusional heart.

There is no more room left for God until you leave him.

But you won't leave him.

9.
My name is Delilah.
I am not a prophet.

10.**
My name is Delilah, how may I help you?
Dancing, spinning in the dark,
Catching glimpses of reality
But always retreating
Happily settling
Into comforting ignorance

Believing in daydreams
Delighted in fantasies
Swept up in someone else’s love
Never deserving, always wanting
Insatiable appetite for desire

Crashing, falling we let it go
Moments of desire, guilt and joy
Mingle and melt like uncountable tears
Hastily brushed away
From an ever cheerful face

Hiding the secrets, Hiding the lies
My tiny escapes define me
We dance together
For better for worse
Forever entwined your heart and mine
As I smile upon your saddened face, the dance begins again.
...Short partings do best, though: time wears out affections,
The absent love fades, a new one takes its place.
With Menelaus away, Helen's disinclination for sleeping
Alone led her into her guest's
Warm bed at night. Were you crazy, Menelaus?
Why go off leaving your wife
With a stranger in the house? Do you trust doves to falcons,
Full sheepfolds to mountain wolves?
Here Helen's not at fault, the adulterer's blameless -
He did no more than you, or any man else,
Would do yourself. By providing place and occasion
You precipitated the act. What else did she do
But act on your clear advice? Husband gone; this stylish stranger
Here on the spot; too scared to sleep alone -
Oh, Helen wins my acquittal, the blame's her husband's:
All she did was take advantage of a man's
Human complaisance. And yet, more savage than the tawny
Boar in his rage, as he tosses the maddened dogs
On lightening tusks, or a lioness suckling her unweaned
Cubs, or the tiny adder crushed
By some careless foot, is a woman's wrath, when some rival
Is caught in the bed she shares. Her feelings show
On her face. Decorum's flung to the wind, a maenadic
Frenzy grips her, she rushes headlong off
After fire and steel... .
R  Mar 2016
The Great Gatsby
R Mar 2016
She described me as Tom Buchanan.
She immediately said that I wasn't violent like him,
but that I could easily be him...
I could easily show his side.
I could be brutish and abusive
and dishonest and an adulterer
and greedy and pretentious.
I could be all of those things so easily.
It's as if a switch goes off in my brain that says,
"Hey, let's be an ******* today."
I don't want to be.
I don't want to be seen as Tom Buchanan.
I don't want to be the man who hurts so many
and truly loves so few.
I want to be so much more than that.
I don't necessarily want to be like Daisy or Jordan or Myrtle or Nick or
even like Gatsby himself.
I want to be like myself.
I want to be the girl that I'm meant to be
and I know that I am not right now
nor have I been for quite some time.
I just want to be the woman God made me to be and
I'm tired of being such a catastrophe in the making and
for ruining and hurting those around me.
I don't want to be that girl.
I don't want to be like Tom Buchanan.
I want to be me...
The real me.

*...who am I?
Reading "The Great Gatsby" and I'm thinking about who I am compared to who I want to be/who I'm meant to be.
People are quick to judge, yet they rarely take a true look at themselves.
I'm tired of not looking and pretending it's all okay.
Most of my actions haven't been okay.
I guess I just think it's time to do some spring cleaning in my life, especially with myself.
Flower Scent Nov 2010
The Poet is the language,the mystery of Monalisa's smile,

the brush of Caravaggio and the finest painting of Vangogh.

The Poet is the sonnet of Mozart anf the symphony of Bach,

a tragedy of Shakespeare and the saddest verse of Pablo Neruda.

The Poet is the blue Danube in waltz and the Swan Lake in Ballet.

The Poet is the renaissance of passion and the remnant of life,

the dilemma of morality,the shadow of deed,and the ombra of sin.

The Poet is the fantasy of each Sunrise and the illusion of every Sunset,

the wave in tide of wishes,carried in a bottle to  dune drunk shore.

The Poet is the believer, dream lover in a hot passionate crazy affair,

the magician who creates fables and fairytales from a deadly reality.

The Poet is the worker who works and works to survive,to cope in this

demanding,sophisticated,stigmatic  concrete hypocratic world.

The Poet is the thief of time,with eyes flutterin on late nights,

Still loyal to the pen,His thoughts  in verse,bleedin fragranted words.

The Poet is an Omnipotent servant,with a will to ask and crave to learn.

A Philosopher,whose always an amateur in the pursuit of wisdom.

The Poet is an eternal slave of His Muse,the beverage of inspiration,

the spouse married to literature,adulterer of lyric,deceiver of prose.

He Knows no lapsus in all that is scandalous,royalty or sacred.

He is the artist, musician, actor,the clairvoyant  of destined paths.

He is the cheap clay's mold,carved in the sculpture of the next century.

The Poet is the unfinished book,the chapter in yesterday,

He is the Nobody of today and the bookmark  of tomorrow.


                      T  H  E        POET     IS       YOU    ! ! !
Amy Irby  Jan 2018
Change is fire
Amy Irby Jan 2018
Your will is change
You give life to Your own words
Just hearing them
reading them on the page
speaking them
lifts the veil
to know that there is love
that is beyond measure
but can be seen in sacrifice
in resurrection
in sharing glory with people who didn't love you
You call me worthy, so I am worthy
You love so gently
you don't force it

I want to love You
I do love You
keep showing me how to love
I want your presence close
thick and full
dripping wet
because it is poured over me
undignified
as you made Yourself
I will love You
Boldly
as You declared love
I will declare it
You keep blessing beyond a heavenly seat
what love that You are only a breath away!
I will breathe
inhale the sweet smoke of Your fire
and exhale a windstorm

You affect the way I think
because You softened my heart
I am married to this,
beautiful
overwhelming
liberating love
How could I even think of divorcing something in my blood?
When the adulterer comes,
trying to make me question -
"What about the hard times?"
The goodness is coming!
"What about when you feel lonely?"
I am not what I feel; love is ever present!
"What about...
NO! Stop lying!
Nothing stops goodness!
Nothing keeps me from His love!
Praise God!
Even when the adulterer tries to lure me away,
I know where my home is found.
It is a breath away.
Inhale
Exhale

FIRE, FIRE, FIRE!!!
burning love forever!
my heart burns for You
we are deep in this cave
the molten fire builds
let it burn!
let it burn!
You burn for every part of me
You are the torch and fire
the torch touches every corner of me
the flames lick up
igniting everything
love sends up a sweet smoke
holy fire burn
forever
burn away the past
burn away the unbelief
the lies
the pain
the heart ache
the fire burns it all away
and leaves nothing but love
How can fire be so reassuring?
It scares me, but it's good
I would be a fool not to touch it
it makes me better
the past is ashes now
floating away in the wind

— The End —