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 Oct 2018 Robbie Jean
bambi
Can we speak of these certain vacant spaces
in my abandoned bedroom where the moon dwells
and shuttered creatures search their teeth
for a bloom of flavor and sun.

I'm surrounded by prosaic twilights--tenantless places--
where plaster perfumed by dormant fire
gapes with cavities and empty mouths
that seek him with their tongues.

Where darkness crawls on poppy seeds
on moths and reeds and shoes
to reach me in my consternation
now that his name has fled my lungs.


Today I sewed his note to my breast pocket
but it grew crescent roots like fingernails
and murmured that we were too young.
Homage to my dear Neruda and Number Six the sun to my moon.

May you be the last.
 Oct 2018 Robbie Jean
Ai
We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don't tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreathes of flowers on their heads spinning,
and above all that,
that's where I'm floating,
and that's what it's like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?
The mug stains leapfrog a linoleum asphalt countertop, sunbathing in the breakfast nook.
A magazine proofreads a hole in a bagel. Scanning for clues to the whereabouts
Of a Jewish heart. Beads of Oolong tea archipelago from a resting kettle
All the way to the 'good ' China. A cup on a pearl, laying flat… ear to the ground.
Listening to the stories only Formica can tell. Deciphering the steam
Rising from a steep. Curling whiskers into omens, embroidered upon a shaft of light
Heaven sent. Postage dew. Gilding quaint luxuries, tucked in a cozy roost
Smelling of oak musk and slow roasted dreams, evaporating before memory may lay claim
To the riddles of Morpheus. There’s an aire of Return.  
It molts in the bacon fats hovering in the strata unique to kitchen islands lousy with active volcanoes that shuffle in stocking feet and terry cloth bathrobes. Restless and foggy minded.
Looking for the keys. And...
Chewing a thumbnail. Staring out the window. Where there used to be a car in the driveway. But the officer flagged a taxi. Explains the migraine, like a Vulcan; stoically flipping switches in a fuse box wired to a vague recollection of a soiree.
All the while holding a pitchfork and today's horoscope.
For irony and street cred.

{ But out of cream cheese. }

Concurrently... This part of the house still has the rustic naivete of a celibate beatnik picking teeth with a signature pen presenting an Hawaiian girl with a vanishing skirt; blinking in and out of Vaud-villainy, like Erwin Schrödinger’s Cat. A kind of hole in a barge with an ornate cubby; loitering with sugar cubes and a bendy plastic fern.
Like the foyer to a room, still under construction.
      A busy little metaphor, lounging around the east wing of a humble abode… like news clippings in a mason jar… it’s superfluous handle threading a ceramic eye.
Like a stainless steel joke under a refrigerator magnet, pinned to a plate in your forehead. As any lamp-shade with ambition.  
      Playing to a rough Cloud, hung over an ashtray; that has seen Better Days - envy the baroque occlusion of monotony and routine, merging a hangover - into morning traffic. Replete with modest gains.
And Horizons that stab bleary eyes that would know a gypsy
By the weight of her purse…
     When the day begins, it gains a foothold by the spine of an overdue book, reclining adjacent runcible spoons and antique kitche. As a bathroom light squeaks between a door and a frame.
As ancillary and precise as a beacon for a blindfold.

Like turpentine palming a brick. And Wagner.
 Oct 2018 Robbie Jean
Toothache
Life and love and death and birth
And peace
And love
On the planet earth
   Is there anything that's worth
More than
Peace
And love
On the planet earth
Mi, fa mi mi, fa mi ti la
‘When the doors of perception are cleansed
Things will appear as they are:
Infinite.’

∞ William Blake



‘There are things known
and there are things unknown,
and in between are the doors.’

∞ Jim Morrison



Moment of inner freedom
when the mind is opened & the
infinite universe revealed
& the soul is left to wander
dazed & confus’d searching
here & there for teachers & friends.



People need Connectors
Writers, heroes, stars, leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war. Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert
Tribal needs and memories
a call to worship, uniting
above all, a reversion,
a longing for family and the
safety magic of childhood



A man rakes leaves into
a heap in his yard, a pile,
and leans on his rake and
burns them utterly.

The fragrance fills the forest
children pause and heed the
smell, which will become
nostalgia in several years.



An angel runs
Thru the sudden light
Thru the room
A ghost precedes us
A shadow follows us
And each time we stop
We fall



The Endless quest a vigil
of watchtowers and fortresses
against the sea and time.
Have they won? Perhaps.
They still stand and in
their silent rooms still wander
the souls of the dead,
who keep their watch on the living.
Soon enough we shall join them.
Soon enough we shall walk
the walls of time. We shall
miss nothing
except each other.



No one thought up being;
he who thinks he has
Step forward



The Crossroads
a place where ghosts
reside to whisper into
the ears of travelers &
interest them in their fate

Hitchhiker drinks:
“I call again on the dark
hidden gods of blood”

-Why do you call us?
You know our price. It
never changes. Death of
you will give you life
& free you from a vile
fate. But it is getting late.

-If I could see you again
& talk w/ you, & walk a
short while in your company,
& drink the heady brew
of your conversations,
I thought

-to rescue a soul already
ruined. To achieve respite.
To plunder green gold
on a pirate raid & bring
to camp the glory of old.

-As the capesman faces
poisoned horns & drinks
red victory; the soldier,
too, w/ his trophy, a
pierced helmet; & the
ledge-walker shuddering
his way into inward grace

-(laughter) Well, then. Would
you mock yourself?

-No.

-Soon our voices must become
one, or one must leave.



There was preserved

in her

The fresh miracle

of

surprise.



open

The Night is young
& full of rest
I can’t describe
the way she’s dress’d
She’ll pander to some strange
requests
Anything that you suggest
Anything to please her guest
 Oct 2018 Robbie Jean
T. S. Eliot
S’io credesse che mia risposta fosse
        A persona che mai tornasse al mondo
        Questa fiamma staria senza più scosse.
        Ma perciocchè giammai di questo fondo
        Non tornò vivo alcun, s’i'odo il vero,
        Senza tema d’infamia ti rispondo.

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question…
Oh, do not ask, ‘What is it?’
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to ****** and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, ‘Do I dare?’ and, ‘Do I dare?’
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: ‘How his hair is growing thin!’)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: ‘But how his arms and legs are thin!’)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
  So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the ****-ends of my days and ways?
  And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
  And should I then presume?
  And how should I begin?

     . . . . .

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

     . . . . .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
     upon a platter,
I am no prophet—and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: ‘I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all’—
If one, settling a pillow by her head,
  Should say: ‘That is not what I meant at all;
  That is not it, at all.’

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail
     along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
  ‘That is not it at all,
  That is not what I meant, at all.’

     . . . . .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
 Oct 2018 Robbie Jean
Mike Essig
How Poetry Comes to Me**

It comes blundering over the
Boulders at night, it stays
Frightened outside the
Range of my campfire
I go to meet it at the
Edge of the light
What thoughts I have of you tonight, Walt Whit-
man, for I walked down the sidestreets under the trees
with a headache self-conscious looking at the full moon.
     In my hungry fatigue, and shopping for images,
I went into the neon fruit supermarket, dreaming of
your enumerations!
     What peaches and what penumbras! Whole fam-
ilies shopping at night! Aisles full of husbands! Wives
in the avocados, babies in the tomatoes!--and you,
Garcнa Lorca, what were you doing down by the
watermelons?

     I saw you, Walt Whitman, childless, lonely old
grubber, poking among the meats in the refrigerator
and eyeing the grocery boys.
     I heard you asking questions of each: Who killed
the pork chops? What price bananas? Are you my
Angel?
     I wandered in and out of the brilliant stacks of
cans following you, and followed in my imagination
by the store detective.
     We strode down the open corridors together in
our solitary fancy tasting artichokes, possessing every
frozen delicacy, and never passing the cashier.
     Where are we going, Walt Whitman? The doors
close in an hour. Which way does your beard point
tonight?
     (I touch your book and dream of our odyssey in the
supermarket and feel absurd.)
     Will we walk all night through solitary streets?
The trees add shade to shade, lights out in the houses,
we'll both be lonely.
     Will we stroll dreaming ofthe lost America of love
past blue automobiles in driveways, home to our silent
cottage?
     Ah, dear father, graybeard, lonely old courage-
teacher, what America did you have when Charon quit
poling his ferry and you got out on a smoking bank
and stood watching the boat disappear on the black
waters of Lethe?

                                   Berkeley 1955
For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb

— The End —