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 Jan 2017 Renée C
Kelly Weaver
As your salt stings my chapped lips and my open wounds I come less and less to you

You grit your teeth into dust that carries through your heinous breath that makes my eyes water and my heart ache

And I cannot believe not too long ago I turned to you for care and comfort and compassion but instead I was caught in a tight spot lacking wiggle room

I can feel you burning a hole through my chest as I ***** words and phrases that don't make sense when put together like

"I love when you make me cry"
 Jan 2017 Renée C
Cali
michigan
 Jan 2017 Renée C
Cali
when the water calls, go.
even if it's eight degrees
and your boots slip
as you crunch across
the sand and snow
towards waves that roar
and crash like metal shavings.

even as the wind whips
your unsuspecting face,
sending showers of
frozen sand to play
amongst your eyelashes.

even as your feeble eyes flicker
and try to absorb all of this
spectacular frozen wrath
before the wind swallows up
your air and forces you
to look away, gasping
with ecstasy,

smiling like a maniac
as the tears freeze
on your porcelain cheeks.
my god, you've never
felt so alive.
 Jan 2017 Renée C
Jim Timonere
Just about everyone likes ice cream
You can please some people with chocolate, some vanilla,
except for people who  might like fro yo,
among them the ones who like chocolate or vanilla
unless they want sherbet.  

Or maybe you can leave them to their choices
And try to please yourself.
Maybe not much of a poem, but the thought has gotten me through a lot of crazy moments
 Nov 2016 Renée C
em
Speechless
 Nov 2016 Renée C
em
my words
got stuck somewhere
between my throat
and the air
outside my lips
and I wanted
to tell you
all my sins
but I choked
on your opinion
of me
would you still love me if you knew what I had done?
 Nov 2016 Renée C
em
I think I am in love with intimacy,
not you.
 Nov 2016 Renée C
em
Aftermath
 Nov 2016 Renée C
em
I can't breathe
I can't breathe
I can't breathe
please teach me how to fill my lungs with air because they collapse each time I look to the other side of the bed and you aren't there.
 Jan 2016 Renée C
b for short
We ran barefoot on the grass alongside the gravel path. I’ll never run as fast as you, but I always try to keep up. The coast line looks like a fresh oil painting this time of day, and I wonder if you notice its colors the way that I do. My focus switches between you and the sun as it sinks closer to the water’s surface, beams breaking and refracting, glittering in every possible direction. There’s no need to decorate this day, I thought.

When we reach the stone cliff, I catch my breath, but the fear sinks in, and I lose it again. Beneath us is a fifty foot drop into deep, dark saltwater. While the surf chops and smacks against the sides of the rock’s base below, I know I would much rather stay up here in the soft sand dunes—safe, quiet and light. The ground I stand here, in this moment, would never hold a candle to your persuasive nature, and I found myself following your lead, stripping down to my bra and underwear. I hated feeling this naked, and the goose bumps on my freckled arms told me the harder we tried to hold on to summer, the sooner September would come.

No part of me wants to look down, but I don’t want to disappoint you either. Let me be clear when I say, I don’t expect you to grab my hand the way you do. I never asked for it, and I didn’t invite it. Yet, the second you do, we’re connected, and I know the jump is inevitable. You’re warm to the touch, and although you never say it, I know you can feel how scared I am; how unacquainted I am with this kind of risk. You fully understand that a person can’t miss something they’ve never had, and I’ve never had this. You know exactly what kind of door it is that you’re prying open; you recognize that the consequences of your introductions and explorations will be dire and deafening.

You know all of this, but you grab my hand anyway.

Despite everything, alongside you, I’m happy to run out of cliff beneath my feet, I’m happy to be terrified, suspended in mid-air. I’m happy… until you let go of my hand. A broken connection, plummeting down, down deep into chilled, murky water—I feel things brush against my legs and arms—I’m alone, and I don’t want to be here. The saltwater stings my eyes as I scour every possible inch of space in front me for some sign of you—hand, a leg—a fleck of movement. My blood pulses against the sides of my head. I need air. As I rush for the surface, I feel something pull me back down. Panic quickly coats my chest and my throat, and I wrestle my tangled ankle free from the thick patches of vegetation below.

You’re nowhere when I finally break the surface—******* up every inch of oxygen my lungs can manage—thankful, but estranged.

You grabbed my hand to jump, only to let go, and now, you’re nowhere.

I look in the distance, and I see your footprints on the beach, leading back up to the path. You’re okay. I’m relieved, but confused—so I follow them with my questions in tow. I follow them the whole way back to where we started—clothed and barefoot, talking about what we should do with the rest of our afternoon.

When I finally find you, I’m flushed and damp, and I notice that you’re not any of these things at all…including alone. She’s beside you, pretty…put together, and dry. You’re sitting still with her. No need to seek a thrill, no need to conquer heights. Although you never say it, I know you can see me silently disintegrating in front of you. Placing your hand on my shoulder, you’re cold to the touch. I pull away. I’m anchored here, but I don’t want to be—I want to run, but I’m stiff with fear as you open your mouth to speak.  I try not to hear your words, but you over articulate them, on purpose. They drip with insincere guilt as you slowly slide each of their jagged edges into my head.

“She gets me.”

*He knew, but he grabbed my hand anyway.
© Bitsy Sanders, August 2015
 Sep 2015 Renée C
b for short
I chose to draw you,
pressing hard, etched into paper—
so hard, my hand panged with aches
from the pressure.
Thick, bold lines which accented
those curious eyes
and long, wide strokes for
such smooth dark skin.
My representation so detailed,
I could almost feel you there
on the page.
Anyone could see—
there was love in those contours,
and hope in those highlights;
a pitied soul captured between hand and eye.
You were some version of the
******* Mona Lisa,
belonging to no one and everyone
all at once.
My furiously hated favorite,
hanging high and unfinished
for the world to see.

Understand me when I say
I had to press just as hard to erase
every inch of it.
With swollen knuckles
and blistered palms,
I didn’t blink until it was gone.
I refused to exhale until
there wasn’t anything left
except a few piles of dust
and a faint outline
of a subject that craved
but couldn’t stand
to be the object
of anyone’s admiration.
© Bitsy Sanders, August 2015
 Aug 2015 Renée C
b for short
Start with a tin box guitar—
plucking tortured notes like
he’s known this kind of agony all his life.
Stretching bluesy licks
that bend and overlap—
braiding every bunch of heart strings.
We listen.
Tune into something that seems to be
cooing fluently in a language
only the involuntary celibate can speak.

No, we’re not getting any.
But at least we get this.
© Bitsy Sanders, April 2014
 Aug 2015 Renée C
b for short
I love you, but not in the way that poets mention.
It’s a love with mostly beautiful parts—
those which beautiful words
could do their best to validate and describe.

But there are other parts,
like
the hot, jealous breath on my neck,
heavy and hanging over me—
a howling black cloud
patiently waiting to
rip,
pour,
warp,
and
ruin.

Other parts,
like
the craggy barbed wire ribs you wear—
the ones I take in when I wrap myself around you.
Who these are meant to protect
remains unclear.

Other parts,
like
the guilt I foster when we touch
while you remind me in a soft whisper
that you’re not mine to keep.
I face the bare wall and hesitate to accept
that to touch is simply to use,
and to use is so far from to love.

I love you, just not in the way that poets mention—
in that rigid crack between the brick and mortar—
in a narrow place where even the loudest secrets dare not echo.
I love you in that stretch of light between heel and shadow—
in the space that implies
but does not define
connection.

I love you, but not in a way that poets mention.
I love you in the silent incomplete—
the only way you’ll allow.

I love you alone.
© Bitsy Sanders, July 2014

I had taken this down previously, but I'm not quite sure what I was ashamed of. She's back to stay.
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