it's one o'clock in the morning
and it smells of drugstore perfume, daisies
mixed with something attempting
to be sweeter than sugar
when its truly salt
swirled together with
arsenic and my vapid feelings.

it's one o'clock in the morning
and it feels like static, like the fuzziness
on television screens and the
sensation of the wires in my
brain snapping from this exhaustion
that was never there till i
gave up on the phantom innocence i'd been
clinging to in the hopes it
was still clinging onto the shreds of
clothing at my feet.

it's one o'clock in the morning
and it looks as though everything has been
painted monochrome. it's a series
of hazy greys and blurry whites, but
it's mostly a black delved so dark
i can't see anything through it; it's
not transparent enough to even
glance at the stars blinking down
toward the earth because the nighttime
won't let me see anything but mysteries
and untouched memories.

it's one o'clock in the morning
and it tastes like blood, so much
blood. there's metal on my tongue
and it's everywhere because there's no
knife anywhere, just this transpiercing
pain in my stomach and my lungs are
being sliced open and the gore of my guts
is spilling onto the tile floor and there's
blood covering my hands and my
face is cracking against concrete and
i'm puking rainbows again
and it tastes of heartsickness.

it's one o'clock in the morning
and it sounds like nothing. it's
the kind of nothing that
everyone notices: the breath that
stops when one gets the news
that their loved one is leaving
them for good, the nothing after
a performance that's left everyone
contemplating the universe and love
and whether i actually want to
live at all, the silence following
the coffin being shut. it's the nothingness
of sobs and heartbreak and
death. it's the sound of
loneliness - particularly mine.