preface.  
majestic adjectives of contrary harmonies,
adverbs in adversity that modify our satisfactions,
gut punch our eyes, scramble the taste buds,
now inoperable, incapacitated to distinguish
what is disturbed - what is sweet - what is impossible.
my days ending is nearer to my god than thee,
the crumblings of what I’ve got left,
stale panko crumbs,
here come they in 1000 radium-tipped projectiles of
serious humorous self-destruction,
gifted to you few itinerant followers
brave enough to follow me into the deeps of
radioactive incomprehension,
in no particular disorders
a thousand times

a concoction of mixed aromas,
a once in a lifetime scent,
impossible to bottle,
impossible to name,
nameless and shameless

morning coffee, last nights vin rosé,
a come-on tasting for the summer coming,
the stale of the evening meals of grains and kale,
the sour remains of bedroom sweat,
the displeasing scented sight of
sweat soiled clothes carelessly discarded

the first of the season red stained white peonies
fail to mask the bodies aromatic musks,
which are gender identifiable

my sneakers hail mary, her stockings odorize the atmosphere
most unusually, nylon and lycra are strangely familiar,
prior memorized perhaps, from deep within,
deep amidst where, the ***** linens are shelved and binned,
before they journey to the Egypt of the basement

the burnt crumbs of illegal brioche toast
hidden on unclean sheets,
state “breakfast in bed,
is yummy in the tummy,
but next time use a big dinner plate,
down here, the burnt of the bread and the burnt
of other things is just a fragrance too far

even the colorless and tasteless water
absorb the ionosphere of smells,
because one does usually speak poetically,
make a vice presidential declaration:

she smells, I manually stink, each, glower shower, nower,
open the window to the spring wet grass,
exhume and send away this odor now christened,

nameless and shameless


11:47 28/4/19

no limericks today
none of my dads amusings

no rhyme no tale no sing no complaining

no dancing no pole
vaulting no dashing yards

blues yes harmonica wailing and the
banjo picking me apart no poems
necessary

got it all
got it none
got it in my brain
cause soul n’ heart
all longtime surrendered

the wind whips my t-shirt
and what was beneath it gone
never know what piece of me blew away but for sure it was not a ditty
something cute
for the blues chased away all
the limericks and there’s are just an
all gone

She is the living embodiment of the cliché,
The song where the male sub-lead
Returns from some second shift, some third drink
To find she has gone, leaving some scrap-paper note,
Hastily scribbled and wholly incomplete,
Some variation upon Don’t try and find me,
And so she is suitably unfound herself,
As she has given great thought to her froms,
But rather short shrift to her tos,
Finding herself north of the Thruway,
Looking for somewhere to spend the night
(The twin motors of adrenaline and anxiety running on fumes)
Happening upon, as if almost by some beneficent magic,
A Travelodge bordered by an expanse of cornfield
(Long since gone to seed, the stalks bowed and spent,
Waiting for the patently overdue cob harvester)
And after she is checked in and somewhat unpacked
(The bored, bemused woman who slumps about the front desk
Mercifully sparing with the small talk)
The skies, which had been late-October slate blur-gray,
Slightly malevolent but only implicit in their threats,
Open up in a cold and unwelcome drizzle,
And, whys and wherefores being things for a later date,
She runs outside and begins dancing in the parking lot,
Unseen and unremarked upon,
And even though the rain is cold, soaking, grim in portent
(The forecast dourly noting the possibility of wet snow,
Nattering that accumulation is possible at higher elevations.)
She is seemingly unaware and unconcerned
As to the upshot of this drenching,
Any whispers of the two or three other occupants of the motel,
Any judgments passed upon her mad danse pour un,
As she has passed beyond any notion of admonition.