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I couldn't dance with my eyes full of skin
Sometimes depth is synonym with pain
The ache of heart echoed the light of night
Luckily the moon was full of herself

Boats are roaming the shining, boats are sleeping in the port
Dreams are seafarers well contained in the electriciy of skin
Fishermen talk to me
I talk to you with invisible words
"Au revoir madame with beau chapeau"
Time is an artist in the randomness of breath

"C'est tres beau", says a little boy to me
We are smiling together at the sunset
It's the first time he sees it in the train, he confides in me
Innocent tears spin through my heart
Words cross boundaries when they feel what they see
the day has flared
and fallen

into fire
clouds climb

in silence
the trees whisper

something green
in their mystery

in places
wait the oranges

and reds of autumn
in places

wait the whites
and blues of winter

sometimes we must
look upon the things

we have no name for
To Thomas, Keeper of the Bones

You cradle the restless marrow of midnight musings— those skeletal whispers that rattle beneath the skin of sleep. Where others dream and forget, you scribble resurrection on the back of darkness.

Your pen is a lantern in the fog of sirens, a net cast deep into the kraken’s yawn. You fish for ghosts and feed the starving soul with lines that bleed and bloom.

Bravo again, you old conjurer— you’ve made the bones dance.

M.
For dear Thomas W Case conjurer of words, rattler of bones
and poetic supremo
Of "Writing Through Storms"
in the blindness of night darkness is a form of light falling into itself
there's so much to be seen but the eye has blue limits
I watch how I am pushed inside
by the centrifugal force of breathing
these women in me, known and unknown
they insist, whisper, shout, smile, dance, cry, they carres the echoes of shadows they want to tell me
what love is in the dreamed language of the blind
I say to them: no, you don't know
what love is
Yet
Ridgehead
Barreleye
Bristlemouth
Loosejaw
Daggertooth

The names he was called
The identities he became

Things of that nature run deep
And crush like the depths of the sea
Like stepping into rooms that are almost, not quite formed, inhabited by blind guides. Enthusiastic sages, whose mouths drip with the oozing compost of yesteryear’s salvation. I’ve seen this one before, this party is the same as the last. The sigh that slips out is like so many lungs full, from a balloon released from a child’s clumsy fingers.

I look back for friends, praying to step through the threshold accompanied. Who likes to show up standing with the host, making small talk with the gal holding the shrimp tray, trying not to let the eyes linger where they shouldn’t. But the air is slipping out of the front door, threatening to change the world outside. It’s not like there was a choice, move forward, or step back. One last glance, behind the hedgerow, beyond the gate, the clamor already complains.

The air is penetrating still until lilting melodies, crack open each room like canned joy, preserving the freshness of someone else’s moments. Sharp laughter of someone hunting for their self-esteem pierces the stochastic void, reminds me of the last time I cried. The sound waves carry reluctant feet down dark halls lined with the regrets of paths not taken, painted over with grim smiles. Reminders that the future is already littered with the corpses of good intentions.

The hall ends in an ornate door, carved by hand with sigils and runes, marked, ‘remember’. I want to, because surely what has been is not all that there could have been. I step up, alone as on the last day. Praying that ahead there is a miracle that rescues from certainty, and it’s like a voice on the other side whispers “this is it,” but when I turn the handle, it’s just another room. One more closet full of the artifacts accumulated in the pursuit of meaning.
I want to respond to The Body that Hoped Not to Be Real. By hellopoet(ry) wordsmith: Rastislav
up the mountain road at first light
reds and yellows already peck

and freckle the greens of trees
on the road an eclipse of moths

bodies and wings the color of dried leaves
thousands of them

crazed in their choreography
scattered along the side

shattered into piles
broken beyond belief

we remain
life-bruised

and life-healed
and despite all attempts

at comfort and routine
we still wild

at the night
we still wail

for the new light
and
Disturbed and Disturbing
               Patience
                   Slow.
The torment
    twilight
        blue
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