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Gabriel Jul 2021
A virus is like a secret,
once it’s out, it’s out.
Like, hey, don’t tell anyone,
but I’m gay, and I have blood
in my lungs. I’m trying to choke
the gay out of myself
before anyone else can. You
see, it’s all about control:
needing it, and taking it,
and the in-between state
of having complete control
and spiralling out of it at the same time.

So if I want to find a vaccine
for all the bad thoughts I’m having
about myself, isn’t that just another
way of saying that I’m trying to make myself
immune to hatred from outside?
If it originates in the lungs,
in the mind, in the sickly body,
then it’s somehow more authentic.

And maybe I can deal with it
a little better. Only a little,
because I’m still one-hand-pinned
against the wall, choking myself
to the point that I can’t form words,
can’t say the things I’m desperately
trying to adjust to.
From a portfolio I wrote in third year of university, titled 'Infestation'.
Gabriel Jul 2021
I’m not obsessed.
I’m just…
really, really in tune
with the fact that I was born wrong.
See, I look normal,
but I feel it inside me,
crawling like maggots under my skin;
it feels like I was parchment-stretched
in the womb,
and I’ll burst open
any day soon, loose flesh
flapping against the humdrum
buzz of a thousand flies
fighting for freedom from this oppressive
body.

And I’m not scared of that.
If anything, I’m jealous
that they get freedom.
It’s like I’m a coffin
that’s scared of dead people.
Nobody cares about the object
or the elephant in the room,
until it becomes too much,
and even then the subject takes priority.

What am I saying?
I think the writhing parasites
are inside my mind, now,
telling me to pass on a message:
it’s all fine. Don’t read any deeper
into this. We’re fine. I mean — I’m fine.
From a portfolio I wrote in third year of university, titled 'Infestation'.
Gabriel Jul 2021
I’m calling a ******* line
and telling them that I don’t think
my first girlfriend ever loved me.
They ask me what I’m wearing,
trying to divert the conversation,
and I ask if emotional baggage counts.
I push a hand between my dry thighs
and ask them if they like their job.
I ask what their favourite flavour
of ice cream is, and if they’ve ever
eaten it in the sunshine and felt okay.
I ask if they have someone back at home
that they’re doing this for,
or if they just like monetising a soft voice.
You have a very nice voice, I say,
and they laugh, awkwardly. Kindly,
they ask if I meant to call the Samaritans instead.
I say no, they blocked my number,
and they expect me to be killing myself every time.

Are you killing yourself now?
Slowly. Do you have a boyfriend?
No, baby, I’m all yours.
Don’t lie.
I have a baby on the way. I’m just trying
to make ends meet.
I get it. Me too. By the way,
do you even like ice cream?

Not really.
Me neither. I don’t know why I brought that up
in the first place. Are you lonely?

Right now?
Yeah. Now.
A little bit.
I am killing myself, by the way. I just wanted
to talk to someone before I go.

That’s okay. Your call will be charged anyway.
From a portfolio I wrote in third year of university, titled 'Infestation'.
Gabriel Jul 2021
The thing with begging to be loved
is that there’s more love in the begging
than there is in the aftermath.
There’s more to be loved in a pathetic way
than ever in something genuine.

But we still do it. Admit it,
you’re not the exception. We drag
our hands across our bodies
and pluck them into something acceptable;
there comes a point where it’s not love,
but violence. But acknowledgement —

and **** it if they don’t feel the same.
We are all crying the way children cry
for attention. If I scrape my knee
on the thick tarmac, will I still have to walk
home alone?

The birds sing for food early in the morning.
If I were a mother, I would never
make my child beg for *****. If I were a mother,
I would rip myself apart six months in
to see if I was cooking up something that looked
like me.
From a portfolio I wrote in third year of university, titled 'Infestation'.
Gabriel Jul 2021
An Easter banquet.
A Good Friday fast
that ends in gorging.
A slaughtered lamb
with hands and flesh
on the table.
Blood on the napkins
and silence.
Emptiness at the head
of the table,
save for forks scraping
cheap porcelain.
We save the good plates
for good days,
so naturally,
they’ve never been used.
I wonder
how it feels
to have never
held food in my palms.
Give me five thousand
and I will feed them all.
Give me an
all-you-can-eat buffet
and I’ll turn it down.
I am faceless, but
not in this crowd.
A crowd, yes,
but not this one.
I’m the B-lister of the Bible.
From a portfolio I wrote in third year of university, titled 'Infestation'.
Gabriel Jul 2021
I don’t think I know how to be sad properly.
I’d find sadness even in the middle of the dark,
even when I’m not searching for it,
but it’s not the Van Gogh type of sadness
that will gain me posthumous love.

More like, every poem I can write
is another draft of a suicide note
addressed to the tiles of the bathroom floor.
I’m struggling, sure, but I’m not struggling
in a way that’s accessible. I can’t be
processed and eaten,
my bones have no use for the Other.

But it means something to me,
it has to, otherwise why am I
doing any of this at all? I’m familiar
with red to the point of orange,
but nothing beyond that. There’s not
really — no, not at all — anything
except a cry for help in these words.
From a portfolio I wrote in third year of university, titled 'Infestation'.
Gabriel Jul 2021
Some bodies are made of worms,
soft, malleable, wet to the touch
with tears and a thin layer of grime,
built up over years of creaky limbs
oiled with their own disuse.

Some bodies are made of wasps,
and they are violent. The buzz
rings in the ears and they are the type
to throw drunken punches. Every
second is all that is.

Some bodies are made of earth,
in that they sustain others
and drain themselves. Global
warming will **** them off, but
for now, they shine.

Some bodies are made of other bodies,
like Frankenstein, like corpses
that aren’t quite done yet
with the worms and the wasps
and the ground that they clawed out of.
From a portfolio I wrote in third year of university, titled 'Infestation'.
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