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  May 2018 Frances
Samantha Pichardo
You
You saw me when I was trying
To cloak myself in invisibility
Came around looking for me
Not for my body
But for my energy and soul
You made an impact that first night
Sitting by your side
I knew everything was right
Everytime you spoke
It healed me
You healed me
You have come to show me
How not to run from love
But
To let it consume me
Take over my senses
And reprogram
  May 2018 Frances
L B
Yellow is
a high-minded mood
the extravagance of sunlight
to be touched--
before long
by colors of play
___

It is of hair
tendering golden sun
brown pennies for lemonade
__

Yellow is
bumping into the screaming end
of a lit
cigarette
___

Yellow is
dripping from the eaves
onto an empty soup can
___

It is
spindling sparrow song
from highest perch on roof
his pitch can aspire
___

Yellow is
in rattled doorknob
an infant's sweet
voice wanting – in
Reciting menu
above mattress
edges into sleep
two dark eyes
plead
for yellow
waking
Mother into morning--
“juice.... eggs”

Yellow  _
__
is
opening a car door
at the shore's
unmistakable!
Smells of life  
warmth and breeze
touching strings
those kites  
of sense
harmonics
above the tone
octaves of excitement
to see to hear to touch to taste
to know
again –

the ocean of my mother
as she calms the waves,
ignores the pouts of us
with stuff to lug out to the beach
the towels, pails and shovels
Picnic basket, cooler
lotion, comic books, her magazines

Mom looks out
She is a good swimmer
Her glasses, dark
Preside  
reflecting beauty –

“Take your sister's hand.”

Yellow are the squeals
Feet thrashing sand
of cannot wait
For my daughter, Phoebe and my mother.
  May 2018 Frances
Pablo Neruda
Naked you are simple as one of your hands;
Smooth, earthy, small, transparent, round.
You've moon-lines, apple pathways
Naked you are slender as a naked grain of wheat.

Naked you are blue as a night in Cuba;
You've vines and stars in your hair.
Naked you are spacious and yellow
As summer in a golden church.

Naked you are tiny as one of your nails;
Curved, subtle, rosy, till the day is born
And you withdraw to the underground world.

As if down a long tunnel of clothing and of chores;
Your clear light dims, gets dressed, drops its leaves,
And becomes a naked hand again.
Frances May 2018
Today is a day of travel
Late for the first train
Early morning marvels
We're lucky there isn't rain

With you I needn't strain
My love and I
Oh my sweet Samuel
I can't wait to see how far we can go

Our first big trip
Together we'll see
Milwaukee to Chicago

Where the wind hymns
Through the concrete redwoods
Sheds infectious excitement
The buzz of an infrastructure hive
To pulse through every scurrying limb

With beating darting glossy eyes
Where necks crane concave
To gaze upon the monuments
The statues
The striking glory of an architectural revolution

This train, ridden in adult hood
Is still reminiscent of my youngest days
Where curly golden locks
Oshkosh b'gosh overalls
And fists the size of a common house mouse

Dutifully and loyaly gripped
The softly sanded wooden train whistle
Galloping around my grandparents
Gently cooing to the moon and sun
Until my little lungs couldn't blow any more

This trains horn is more authoritative
It asks us to hurry or watch out
But inside the car it's only a lullaby
a benevolent force
All red, blue and silver
Glistening upon arrival and exit

These metal cans have long windows
Stretching from seat to sea to forest through the trees
Children's faces adhear to it
wide eyed and chin dropped  
As we pass swiftly and smoothly

The lush verdure and crushing azure
Of the Midwest's rolling glacial fields
All transient and ghostly passing through

Farther though as close as could be
An unseen body and lonesome forearm
Reveals itself from behind the curtain seat

One finger hold a golden wedding ring
This halo he wears or it wears him ever so perfectly
Only slightly indented upon his golden hued skin
His wrist watch is of the like
Shows 11:45 upside down to mine eyes
  May 2018 Frances
Walter W Hoelbling
how do I write about the beauty of the world
when barefoot people pass before my window
in search of shelter

how do I share my pleasure of the birds' sweet song at dawn
when I see faces etched with panic
from the deafening blast of bombs

how to rejoice in love and friendship
when meeting people who could barely save their lives
after burying their loved ones

how can I write with passion of the kindness of the human heart
when I see thousands fleeing from the ruins of their homes
only to face police   walls   barbed wire

true words are hard to find
as said a poet of an older war

    when it is a lie to speak
    a lie to keep silent

not easy
The poet from which my last two lines come: John Balaban, Vietnam War veteran:
“A poet had better keep his mouth shut,” he writes in “Saying Good-by to Mr. and Mrs. My, Saigon, 1972”:
unless he’s found words to comfort and teach.
Today, comfort and teaching themselves deceive
and it takes cruelty to make any friends
when it is a lie to speak, a lie to keep silent.
  May 2018 Frances
Edgar Allan Poe
Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone
Not one, of all the crowd, to pry
Into thine hour of secrecy.
Be silent in that solitude
  Which is not loneliness—for then
The spirits of the dead who stood
  In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
The night—tho’ clear—shall frown—
And the stars shall not look down
From their high thrones in the Heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee forever.
Now are thoughts thou shalt not banish—
Now are visions ne’er to vanish—
From thy spirit shall they pass
No more—like dew-drops from the grass.
The breeze—the breath of God—is still—
And the mist upon the hill
Shadowy—shadowy—yet unbroken,
  Is a symbol and a token—
  How it hangs upon the trees,
  A mystery of mysteries!
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