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Carl didn't finish school,
Preferring to work on my father's farm
Breathing prairie dust and smoke,
Seeing suns rise and fall,
Living in the weather,
Freezing or sweating to the season,
Reading the wind,
Cursing the heat and migraines.

Smoking Salem cigarettes
Alone in his bunkhouse,
He never mentioned his regrets;
Three meals a day with us,
A car or truck demanding payments
Kept him coming back to work

The draft cards came;
Vietnam called;
Neighbors left,
But Carl stayed.

One day I barraged him,
"Why didn't you finish school?"
"Why weren't you drafted?"
"Are you going to marry?"

"I can't," his reply.

I asked why.

"Because I tested border-line *****."

Just 10, I had no idea what "*****" meant,
Had never heard Stanford-Binet,
Didn't realize the power of labels.

Now I do.

When authorities mis-measure
The capacities of a man,
When labels shackle,
We fail to see or know
Imago Dei before us.

We didn't stop to think
What gifts he had,
Nor did we see the perfection
Of his creations on his bunkhouse table:
Perfect miniatures of our farm machinery:
Tractors, cultivators, harvesters,
Cut from plastic and metal stock,
Measured intricately to scale,
Fitted with loving care,
Glued and painted,
Complete and ready
For some small-minded man
To drive into a miniature field.
 Nov 2021 Elaenor Aisling
Ayesha
So white
I thought it would tear through
Red revolution, gritting stones
Electric convulsions
And ivory tides

I felt children weep
Soft, long sleeves soggy as lattice
That, flayed to leaf, too long
On porcelain lay
Hisses and gasps—
Were sobs always so volcanic?
Like suns— erupting— quite not—
Wilting— to stars— blinking—
Gushing upon—
Each other; a strange confiding
Nakedness

And feathers
In bronze dressed— stuttering—
Stuttering, bubbling
Would that the flood would loosen

Rather melt—

Rather the moon than Jasper,
— It’s gory quiet
Rather pebble
Rather mud-licked bumbling babble

But melt— melt— Oh,
Never quite full for the night!

I feared it would burst
Crowds of red-cloaked seeds
Into a havoc of fruit and flesh

I feared I a dandelion
Would open— would sway away, away
From bits and bits— of me, but

It hit— hit, hit hit
The jagged black insides of mine
And I was real

I was real

Gasping— gasping, till it—
20/11/2021
 Nov 2021 Elaenor Aisling
Ayesha
A soft, bruised apple your pretty absence—
I loathe— this bickering, bitter adolescence;
I miss myself unripened, myself sour
Where clung to anchor, I asked for more
Oh, more, and gave it cunning and cold: joys
That lovely ruin bore. Then your dragon eyes
And how I built built you out of lone
Now from me, to me my grief well known
Take you and on and on you go
Oh, cursed be your laughter: yellow and so
Sweet as stout it plunged — so quick a shine—
Into the sulking waters of mine. Oh, swear, was mine
The tremble, decay; yours the glittery dust.
Now parched, still patient pleads this lust

Return, O seamless, sodden salve, you must
You must—
31/10/2021

Laughter like stone that breaks the placid surface and all depths explores. Then ripples that bloom, as if in invitation or gratitude. As if the involuntary, irresistible answering joy of water.
 Oct 2021 Elaenor Aisling
Ayesha
The Magic dripped out of the night
Out of the holed hold
Of its frail, fence-like fingers
The Magic slid onto and past me
Kissed the cold, cement floor
In its drip drop dripping ecstasy
Then vanished under still
Though no deeper depths I had known

As a towel hung out to dry
The night melted onto its grey shadow
Till the moon was just a moon
And the quiet— piercing shrill and bitter.
I felt my fingers go dry
And my body
Sensed not the silky speech of my palm
Nor the whispers of sneaky light

And the city
Was a song torn apart—
Every horn upon me lunged
I slipped through the silence, and fell, but
Fell not enough
I said, Magic, Magic, take me along
But the floor for me was a circus uninviting
And in my wretched solidity, I lay limp
Listening in to the echoes
The echoes, the echoes of a laughter so far away
(I said, Magic, Magic, take me along)

And the moon was just a moon
The evening star I could not see
And sleep was a ragged little thing,
As the sharp dripping,
With last and last of the Magic, was gone
I sank, I sank, immobile —
Oh, In the ever-stirring city
It was a night lonely
20/10/2021

Whatever Magic is
 Oct 2021 Elaenor Aisling
Ayesha
Grief is good, O naked shivering—
Grief, the last full blossom
In the rich, rich ***** of spring
Laden with hues, their gentle smother;
Reap it they and morph a shrine:
Grief, the violent girl of a silenced mother.
Grief, the first decay of decay old
As the sky beats down and down,
Burning all green to gold.
Grief, the cunning god
That quietens, and teaches the art of scream.
Grief then, the ripe fruit’s bitter-sweet cold.
The first fall that a thousand follow,
Crystal chambers of the first frail flake.
Then, hues that all white swallow.

On, on swirls the necklace.
A countless tyrant beads
Still, countless laced with grace
True, shrines tumble, and daughters weep,
Falls then burn, and summers melt
Thirst and ash into fruit do seep.
This despairing tickle in so deep—
But suns to snow and sweet still on subside
Own thus the jewel, and, hush, be off to sleep.
Oh, in here a faceless sky long stubborn stood;
Years blank, till snow and sun lit up from soot

O naked shivering, grief is good.
17/10/2021

Going over to my father's village, my little brother sleeping. I don't know, I began to feel quiet, dissolved in the trees and fields running by. Suns are good, crinkled leaves, itching, annoying flies, and terrifying insects. Cold is good, and flower and water. Chatter and laugh and silence. Hours passing by, yet I felt so still.
 Oct 2021 Elaenor Aisling
Ayesha
Still they lie on the river-bed.
Unforgotten; daughters of the sun
their itching, prickling, stabbing beams
And dusks that ran ran red
But tread on, the circus just begun,
The ripples— mote by mote— by seams

The sands stir and rocks twitch
Dull-eyed creatures still non-living go
Roses bloom, say, roses rise
Once lively dawns to sacked towns switch
Body and body and body we sow
Roses bloom, say, roses rise

Say, still they lie; still sessile
Of tens a blooming heart we plucked
Still some more we knew as our own
Stumble on we desperate while
Lie we still in the river-bed tucked
Oh, those parched pieces that once shone

and these wretched blooms undying
14/10/2021

"Hello, Paul. Thank you for the comment on Roses Bloom.
Even as I write this, I realise that I did not do a very efficient job of depicting my thoughts in the poem, as I was paying too much attention to the rhymes. It was a clumsy attempt, but, well, here is what I meant to say:

The poem is about all the good parts of myself that I have lost along the way. All the versions of myself through the past, through every day (thus ‘the daughters of the sun’) that I have killed/neglected. I guess I could say that the poem is about goodness lost as one progresses through life - I do not mean that in a sense that we become bad, or that I think I did, rather that we lose parts of ourselves as we grow, and some of them also happen to be good. This poem is about a temporary state of mind that regrets all that loss.

And all the dull-eyed creatures go on, meaning that days pass on, and the waves of everyday living hide from us all those sins we committed, or goodness we lost. But the bodies still lie there, and I see them very often. They bear all the memories of myself, and they are myself, yet I can do nothing to undo my doing.

Well… It ***** that I could not write it very brilliantly so as to make the theme or message clear, but, well, thank you for reading anyway.

P.s. sorry for the rant."

[Copy-pasted]
 Oct 2021 Elaenor Aisling
Ayesha
The silence stabs, but not painfully
So; intruding, its sour and soft luminosity.
I felt a thousand things ooze out of me
Dream-dipped drops dripping so drowsily,
And each ticklish sweetness echoing; to sea
I sank— past lids, through lashes, all. With glee
Snaked under I under I furtive; faint and feathery.
To dark I fell, to naught, to white monstrosity
One, stream of plea, two, agony, and three
And three, oh— I filled, filled with tranquility.
When all the ripples quiet lay, I in melody.
09/10/2021

Took me a whole day this *****
 Oct 2021 Elaenor Aisling
Ayesha
Dissolved in traffic
we forget ourselves
Metal and muscle of bone, of beast
Marrow of bloom
and whip-quick flapping of pigeon wings
When father coughs his crackling logs,
we know he arrives, we hide away our games

why don’t you study, why don’t you study, where have you been

So terrified of the world he,
with his sky-shaking speech.
father, father
what have you seen?

My limbs twitch and eyes flee
He knows not what to say, and we
never learned.
Taut skin aged to crease, and all that clover smoke

and dust from road,
It sits so stout in his placid gaze
I sink, I sink.
Say, father, father, will you not leave?

Dissolved in traffic—
Gyres of grey and their loosened rings
mimicked by the reeling of kites
So long he roamed
Within those slithering maps
almost became,
almost them.

Memorised the city on his very palms.

Father, father, I never could learn
the twist and twists and turns of its trails

The city got lost and I,
And I, oh— I

The whispers fade
of footsteps strange, and closed are hearts
in breathing reliefs
father, father,
What have you learned; father, father
we become ourselves
father,
The birds all settle, the metal melts, the
noises die, the traffic, oh, the traffic
your good old mistress, we forget of it—
father, father,
What have you learned
07/10/2021
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