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  Mar 2015 Dawn King
Sylvia Plath
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.
  Mar 2015 Dawn King
Jamie King
My life is foretold in every crevice of this universe,
in serene seas, and swaying sands,
in scorching degrees and holding hands,
with a lover in my longing arms,
fires raging, and yet i am sheltered from harm.
and throughout my journeys,
it is my deepest desire,
to ignite and set my ambitions on fire,
in the midst of euphoric dreaming,
with my lover on this late summer's evening.
and i shall be at one with the stars,
and my doors in life shall forever remain ajar.

Walk into this space it is endless
sublime congruence with the heavens
open is the third eye looking directly at abyss
i feel a divine hint on my skin
as if it were a celestial kiss
there is no need to travel in doubt
it is written across the evening canvas
open the gates of exotic awareness


It is writhing, it is gifting, entrusting me, and quaking,
yet I, within mine, remain still.
Fore be it told, and beneath footless form, it's subversive,
yet, I dance a sure tango, uphill.
I must be sure, so sure not to mind lone notches and disparity,
as crevices, you see, they arch to transverse.
Fearing but forging the depths of what is migration, we say,
from this hallowed tangle be my rise, my verse.

I’m floundering, I grant, when I think I hold discovery,
so, I tug at the rein of imprint and plan.
It is here my beloved reliance, my precious doubtless tread
is afforded the fair crossing of Pan.
So, although it contests and chides and outreaches,
I am in love and as love, an apprentice.
A conquest won, no never, but here, a concession, a regard-
I am, with no poet’s journey, amiss.**

Lilting ebulliently in ineffable fields of ecstasy.
Mellifluous waves, in life's voyage,
inure us to pulchritude paths, refined by old age.
Multifarious, nascent jubilant days, swaying in paint,
array the way as we sail away.
Comments are welcomed and please respost thank you for reading:)
stanza
1 Aesha Nisar
2 Dawn King
3,4 Gwyn
5 Jamie King
  Mar 2015 Dawn King
martin
Don't approach a dog unknown to you
Holding out your hand, making eye contact
You may frighten him
Let him come to you

Don't write a poem uninspired
It won't work out
In good time
Let it come to you

Don't go out there seeking love
Like a child with a butterfly net
Live your life
Let it come to you
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