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 Aug 2019 Data
Nat Lipstadt
Shabash

Shābāsh (Hindi: शाबाश, Urdu: شاباش, Punjabi: ਸ਼ਾਬਾਸ਼, Bengali: শাবাশ, Telugu: శబాష్) is a term used in the Indian subcontinent to signal commendation for an achievement, similar in meaning to
bravo and kudos.


……………………………………………
a poem writ sometimes, oft,
snaps back,
I was surprising recipient
of a commendation in language
I knew not

the poem spoke well
of broken boundaries,
between in this instance,
Jew and Muslim,
capturing a momentary parting
of the seaways and
walls of misbelief
and mischief,
normally employed
to keep our divisions,
parted perpetually

I’ve decided to begin to
use shabash now,
my ‘go to’ word
from now on,
a small quiet way
to say
well done

it starts with one word,
a stretching hand across
the face fence,
imagining John Lennon’s
imagine-world,
who lay dying when I was
a young father of thirty,
me residing less than a
mile away from each other

little could I imagine then that
poetry would pick me at all,
especially to write of words
in dialects I don’t speak,
but imaging their pastel colorations
flying by in gentle breezes,
eager to be grabbed,
plucked from the air,
tongued and loved

so!
when I say to you,
in the softest spoke,

shabash!

to all of us,
for choosing this path,
using your words in
every dialect,
to spread the imagination
of good will

8-4-2019
10:10 am
S.I.
“Anyone that knows my work knows how I fit into the religious model. Like a polygon into a circular slot.
But this is actually a good piece. I was raised in a very orthodox Muslim family and although my experiences of faith are overwhelmingly negative, this piece is a breath of fresh air.”

https://hellopoetry.com/poem/2570424/inshallah-my-cell-phone/

“Nicely written, matey. Shabash.”
 Jun 2018
 Aug 2019 Data
Erin C Ott
She says she doesn’t have the strength within herself to write poetry.
Yes, her. The one who so often nourished me with song
til my soul began to learn how to hunt for itself,
whose word carried weight in leading me to pick my own instrument,
albeit one of a different tone,
as the key in keyboard became prominent for the first time
and the sound of purposeful fingers upon it could be considered,
only in the right light,
synonymous to the plucking of strings, just as rooted in emotion.

Yet she's the first to say that she herself can't do it.

Thing is, I suppose we’re politely at odds on the matter.
She favors poetry that’s sharper, with a cleaner cut,
that’s message is immediate and jarring
as a conduit running from soul through skin,
or a loose-lipped diary finally freed from lock and key.
And when she declared it, I started to consider what my poems seem to me:
Blackberry bushes (but kinder, I hope)
that snag and immerse just long enough
to make me feel I’ve had an effect.
I’ve used writing to expel my most gnarled feelings
to any passerby who’s maybe felt the same.
Like crying in a mirror:
alarming, but oddly refreshing,
and an indefinite reminder that our aches are never only our own.

Still, I'm not sure why it blows my mind
to hear that even the most glamorous hearts,
who wear confidence as a summer breeze that's always in their favor
and who inspire, from beau gestures to sleight of hand,
are included in those who find themselves pacing back, back and forth,
begging curbside at the dime store
for a scrap of the same feed that convinces a heart to pump ink.

But she says that any art that's enjoyed is worth it.
So while she seeks out words that bare the bones,
I’ll stay and make a meal of the marrow,
hollowing them so that the poetry may have a rightful place
to reverberate as hymns in a universal monastery.

But hell, like I’m any old soul.
I dress nicer than I otherwise would,
turn to the mother who told me I don’t meet her lowest standards,
and ask for a critique.
All for the moment when she greets me at the door with a legendary G#.

...Now please, could you spare a dime?
Dedicated to Elise, who, when faced with my tangled mouthful of flattery, somehow saw through to the part of me that’s actually worth a ****.
 Aug 2019 Data
Lawrence Hall
Slouching...

                   From an idea suggested by Robert Graves in
                                       On English Poetry

I. Thesis

Formalist poetry to attention stands
In ordered meters, ranks and files and lines
Of scansion as determined by disciplined minds
And set in place through skillful strategy

II. Antithesis

Other poetry slouches indolently, insolently with its louche trilby askew
Sleeping late, smoking cigarettes,
                                                     sauntering off
                                                                ­              for a beer
Through scansion as admitted by the heart or the pancreas or something
And seldom set in place at all unless it just sort of happens

III. A Perhaps Unnecessary but Useful Conjunction

But

IV. Synthesis

All poems ramble the same neighborhood
In quest of the true, the beautiful, the good
Your ‘umble scrivener’s site is: Reactionarydrivel.blogspot.com

It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  THE ROAD TO MAGDALENA, PALEO-HIPPIES AT WORK AND PLAY, LADY WITH A DEAD TURTLE, DON’T FORGET YOUR SHOES AND GRAPES, COFFEE AND A DEAD ALLIGATOR TO GO, and DISPATCHES FROM THE COLONIAL OFFICE.
 Jul 2019 Data
wordvango
And "I"
 Jul 2019 Data
wordvango
Who hadn't loved you
In time, perhaps
Like the wall in the painting
Faded,
Far from the window,
And the shine
On the pearl
In your ear remained,
"I"
Am colored still
With your
Glow
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