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 Feb 2017
S Olson
-- when I have the tenderness of a writhing dragon,
he will paint flowers across my throat

as though to remind me that fires are indelicate,
and that I writhe in a prison made of open space.
-- this man will not smother me with his skin
when we sleep.
-- this man will unhinge the door of my mouth,
and kiss out the bullets stuck under my tongue.
                                                                ­               ---
whatever thousandth day I awaken beside this man,
realizing I have become the flowers he painted
across my throat, by braving my throat,

I will, unchaining myself from the draconic worry,
bring him his coffee in bed, with a smile.
 Dec 2016
Mike Essig
on poetry*

A poem is only a mouthful of air
until it is read.
Imagine it. Craft it carefully
from your heart's flesh.
Seal it in a bottle
of clear, pure words.
Set it adrift on
the ocean of time,
life's restless surge,
until a few congruous spirits
pluck it from the sea-wrack
and recognize a message
that illuminates their souls.
Readers find writers;
never the opposite.
 Nov 2016
naava
When my father stepped off the plane twenty years ago and found his way to
The Bronx where his brothers were waiting for him,
It was to live every day plagued by stories of his
Roommates being followed home by wickedly-grinning, knife-brandishing men
That took pleasure in wounding the skin of my uncle who worked
For seven dollars a day, and then sent it all home to his mother.
And I know this isn’t what he wanted for me.
I even know, sometimes, that it’s not what he wanted for himself.
Didn’t want to open a bank account, become a citizen of the internet,
Watch as his labor was digitized and filed away on a supercomputer
And used to calculate the distance from here to the moon.

Last month my taxes contributed to Nike’s two billion dollars in
Government subsidies, my money,
Taken from my pocket and used to make sneakers more expensive than my
Last paycheck.

Sometimes I think I’m America’s mistake,
A child of the New Generation,
Born to emphasize the difference between affect and effect,
But never affect the way change is effected,
And I want, so desperately to be a warrior of my time
But I’ve only been taught to reaffirm the rules of grammar and
Sip coffee in silence as the world turns around me.

Sometimes all I want to do is cry.

It’s easy to blame America for your mistakes,
And it’s easy to say you shouldn’t blame America for your mistakes,
And I think once I find the dividing line, the fence, the border between the two,
I’ll understand what it means to be American.
I’ll know what it means to salute the flag and sing the
Pledge of Allegiance with my head held high and my hand placed
Proudly over my heart.

I hope I never find that line.

In school we’re taught A is for Apple and B is for Blue and C is for
Candy, sickly sweet and only sold out of the backs of white vans in the dead of night.
D is for death, which I still don’t understand,
And E is for easy, something that I, as a woman, must know the meaning of.
In school we’re taught to build city halls and towering skyscrapers
Out of wooden blocks, but I’m seventeen and still don’t know where my last name comes from.
In school, I’m ten, and my teacher is making fun of the spanish music I grew up listening to,
The kind with the classical guitar intro that my father can imitate perfectly,
The kind that made me smile until I was ten and became background noise when I was eleven.

In school, I built bridges out of cardboard boxes.

My father didn’t come here to be an environmental engineer.
My father didn’t come here to beg me to major in astronomy because he wishes he’d done
That instead.
I don’t know why my father came here.
When I ask, he tells me it was for the job opportunities - there’s nothing back home -
But I see it in his eyes when he goes home to the house in Ecuador he’s spent
19 years having built.
I see it in his eyes when we finally have a conversation for the first time all week,
Usually on a Saturday,
Because we’re both too busy during the week to take a moment to breathe and say,
In simple english, “Hi. How are you. Hope you’re doing well.”

Sometimes, it’s too easy to blame America for my mistakes,
But sometimes, America deserves it.
I’ll never know why people are the way they are, and I’ll spend a lifetime wondering,
But I know why I am the way I am,
And sometimes all I can do is hold onto that before it’s taken from me
Like the taxes from my paycheck
That are still paying Nike to feed the world the sick, twisted lie that it’s as easy as breathing to
Just do it.

Sometimes I wish I didn’t care,
Because it’d be easy as rain to comply with complacency and
Maybe then, I’d be able to sit back and watch them destroy themselves
And I wouldn’t have to be a part of it.

I’m told we revolt at dawn, but I’m too busy fielding calls from people who want to know
If I’m going, who won’t go if I’m not, who won’t go unless there’s a crowd they can
Disappear into.
Sometimes I wish I didn’t care, because if I didn’t I could stop being afraid of a world
Where caring is dangerous and sugar pills are the only thing on the
Dining hall menu.
I’m told we revolt at dawn, and when I show up, the sun is barely rising and I lift my head
To the sky and breathe in the scent of rebellion, finally, because it’s about time.

We are all immigrants.
We are all immigrants.
We are all immigrants.

Except, apparently, some of us.

I’m five years old and get to sleep in on the second Monday in October and I’m told
It’s a celebration of when God sailed across the ocean and created the forests
Only five hundred years ago.
And I buy it, of course I do, because I’m five years old and though God already doesn’t exist,
I don’t have any other explanation for why the forests are what they are, or
How I got here, of all places. America.
And I don’t know why I can’t run across the country and back again because I don’t have
A single clue about the concept of space, or time, and then,
When I think about it, how dare they tell me America was found when I’m too young to
Challenge them on it.

We can plan to revolt at dawn, but the police will already be there at midnight,
Waiting for us, and if we can’t walk into the path of resistance and keep going,
We might as well not even try.

My T.V. once told me there’s a magic trick for everything, and apparently,
Breaking out of handcuffs was one of them.
At this point, that might be our best option.

But you can’t major in magic, and breaking out of handcuffs won’t pay the bills.
I don’t have all the answers, and I know that kneeling during the national anthem will
Cause so much White Male Outrage there’ll be headlines for days,
But it’s something.
I care about a lot of things, but staying silent isn’t one of them.

If I’m America’s mistake, then so is my father, and so is the revolution at dawn,
And so is Columbus day.
All I know is I’m seventeen and I still don’t know what comes after
“And to the republic, for which it stands,”
And I hope one day I won’t be criticized for failing to memorize patriotic rhetoric.

We are all immigrants.
We are all immigrants.
Remember, we revolt at dawn.
 Nov 2016
Raven
We run with flames in our hearts
in our hands
in our voices
in the lands,
We stand on the rocks letting people know that
we are here
that we don't stand for us
that we stand for them
we've—been here
we've—slept here
we've—loved the soil
every inch of its worth—here.
And to think that we'd step off our Rock, now?
For every one of us that They knock down
They exude monsters out of the cracks in Their teeth
laughter roars
money pours
They've created unspeakable wars
Let us be.
 Oct 2016
PK Wakefield
"I guess–I don't know–underneath it all I'm just a romantic. I've loved (I will always love), and I suppose when I'm dead someday that will only be what's left: some vague echo of a moment I shared with someone. But really, and truthfully, I loved them in that moment.

And I will live, who knows how long, but I will live and I will carry in my heart those moments. The tasting and touching of those moments. I will hold them in my heart, and in my own way, I will always love them. Each one. Each moment and tongue.

It is sad and it is wonderful–that I got to have any of them at all, and that I got to have none of them. But that's probably on me–I'm not always the best person.  

I don't know, I guess I'll just keep trying. But please know I loved them. All of them, in their own way.

I'm sorry for who I am. I'm sorry if I ****** up. I just wanted to be happy. I just wanted to taste someone's skin and live.

Maybe tomorrow I'll die. Who knows.

Anyway, I love you. Goodnight."
 Aug 2016
heather leather
jan from the corner store doesn't understand me,
I told her I wasn't mixed; my parents are just different
shades of the same color but she doesn't believe me,
and the man behind the counter silently agrees.

the old white lady that always takes the 5 train
stares at me curiously, her eyes say they don't trust me
and I don't understand why. I never thought I had to
explain myself to strangers or that my race was the most
interesting thing about me but that's always the
first question everybody asks.

my aunt told me the other day that I was jabao,
in other words, nobody knows what to do with me.
I am unidentifiable. my skin screams the sun and
stars too small to recognize; it says I am the product
of a collision between the blackest sea and the whitest sand.
some parts of my body sing a ballad so dark only certain
people would ever want to listen to. maybe these are the
parts that the old white lady on the five train is scared to
listen to. maybe the curls I tried so hard to straighten are
what terrifies her, maybe the black in my kneecaps keeps
her up at night, maybe the sound of boisterous music in a
language she could never understand makes her skin jump,
sends shivers down her spine makes her think twice
about who I am.

jan from the corner store doesn't understand me,
I told her I was jabao, a mix of summer glow and
muted winter skin. but she doesn't believe me; says
she has never met a Dominican like me, that in some ways
I must be a mixed breed. and the man behind the counter
silently agrees.

(h.l.)
 Aug 2016
SG Holter
I

Thirsty now; mouth dry like
A desert wanderer's,
Single man in solitude
Swiping right and

Not even caring
Too much.
Just looking for trouble;
Microwave-romance, softness;

A face that fits my hand.
Guitars gathering dust, begging
St. Gibson for inspiration
To shake their owner into

Lust fuelled
Songwriting; string breaking, pick
Melting, voice straining.
For now, the last of five litres of

Italian red is floating bellywards;
Bloodwards; headwards;
Heartwards, and the drinker writes
Text message poetry with drops of

Wine hiding in barley beard too
Full for an old mother's appreciation.
I owe her a grandchild.
She says poems don't count.

II

Thirsty now; heart dry like one
Not recalling love, not remembering
A woman's hungry hands on
The back of one's

Warm, wet head, pulling, nails
Digging,
Teeth biting beard.
Skin kissing skin.

Soul seeing soul and
Celebrating.
Sweet illusion of love.
I create a bed-sharer on canvas.

I compose a breakfast-eater at my table.
A listener to my songs,
Sunset-watcher, Netflix-snuggler,
Rainstorm-listener.

I owe for her to be flesh and blood, not merely
My neurons dancing. Ears to hear
My compliments. Hair to brush
Away from between

Our lips mid-kiss.
I finish my wine.
Could have made nearly painful
Love to her

For ages and
Aeons, but I
Create her temporarily;
Fleeting image of a speaking doll.

Hold me like tears on something
Golden. Hold me like an acid
Trip fading into reality.

She says poems don't count.

She says
Poems
Don't really
Count.
 Jul 2016
Joshua Haines
Above all that is radiant and bright,
she floats above the New York night.
Neon signs and grey faces
look up, pointing, exclaming,
'Look how amazing
the human race is'.

Phantom girl floating, sifting
past and through all that's drifting:
empty eyes and the cracks on
every sunken, cigarette *******
ivory American cheek-bone,
belonging to a person, who
feels like any person: here
but sweetly alone.

All that is radiant,
all that is bright,
think what is beautiful
is flying past and
out of sight.
Tie my shoes 4-3-2,
Don't you know
That I love you
1 and Zero is here,
Amongst my hurt
Amongst my cheer
 Jun 2016
PK Wakefield
That I was alive: I suppose,

there was a certain eager meaning to
these moments–wide and short–these
hours–fat and narrow–these years
long and deep–

the stars, the lunging of my breast, the
turned curving of a sunrise, the rapid
expulsion of blood, tunneling suddenly through artery and vein;
I guess.

Looking and wondering; I turn my
hand over in a spent beam of sunlight. Its span tumbling with that heavy glow–it iridesces.

(I love you.

Knowing I will die–I love you.)

I am walking in some hall. There is the fast purring of a cat. Easily my breath inhumes and exhumes the space within my chest. Heart beating. Air and flesh exchange.

How easily it is to be–it seems these
hands are mine over your *******. I put
my fingers in your mouth. Your tongue
tousles their fiber. I make and unmake
myself in your hips.

The thick leaning of this chair into my back–where are you?

(Reading this perhaps.

And am I alive? And where?

Or dead?

Could be.)

And what is death?

Dying after all, it is, I guess, what I am.


There was the forest today. And five minutes ago I kissed you.


I am incomplete–I can feel
the way this shirt turns over the skin of
my arm. Somebody is speaking French on the radio.


"I will be dead someday." I want to whisper.


(I will be dead someday.


I love you.)
 Jun 2016
Allen Ginsberg
The weight of the world
     is love.
Under the burden
     of solitude,
under the burden
     of dissatisfaction

     the weight,
the weight we carry
     is love.

Who can deny?
     In dreams
it touches
     the body,
in thought
     constructs
a miracle,
     in imagination
anguishes
     till born
in human--
looks out of the heart
     burning with purity--
for the burden of life
     is love,

but we carry the weight
     wearily,
and so must rest
in the arms of love
     at last,
must rest in the arms
     of love.

No rest
     without love,
no sleep
     without dreams
of love--
     be mad or chill
obsessed with angels
     or machines,
the final wish
     is love
--cannot be bitter,
     cannot deny,
cannot withhold
     if denied:

the weight is too heavy

     --must give
for no return
     as thought
is given
     in solitude
in all the excellence
     of its excess.

The warm bodies
     shine together
in the darkness,
     the hand moves
to the center
     of the flesh,
the skin trembles
     in happiness
and the soul comes
     joyful to the eye--

yes, yes,
     that's what
I wanted,
     I always wanted,
I always wanted,
     to return
to the body
     where I was born.

                         San Jose, 1954
I never wrote you that poem.
Just another broken promise
I'm fulfilling too late.
I don't write to you anymore
Either, not because you don't
Cross my mind,
But because you know the words
Before they are written.

I miss you. I miss
Our cigarette breaks that last
For hours or until we didn't have
Any left. I remember
The thunder of our feet
As we raced across the parking lot
Like kids because we could.

I remember the three a.m. phone call
Telling me there had been
An accident and that you didn't
Make it.

I may not write to you anymore.
But your memory
will never leave me.
So here it is.
The poem I promised you.
Three years too late.

But thats okay,
Because I know wherever you are..
You heard this
Before I did.
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