I stole a star tonight
And the sky expelled me from the galaxy.
I stole quick recovery,
I stole wealth for the Body,
Mind and Soul.
And this, embroidered in words,
I stole for you, Mom.

Knock knock!
Who's there?
Me!
Me who?

That's right!
What's right?
Meehoo!
That's what I want to know!

What's what you want to know?
Me, WHO?
Yes, exactly!
Exactly what?
Yes, I have an Exactlywatt on a chain!

Exactly what on a chain?
Yes!
Yes what?
No, Exactlywatt!

That's what I want to know!
I told you - Exactlywatt!
Exactly WHAT?
Yes!
Yes what?

Yes, it's with me!
What's with you?
Exactlywatt - that's what's with me.
Me who?
Yes!

GO AWAY!

Knock knock...

"Will you walk a little faster?" said a whiting to a snail,
"There's a porpoise close behind us, and he's treading on my tail.
See how eagerly the lobsters and the turtles all advance!
They are waiting on the shingle--will you come and join the dance?
Will you, won't you, will you, won't you, will you join the dance?
Will you, won't you, will you, won' t you, won' t you join the dance?

"You can really have no notion how delightful it will be
When they take us up and throw us, with the lobsters, out to sea!"
But the snail replied, "Too far, too far!" and gave a look askance--
Said he thanked the whiting kindly, but he would not join the dance.
Would not, could not, would not, could not, would not join the dance.
Would not, could not, would not, could not, could not join the dance.

"What matters it how far we go?" his scaly friend replied.
"There is another shore, you know, upon the other side.
The further off from England the nearer is to France--
Then turn not pale, beloved snail, but come and join the dance.
Will you, won't you, will you, won't you, won't you join the dance?
Will you, won' t you, will you, won't you, won't you join the dance ?"

In the worst hour of the worst season
    of the worst year of a whole people
a man set out from the workhouse with his wife.
He was walking-they were both walking-north.

She was sick with famine fever and could not keep up.
    He lifted her and put her on his back.
He walked like that west and north.
Until at nightfall under freezing stars they arrived.

In the morning they were both found dead.
    Of cold. Of hunger. Of the toxins of a whole history.
But her feet were held against his breastbone.
The last heat of his flesh was his last gift to her.

Let no love poem ever come to this threshold.
    There is no place here for the inexact
praise of the easy graces and sensuality of the body.
There is only time for this merciless inventory:

Their death together in the winter of 1847.
    Also what they suffered. How they lived.
And what there is between a man and a woman.
And in which darkness it can best be proved.

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

--Even losing you (the joking voice, a gesture
I love) I shan't have lied.  It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

How pure and honest all things human
Which drift so heavenly when untouched;
They coat our eyes and dull our words
They should, forever remain unclutched
By human hands which hurt and ****,
By ropes of sadness and of glee
And studious eyes of all things mortal,
Who should learn to bear and let it be.
But what of life if not things human,
What of anything without it all,
Why shall I remain insensate
Let senseless sorrow inside me grow?
Endure the heavens and the hells
Grant your darling make you a fool,
Become accustomed to the hurt
For misery is a party, and love a funeral.

noun | pen·e·tra·tion |\pe-nə-ˈtrā-shən\
1) the act of going through or into something: the act of penetrating something
2) an ability to understand things clearly and fully*

if you penetrate their body
without entering their mind
you aren't really all the way in

Does it matter?-losing your legs?
For people will always be kind,
And you need not show that you mind
When others come in after hunting
To gobble their muffins and eggs.
Does it matter?-losing you sight?
There’s such splendid work for the blind;
And people will always be kind,
As you sit on the terrace remembering
And turning your face to the light.
Do they matter-those dreams in the pit?
You can drink and forget and be glad,
And people won't say that you’re mad;
For they know that you've fought for your country,
And no one will worry a bit.

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of ***,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.

One way to be very happy is to be very rich
For then you can buy orchids by the quire and bacon by the flitch.
And yet at the same time People don't mind if you only tip them a dime,
Because it's very funny
But somehow if you're rich enough you can get away with spending
water like money
While if you're not rich you can spend in one evening your salary for
the year
And everybody will just stand around and jeer.
If you are rich you don't have to think twice about buying a judge or a
horse,
Or a lower instead of an upper, or a new suit, or a divorce,
And you never have to say When,
And you can sleep every morning until nine or ten,
All of which
Explains why I should like very, very much to be very, very rich.

There is one thing that ought to be taught in all the colleges,
Which is that people ought to be taught not to go around always making apologies.
I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet,
Because I think that is sort of sweet;
No, I object to one kind of apology alone,
Which is when people spend their time and yours apologizing for everything they own.
You go to their house for a meal,
And they apologize because the anchovies aren't caviar or the partridge is veal;
They apologize privately for the crudeness of the other guests,
And they apologize publicly for their wife's housekeeping or their husband's jests;
If they give you a book by Dickens they apologize because it isn't by Scott,
And if they take you to the theater, they apologize for the acting and the dialogue and the plot;
They contain more milk of human kindness than the most capacious diary can,
But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American.
I dread these apologizers even as I am depicting them,
I shudder as I think of the hours that must be spend in contradicting them,
Because you are very rude if you let them emerge from an argument victorious,
And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious,
And what particularly bores me with them,
Is that half the time you have to politely contradict them when you rudely agree with them,
So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf,
Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.

Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the color of his hair.

'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the color that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable color of his hair.

Oh a deal of pains he's taken and a pretty price he's paid
To hide his poll or dye it of a mentionable shade;
But they've pulled the beggar's hat off for the world to see and stare,
And they're taking him to justice for the color of his hair.

Now 'tis oakum for his fingers and the treadmill for his feet,
And the quarry-gang on Portland in the cold and in the heat,
And between his spells of labor in the time he has to spare
He can curse the God that made him for the color of his hair.