To-day, this insect, and the world I breathe,
Now that my symbols have outelbowed space,
Time at the city spectacles, and half
The dear, daft time I take to nudge the sentence,
In trust and tale I have divided sense,
Slapped down the guillotine, the blood-red double
Of head and tail made witnesses to this
****** of Eden and green genesis.

The insect certain is the plague of fables.

This story's monster has a serpent caul,
Blind in the coil scrams round the blazing outline,
Measures his own length on the garden wall
And breaks his shell in the last shocked beginning;
A crocodile before the chrysalis,
Before the fall from love the flying heartbone,
Winged like a sabbath *** this children's piece
Uncredited blows Jericho on Eden.

The insect fable is the certain promise.

Death: death of Hamlet and the nightmare madmen,
An air-drawn windmill on a wooden horse,
John's beast, Job's patience, and the fibs of vision,
Greek in the Irish sea the ageless voice:
'Adam I love, my madmen's love is endless,
No tell-tale lover has an end more certain,
All legends' sweethearts on a tree of stories,
My cross of tales behind the fabulous curtain.'

Life belongs to Monday morning.
Still, I'm haunted by Sunday teatime.
Scones in the parlour at the back of the house.
With mamma and poppa and sweet baby Jayne.
Toasted crumpets together,and drank hot cups of tea.
The crumpets were toasted upon a huge open fire.
Jayne had been sleeping in the cot by the door.
Too young to eat crumpets and scones, she's not allowed tea.
The baby still sleeping remains in the parlour.
It's warmer in there.
And so to the drawing room with round rosewood table.
Nature of the cloth thereupon changed.
It's marked with the symbols of a, b and c.
A painted on canvass that ends with a zee.
It's crimson, edged with gold.
In the centre a YES and a NO.
Centrally placed a wine glass.
Knock knock on the door.
Now there are five.
Tonight the table may come alive.
They're hoping.
A standard lamp, rather dated stood in the corner.
Had a scarlet shade with golden tassels.
They sit round the table.
It's just what they did.
Fingers on glass.
They're calling out.
"Is anybody there?"
The room becomes chilled.
Atmosphere stifling.
Glass moves around the circle.
A...R...I....E.....L.....spellbinding.
'Twas the spirit of the dark poet,Plath.
Darkness from sorrow, no more tomorrow.
Another spirit in attendance.
Takes Sylvia by the hand.
Into the light, escorted by guide.
Goodbye sorrowed poet.
Walked into the light.
Goodnight.
Sleep tight.
(c) Livvi MMCV

Au(Or)al Tune
When (O)ppo(u)rtun(e)ity knocks –
            Ah, pour that tune into me
               n(O)t
just write or speak
            but
                        /zIg:zAg/
            gut--
                        --teral mut--
            --ter yarns
                        With
Mouth-churn--
--ing-beat-lick--          
                        --ings.


Half-grown seedling ([her]bal:e(X)ssen(10)ces)
                                    into sm(O)ke
adolescent (O)re worn from being p(o)(o)r—
                      it was nE(X)CESSary for:
battles
birds
beats
b(O)(O)ks
bottles
bucks
b(O)nes
boys
bei­ng(bad)


sm(O)ke-rings w(ear)y with surr(end)er      
      stripped
            v(O)wel
                    for
                       v(O)wel
thr(OU)gh the yawn: (O)nly
            “(O)h.”

             (O)h
              … foll(O)ws

                        the
You’re w(or)th-knowing-ONLY-(O)nce
            type of l(i)ke.
VERSE/VERSUS: the
You’re-w(or)th-knowing-AT:LEAST-(O)nce
            type of l(i)ke
VERSE/VERSUS:
                        for (u)s

it’s the worst type of verse
                        when it’s
            them:VERSUS:us
                     (verses)

likewise -- (O)r worse --
it should really be about//
      a bad in (u)s: Y(O)U:ME


(O)h after a
                        kn(O)ck
(O)h after a
                        t(u)ne:://
(end)-verse
for worse – it’s an
(end)-versus-us
                        type of verse.


(O)ppo(u)rtun(e)ity
            pouring
            ringing e(X)cesses
like
                     ear-worms to
                     hear words to
                     heat hearts.

Ah::rest that mouth-verse onto me.
            (restful//fluster)
Ah::rest that mouth
            (silent//listen)
soulless gall(O)w r(u)ng
lipless v(O)wel sl(u)ng
            like
ARTS::between::STARS
            then
VOICES RANT ON::into::CONVERSATION
            then
PAYMENT RECEIVED::yet::EVERY CENT       PAID ME

worst-verse:
           Y(O)u//like hanging
                        your dipTH(O)NGS
on (O)pportun(e)ity’s d(O)(O)r
            like
                        sm(O)ke-rings
            like
                        being(bad)
            like
                        Y(O)U:ME
            like
                        (O)h. n(O).

(end)-verse:
worst-verse:
            L(I)ttle.Kn(O)wn.V(O)wel::
            n(O)(O)se big for (u)s

            ALL.

i want you to regret everything
you've loved before me and lost
        i want everything else besides me
        to lose their eesome ways
        everything you write aureate of me
                and the sillage of when i go outside
                without you to burn as if the sun was in your hands
as all your promises will be mine
        mine will be yours and i will walk between these
                valleys
        with you and when this world burns apart
           i will follow you to the stars
and despite my lustful appearence desired from your eyes
        to the ****** of your hips and wrists to mine
   i want you to be inside my minds, hold my thought's hands
            be in my nightmares, and stir my dreams
                there is no condition you've put me in
                        so i must ask you put yourself in the same

Around this particular time i can recall bonfires on a Far Rockaway beach
in between two and three AM
The fire; a heap of AM newyork papers burning in a rusted trash can stolen from the boardwalk.
Kiah was beautiful
her hair, coarse honey ringlets framed
a narrow face. I watched her eat grapes
and pull her hair away from her eyes a couple
of times. She ate the grapes and their juice made her lips glossy she did this and sipped on a Corona
her boyfriend sat behind her playing the guitar
and no attention to anyone. I wanted him.
A few days before that I was in his room
He asked if I ever heard Shaggy's "Mr. Bombastic"
that's what was playing when she walked into the room
she stared at me like a cat plotting an attack
walked past me like one too
the night before that I lay on the floor
of his room. There was no furniture
a motor bike in the corner. Some drums,
and various painted wood boards hung up, some laying
on the floor. Oil pastels scattered along with
screws, and bolts. while he played
maxwell on his guitar, acrylic paint under his finger nails.
I woke on the floor with a fuzzy purple throw blanket over me he was still in the same spot strumming and,
smoking a beedie when the sun came up