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Ayesha Dec 2022
Alabaster hands
I paint like I know you
but I am afraid
I paint like I know
the hours of holy songs he sang
when chip by chip
he broke his David
out of stone

but I mumble with a brush
polluted a tomb
with thievery and doubt
if I return to you
I will do so stollen
rolled up in bay and --
my Florence! I couldn't see you
I was lost

I could not be him
he unleashed, I hold
and now you wear his hands
like a beloved scar
and then you haunt my sleep
with your eyes of old

I am sessile, sterile - I doubt.
I cannot speak.
stone carved inadequate, for
I do not know hands
the venules and the etchings.
I could not learn

fiddling like a cricket
in the arms of leaf
I see him leap through ages
to come and observe
I am an artefact flaw
and him the sound perfectionist
he inspects fingers
as they stumble in paint
ever-looming, giant, bearded
with a broken nose

you, Florence! He steals
movement, instill it, gifts it
you wear it, then you watch me
with museum eyes
Good love,
I am no David
do not ask that of me, I may weep
stone in my hand
I sling stutter over my shoulder
and watch the forever tyrant grow
15/12/2022
Ayesha Dec 2022
1.
Hibiscus rue.
citrus.
cataclysm.
but so gentle rue.

2.
A cappuccino night
eavesdrops,
the lamp sleeps slouching
its jaw slack,
my clock's monotonous cadence
is loyal as always

4.
A quaver
from a cadaver
that is what muttering trucks
do to the night

It is like startled birds:
they never sit back just right

5.
Insomniac mosquitos
have a *******, I think

The night sky
moves like a swarm

I watch it like a friendless owl
but I am happy
28/10/22

I no longer know how to deal with this website’s errors
Ayesha Nov 2022
3.
Picture:
smog pilfers
away some stars;
some cars
my words

Silence:
like a pinch, a piercer,
a piercing

Little winter:
a pistachio
salty, sweetly
confined a bead
I crack the door open
I eat it up

Clock:
a pistil
in it
time incubates

This lamplight
is like a pineapple
I want to write, write, write
28/10/2022
Ayesha Nov 2022
Privet! You are that
puerile, puffy
no longer the outline
that they had cut of you

Bold like a spider
smaller than the white spot
on my nail
I slam the book shut
you are faster
you skitter about on the table
mocking as if
but I like to play too
28/10/2022
Ayesha Oct 2022
Morrow, morrow, city of dreams
Turpentine, slowly sifting
Invades here in sashes of silk
Sounds through bone, bone
Fluid, lures the brain:
It follows coy, curious
Shuffling its thoughts, like one
With fingers, like you
with seasons— blue, and then bold—

The crows shift on the wall
Linseed a moment, and then acetone
I can only overhang and see
The stretches of the city
Forever overspill, overkill— overt
And covert— sounding through
Its buz-busses and snorts; crickets,
Cats, night, white, night
An ox-y-mo-ron, you
Are an orchestra, a tryst

Sweet mo-no-to-ny, a
Platform in a plaza
A plaque on a platform in a plaza
I ransack the dictionary in search of you
The road to lead to the relic of you—
Feed the retrospect’s imagery away
Then the crows look at me
Like I killed their maa
Lit up a June solstice in the beautiful light
Pollution and sound pollution, you
Are homecoming, I say
I say, nothing blinds like home, I say
And I cough the air out like a slang
Your city is ****, a skullduggery
To last the brazen evening
And sag by the night, you are slant
Static, ruthless to the stone come for moss
A slap on the face
Of my sentimentality
How I love to draw you: this way,
This, however I like, since you
Are sightless like a TV, hive of bee
You jig like rain, like sun, woe to me
Like sen-su-a-lity
A satin city, itty bitty pretty
Silly, let me study!
28/10/2022
  Oct 2022 Ayesha
Shakytrumpet
Pentasyllabic,
Heptasyllabic, and then
Pentasyllabic
I wrote this for national poetry month last year hope you all enjoy this as much as my English instructor did
Ayesha Oct 2022
Roused in fanfare, these facets
are full of scantiness,
of cold-***** futility, of bitter thanks

The light turns, morphs them
now they are faces, now limbs
now rancid rag houses again

Crooked sun gurgles, spits a fraud spring
and the office men observe their machines
straight-backed like chairs, they droop
rampant on scarped brown desks,
desks with picked-nail edges, so brown
no one sees them, so solid one forgets to

The sky runs her threads again
accumulating: stagnant noon, sitting
spread-legged, with wax-paper eyes
it watches, watches the aging

Slowly, everyone leaves
the formal men, their leisurely burlap work
lights blink as if to bulwark tears, and
the foul remnants of day's charred pleasure
begin to settle on skin.
the wrists thin, some nails cave in
some lichens on stone-nose

Things that elude cuddle elastic back
into the things they elude
and, spent, the sky breaks at last the thread
to another demure death:
glitchy and green, riddled
in its own secrecies,
dry-lipped as a crone

The light turns again
and this time, it is perfect:
just past the critical angle,
where bustle-bundles of beam
flee unfettered
and leave unlit the grateful subject
reticent, stale
bold in a boastless brood

only a singular fissure
of pretend slight
to mourn aloud in the spectacle of black
21/10/2022
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