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Dive down into
the Sea of Words,
flip my mermaid tail    
to the passersby.

Dive down deep
to the bottom
of the sea, the
very deepest depths
of this salty sea.

When I come up
to the surface again,
starfish weave shells
into my auburn hair,
while sirens sing
new words to me.

Vast expanse of
emerald waters,
Sea of Words
you are my home.
©Elisa Maria Argiro
She grows best where the sun shines long

and strong

where the air is hot

mosquitos have agendas

and time is just different

the sun shines long 
and strong

and she grows tall and wide

naturally 
using the nutrients of the Earth

to co-create with herself

a new generation called

by so many.

In these places

the bodies are protected
 with ample vitamin D

perfection of the dream

the hair spirals to a tight coil

assisting with heat release

these bodies

with their recognizable
 similarities to me,
to us all.


The ocean is so blue,
in some of these places,

even I jump in.


She grows best when her power is understood

the intimacy of her relationship

with all who are open.

She is so strong.

Manifestations be like that though…

her ability to totally support her community,

while also accepting from the network

is awe-inspiring.

Her lineage is so cooperative

its probably the first real jealousy

I've felt in a few days.


To be able to interact with

You

through touch or words or color

and instantly understand
your needs.

And then to be able to satisfy even one of them?!


Man the brain leaves much to ask for.


She was the first one that talked to me.

She was screaming

she was being eaten

I thought I was just dreaming.

I wasn't.


The concrete my feet grew on

was too cold to understand

(though I'm sure it too has 
something to say…)

so the translation is a bit jumbled.

And uncomfortable
…am I just crazy??

well, yes, of course,
I talk to myself all day long...
I wanted this poem and the next to be a part of my collection here … they were posted when I first started on this site, last year.
suppose you aren't assured of the next meal
upon your head rules the sky
maggots are feeding on your free will
better seems the option to die.

suppose you've none to give company
not a soul to call your own
days seem to crawl with no hurry
nights only make you more alone.

suppose open road is where you stay
sometimes a tree to beat the sun
people are bent on moving away
you've no home for day-end run.

suppose you've nothing called privacy
can't afford the luxury of shame
you relieve yourself for all to see
don't recall if you ever had a name.

suppose you've to scavenge from dustbin
your dignity is trampled like road's dirt
could they all make you feel a poem within
write a line crystalline in your heart?
How dreadful to see
Those that I cannot read.
All over the latest feed.

Not poetry,
Like puppetry.
A repetition of words, numbers, and symbols that aren't clever in the least.
And users with names
In impossible tongues.
Their gibberish reeks!

Line after line,
All the same, it's uncared for.
They write marriage, black magic, and European countries.

It's daily infinity,
Thieving the spaces from more thoughtful writing.
Shall I fight just to see the absense of these;
And say hello only to real poetry.
I decided to write a little rant about the far too common nonsense like "black magic astrooger 91-8239910405 black magic baba in Ajmer Rajasthan" in the latest poetry section.
In a Bluebird toffee tin
Are a hundred letters –
Most of them doodle-stamped and
Delivered by hand.
Unlike the letters I sent to you
They do not smell of spritzed cologne,
(A trick that I learned from Grease)
They are not messy
Or tea stained,
But perfect powder blue
And allowing for small extravagances –
The Cursive of the Obsessive,
Cursed by neatness and perfect hearts.

I pick one out at random,
A casually cruel one sent from Rome –
I imagine you blinking on a balcony
With dazzles on your collarbone,
A teeny tiny sugarless coffee
At your side,
And a pen tapping your knee.

“I’m not a **** at all –“ you wrote,
"It’s only that you are gregarious
In the most DISGUSTING way.
That’s your problem not mine -
Your optimism won’t catch you.
(Cynicism won’t catch you either,
But it has the courtesy not to throw you.)
I’m stopping now,
By the time you get this
I’ll be back home.
What pointlessness we endure for one other.
I miss you, as you say,
‘ever so’ –
Bedtime here is a source of misery.”


And then you signed your name,
Tiny,
Small,
Impossibly graceful,
Just like yourself.

You were always nasty
When you missed me.
posted before but now edited. Of all the things I've written, this is my favourite (probably because half the words are not mine.)
He takes his shirt off without
unbuttoning
and in the dead of night
when he goes for a ****
I see his silhouette
and think -
what a marvellous man.

We row a lot these days
and he is often cross
with the way I never clean the bath,
with the way I move,
and sometimes
with what I eat in bed -

I know I'll never be
the heartless soldier he knew before
or the gym bunny with two iron eyes,
He'll never be quite as blond
as I want,
nor quite as odd.

But still I look at his silhouette
dark and strange
when he goes for a ****,
and I think,
dear me,
what a marvellous man.
The if and then
Of now and again
Has waged a war in words
Of joy and pain
The sadness reigns
Though nothing has occurred
To beg and plead
Yet not succeed
Can break the strongest heart
Though they tease
The subtleties
Enhance the miles apart
82315
It is the tipping point
the harvest well begun
its end in sight
an early morning
retreated to past
five on the clock

mist lay on
the meadowed fields
observed the pond
held tight to the trees

walking the empty road
camera in hand
to catch the chill earliness
in the far fields then back
through the uncared-for orchard
past the forked-fingered ash
still quite still -
the night air collapsing
as the sun rose

Darjeeling
in the white bone-china cup
a kiss of milk
comforting this delicate tea

and light everywhere
between three windows
our table her gifts
from the shoreline
shadowed hard-edged
whilst the back-lit screen
blinks and waits for words

my story blended from fact
pestled into fiction
itself a background
to a further fiction
from a past in ancient time
where each image described
takes aim at the resonant heart
of every exquisite moment


Eight Sketches in a Notebook

I

into a western sky
the sun finds cloudspace
to enter and set
well above the sea’s horizon
and for a while its rays
glimmer upward onto shards
holding remnants of the day’s
unreflected light


II

not a hut of straw and rushes
on a far mountain fastness
this a walled stockade all but moated
gardened inside its bounds
a miniature railway said to surround
a six-cornered house facing seaward
and towards a lagoon on whose banks
little terns nest from April to June
a mirror of light upon which
the solitary soul might dwell


III

rock guardian
standing
mid-beach

its debris
spilled
to water’s edge

still as still as
no wind or wave
pools dark depths

further out
the sea shimmers
ablaze with reflections


IV

hiding an anxiety of hair
a headscarf blue
and spotted white
reveals an ear
and below a sturdy neck
on round shoulders
her bare arms fall to quiet hands
next to thighs trousered  
knee-length to gentle calves
falling further onto bare feet
stood standing on course sand
at the sea’s murmuring edge


V

here the rock opens
its lips to a kiss of light
but deep inside remains
a dark sheltering secret
blackness impenetrable
wide enough for a storm’s
intrusion of water and wind
but beyond such darkness
possibly nothing
- a closed door
of rock?


VI

from my canvas chair
on the flags outside
the white French doors
this drawing – from where
the garden gate once was
a gap between
the honey-suckled hedge
and the long low cottage
above an ash tree waving
its fingered branches
in the afternoon breeze
fresh over the hill
from the sea’s shore
hardly a mile away


VII

the land points seaward
to an island light
a mile off-shore

on a shingled beach
sliced by the sea’s knife
cattle wandered yesterday

in the mist-driven rain we
sleeked wet as dogs approached
on the headland’s path


VIII

littered the land lies
with interruptions
interventions of the built

past beside present
ends amongst beginnings

complex histories
to delve deeper into
on this northern shore
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