A green pond
In a leafless park
Held with an iron bond
His stagnant equilibrium.

©LazharBouazzi, 5 August, 2018

.ludo savis... play nice... ludo savis... play nice:

i knew the relationship was over when i encountered her ex-boyfriend sitting in her st. petersburg flat drinking ***** with me, no, wait, it was when she started questionning me using cosmopolitan magazine quiz about perfect girlfriends on our way from st. petersburg to moscow to see metallica, while all i wanted was to listen to bob dylan and appreciate whatever rural russia had to offer... beside that? it took me quiet a time to fiddle through and find the glagolitic alphabet, the slavic alphabet before the learned greek came across "my" people, given the romans never venture that far... good luck finding an african phonetic encoding system, beside the hieroglyphs... i won't bother looking right now... not to insult, though: so much for a large phallus megalomania contra envy... Ⰶ: życie (life) is not the half of the caron ž in the form of: the acute... (ź): ździra (don't ask, seriously, the word implies worse than ***** / szmata)... źródło (source)... eh... the one-armed caron (ž)... ź... i can't explain it any further: you need to speak the lingo to keep the "nuance" alive... southern slavs treat the caron akin to ž = ż... how beautiful... given the english language has no diacritical marker application: can't exactly claim diacritical markers using only the automated hovering decapitated heads above ι & ȷ... i'm not english i'm tired of looking up h'america's *******! i don't need not fancy pants to debrief the people i'm concerned with to mind, not giving a **** about them... thanks for your jeans: subtitle made in canada... beside the whole mao shitshow of: made in china.... back in the 1990s! *******... even in terms of music h'america isn't really relevant.. it just is... and "whatever" this "is" is to be, will remain... but only as an r.e.m. ref. pointer, that requires the physical translation of the lyrics: the one i love... a simple prop: to occupy my mind.... fire! the silesian vampire... because... said so... learning about monsters is what i could only fathom, which included me... but, sorry... the glagolithic script... ⰄⰀⰏ: dam... i.e. i will give... fun fact: r.e.m. didn't sell their: it's the end of the world as we know it (and i feel fine) to microsoft for a commercial break.. glagolitic script... where are the africans? oh, right, nowhere when phonetic encoding is turning heads... **** me... even the blind are onto the affair...  i went as far back as the glagolithic script: pre cyrillic, about the same time that the latins incorporated the northern "savages" with applying the chisel to the ᚱ / R... ᚠ / F... copernican "up-side down": why do all tree (beside the pines) resemble a Y shape, a gamma? why did god compensate his existence with opiates?! refresh my memory, though, why am i drawing blanks at african phonetic encoding? **** me, the blind drew something, the deaf too... if you played the guitar, forget about reading braille... you need tender, french, fingertips.... you can't play the guitasr and read braille... mind you... encoding morse overshadows braille... but even the european blindman overcomes the fully ****-naked butter-cup sprinting *** of a black man every day of the week: i'm not here to compensate for a leprechaun's sized *****: mind you... in the hands of a porcelain ***- beauty? everything looks like a hiroshima... i just started to entertain an asian fetish... 4th knuckle mizzing... missing... the most ****** aspect of a female aesthetic? her hand... when *** & the city cited trimming ***** hair (no circumsion, really?), so no asian porcelain hands, no 4th knuckle missing?! i hate what the anglo-speaking world has become, it's this, this, this quasi-Islam.... at least i respect the Quran... but 1984, by the secular prophet of the western world? why do people still calling it: silicon vallyey... it's a ******* curtain, smart-you not seeing the replacement mechanisms of the silicon curtain: now wow... ******, where you're getting-to-go get from? any ideas?! a tehran baza?! ******. 1960s homosexuals fiddling their way past the tunis police, happy? loitering sucker-****** pansie? again... entertain me... where is the african phonetic encoding system... this is my "i.q." avenue masterpiece... i don't care about i.q. but a ******* blind man beat the african at phonetic encoding... personally?

one just simply falls, tired of the right-wing momentum regarding beauty, it's such a bothersome crtique of its generic foundation if beauty..... i hate it, this objective classicism: back to the future take no, 4; *******...

             again, where were the africans sorting
out their invetement in the slave trade...
ONLY WHITE PEOPLE
WERE BAD, CONCERNING BLACK PEOPLE...
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin ....
******! please!
ever see an african-h'american in africa?
   ******! please!
ever see an african-h'american in africa?
i said: ******! please!
ever see an african-h'american in africa?
i'd love to see an african-h'american
in africa... mouthin-off their stature...

                   african phonetic encoding....

debussy                                       chopin




satie                                              schumannn...

­and?
              there's too much of loon'don....
                   had enough of it, ****'s....
too much ***-kissing,
too much of the h'american swindle...
carelesss buggers; these brits...
******* ****** jolly-tribe
               ****-ups....
  
i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

oh sure sure, the uncircumcised man,
crucified when all the orthodox were
drunk,
                   פור day,
       drunk cruxion?!
                 lovey purin "misgivings";
what's next?

   oh sure sure, the jews would hav e crucified
me on the hill of: tel megiddo
****-heads throwing up their kippahs
into the air in some skewed form
of celebration...
       like bacchus entering
Valhalla asking: where's the mead?
    i've had too much wine...
where'y the whiskey?

   i'll keep repeating...
              talk about jews among the polonaiase?
hush hush: ****, dont want to bring
bad luck... jews in poland are very much akin
to roma gypsies: lucky charms...
but... do you see any ******* leprechauns
around? look at me: i see none...
  let's tell the joke in verse,
not the stadard: a priest a rabbi and an imam
walk into a bar...
****... is that even a joke?! muslims don't drink!
what's the imam having; cranberry juice?!

and englishman a scot and an irish walk
into a bar... the three of them walk
out on stag-duty with inflanted sheep and
speaking cymcru... terrible joke...
as all my jokes were to begin with...

         i am currently navigating,
my uncle's ex girlfriend is sleeping downstairs
on the couch,
blah blah Tuscany... blah blah prosecco...
i'm becoming suspect: she's a gemini,
isn't she? all the geminis i ever met where
extroverted self-absorbed louis XIV types...
they need to, they need to self-absorb themselves
in order to extract the sort of energy
associate with rhetoric,
   and how they constantly digress,
there's always a sub-plot to the plot... nay,
there are always sub-plots...
          great company, i mean...
when a person speaks all the time there are
no awkward moments of silence,
until the said person tells the "eager" listener...
play some music...
she's a warsaw girl, so she's a pretty learned
in the ways of the world,
i'm just an ostrowiec commoner...

    oy vey! oy vey: she'***** 40 and lamenting...
i too complain about my uncle...
she had an abortion with him...
i once talked with my uncle about music
while he surfaced at mrs. roshandler's back garabe...
we ate sri lankan fried chicken wings and
chips and listened to californication
for the very first time...

   abundance of hope in Tuscany...
"apparently"... but if you have ever watched
a woman, borderline on asylum incarceration?
i was looking at one just example...
  it's not a pretty sight...
even when she asked: how's *** and business?
i'm a monk...
          or at least i tend to...
even if she came from a stock of
failed relationships: fine fine...
            now?

i served up decent food,
a malvani and a tikka masala curry...
          naan bread,
     turmeric infused rice,
vanilla cheese cake with strawberries...
she enjoyed it,
i like to please people...
    mind you: ever see a slim chef?
i wouldn't trust a slim chef,
i never have, i never will,
you need some chubby chub chub rounding-offs...
mind you: i much prefer cooking
food than eating it,
but i would never trust a chef associated
with a c.o.d. associated with counting calories...
never have, never will...
two noteworthy proverbs:
1. too many cooks in one kitchen =
no decent meal is being made...
  one cook, one couldron, that's your best bet...
2. never trust a slim, athletic cook...
those ******* can shove their kale
       smoothies....
they can slurp up those smoothies
turning their ***** in straw ******* vortexes!
i'll cook on lard trimmings,

em....
  [9] - [2] - [6] - [3] - [8] - [1] - [4] - [5, 7]?
that's when the sudoku puzzle was filled...
all the nines... all the twos... etc. became filled
in the 9 grids...

well...
     "apart" from: my uncle's girlfriend:
i've been living in englamd
for nearly 30 yeasrs...
i've dated a french girl,
an australian, a russian....
but u've never dated an english
girl: i guess they much prefer
aged pakistani grooming gang
members....
            i guess:
**** gasoline on them,
they're all readied and geared up!

braille contra morse?
if you want to play the guitar?
forget the braille....
you need tender fingertips
to read braille...
morse? nit so much...
here's a comparison...
i see!

    a.:   ⠓⠑   ⠺⠓⠕
                       ⠎⠑⠑⠎
    ⠊⠎       ⠁⠃⠇⠑
                   ⠞⠕
                                     ­   ⠗⠑⠁⠙

b. play the guitar and learn to....
read finger tip braille, ******....

· · · ·  ·         
· − −  · · · ·  − − − 
· · ·  ·  ·  · · · :
                  · ·  · · · 
▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄ · − · ·  ·  (a / b)
      −  − − − 
                   · − ·  · ▄▄▄▄▄▄▄ − · ·  (a)

(he who sees: is able to read)...

           i can attest...
             i would find myself readily reading
morse in braille,
than braille by itself...
                far more easier.

finger-tips... i'd sooner read your morse
as braille, than braille as morse..

As the shape all sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through the descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Sweet Moon to Sweet Lake
would come, unannounced,
In the rays of the nightlight
of the fluttering night
to watch her self
shoot
the scene
of representation.

The river, now swimming
in his own water,  
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure all sun appeared ,
reason melted;
imagination
her hazel eyes opened.

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
© LazharBouazzi, June 16, 2016

Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey

As the shape-all-sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through his descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Through the flutter
of the midnight hour
Sweet Moon to Sweet Lake
would come, unannounced,
to watch her self shooting
the act of representation.

Now swimming
in his own water,
th river
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure-all-sun appeared ,
reason melted;
imagination
her hazel eyes opened.

© LazharBouazzi

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.

I waited for my son
In the airport today.
It was fun.
It was fun crafting
A poem on the run
As I checked faces and
Metaphors - one by one,
Asking them all: “Is a
Poem a loved one -
Like a son -
Or is it just a pun
'On that which is done'*?”

©LazharBouazzi, Carthage, TUN, March 19, 2017

A beggar I once met
At the port of La Goulette
Greeted me with a nod
But he spoke to me not.

A beggar I once met
At the port of La Goulette
Made me wonder all night:
What's a beggar who beggs not?
c) LazharBouazzi
*La Goulette is a seaport town in the northern suburbs of Tunis.

1463

A Route of Evanescence
With a revolving Wheel—
A Resonance of Emerald—
A Rush of Cochineal—
And every Blossom on the Bush
Adjusts its tumbled Head—
The mail from Tunis, probably,
An easy Morning’s Ride—

Come, my darling, let us dance
To the moon that beckons us
To dissolve our love in trance
Heedless of the hideous
Heat & hate of Sirius-
Shun his baneful brilliance!

Let us dance beneath the palm
Moving in the moonlight, frond
Wooing frond above the calm
Of the ocean diamond
Sparkling to the sky beyond
The enchantment of our psalm.

Let us dance, my mirror of
Perfect passion won to peace,
Let us dance, my treasure trove,
On the marble terraces
Carved in pallid embroeideries
For the vestal veil of Love.

Heaven awakes to encompass us,
Hell awakes its jubilance
In our hearts mysterious
Marriage of the azure expanse,
With the scarlet brilliance
Of the Moon with Sirius.

Velvet swatches our lissome limbs
Languid lapped by sky & sea
Soul through sense & spirit swims
Through the pregnant porphyry
Dome of lapiz-lazuli:-
Heart of silence, hush our hymns.

Come my darling; let us dance
Through the golden galaxies
Rhythmic swell of circumstance
Beaming passion’s argosies:
Ecstacy entwined with ease,
Terrene joy transcending trance!

Thou my scarlet concubine
Draining heart’s blood to the lees
To empurple those divine
Lips with living luxuries
Life importunate to appease
Drought insatiable of wine!

Tunis in the tremendous trance
Rests from day’s incestuous
Traffic with the radiance
Of her sire-& over us
Gleams the intoxicating glance
Of the Moon & Sirius.

Take the ardour of my impearled
Essence that my shoulders seek
To intensify the curled
Candour of the eyes oblique,
Eyes that see the seraphic sleek
Lust bewitch the wanton world.

Come, my love, my dove, & pour
From thy cup the serpent wine
Brimmed & breathless -secret store
Of my crimson concubine
Surfeit spirit in the shrine-
Devil -Goddess -****** -*****.

Afric sands ensorcel us,
Afric seas & skies entrance
Velvet, lewd & luminous
Night surveys our soul askance!
Come my love, & let us dance
To the Moon and Sirius!

There is never new and there is nothing see old
The sky Of Tunisia,  easily I can fold and unfold
In a notch of  eye sight like  magnificent light
Yes, Sometimes a day and many times in night

leaves are waved and stars a glowing in dark
They has given me absolute and divenly spark
Everything looks delighted  as an eternal ray
Tunisia, my faith is stronger then previous day

What a dream, a poet  can see you almost free
Can see the Monastir, a capital of world poetry
I do feel pleasure in a beach at wonder sunset
You are my Mediterranean sea is really great

Smell of silence  are spreaded from the south
Sahara ! travellers way, dessert of thirsty mouth
No water, Dust is whiffed  that freedom of ridge
Tunisia ! A soft sister of Egyptian Sandy breeze

Douz, a town at Sahara's edge for camel ride
Which is kept Romans gallery, nothing to hide
Serene cloud on top witnessed of Arab Spring
Men of Tunis proved by revolution none is king

Oh my sister ! I salute you for full of orbed glory
An amazing love of solitary, a successful lorry
At the time of grim sand storm whirled a while
In obscure can move with poem mile after mile

Tandis que l'étoile inodore
Que l'été mêle aux blonds épis
Emaille de son bleu lapis
Les sillons que la moisson dore,
Avant que, de fleurs dépeuplés,
Les champs aient subi les faucilles,
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Entre les villes andalouses,
Il n'en est pas qui sous le ciel
S'étende mieux que Peñafiel
Sur les gerbes et les pelouses,
Pas qui dans ses murs crénelés
Lève de plus fières bastilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Il n'est pas de cité chrétienne,
Pas de monastère à beffroi,
Chez le Saint-Père et chez le Roi,
Où, vers la Saint-Ambroise, il vienne
Plus de bons pèlerins hâlés,
Portant bourdon, gourde et coquilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Dans nul pays, les jeunes femmes,
Les soirs, lorsque l'on danse en rond,
N'ont plus de roses sur le front,
Et n'ont dans le cœur plus de flammes ;
Jamais plus vifs et plus voilés
Regards n'ont lui sous les mantilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

La perle de l'Andalousie,
Alice, était de Peñafiel,
Alice qu'en faisant son miel
Pour fleur une abeille eût choisie.
Ces jours, hélas ! sont envolés !
On la citait dans les familles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Un étranger vint dans la ville,
Jeune, et parlant avec dédain.
Etait-ce un maure grenadin ?
Un de Murcie ou de Séville ?
Venait-il des bords désolés
Où Tunis a ses escadrilles ?...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

On ne savait. - La pauvre Alice
En fut aimée, et puis l'aima.
Le doux vallon du Xarama
De leur doux péché fut complice.
Le soir, sous les cieux étoilés,
Tous deux erraient par les charmilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

La ville était lointaine et sombre ;
Et la lune, douce aux amours,
Se levant derrière les tours
Et les clochers perdus dans l'ombre,
Des édifices dentelés
Découpait en noir les aiguilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Cependant, d'Alice jalouses,
En rêvant au bel étranger,
Sous l'arbre à soie et l'oranger
Dansaient les brunes andalouses ;
Les cors, aux guitares mêlés,
Animaient les joyeux quadrilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

L'oiseau dort dans le lit de mousse
Que déjà menace l'autour ;
Ainsi dormait dans son amour
Alice confiante et douce.
Le jeune homme aux cheveux bouclés,
C'était don Juan, roi des Castilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Or c'est péril qu'aimer un prince.
Un jour, sur un noir palefroi
On la jeta de par le roi ;
On l'arracha de la province ;
Un cloître sur ses jours troublés
De par le roi ferma ses grilles...
Allez, allez, ô jeunes filles,
Cueillir des bleuets dans les blés !

Le 13 avril 1828.

Take me to the xylographs of Tunis
Where silken shades of colour  
Dissolve and reassemble  

Take me to the white veils of sand
Along with Elysia
To the oils of Giverny scented with
Climbing roses  

( I want to touch them with my fingers)

Take me to the orange rows of Laos and  
-further away-  let me
Into the magic Australian Outback

( I want to count how many dots exploding  
The picturesque of Aboriginals)

Take me to Berlin before the curtain on
The Night
To the peripheries of the world

( I want to look in the eye the eyes kept prisoner by Time)
Then let me into the remote echo of the invisible squares

I miss Marseille,
today,
though I can still see her,
I know I'll soon be on my way.

The dusty rock,
the hills embrace her,
the wisps of mist,
I miss Marseille,

her way, an understanding that:
if you can't, you don't pay -
prix libre they say -
associations of the worlds strays.

I miss Marseille
and hearing what she has to say,
on walls, from squats,
saying what's often neglected, forgot.

She's frank and clear
and has time for every kind of queer,
I long for her to lead me astray,
to change; I miss Marseille.

Always. The Sun,
the passage of the days,
anticipation at reaching ever corner,
a confluence of culture, Marseille the forum.

Tunis, Algiers; I can smell
the North of Africa,
hear the sails of all the boats
that traffic her,

I see them line the shores
of every bay
that twist and turn along Marseille,
Swigging from my bottle of beaujolais.

****, I miss it.
Just the thought, I can barely resist it,
I could pack it all up and leave today,
For Le Plein, Cours Julien, For alive Marseille

It belongs to all it's people, to us
and if you try to take it
watch the fuss,
the fury and the disorey,

****, I ******* Love Marseille.
Everyone's on the cusp of Love & Hate,
either knocking on or burning down the gate,
all indulging in their collective fates.

Now, a Picon beer with a slow sunset,
please know, I have not one regret,
just lessons from my passions
and ideas from everyday chic/schlague fashion

I will miss your elevator kisses,
your smile in the stormclouds,
the lightning,
so exciting and frightning.

I loved it when you hated something:
The tourists, Men suffocating the street.
I loved seeing how you could eat,
you will always be an inspiration

So, it will be fine, okay?
So long, Marseille,
with your West facing bay,
you are forever blue in my memory, never grey

But, I will miss you, Marseille,
and that's okay.

Poor man, in recognizing his own wretchedness sole
Upon the Plains of Tunis, and the pillars of smoke

His enemy obliterated from the earth
But their soul,
Not so.

Rome, his daughter, to one day be given to the field
To be cast as coin and
As a slave, sold

The gift of Scipio's victory
Fades unknown
as the iron fence on the gates
Pounded by salted airs
And lost to bitter seas

Or the broken spines of buildings drenched in sanguine pleas
Of the demolished, pitiful
Defenders of brooding earth.

But do not despair young Scipio!
Your tears need not plant themselves upon these sands
And sow these seeds of eventuality

Rise your Saber and shield, order the command
For the sake of love and power,
For the glory of your state

Be proud, you great Achilles, ye servant soldier clean,
Wash the blood beneath you, and give to them their deeds

These men who dared defy you, your presidential will,
The men who walked beside you, who suffered every ill

To them you make this pact, to them your will enact--

To them your curse betrays you, to kin and king exact.

i was aiming to sort out some computer
details outside the realm
of the corporate world of hierarchy...
something like that...
talking to a 56 year old kazakh in
romford: about the turks and the mongols...
about giving up smoking (not really):
and how i am addicted to carbon
monoxide while he is bagging big chews
from the nicotine gum: fiddly fingers
and something akin to peeling carrots
and power-tame-toes!
fiddles for foreskins...
in this one instance i am... beside buying
into... "the narrative"...
a crown descends...
   a crow is the equivalent of crown:
phonetically: in greek... amore...
                  the rest of the day completed
itself... with me walking from
Chadwell Heath to Romford...
marking my feet on a shortcut through
the green belt...
the traffic noises died...
i just stood in a middle of a field
the vikings might have envied...
no no no...
   the blistering azure piercing breath
and making me embody a loitering of a soul...
three birds of prey...
how is it... that birds of prey rarely
flap their wings... they... just... hover...
impossibly perfect...
they hone in on something...
circle around and around
like a vultures' manifesto...
     i was waiting to see the dive
but i didn't see it: not out of impatience...
i was in a secluded partition of england
yet i was still attempting to buy a bicycle
in Chadwell Heath -
i looked at myself not looking at
anything prior...
this solitary whitey:
i don't mind the remark...
thank god the slaves of colour want
to either see no colour or... too...
the hues of copper, cinnamon...
      teases of cacao...
                           a cuban ****...
                so much was poured into
a runic revision -
    best: an invigoration...
                    toothpicks for words:
an arithmetic of my teeth...
        i am beside myself welcoming
the intrusion of "minority":
perhaps in little ol' removed Swansea -
i am the lord mayor the city might
need me...
   in somewhere like Chadwell Heath...
buying a lion white chocolate bar
is perhaps sub-cultural -
the same old pauper of what-a-load of
violins bundled up on a bench
by the church... a last imploring gesture...
drinking that gorgon's blood
of a dutch equivalent of carlsberg's
spezial broo (or -ew)...
          on these isles: these bright and beautiful
isles:
you can't "sell me": the irish are still
speaking... english?!
the irish are not speaking gaelic -
my god... this terrible hammer from
Lincolnshire -
     when and as to how...
the Welsh took it upon themselves
to become this sacred heaven of bilingualism -
so much for learning Dutch -
or... Bel-ge-an -
  Flemz? Flimsy Choc-a-Block...
       choke on a tired rubber of a tire...
stage a newbie ***** flick from
the dungeons of **** Bruges...
or some ***** / wide my pony: rha rha rho...
that the Welsh still cling to a tongue:
spirit pairing:
of the Polacks under the geography
of the third partition...
of the czechs under the habsburgs -
          history as a fetish...
no... more... "natural selection" beside
the already prescribed antics of ape ****
and meteor... and time impossible...
to have... selective historicism...
naturally?
             that "we" are at a stage where
something is deemed necessary - otherwise not...
but then again it's not...
since: who the hell will remember "us"?
i drink... but i also write...
i guess the writing is more of an exercise
in amnesia than the drinking -
the drinking helps: in that i am more blunt,
boringly honesty:
un-spec-tac-ular for the best...
  i just can't imagine myself writting anything
worse than a journalistic tabloid
palette will allow...
    sure: no rhyme no river for a narrtive:
concretely focused on an (a) through to a (z)...
pay... i guess the concept of
pay is showing through...
          well then... my whittle hobby:
my whittle: it can become impossible -
that the secular niqab
   will not protect you from the stench
of old goats' **** in a public toilet -
the solipsism of farting in a cogested
public "picturesque"...
to have to believe in both narratives:
the mainstream of lies and these -
offshoots of the best / better informed...
my little paranoid agenda is no
agenda... but enough of my beard
shackles a: thorough "through"...
red is longer a bull pointer antagonist...
up could be a down...
but it's not that: well... it is...
that people made a constituted forward:
towing - best kept replicas...
how could it be possible to procrastinate
a diminishing of transcendence:
that freedom is already a pork-pie glutton
and constipation...
"think-tanks"...
      tanks... ego rifles?
      shoot the dummy... play the cerebral
palsy mannequin tossing...
the utopia of hyperhondriacs...
a diaspora of polacks and the greeks...
that the machinery has been
well established... that the machine has
been well oiled...
and is "econimally" sound...
     gentle rub rub gentlest rubbing rub-up...
and down...
and my flesh this least copernican
crux... which has not orientated
itself around either sun, star...
earth or moon...
          
            expanding cycle lanes will
not bring about a new dutch republic...
nor will i sell a pancake for
the purpose of levelling the himalayas...
this brittle conundrum of bogus...
two narratives:
alter-alter -
what-if and... what-if...
                but red's not red:
there's no shawl for a hemmingway
for sooner last:
for a Catalonia...
to romance the world afresh...
but now there's a McDonalds in
Stockholm: future knowledge...
a globalist ghetto -

how the joke that  was once
Sweden is no longer...
this same... cyclops of culture mantra...
of lore: Sveeden: "so tolerant"...
and now the world and no...
this is not a world...
based on the focus of scrutiny
of a world: no... there's
no heidegger's dasein:
there's...

the magic trick for the masses...
which is much more spectacular...
and how willing there's a dulling of perception..
i am of the custard pie...
i am the custard pie...
            
              hiersein: "there" or "here" of...
ahem...                wohin?
that word comes with a question puncture...
you don't actually use the word:
where... without a question mark... no?
you can compound a complexity
akin to heidegger's with: here-being
alias "concern"...
well then... the solipsism of: "over-there"...
a pointer... it's a lack of reconciling the masses
with any ontological... "scrutiny"...

plus up: ++++ pardons for:
blistering of and this leftover scab of narrative...
before the double knee of
b.l.m. and beijing -
now... best left with fighting the nazis...
i'll say it outright...
best left with fighting the nazis...
best fighting a well attired SS-man
in some hugo boss suit...
of pristine khaki... grey or black...
but no... not now...
dulling of suits...
              
   now i'm on par with the argument:
i want nazis! i want to fight nazis!
oh... wait... they're not blonde...
or german or... believe me:
they could have hidden in the Crimean
peninsula...
             but no... but not now...
i want to fight: the *******: good-luck
joke of history...
but this evil is so bland...
it's so terrestrial...
   the same mundane evil coupled
with my own terrestrial existence probing
of conversation / no argument...

the Welsh still speak: "Welden"...
   Velsh... in a climate where... the union
jack is looking up the h'american *******...
but the scots but the irish don't retain
their ******* gaelic...
good for you:
like a nuanced slang of the english cricketer...
tourist... hello... world...
tourist... hello world...
               my now new reality:
legal immigration this little ******...
this no burden of a Ruś -
a warraring burden from a scent in the air...
that there's no concrete:
sulphur stinking zeppelin ruining the skies
at: come night... come lazily this lost day...
this lost day...

once more: when st. patrick met up
with a mule that became
a farce and a ghost-face
of sitting loiter:
anti-saint: humpty-coŁal-sky-
             dumps a truce...
valiant against the propaganda cogs
and blockages...
the retorts of the salvaged plumber...
my new authority: my lost authority...
F'f'f'f'fever pitch for a hannibal...

Carthage must counter: euthanasia...
me best sold "neuter"...
that there is an unconvincing this:
bias this base...
******* on a whiskey soaked
cigarette...
that a guinness can only be drank
from a glass of a measure of a pint...
don't blister me with
this and these details of a gargantuan
t'is... i want a poetry on the basis
of future: dead...

            ****-soaked revelation
of a brick willing: to sell a "hybrid"
sorta-glue: a congestion...
           this my sacred ****...
my tongue this lesser oyster -
      a skull that cannot fathom
   the jaw line...
      witness my own very little...
my leisured attention span...
no new no wriggling of index
as the best pickled earth-worn...

              habitually: a shirt worn
to expand upon an objectivity for
the tow of a shirt with...
creases...
this lesser ambiguity of
a prompt that preserves itself
with a: lost project of ambiguity -

that we somehow accepted
a new, a nuance... a blister and a heaving...
catterpillar dues...
count! count the arithmetic per-take!
back in the ***** of mother russia...
little people do little things...
big people do: crab load of ****:
this sort of philanthrophy...
because: aghast...
the mistantrophe is the next
best fang...
like chewing gum and mawler
of a fake tooth:
my best kept bones...

              heritage of radio and a ******...
but, once upon a time...
my little overt detailing...
romance mr. marshall this little
casablanca and my own tunis -
chasing shadows with
a little insy-winsy spiders to tow...
my own cob...
my own prague pangs of summer
that they are still:
the cobblestones to resound
with horse hoofs...

the last... lost... project...
to have to rejuvinate the revision
of the roman empire...
that there was no james joyce's ullyses
from 200 AD...
there was an old greek in
the new greek in the byzantine choral
chant...
     goody-goody-fwyfays
2020 my lost year...
the year when i begged for a slack:
a diminished point of a pair of *******...
how sober somehow worked...
that drunk was no new sensible...
doubt and its plethora of all the least
possible jargon of emotions:
a McDowell a McCurieal...
   a Dot MacKenzzies...
a lord assumption of surnames that:
there was no ever...
Hogwarts of the choicest of godfather
names... when this blessed babe
of the agony srap..
this tendering of bones...
          my little mongolia...
a variation of Kiev that could expand
into Ukraine...
                       but: ah... now...
a little chisel of england or...
aa bandage off...
this whittle hinter of big bypass flyover
most pristine:
utopia h'americana...
                          Boston bleeds:
Chigaco sort of... fakes...
on the cackle of a letter...
gate? i say... Gate?
      shique: cack: ago: co: go...
no "lord assumption"...
my lord this same ***** diary
this rusty panser..
                                 and i have
to somehow embarass myself
with a "belief" in a... god?!

                  of the non-exisstence of
a god among "sensible" people...
this little deity of transcending...
my quest for a satanic project
gorgon...
         stashed up conjure:
of.. the death-litany...
my own explanation...
            my own little wording that
has to arrive at a...
******* and a variation of hues
that borrows from green...
blue... and the mediating...
              hard-world-of-grey...
this my loosening of tendons...
the easing of muscle to tow
some fat...
my new: hammering...
chicken shackles...
rummanating the lost
ordeal of the perpliexing *** ordeal
of catholicism -
time to *******! time to!

my best pointers:
corpus christi:
we did start off with cannibalism...
we did start off with cannibalism...
metaphorical?
was it ever really a posit of
images that were only read by braille
sooths?
christianity is a cannibalism...
it's so hertbreaking that:
there's no god or an infinite man
of the little things to make
a composition of polyphony...

i can't read into a jesus when there's
the cannibalism:
a "metaphor" for a metaphysics...
a death of poetry: hell...
**** me for the necessary death
of rhyme...
            now "jew" like any basic
posit of a yew...
    prior to the real established
scrutiny of a nation-state...
which has to be fathomed
with Israel...
the hebrews have finally found
their: woke and roll...

           the jews were excused from
towing along to the crucifix...
and when all was done...
and this new camel jockey prize...
king crimson...
isn't cited: unless in the spanish circles
along with portishead...

i have desired this blatant death
that it might contend with Barcelona...
or a sequence if a brothel
from Bulgaria imitating throttle Thailand...
my little ex-girlfriend...
come 5am... and it is still
oxford st. and a flagship wake-me-up...
this old leveraging London matters...
i am but the sharpnel of words
that cannot possible reproduce:
brick-top sensibilities...

my litter interludes basket of futurist "what if"
existences in the Bedlam of epitaphs...
i might have been crowned the prince
of Anjou...
   i might have cradled the thirds
of the third crusade...
i might just as well be the beggar from
the annals of history making journalistic
progressions... to sow: death... to tow...
belittling creases of lost
adventures... creasing the skin prone:
proof... a detail of a scalp that's not...
  em... retail... wigs...
                          you wanna make me a glutton:
fist based... there was no turmeric involved...
the "convenience"...
yes... a bone-ah-tomahawk...
  my best attired cannibal...
it's such a taming project...
i want to be chemically sedated by disproofs...
but then... i am...
squandering what little i have
of romancing russia...
or thereby greece...

  this is the part where i try to borrow from
a differentiation of...
second from last:
stream of borrowed cocktails...
or...
my best screaming streamer -
i nice unto you...
you...
no... i very much like this cul de sac
of: i nice unto you...
why? the work invites no
technicality that can be
detailed into a trans-generational...
my last Epicurus joke...

crease a child an ultimatum of
competition...
conjunctions of grief...
not biggest thank you...
i thank you as to why
i... not because i wanted
to drink...
sober people are splits and
just plain boring...
towing toes to tango:
no game of twos...
sober people have no...

   my best tomato ketchup fake
blood load of argumentation...
bias / basis...
generic *******...
cause no happy bride:
was ever to be prized...
or prided..
my little gimmick wonderland
of a shtick...
no thank god i never married...
thank god i toiled around
with...
bread-knit...
and... cuneiform woke...
best kept islam: a foretold
variation of agriculture...
the plantation ridicule plumber of
eastern european choice:
****-dumbdumb...
dies with... incorporated
neu-Birmingham...
******* polacks...
too proud to think they could replace
us *****: first prized Pakis...

ahem... yes... what?!
this be Westminster...
tax haven collector's bias?
do i have a face that might coincide with:
i had...
but right now?
no... i couldn't give a tonne's load
of ******* to mind
it being a copernican: first invoked
sort of... affair...
savvy?!