Keep the lid on the coffin tight
Gay Paree on a hot Summers night
Plans are laid, secrets kept
Mr. Mojo whispering

Call the witness to the stand
The only one left is Pam
Took the secret to the grave
Mr. Mojo whispering

Count out loud now 1, 2, 3
Janice Joplin and 2 Jimmy's
Pay the price to the Bar Keep
Mr. Mojo whispering

The pain he felt, could not accept
Mojo Rising has up and left
Final countdown, Jimmy's free
Mr. Mojo whispering

Learned to rhyme the darkened times
All of it inside his mind
Lived and died his poetry
Mr. Mojo whispering

Has anyone seen my mojo
I think it ran away
I just can't find it anywhere
I've looked for it all day

I even looked in under the couch
Where my shoes will sometimes hide
And when I told my wife it's gone
Well, she broke down and cried

I looked behind the refrigerator
It's been there once ot twice
I've even found it a couple of times
Just chillin' with the ice

I looked behind the microwave
Cause my mojo's really hot
I thought that it would surely be there
But I'm sorry to say it's not

I looked behind the recliner
Cause that's it's favorite chair
But once again, to my dismay
It simply wasn't there

I went into the bedroom
And looked in under the bed
Nope, it's not under there either
So I stood and scratched my head

I even called 911
And told them of my pain
They told me not to call again
And said that I'm insane

So if anyone finds my mojo
Please send it back or call
Cause a man without his mojo
Is barely a man at all

before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

I'm leaving Carly's place after an all day ****** that had me convinced that paradise lay in the legs of Nate's sister wearing a unicorn onesie, and as they put on Sgt. Peppers and lay there the ****** freudian passion play overcame my capacity for archetype observation and I proceeded to walk around the room thanking everybody in that space and time for the gift of starting the **** with Nate's sister, the beat changed and they turned on me and said I needed to give her space, they all became timeless aliens traveling through time to **** and I was one of them coming online in a loop, and as long as I stayed awake I would remember and not be *****. I sat cross legged holding my friend sams hands, looking into his eyes, saying aloud we're creating the universe constructing all as the three smartest people of all time, forever throughout we died but never died, as long as we could stay awake, they all wore red and I couldn't trust any of them, I fired off mad questions and demanded to know the secrets of the universe and why woman wasn't the answer, I called up to nate to bring her down to me, and generally became a raving lunatic
      after some time of sam being soulmate and accepting him forever as my lover self same image, and also calling him ugly as im ugly, then channeling Brittany through him and countless other regressive exercises, we started inhaling nitrous gas, and the world became one stretched out moment
       and I kept calling out before, all the way up, as it were the secret spell with a handshake to fool the devil
         I thought Nate a mad spirit habituating this plane as a long gone failed hero plagued by the madness of wanting to **** his sister and forced to watch all his friends be aware of their own lust, so that pushed him into clowning, which he is an expert, that primal lust took me up and id taken a holy mandate to **** this beautiful creature and ascend to paradise,
when they slipped her upstairs they left her rainbow onesie, i felt heaven become another step remote and my faith tested, I resolved to be the last awake and never die, I walked up to the attic, and saw the light beaming from the window


            Sam dropped me off at the press grill so I could eat some grub,
then I met up with Tyler for a drink somewhere while he told me his story of meeting a guy in a skyline chilis bathroom drunk at 3 am, he said the guy was standing at the ****** but wasn't *******. Ty asked him if he was done and the guy put Ty in a chokehold with his pants down, according to Ty the cops came in and he was putting clean shots into the guys mug, he is contemplating leaving town before they can indict him for felonious assault, I told him Canadas nice but Venezuela doesn't have an extradition treaty, come to think of it neither does Cuba, but Ty is too proud for that probably
   anyways we meet Carly being a dancing beauty in a high falootin joint with string lights called Julep, the only reason to mention it is because as we were leaving a guy was bent over the rail vomiting and looking wretched he noticed us watching him as we smoked our cigarettes off to the side and immediately decided that he wasn't some kind of side show freak to be gawked at, he became threatening in the most base and pathetic way a human can, and his bride came to tell us to ******* with her father, father of the bride shaking my hand, we eventually left that scene and walked to Oddfellows where I saw Sam Cohan and he bought me a beer, good chap, we talked until I stepped toward Carly, Tyler and a fine looking strange *****
I touched Carly and received an awkward unmemorable introduction to the strange *****. She walked away but lurked and locked eyes with me as the evening rolled on
later Carly told me that the girl demanded to meet the guy who looks like Heath Ledger, a sure fire ****, so Carly is grinding on my **** and my backs to the bar and Tyler already got me a beer, and there I was, a pirate king
I took Carly out after the lights came on, and was going to give Tyler the run of my place, he disappeared into the night and I showed Carly my favorite smelling tree, a pink mimosa still in bloom late July, we almost ****** on my car, until I went back to her place and we ****** until $430, rising at noon, I left telling her we had an hour to get ready to journey to Findlay for Jim's wedding
I showered and brushed my teeth and collected my suit and put it on without a tie
I picked up Carly and set out upon the road, but made a quick stop for a bite
two deaf guys ordered in front of me and the kid working the register said my glasses were cool, along the way I was telling Carly the story of how I wore make up for the first time to a middle school dance, and she said she had to *****, I didn't believe her at first until she tried to stick her head out the window half way rolled down, I managed to get it down all the way and wet streaks of human gut waste caught the wind and splattered my window
we pulled over and I went to get her some napkins to clean herself off as I squeeged the car, she tried to wipe the window with the napkins, sweet girl. The wedding started at 3:30 and we didn't have more than five minutes to spare, she found her vape pen 20 minute out as Heather started to send me worried messages, as I was set to read a passage, little did I know that I was leading off the whole affair, I arrived and was quickly rushed to meet the mothers and have a boutonnière pinned to my lapel , the women all looked stunning and I congratulated each in turn as they shoved a program in my hand, Tiffany took me through the drill, we walked up to the stage and took our places on the bench, looking out at the beautiful shining faces,


I was the only one not wearing a tie, but thats not important, I saw Jim and embraced him with all the love I could muster, he looked at me and said that he knew I would make it, that he knew that he just had to trust the flow, and I would appear in the nick of time, the pastor threw his hands in the air and welcomed the families, the mothers lit candles, and then Tiffany looked at me and said that it was my turn, I stepped up to the Beema and gazed out over the crowd, trying to summon something clever, nothing good came to mind and so I opened my mouth and said, "a reading from Genesis" and then put every fiber of my being into reminding the room that it is Gods will that we be fruitful and multiply. I'm told I slammed my hands down for emphasis and let out a hearty amen, a man's man's amen, and turned and took one giant step off the podium with two baby stairs, I gracefully flowed into the bench having averted a complete embarrassment, and then tactfully left the stage with Tiffany after her read.   Jim looked at me after mine with a nod, and I said the word strong, that read cemented my status as a star of the party, and the mojo flowed, I was called the cash guy by the hotel, for checking in as Atlantis Grosshammer, $200 depost, we drank and danced and an old lady came to me to say that I have a beautiful soul
I thanked Jim's father for helping to create my friend, and danced around bottles
the cake was good
I told Carly I always catch the brides garter, at every wedding I've ever been. I saw Jim's men assemble for his toss, I let the men come and put myself in the mix, Jim turned his back and had a misfire,
the temptation to collect it passed all of us by thankfully, and he was set to fire again, it came to me and I snatched it out of the air, cold as ice I walked off the floor only with eyes for Carly not even saying a word to Jim, I put that thing on my head and went back to Jim threw him on my shoulders and swung him around like we were in a broadway musical
two kids playing in the street,
he said its the best moment, and so it goes

I lost it
I lost my poem mojo
Thoughts piled higher than an air balloon shaped like a kite
I'm scrawling all over the page
Just to say what is near the tip of my tongue
But...Air
And only air is escaping my tongue's grasp
So the page ends up balled up
Spread into a crumble onto the floor
My day rinses and repeats
With my sprawlings traveling to the door

at what point wasn't it a way to bypass
the editorial scrutiny...
to directly engage with a reading
public...
why did i think this might be: any good?
i guess i only thought:
i need this out and i can't stash it
like a corpse...
into some damp cellar... like a morally
relativistic monstrosity of a sociopaths'
analogy of: "feels"...
   well, no **** Sherlock!
how i made the following reply...
is beyond me:

- believe me... i had more to write but i felt a sense of restraint... i'd like to see what a terse reply would make you focus on... so i'm scrapping the concept of handicap: heads up... now it all depends what you'll be choosey about... or not... because there's plenty in you reply i could quip about... well... then again: is being witty synonymous with being satirical? i'm not for intelligent / condescending humour on my part... personally i love the dryness of sarcasm... but then again: what's to like about the bluntness of nail-heads? just my take on... what exactly not to like about schadenfreude (what's not to like about schadenfreude)... i'd much prefer a humiliation of a leather gimp suit... so it seems: honesty is the best joke in play... there are too many stereotypes in England too... the best one i heard was by my Glaswegian english teacher in school... ahem... how was copper wire invented? two Scots arguing over a penny... like the stereotypical arsenal of deciphering the Jewry run wild in the realm of the gentiles... with the Scots... being our prized asset of: reverse stereotyping... i guess because knowledge of poor Hebrews is either a mystery or taboo... worse still... a mythology... and here i promised myself restraint... yet i'm experiencing something of a writing block and i... most probably found the most surprising alternative outlet... the eroteme lady - ms. query... so there must be nothing concrete about you... well... i too remember being a teenager prior to 2000 on those hotmail chatrooms where the acronym ASL could get you... all hot & bothered... don't take this the wrong way but i've heard that most writers, poet (i'm a chicken scratching doodler at best) reverted to the medium of correspodence... lucky you, "lucky" that i'm testing the waters on you... but don't worry... i've tested the medium with other people and wondered about their stamina... you are starting to gravitate toward psychiatrist status...  it's so strange though... not writing on abstract... blank... rather: inform sender... it's to them... all that *******, romantic or not... about writing for that one person... sure... **** it... write 'em a letter... don't mind about that trippy-*** poem of yours... you know? apologies if you come across as something of a punching bag for sounds... i hope no typos... well typos can be excused... ah these ****** articles about... wait wait... momentary lucidity... i was going to use some of this in my way of combating my writing block... the troubles in the english language... spelling... "approximation" drop the vowels realise: that's how the Hebrews wrote all along... treating their vowels like diacritical markers... the ****?! i feel like i'm being robbed in plain sight... because Copernicus didn't ******* realise jack-****... they pile it up with their Pope and the execution of ******* Galileo...  ugh... it takes some ******* nerve for these days to allow for this ****-centred kindergarten of events in man's... non-evolving history to continue like some: no ******* dodo exctinction ever took place... (agreed... the following are all faux pas... "invigorations") honey? babe? ms. anonymous gender fluid pronoun neutral... what's the informal, best? ms. avatar ms. harleyquinn the world's stupid? what are american stereotypes of europeans? come to think of it... that cookies is too big to take a bite from... you can't exactly base stereotypes having only seen tourists... since a tourist is a stereotype per se... i'd have to go to california... to get a californian stereotype... to georgia for the georgian stereotype...  wait a minute... Costa Rica... "hint hint"? Latino? that wasn't exactly... it was a fork in the road... the Sephardi... you're working from an avatar canvas... you're making allusions to... what i look like and it's like i'm a mesmerising doppelganger of al pacino... is there a chicago accent? i heard a lot of the ****** diaspora was lodged in that *******... i was terrible at accents... almost always a chamaleon... people still ask me where i'm from... so like this one-stand-up comedian in Edinburgh said... when he was quizzed about the geography of his accent... 'you might recognise my accent... it's... educated'... now that's that... isn't it? i could fake you an indian accent if i wanted to... perhaps a german accent too... but i could fake it... by the way... in these parts... biligualism can be treated as schizophrenia... just saying... somehow integration is not fully deserving the status that: not integrating decides... because... not integrating is... "safety first"... the dodo project alliance...  least of all... i've been dying to by a baseball cap with the Cleveland Indians old logo with chief wahoo... so stereotyping americans... it's beyond hard... it's like stereotyping Russian that are not in the vicinity of Moscow... some are probably Mongol remnants... their own idiosyncratic solipsists to their own... i'll take up my bicycle tomorrow and this drunken tirade will most probably fizzle out... i truly couldn't make up giving a toss about what's internalized americana stereotyping... not that i don't care... i just don't know... the currency of the nation sends me years and years of Ed Gein reinterpretations... what am i supposed to "say"? tomorrow i'll be up early and bothered about my bicycle as if it were a horse... but i'll still want to retain gravity with leaving you with this frankness of a reply... lobster-red probably implies if not simply implores: ginger and freckles... i like to think of suntans as serpents shedding skin... i suntan i'm a copperneck... i like the german sound on this... plus... it's readily available as compounded: kupfernacken... what's better? auburn-tease? kastanienbraunecken? i like the joy you feel with what you already prescribed me with.. that i know so little about you... that while i'm prodding you withhold giving me concreteness.... concreteness would allow me... disadvantage me to focus on "things" that are absolutely not necessary... so: i can focus on whether i'm not being pedantic enough and: misspelling...so... what's the stereotype surrounding Alaskan gurls?!

- thanks for being ascribed in getting my "mojo" back...for now...

- What do you mean? I'm surprised this is the shortest message you've sent. I was getting used to your drunk musings. [I say this with a smile but I know you don't like emojis or silly acronyms, and writing out "laugh out loud" sounds ridiculous... after all, you know how important sounds are to me].

- you just asked one of those questions that... is aligned with asking... 'what are you thinking'? the moral 'ought compass waved me a goodbye and if i haven't broken any laws to pursue the sort of freedom of though i currently enjoy... bypassing the need so stress a "freedom" of speech... writing is an extension of thought: not a prompt / invitation to speak... i'm surprised that you scrutinise the length of my replies... and were we to begin with? in the "easily offended" pile-up? well i'm still getting drunk... you're still an avatar mystery... but at least i'm waging a war on prosaic sobriety to boot... i guess i had to come clean at some point... i never write sober... i don't see the point of being: disengaged from the genuine (a longer version of a one word would have sufficed... but i'm lazy about the spelling... while at the same time... there's this critical theory approach done in some of the newspapers about english spelling... let's see if i get it right... dis-in-genius... for starters... disengenous.. horrid... aaah so terrible... dis-less-advantageous... disadvantageous... oh **** me... i wriggled into that one: all sound and proper...why ask me: what do i "mean"? - it's not that i don't like emojis (well, i don't) but... what the hell... there are better hieroglyphs to focus on than chiseled into pyramid stone: own... happy face... the Chinese were doing ******* x-ray gizmo **** at almost the same time... it's a focus loss... don't even get me started that *** = a Parisian hello with tendering the cheeks with... a labyrinth of smooches... my lips are my pouches blah blah blah... you seem to be enjoying my rants... i gather? i don't even know why to bother with an ask (question doesn't even do justice to how i'm framing this)...  you want to write as little as possible to properly excavate me... well no surprise... if light can't bend around corners... i'll have a look: none-the-less... emphasis on the hyphens... this poor down-trodden word could be helped with some "breathing space"; no? i "mean": 霜... shoo-aang... frost... i have dancing skeletons throwing toothpicks at chopsticks pilled up in an area of pine wood... look at this sort of *******... and here we are... cradling one of the old languages with "holes in letters"... to peer through... O now i see... B: otherwise: ha, ha ha ha... what's **** in Chinese? the Greek prized π... but what P & I look like for a farting, mandarin? hey presto: "@"... not even a western concern for "patriarchy" could have complicated: what's already too complicated... a billion people... a wall... that didn't keep out the Mongols from invading... yet a phonetic encoding system that... would topple each and every pyramid... from Giza to the cleaving of South America from Africa that can be staged at some Aztec "miracle"... i am writing (to) you like a bewildered person... because: why wouldn't i otherwise not be? so what do i mean? hmm... what's that holy trinity of statistical terms... mean... meridian... mode? i think i remember correctly... thank god i'm not going to apologise for being drunk... i've heard the stereotypes of drunkards with no future for thirst... the other thirst... the thirst for something beside their own handicap... i'd also duly convert to Islam too... i was cycling past a mosque and heard the most impossible sound of praise that will never escape me... but by the bottle i did: closer to the Jewry i am... contradictory how that is... don't want to stop drinking... uncircumcised... it's a really magical juggling act that's littered with self-deprecating humour interludes... aligned with norse mythologies... grr... **** me... now i'm attempting to "sell" you a makeshift tinder profile sketch... don't know... never will... never used: don't ask...  but i forgive you... for asking me: what does "it" all mean? it means we're for the thrill of it... it makes sense if we're still gagging for it... and we're not exposed to old-age closure cinematic scripts of solo cinema of memory... i like typing because i have itchy fingers... you'd probably like to hear me speak... no? it's exactly 20 minutes past midnight and i have a date with a bagel at 9am tomorrow morning... i still want another injection of truth in me before i do the  lady nox some justice and sleeping with her fiendish daughters... i mean... who does that... wake you up with a hard-on? never mind... i don't even know how to end this "convo": it can't be with a farewell... or an adieu... or a サヨナラ... oh wait... that's "goodbye, forever"... how does one end a half-way between a musing and a real person on the replying end of "things"... i guess like this: NARA... ナラ... short for narazie...  translated from my mutterzunge as: perhaps loosely... for the time being... for now... how else... to end my tirade?!

- So let me get this a bit straight (as straight as a stray arrow, that is): you only write when you're drunk (I'm the luckiest one to be at the listener - or reader in this case - end of your tirades as you call them... I call them musings); you have a fixation with words, even the ones that you don't know how to spell correctly (except maybe in a language I don't know so I can't really tell), you didn't answer why I'm ascribed to getting your mojo back (where did it go?), and you wake up with a hard-on. Got it!

- i've been lodged into a backlog: ******-town sort of: stalling... give me a few hours... although: ever wonder what: giggles sounds like... in the deafness of the night? i do... i want to reply you like so... like now... like this... maybe i will... maybe i will not... i'm gaging to buy one of those cleveland chiefs baseball caps...the grinning siouxsie chieftan....perhaps i want to relearn "how to": take the GRIN... a little bit more... seriously... no? **** it... i'm drinking as it is... i want to reply you in full throttle... straight arrows... and the welsh V of the longbow-men too to boot... chopsticks straighter... "straighter"... i tend to only write when i'm drunk... i abhor sober prosaic intimidation and... all the lies, subsequently...sober people don't get "drunk" on moral relativism of white lies? and i'm born yesterday, no? you openly venture into... a quest of question within the regards... of being... this only.... i almost wanted you to feel this sort of... an alienating increment... of... how i might pile on more detail... they are musings... i don't take them seriously... about as much relax as is a required: necessary.... i have a fixation with words... jurisprudence to me is merely a game of thesaurus ploy-tow... i spell i don't spell... i'm overtly pedantic... i also felt queasy when testing my eyes at an authentic testimony of the "law"  being "exaggerated"... "tested"... "proved"..i must have: lying eyes... no other eyes do see... no? i have a fixation with "things" beside the usage of ***** and strobe lighting...

you have my attention... don't you? you know... the last time i attempted having a conversation... i was too naive...too young... everything "everything" applied itself to being too predictable... i want to love again: but being in love is almost a weakness... i don't feel like being weak... i guess this is where the rekindling of my "mojo" ends... hello cul de sac...

new paragraph... ever hear(d) of the alpha and the omega "man"? i'm pretty sure you heardf of mr. beta... for all the worth of a totality of... man... i'm last... i'd forever be... last... i don't want to be first... i also don't want to be 2bd sniffing **** and crab-meat-... either...

give me the totality... i'll be satisfied with a "question" of
last... hence the expression: omega man...
didn't hey-zeus say?
i'm the alpha and the omega?

i don't write sober, i'n afraid i might lie...
you're not lucky,..
but you're also not... godzilla....

i "somehow" haven't ascribed you with the sort of details of: explanation that would allow you... to satiate yourself with answers... as to how... why... yllu managed to "mojo" probe me back to life? you.. the Faroe Islands to begin with? you know... they have this gimmick... on the Faroe Isles... it's not a gimmick... it's called// i don't know what's it called... skúvoy? but i'm happy to tease when the whales are slaughtered... the the blood comes a running: the lions also... apparently tease with a yawn... look at this word, though: grindadráp....

ever catch the giggle im der nacht? nein? too italian... no? ******* borrowed pollack: the self-depreciating... loan... not load... of bollocking...

don't believe yourself as being the sole recepient of a reply...

you're not lucky... you're just... available...

terribly botherome... isn't, it?

- i thought i'd make this a two tier reply... it would be a shame to reread what i wrote on one of my "escapades"... perhaps this... hanging-over... ha'h... more like hung, drawn & quartered some time to time... but believably sane, pleasantly morose - at evens with masochism... so reclining into a moral trip-up... i probably mentioned grindadráp - since i still have the window open on the phrase i'm familiar with... Sámal Joensen-Mikines... i most probably ended up giggling in the night... god... i'm just skim reading what i wrote... well good to know that i can only the best thing and sober up: simultaneously returning to a more rigid, conventional... formal use of language: that i might suppose i'm in a confessional booth... a welcome mirage for the time being... while i decide to wither away watching the old firm (a derby soccer match between celtic & rangers)... of note... i had this argument with the natives so time ago... the... Celts... but it's the Boston / Glasgow Çeltics... no? you're a girl that likes sounds... i've been following this current discussion that has reached the heights of printed newspapers... citation, sian griffths (gwif-if-if-ififs) education editor: new spelling ROOLS to make english more predictable for pupils... "we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the feelds..." see... i really admired Charlie Bukowski for a while... until he came out as a lazy slob who would require an editor to correct his spelling... there's dyslexia and there's just plain: hash-browns... for all my worth of idiosyncrasy that i wriggle in as i go along, most of which will not find common ground and a cosmopolitan outlet of users... for me, as someone who acquired this tong'u: i've grown fond of how aesthetically messy this toong can become and how readily available this messiness is... even London can become a ****-joke: Loon'dune... in my mutterzunge sounds are more distinct... apart from the graphemes sz, ch, cz, rz (ż) - i'd have to borrow from a Czech a caron to hide a letter or two: š (sz / the equivalent SHarp in english) and č (cz / CHatter respectively)... all these unique sounds... ą, ę, ć, ń, ó, ś, ź - Wombat ł... anyway... i just thought, sobering up... that you'd like to have a certain bulging volume of fudge to return to... before i take another dive into ms. amber and pass another night as w. h. auden wrote: only the hitlers of this world write at night... sure... herr auden... because the day is for watching football and / or cycling.

- à propos: https://www.youtube.com/watch?v=-L5iefl2QtA

- If you share music can I? I'm sorry that I didn't reply sooner. It's been a **** last week and this week isn't any better yet. I like reading your messages, drunk and sober. When I write in my native language I use the accent over the vowels to emphasize the second-to-last vowel of a word. I love speaking, reading and writing in my native language, though I'm sure that I know much less than you would about languages. Shall we continue talking about sounds? How about sounds in my language? Of course, you have to guess if you haven't already.

- mind you: i had second thoughts about writing this reply... perhaps you can judge for yourself... i'm just not into having double-mystery encounters with an "avatar"... plus i made an emphasis on the point... what music were you not going to share?

sure... but first share your music... i have this thirst for Nick Hornby's high fidelity and being a teenager again... a teenager in love, again...i was probably the most happy-go-anywhere sort of person when i found a vinyl copy of Wardruna's kvitravn in my local HMV... which is: sunrise records and entertainment ltd trading as hmv & fopp.... given i already have the other chapters on cd - copied into mp3... (runaljod - yggdrasil & gap var ginnnunga)...  and given it's so rare to fnd a vinyl of this calibre... that some vinyls comes with an mp3 link... i thought: hell... i'll give this record the proper 3D aura treatment and not listen to it on headphones... or utilise it to "conquer" space... & just walking with it across a market sq. without a plastic bag to stash it in... i might as well have walked with a cat on my shoulder... because... who the hell still buys... well... invests in vinyl? now... coming to the language...second-to-last vowels of  word... you know... you can keep me interested without overplaying this "mystery" game... isn't the use of an avatar enough? i really can't comprehend a language that focuses on second to last vowels... without focusing on vowels: per se... just to reiterate... you didn't share a link to some music... you pitted yourself as American... i can continue being interest without having too many enigmas to sort... i have yet to find a language that only applies accents to, e.g. suppOsE... or maybe i'm just too ignorant to have come across a language that behaves in such a way: unless it's some idiosyncratic variation (of it)... you don't have to remain a complete mystery to me for me to keep engaging... there can be some sort of rooting in reality... otherwise i'll just return to my original purpose of writing: staging myself against a blank canvas and a barrage of sounds that i'll need to "un-spaghetti" into linear streaks.... i'm not going to guess: you'll either tell me or not... i'm currently listening to snake-pit poetry: einar selvik... any one can have a ****** week... for a while i was anticipating you testing whether or not i'd reply not getting a reply from you... and that, somehow, miraculously... i'd continue to creep-up to teasing you again... perhaps that's me dabbling in misnomers... no... you'll need to give me something concrete... i'm already starting to itch with a sensation that i better return to the canvas than keep this conversation... no offence... it's just draining me when something abstract could also be doing: likewise... but it wouldn't end up being a ****-tease... i could possibly create something out of it... not just so more: oh... oh? ** **: what's next?! i know when it becomes a brain-drain... a side project... it has to come with an excuse whereby you'll probably recoil with: but i had a ****** week... granted... but who hasn't...  you could have waited another week until participating in the timeframe of the passing of weeks started to feel good once more... if you only dropped a music suggestion... otherwise... thanks... but... no... this conversation is going nowhere... i think i'm just relocating my writing block elsewhere... all the best: in keeping an aura of mystery... within the realm of avatars and non-accountability... come to think of it... no... this is as fair as i could be.

this supposed "unique" specimen... not really...
i want to focus on what allows me to belong:
beside the unfathomable landmarks
of trees and mountains:
roaming stars that even my demented
grandfather corrected himself on...
satellites... no... roaming stars?!
well... i didn't conjure this **** out of my own
*** for pleasure, either...

back towards... falling asleep while listening
to the Hellraiser soundtrack:
hellbound...
because eerie is how:
i how how: "things"...
i'm so alone at times that it's beyond making
sense: it's about infringing on a god-stature...
status... this omniscient
contradiction that some Elijah bundled up
into... two crows croaked...
the tower of London can entertain 6:
so the king's ******* and the queen's
jewels are left intact...
for the successor to worry about...

we have these conversations but too bad
the girl is playing timid...
and i'm... gargantuan...
the length of a tongue that turns into an eel...
hands like octopus extension...
i could wrap her up in... bubblewrap
and start the puncture pinch-pinch ceremony
of not seeing the bubble float: up-up...

i have a sense of ego like...
a bad l.s.d. trip?!
****-guage-abuse? gauge? sort the ones
for the snoozing zero-toasts
and you have yourself
a new jersey smart: bite-off... not bit... though...

i could never have children:
not because i could never be a good father:
but i'd be a terrible husband...
how do i "know"?
i would never allow myself
to earn the amount:
she'd want to spend...
via solo: i'll spend on ms. cojack amber
and some ******* liquorice vinyl...
and a bicycle...
rubber-teasing: ****-teet-****....
when using the brakes...
when minding my ******* "luck"
on a roundabout with a massive twuck...

plus i'd love to **** more...
i'd love to **** as much more as
the thought-"taboos" discourage me
from doing... so it's a nice adventure: thinking
the next: moral antagonist, antithesis
of "could i"?
central theme? Lo-li-t'ah...
and i'm the second from third removed
uncle of the marquis de sade...
you want... you need... you have to orientate
yourself around the last taboo...
the one that's not associated with...
crispy clean antics of those *******
in their savvy leather gimp suits etc.

"power to the people": *******...
power to who owns what...
i'm starting to conjure up
profanities akin to:
but at least when they owned slaves...
they took care of their slaves...
they wouldn't want a slave to be rotten...
to be despondent...
trouble with freedom is...
my own, self-made... man...
if i were a slave...
i'd learn to bend the rules...
i'd entertain the fantasy of freedom...
while being constrained with...
all the benefactor securities...
i'd be owned but i'd also be:
obligated to a social contract of some sort...

so freely as to nothing be:
so averaging assumptions...
presumptions... so by nothing i unfree myself:
to... sort of quest to: "be"...
while the priestly class held back literacy...
within the timeframe of when
a new literacy emerged... of coding...
so double-up-on-surds... no?

herr gizmo l:)(}{
the realm of the three brackets... )}]...
one literacy replaced the old literacy
but in terms of retaining the old type...
the new type is... not exactly allowing
for movement of... hearts? is, it?
i still have to retain punctuation...
i still need need to perfect it...

but this is not conversational linguinie,
is it?
i stand firm in, stressing:
writing is an extension of thought...
writing is an extension of thought:
it's hardly an invitation to speak...
the past centuries haven't taught us
that literacy is a constraining beast of priests'
fancy?
let me... detail my limbs for you
in stressing this point further:
what good came from the project
of literacy en masse?
graffiti scribbling on brick walls?
out of what beside desperation?

such constraints were employed as
to: the person exercised in completely body:
usage... wouldn't feel like
a ******* hamster of a ******* ferris wheel
when push came to shove...
somehow everything physical became
lesser class: demeaning...
somehow we all turned into *******
fluorescent
      telepathic / telekinetic Chernobyll
monkey sorts...
and the fat "stigmata" is a what?
                  
  this world is gagging for something tragic...
this world is gagging for a world war III...
but... it probably will not...
"advise" itself to experience such a disatrous take
on prospect...
nuance in language can go **** itself...
application of misnomers for added fluidity can:
go **** itself...
you ever come across a choir...
and a great wind...
see a ******* shrink...

don't look at me for inspiration:
perhaps some jokes...
i've been more honest these past two minutes than
i ever was in the passing of a decade...

death the limbo of "sanity"...
esp. when someone memorable has taken off...
who am i left with? "perspectivelly accountable"?
grey-matter fiddle-through middle-man
*******... no?
i'm not sifting through that, murk?
perhaps i'm sieving... sifting... sieving...
sifting... sieving... get a dog! she says, mother, dear...
i tell her: it's legal in Belgium...
her father already cited his complaints...
i'm tired of the ******* optimism...
i'm tired of this "adventure" some cling to when
deciphering "life"...
an overrated statement of too many facts:
that's life...
it's not a ******* frank sinatra:
come as we are... would be: mea culpa...

troublesome sufferings of a tired brain...
too many pop ref. points worth of closure...
i bought a vinyl today...
i walked it down a market place
like it was a puppy...
in a rucksack...

that there's a hope... my mother is crying
this silent agony of truth...
i tell her: it's sensibly legal in the Benelux...
England is ****** by all accounts...
a dog will save me?
i'm becoming rigid... brick-esque...
tide-prone...
moon is the mother of my skies...
i might might what?
fall in love: to fall in love is to allow
oneself to be weak; to be... dependent on
someone: the concept of "other"... no?
recurrrency is pricing on how many times
that's... sensible to try out?
before it fails?

i fall asleep listening to horror movie music...
i'm best coupled to a ******* hyena than
i am to a woman...
to live under a false sense of hope
is a: welcome bypass to otherwisse living
under a truancy of truth...
as the life around me shrinks...
the abounding shadow of me grows...
and not as a patriarch...

oh ****... "i simply, somehow...
just so it happens... fowgot to... encapsulate this
offload whiff a wyme".

My metaphor is better for the bin
My simile just says silly me
A joke, lost in translation
Wood, hidden by the trees

So I talk to the wind
Panning truths which dry to sand,
                     falling ashen.

Look to the cloud's lining
                     filing away like smoke

Out of time, out of sorts
Caught in a vortex
Time ganging up
Clogging, fogging

Come back mojo

"More juju in the mojo,"
The little lady said
We were heading into Memphis
Speedometer on red
A whistle stop adventure
Going coast to coast
Lost inside America
So that we could boast that we had done it
Just up and gone away
We saved up our marbles
Time for what the hey

We camped by many rivers
Heard the wild goose call
Took the other route
Got the back story
Made it up as we went along
Day by day we made our way
Each one a stanza in our song

The journey is not over yet
We're still on the run
She wants to see the South, she says
With more juju in the mojo
No need to look back

He was casually walking one evening in a bustling place called New Orleans in the year of 1845. Nonchalantly strolling down Bourbon Street, a street lined with beautiful homes; graceful verandas; elegant parlors, and... Marie Laveau.

His name was Moine Baptiste. He was a black, French Creole. A man who lived for his music, Quadroon *****, the blues, jazz, and  places where he and Charlie would play their rip-roarin' music in the place called "The Big Easy".

Charlie the sax, was Baptiste’s long, time friend, since he first started playing the 'sax' at the young age of eight.

Moine Baptiste, Plessy Ferguson and all the guys played their Cajun, jazz and blues music at clubs like, 'Antoine’s Bar',  'The Maison Bourbon Jazz Club' and 'The Funky Pirate', all which were popular clubs in the French Quarter on Bourbon Street in New Orleans.

In those days dusky stable hands would lead horses around the stables engaging in desultory conversation that went something like this:
"Hey where y'all goin' from here?" they'd query. "From here we're headin' for the "Big Apple", one would offer in reply.  "You'd better fatten up them skinners or all you'll get from the apple will be the core," was the quick rejoinder.
Resulting in the assigned name, Those Big AppleYears".

Close by on another beautiful, tree lined street was 'Esplanada Avenue'. It was the most elegant street of all in the French Quarter.

Esplanada Avenue claimed fame to a somewhat elusive, secret Bordello called LaBranche House where all the affluent or wealthier men would frequent.

Baptiste was very familiar with LaBranche House. That was where he met all his women and spent most of his money.  

The French and Creole children casually roamed the town, sometimes walking down by the graveyard near Bayou Street. They had been told many a time to steer clear of Bourbon Street, a street with a sordid reputation of burlesque clubs, all night parties and…Marie Laveau, the Voodoo Queen of   New Orleans!  

When Baptiste was taking his walks he'd always watch out the corner of his eye. Something he learned to do when strolling along the sidewalks in New Orleans and in particular Bourbon and Bayou Streets in Congo Square. You see he’d had a few encounters with Marie Laveau.

Oh he had a great deal of respect for Marie Laveau... along with a healthy amount of fear.

This Creole woman, often used her Voodoo  to manipulate, acquire power and upon occasion bless those she liked with good luck and prosperity. She  was also quite adept in conjuring up her many powers in matters of the heart.

Her hair was long and black. She was both feared and respected. Ms Laveau had olive colored, Creole skin. Her black, piercing eyes were sharp as a razor’s edge. Almost magnetic, if she stared at you for very long.

Baptiste had called upon the Voodoo Queen a few years back when he was down on his luck..... and down on his luck with women.

It was almost to the point, that he’d all but given up on the possibity of being happy and contented.

Baptiste was a man with a robust charisma of Creole and French charm. Yet he had an air of reserve and dignity, with a bit of naughty that shone brightly in his chocolate, brown eyes. He was remarkably handsome with dark brown, wavy hair; a well chiseled bone structure in his cream colored face, full lips and a well toned body.

His main problem was, he liked too many women. Too many all at the same time. He spent too much of his money on his women which left him broke,  lonely and dissatisfied.

One night while strolling down Bourbon Street he happened upon Marie Laveau. He’d just finished playing a ‘gig’, with his old, friend Charlie his beloved sax and a few of the guys. Baptiste was feeling a bit light headed and a tad drunk from the ***** that flowed and poured so freely in that part of town called The Big Easy. It was a part of New Orleans steeped in history, lore and many mysterious legends.  Baptiste was feeling slightly tipsy from all the Whiskey he'd drank.

When Baptiste saw Marie Laveau walking towards him down on Bayou Street, he boldly said:

     "Well, Ms. Laveau”,  said he as she walked on by
      She looked piercingly at Baptiste, stared straight at him right through to his eyes.
      She was the famous Queen of mysterious curses
      She carried potions and spells in her bags and purses
      She was a famous legend in New Orleans where all the black trees grow

      This Black, Creole Lady lived in the dark, murky swamps all alone
      She carried black cat’s teeth and eerie Mojo bones
      She had three legged dogs and one eyed snakes
      A mean tempered hound she called  Big Bad Jake    

      He said, “Ms. Laveau you Voodoo Witch
      Please cast your spells and make me rich”!
      Marie started mumbling and shook her magic stones

      Why it scared Ole’ Baptiste right down to his skinny ole' bones!
      She cast aVoodoo Spell and spoke some eerie incantations
      Promised him wealth, true love and a big plantation!
      There’s many a story told of men she’d charmed
      But Ole’ Baptiste, he wasn’t too alarmed

      They strolled through the graveyard down on Bayou Street
      Where all Marie's ghouls and ghosts and spirits meet
      There lived a big, black crow where she held her ritual scenes
      She spoke powerful Voodoo words and cast her magic in between
      She held Baptiste’s hands tightly in her large, black hands
      She promised him love and riches and lots of land
      From that day forward Baptiste had more than his share of luck
      He had the love of a beautiful woman and lots of bucks


      But Baptiste always remembered that piercing look in Ms. Laveau’s stare
      An admonishing, cautionary warning they always shared
      If you ever walk the streets in New Orleans....
                                   Beware....
      You just might meet up with Marie Laveau... "The Bayou Voodoo Queen"
__________________­_________
"Marie Laveau (September 10, 1794 – June 16, 1881[1]) was a Louisiana Creole practitioner of Voodoo renowned in New Orleans. She was born free in New Orleans.
Marie Laveau a legend of Voodoo down on the Bayou. This well known story of this
Voodoo Queen who made her fortune selling her potions and interpreting dreams...
all down in a place called New Orleans!

The evil witch is after the 11 year olds


Once upon a time there was an evil witch,, and this witch was like no witch i n any fairy tales, no this witch was pure evil, you see she took pride in grabbing 11 year old kids avid locking themselves in the basement to eventually chop them up and put them in an oven, to give herself a feast, the first kid was young a 11 year old boy named Tommy Kinarfis and he was on his way to school and he was just minding his own business when this black car pulled up and before Tommy could run away, the witch grabbed him and shoved him in the boot of his car and being as scared as he was, Tommy really didn't want to die, and tried to bang the the walls of the boot to show that he has been kidnapped but nobody heard him and before he knew it, he found himself locked up in a cage being fattened up, so the witch can eat him up, and after about 12 hours Tommy was dead, and the witch was happy, the next kid was 11 year old daughter of president Frederick Leonardo, you see this president was so conservative and everyone was too scared to do anything bad to his kid, but one day when the presidents daughter, who was named Terri was waiting for her body guard after school when this car turned up and this man got out pretending to be her bodyguard one day, and after 2 hours of driving Terri realised that she has been kidnapped, and then the bodyguard took off his nice disguise and when Terri noticed it was the witch, she tried to escape but soon enough she was locked in her cage being fattened up, so the witch can enjoy her feast, and the presidents daughter Terri was dead and the president had a little burial for her.
The next kid was 11 year old Peter Vernin and he was a kid who loves sport, especially the AFL, because that was a boys sport, and Peter had it in his mind that because he played AFL, he will he invincible but as he was going to footy training, he had to walk because his parents had to work, a ******* car pulled up and this man pulled up and asked Peter if he would like a ride, and Peter, being only 11 said yes thinking he was being treated like a kid that everyone liked, but then he found himself chained up in the witch's basement ready to be slaughtered at any given time, you see because Tommy had muscles, that was enough to make him be nice and tender to eat and when the witch finds out that he had suffered enough, then the witch will cook Tommy up and before he knew it, Tommy was just a corpse and the witch was feeling very happy and this made her feel she can slowly get rid of each child as soon as they reached 11, and she was feeling like nobody will ever stop her from accomplishing this feat.
The FBI are having a hard time trying to find there missing kids because they just vanished without a trace, but they had every officer and forensic investigator in to try to catch the witch and make her pay, mind you the FBI were unaware that the persons responsible is a wicked evil witch.
The next kid was Raymond Terrestal, an 11 year old who was in a broken home and every day he went to the local shops to buy milk for the family but also he would occasionally steal a chocolate bar and also a few flavoured milks, and the witch said to herself that this boy needs to chopped him up and watch his shiny white legs slowly turn to very tasty meat. Even though Raymond put up a fight, saying you can't chop me up, fella, I am a sports boy and I have heaps of muscles, but the witch told him that the muscles make him even more tastier, and she wants to have Raymond to really taste nice so he can really get away from any way of being a sports boy, and as Raymond was cooking, he is yelling and yelling, saying, let me go, I am a big tough sports boy, I like playing footy, I don't wanna die, let me go and leave me alone old witch, but the witch said heh heh heh hen heh, no buddy you ain't a cool kid, all the other kids are tough, but you Raymond, no you are all mine, and Raymond was screaming, please save me from the wicked witch, And he also said why me, why me, why me, and the witch said, no mate your not like us,mate
You are still a little shy boy, and I am just doing what The Lord wants, you see Raymond, The Lord wants me to cook boys up when they turn 11, because then they are even more tender because they are mature enough so I get a good tasty bit of human flesh, and eventually Raymond died and the witch continued on her journey to rid the world of kids right till they turn 11 years of age.
The next kid was 11 years old Naomi Roberts who was a really family and friends type of girl and she very rarely strayed away., but one day she and her friends played outside the witch's house, because it was a pretty good place for kids to play in but unknown to Naomi that her friends were playing a trick on her and had planned to get her stuck in the bushes near the mail box and when the witch went outside to see what the noise was, she saw Naomi stuck in the garden trying to break free, and the witch used her powers to make her look like a nice old lady and brought Naomu inside to keep her safe, then the witch showed her true colours and told Naomi that she will never escape from her, and she also said she is hosting a dinner party and Naomi is the main course and from the moment she said that Naomi started to get scared and screamed and screamed for the witch to let her go, she also said it's not she that the witch wants, it's her friends, who stabbed Naomi in the back and the witch said, no they are young women and I don't want to **** young women, it's you, who I want, little girlie, and you are never going to ever escape from me, and Naomi said no Mrs Witch, you will be with me till my dinner party and then Naomi you will be no more. You will leave this world never to return little baby little girlie, Naomi is very scared and starts to feel like her perfect world is about to end because the wicked witch has her right where she wants her.
Naomi was trying to scream so loud that the witch's neighbour would hear and come and rescue her but nobody can hear her and Naomi starts to get very scared, so scared in fact, she tried to fight her way out of the cage but it is closed so tightly and Naomi is starting to get scared because still the FBI have no leads on the whereabouts of these kids, and despite being bullied by the parents of the missing kids, they feel tempted to give up the search till they get a lead, simply because there is no point in trying to find a needle in a haystack, but the parents wanted them to find their missing kids, even if it means they have to become vigilantes and defy the law and find those kids themselves, meanwhile the next day in the witch's house, the witch was starting to cook Naomi up so they can have their dinner party, a nice tasty little girl for dinner, heh heh heh heh heh heh heh, and when Naomi was slowly dying the witch kept of stirring and stirring to make Naomi really suffer, you see for the witch, well, she took pride in torturing kids as soon as they turn 11, and then Naomi died and the witch was happy and said that is another 11 year old under our belt, heh heh heh heh heh
The next kid was 11 year old Pat Roberts, who was a cool boy who loved to tease so much that he would take people away from their families to do so, unless they do as they do and one day he gave up playing football with the tough boys to tease a boy who he hates very much, and stop him from being a family person and also brainwashing everyone into thinking a family person is supposed to do as they are told, and one day the wicked witch who really wanted to keep taking these boys decided to go after Pat Roberts and cook him up and then she will get rid if this boy from the would once and for all, but getting rid of Pat Roberts will be a hard thing because this boy is so hard to catch, because he is ever so smart, and it will be a battle to get rid of this Pat Roberts because of that, Pat Roberts would say, no mr witch, you can't catch me fella, you can never catch me for as long as you'll alive, and you are going to die soon if you keep catching kids anyway, the next day on the witch's quest to catch Pat Roberts, she decided to use her ***** magic to try and lure him to his house but Pat Roberts is too smart for that as he kept himself inside saying no witch is going to get me, if you are going to catch me, you'll have to get past my father and I can guarantee old witch that my dad has the power to put you right in her place, you are mrs witch, you haven't got the power to overcome me, so come on wicked witch, just you try and catch me, but you won't get me, I can make you suffer of you try and get me ya wicked witch and the wicked witch straight away thought maybe one day I will catch Pat Roberts, I will try and take some other 11 year olds and the next 11 year old was Gordon Gullet and he was a boy who was a bit of a black sheep who went on a mission to **** the wicked witch but when the wicked witch captured him, but she had no plan to cook him  up, actually she planned to try to get him on side to catch Pat Roberts and when Gordon said, I won't tell you where Gordon is, I will never tell you where he is. Just let me go ya old cranky wicked witch, and because Gordon was talking too much the witch put her hand on her mouth, she eventually had to put sticky tape on it and then the wicked witch said, if you don't tell me where Pat Roberts is, you'll suffer, and I mean you'll suffer, mate, suffer forever mate.
The next day when the witch got up and saw Gordon trying up escape and the witch said, mate, you'll never escape from me, no you'll never escape, until you tell me where is your friend Pat Roberts, and Gordon said no, I won't ever tell ya, you will have to **** me first, Pat Roberts is a friend, no, I will never ever tell you, ya wicked witch, and the witch said no I ain't going to **** you, I just want you to tell you where Pat Roberts is, why won't you tell me, I will be your friend forever, and Gordon said, no, I won't tell you anything you old fucken witch, and you can do to me anything you want, I will never ever tell you, you mean nasty old witch.
The witch then said, ok, you will stay there in that cage till you tell me and when you are ready to tell me where your friend Pat Roberts is, I will make you suffer, even if I don't **** you, you will be suffering without anything to make you keep your mojo in tact, you will suffer Gordon, I will make sure of that, so unless you tell me where your mate is, you will suffer, and be kept there until you tell us of the whereabouts of Pat Roberts because I want you and him to cooked together and eaten, and if you don't tell me, I will keep you here for the rest of your life, so Gordon are you going to tell me and Gordon yells out with a loud voice, which went,  NEVER, my mate Pat Roberts wants to tease people who are trying to work to hard and push themselves into breaking point, and I want you to let me go, because I am tougher that you, cause you are a mean nasty witch, who should burn on the planet Mercury and the witch said no, mate, say hell, you see you are still a little Christian boy, and while you have your beliefs that you will die one day, you are like us, but if I find out that you are keeping the whereabouts of Pat Roberts from me, I will hold you at knife point and force you to tell you and Gordon said no, I will never tell you, never, I will prefer to do die myself, rather than tell you where he is mate.
The next day the witch went out to try and catch Pat Roberts and then Pat's dad said to Pat Roberts that he will protect him and when they heard a strange noise outside their house and it was the wicked witch, who was lurking about outside and when Pat Roberts went outside, the witch put a hand over his mouth and said I have you mate and then the FBI came and despite a desperate fight to get herself free, the FBI took off to Salem to get burnt at the stake and Pat Roberts and Gordon was safely going home with his family and the witch was reincarnated as a pig and then a tiger and after that a deer, she suffered, especially when she will be constantly bullied by hunters.

When his familiars’ pounced
a little too roughly on the davenport,
the mysteries of the cosmos
flailed about as his soft,
satin bag took a tumble…
Citrine and agate tap-danced
under the bed, as quartz
whizzed wildly through the air
like a shooting star. Opal spun about
like a fiery pirouette, and amethyst –
finding it’s way on the windowsill,
bloomed a kaleidoscope of larkspur
in the sun.

Mojo LowJo:
not quite the
chimp in a
purple cape

No triplet of
enemies beset
against me

And still yet
met with demise:
thwarted poetry
on the rise

One day you feel safe,
the next day it feels
like the heebie jeebies
are hanging
around your neck.
It's all about the mojo.
If the locals appear happy
and their eyes are smiling,
it's gonna be a good day.
But if you get quiet
and shifty eyes,
the bad boys are
gonna probably play nasty.
On the quietest day of the year,
I saw Miller disappear
in a pink cloud.
Half his body went up
in smoke &
they never found
his legs or nuts.
His right arm
was laying in
in a deep rut
full of sewer water
on the side of the dirt road.
I can't keep my mind
off his screaming,
which still haunts me
to this very day.

Crack-- creek--snap!

WINGS explode from my back
learning to fly is a *****
but my third-eye antennae
                is reading a world atlas
                            ready to traverse....

Crack-- creek--snap!

Waking up to a trashed apartment
my mind insists everything must go!
That includes the world's most comfortable sofa
in that ugly pea soup olive green where I've probably spent too much time *******.

Crack-- creek--snap!

When I meditate in the shower
                    everything is dark.
          The closest thing to sensory depravation.
I travel to realms of talking green lions
            and electric purple snakes that sway
                      and I crave to stay in the emerald caves
       with the copulating mind flowers.
But I'm learning to fly now.  

Crack-- creek--snap!

Arise Great Britain, swell wi pride
this is no time tae split, divide,
a hero needs us on his side
a man apart
Brave Osbourne comes wi manly stride
and lion heart

When danger ca’s, he stauns and fights
He’ll haud the baddies bang tae rights
Nou in their een he sees the whites
and yells, “Attack!”
He’s got oor mojo in his sights –
He wants it back!

Let’s cheer his valour tae the roof
Condemn the wans wha’d cry him couff
And pray oor Geordie’s bulletproof
As on he flies
Then fit him wi a parachute
and wave guidbye.

This GM perfect Tory clone
need not rely on un-manned drone
He’ll tackle ISIS on his own
their fight dissolve
His pores squirt pure testosterone
his eyes, resolve

Just watch the baddies turn and flee
as George, wi patriotic glee
wreaks vengeance for democracy
a one-man dojo
And cries, “Come, Britain, flock to me,
and feel my mojo!”

Or mibbes we should check this twice.
Although the image may be nice
The blood we risk on his advice
may never stop -
But Geordie will not sacrifice
one ****** drop

These profiteering pinstripe ******
wha ken no life but politics
Are no the first tae play these tricks
while deals are made
Why no just wave a crucifix
and shout “Crusade!”

So hooses burn and horror grows
A stream o misery outflows
While braggard Geordie struts and crows,
"Ye want a fight?"
I’d dump him on Damascus road
tae see the light

Ye plot the death o innocents
Tae score yir points in parliament
Yir fascist mocking o dissent
it suits ye well
George Osbourne, ye're a proper gent
**** ye tae hell.

finding your mojo
or found by mojo
either way poets

Swirling a frosty straw
Stuck up like a victory flag in winter ground
With my lips wrapped around it
I stare into this empty canvas
of a vanilla malt
And project my cartoonish headaches
into it to devour it
Oh those ****** Doo monsters
Shadows that lurk to cut my Tom & Jerry humor
Only to formulate semblances of evil
A Mojo JoJo caricature
I then project into my milkshake
His smirk haunts the smile of Tweety Bird
In my Hanna-Barbara mindfield
Colorful spirals of animated joys
Let me know slurp Elmer Fudd shotgun
That was mugging my creativity
And robbed me of my motive
Let me taste the refreshing winds
That flow through the deserts of Road Runner
Taking laps around my heart
With its true intentions in a love letter
I will never get
Soon slurped and eaten to take away the thoughts
And now I hope I can drink another
To rip out the rest of the pain that in my heart

The evil witch is after the 11 year olds


Once upon a time there was an evil witch,, and this witch was like no witch i n any fairy tales, no this witch was pure evil, you see she took pride in grabbing 11 year old kids avid locking themselves in the basement to eventually chop them up and put them in an oven, to give herself a feast, the first kid was young a 11 year old boy named Tommy Kinarfis and he was on his way to school and he was just minding his own business when this black car pulled up and before Tommy could run away, the witch grabbed him and shoved him in the boot of his car and being as scared as he was, Tommy really didn't want to die, and tried to bang the the walls of the boot to show that he has been kidnapped but nobody heard him and before he knew it, he found himself locked up in a cage being fattened up, so the witch can eat him up, and after about 12 hours Tommy was dead, and the witch was happy, the next kid was 11 year old daughter of president Frederick Leonardo, you see this president was so conservative and everyone was too scared to do anything bad to his kid, but one day when the presidents daughter, who was named Terri was waiting for her body guard after school when this car turned up and this man got out pretending to be her bodyguard one day, and after 2 hours of driving Terri realised that she has been kidnapped, and then the bodyguard took off his nice disguise and when Terri noticed it was the witch, she tried to escape but soon enough she was locked in her cage being fattened up, so the witch can enjoy her feast, and the presidents daughter Terri was dead and the president had a little burial for her.
The next kid was 11 year old Peter Vernin and he was a kid who loves sport, especially the AFL, because that was a boys sport, and Peter had it in his mind that because he played AFL, he will he invincible but as he was going to footy training, he had to walk because his parents had to work, a ******* car pulled up and this man pulled up and asked Peter if he would like a ride, and Peter, being only 11 said yes thinking he was being treated like a kid that everyone liked, but then he found himself chained up in the witch's basement ready to be slaughtered at any given time, you see because Tommy had muscles, that was enough to make him be nice and tender to eat and when the witch finds out that he had suffered enough, then the witch will cook Tommy up and before he knew it, Tommy was just a corpse and the witch was feeling very happy and this made her feel she can slowly get rid of each child as soon as they reached 11, and she was feeling like nobody will ever stop her from accomplishing this feat.
The FBI are having a hard time trying to find there missing kids because they just vanished without a trace, but they had every officer and forensic investigator in to try to catch the witch and make her pay, mind you the FBI were unaware that the persons responsible is a wicked evil witch.
The next kid was Raymond Terrestal, an 11 year old who was in a broken home and every day he went to the local shops to buy milk for the family but also he would occasionally steal a chocolate bar and also a few flavoured milks, and the witch said to herself that this boy needs to chopped him up and watch his shiny white legs slowly turn to very tasty meat. Even though Raymond put up a fight, saying you can't chop me up, fella, I am a sports boy and I have heaps of muscles, but the witch told him that the muscles make him even more tastier, and she wants to have Raymond to really taste nice so he can really get away from any way of being a sports boy, and as Raymond was cooking, he is yelling and yelling, saying, let me go, I am a big tough sports boy, I like playing footy, I don't wanna die, let me go and leave me alone old witch, but the witch said heh heh heh hen heh, no buddy you ain't a cool kid, all the other kids are tough, but you Raymond, no you are all mine, and Raymond was screaming, please save me from the wicked witch, And he also said why me, why me, why me, and the witch said, no mate your not like us,mate
You are still a little shy boy, and I am just doing what The Lord wants, you see Raymond, The Lord wants me to cook boys up when they turn 11, because then they are even more tender because they are mature enough so I get a good tasty bit of human flesh, and eventually Raymond died and the witch continued on her journey to rid the world of kids right till they turn 11 years of age.
The next kid was 11 years old Naomi Roberts who was a really family and friends type of girl and she very rarely strayed away., but one day she and her friends played outside the witch's house, because it was a pretty good place for kids to play in but unknown to Naomi that her friends were playing a trick on her and had planned to get her stuck in the bushes near the mail box and when the witch went outside to see what the noise was, she saw Naomi stuck in the garden trying to break free, and the witch used her powers to make her look like a nice old lady and brought Naomu inside to keep her safe, then the witch showed her true colours and told Naomi that she will never escape from her, and she also said she is hosting a dinner party and Naomi is the main course and from the moment she said that Naomi started to get scared and screamed and screamed for the witch to let her go, she also said it's not she that the witch wants, it's her friends, who stabbed Naomi in the back and the witch said, no they are young women and I don't want to **** young women, it's you, who I want, little girlie, and you are never going to ever escape from me, and Naomi said no Mrs Witch, you will be with me till my dinner party and then Naomi you will be no more. You will leave this world never to return little baby little girlie, Naomi is very scared and starts to feel like her perfect world is about to end because the wicked witch has her right where she wants her.
Naomi was trying to scream so loud that the witch's neighbour would hear and come and rescue her but nobody can hear her and Naomi starts to get very scared, so scared in fact, she tried to fight her way out of the cage but it is closed so tightly and Naomi is starting to get scared because still the FBI have no leads on the whereabouts of these kids, and despite being bullied by the parents of the missing kids, they feel tempted to give up the search till they get a lead, simply because there is no point in trying to find a needle in a haystack, but the parents wanted them to find their missing kids, even if it means they have to become vigilantes and defy the law and find those kids themselves, meanwhile the next day in the witch's house, the witch was starting to cook Naomi up so they can have their dinner party, a nice tasty little girl for dinner, heh heh heh heh heh heh heh, and when Naomi was slowly dying the witch kept of stirring and stirring to make Naomi really suffer, you see for the witch, well, she took pride in torturing kids as soon as they turn 11, and then Naomi died and the witch was happy and said that is another 11 year old under our belt, heh heh heh heh heh
The next kid was 11 year old Pat Roberts, who was a cool boy who loved to tease so much that he would take people away from their families to do so, unless they do as they do and one day he gave up playing football with the tough boys to tease a boy who he hates very much, and stop him from being a family person and also brainwashing everyone into thinking a family person is supposed to do as they are told, and one day the wicked witch who really wanted to keep taking these boys decided to go after Pat Roberts and cook him up and then she will get rid if this boy from the would once and for all, but getting rid of Pat Roberts will be a hard thing because this boy is so hard to catch, because he is ever so smart, and it will be a battle to get rid of this Pat Roberts because of that, Pat Roberts would say, no mr witch, you can't catch me fella, you can never catch me for as long as you'll alive, and you are going to die soon if you keep catching kids anyway, the next day on the witch's quest to catch Pat Roberts, she decided to use her ***** magic to try and lure him to his house but Pat Roberts is too smart for that as he kept himself inside saying no witch is going to get me, if you are going to catch me, you'll have to get past my father and I can guarantee old witch that my dad has the power to put you right in her place, you are mrs witch, you haven't got the power to overcome me, so come on wicked witch, just you try and catch me, but you won't get me, I can make you suffer of you try and get me ya wicked witch and the wicked witch straight away thought maybe one day I will catch Pat Roberts, I will try and take some other 11 year olds and the next 11 year old was Gordon Gullet and he was a boy who was a bit of a black sheep who went on a mission to **** the wicked witch but when the wicked witch captured him, but she had no plan to cook him  up, actually she planned to try to get him on side to catch Pat Roberts and when Gordon said, I won't tell you where Gordon is, I will never tell you where he is. Just let me go ya old cranky wicked witch, and because Gordon was talking too much the witch put her hand on her mouth, she eventually had to put sticky tape on it and then the wicked witch said, if you don't tell me where Pat Roberts is, you'll suffer, and I mean you'll suffer, mate, suffer forever mate.
The next day when the witch got up and saw Gordon trying up escape and the witch said, mate, you'll never escape from me, no you'll never escape, until you tell me where is your friend Pat Roberts, and Gordon said no, I won't ever tell ya, you will have to **** me first, Pat Roberts is a friend, no, I will never ever tell you, ya wicked witch, and the witch said no I ain't going to **** you, I just want you to tell you where Pat Roberts is, why won't you tell me, I will be your friend forever, and Gordon said, no, I won't tell you anything you old fucken witch, and you can do to me anything you want, I will never ever tell you, you mean nasty old witch.
The witch then said, ok, you will stay there in that cage till you tell me and when you are ready to tell me where your friend Pat Roberts is, I will make you suffer, even if I don't **** you, you will be suffering without anything to make you keep your mojo in tact, you will suffer Gordon, I will make sure of that, so unless you tell me where your mate is, you will suffer, and be kept there until you tell us of the whereabouts of Pat Roberts because I want you and him to cooked together and eaten, and if you don't tell me, I will keep you here for the rest of your life, so Gordon are you going to tell me and Gordon yells out with a loud voice, which went,  NEVER, my mate Pat Roberts wants to tease people who are trying to work to hard and push themselves into breaking point, and I want you to let me go, because I am tougher that you, cause you are a mean nasty witch, who should burn on the planet Mercury and the witch said no, mate, say hell, you see you are still a little Christian boy, and while you have your beliefs that you will die one day, you are like us, but if I find out that you are keeping the whereabouts of Pat Roberts from me, I will hold you at knife point and force you to tell you and Gordon said no, I will never tell you, never, I will prefer to do die myself, rather than tell you where he is mate.
The next day the witch went out to try and catch Pat Roberts and then Pat's dad said to Pat Roberts that he will protect him and when they heard a strange noise outside their house and it was the wicked witch, who was lurking about outside and when Pat Roberts went outside, the witch put a hand over his mouth and said I have you mate and then the FBI came and despite a desperate fight to get herself free, the FBI took off to Salem to get burnt at the stake and Pat Roberts and Gordon was safely going home with his family and the witch was reincarnated as a pig and then a tiger and after that a deer, she suffered, especially when she will be constantly bullied by hunters.

When one's life has hit rock bottom
At the ripe old age of nineteen
When the apple of life has gone rotten
And hopeful plans wither to faded dreams

When one's confidence is shot
And one's hope has slowly waned
When one's faith in love is all but lost
And one's self-esteem's been drained

When one's spent their life to overcome
The pain of losing their one true one
When one's reached out to touch only ice
To be judged and rejected once, twice, thrice

When one's messages are deleted unread
And pictures cannot fill the hole in one's heart
When the only chance to hear your voice is in one's head
One begins the onerous process of falling apart

When healing has begun and the dull throb doesn't beat one jaded
When the sunlight breaks the clouds for the first time in dark ages
When the black hole ***** a little less and the stars aren't so faded
One will still be here waiting to hear an answer sought by fools and sages

My Lucifer, unwitting Muse, dog-eared Vonnegut,
          afrobeatnik third eye, howls escaping
from your headphones, wailing about secrets, about infidelity,
          about analyzing life until there ain’t nothin’
left. Then you shuffle by in your black and white Adidas,
          hair in twists, wearing the striped sweater
of nihilistic intent, quoting the rants of Holden Caulfield
          in your blog like you never didn’t know him.
I never asked to know you, to want who I can’t have
          when I can’t even love myself. And every fiber
Of my being yearns for reciprocation. What is there
          to return? What is there to feel, you meditate on truth,
fallen angel in the parlor of rebellion, blasphemous goodbye,
          bright and morning star simpering like crickets in the palms
of daybreak. Your musicality radiates from subway chatter
          and overheard profanity down El Camino Real.
I take in your ballad at my post office mailbox,
          in the abandoned echoes of daydream monologues.
You’re a philosopher, exploring theory of mind, a cartographer,
          mapping the labyrinth of your deepest desires.
Tell me again about desires, demonstrations of divine sadism. Tell me
          about human empathy, the animated faces of wordless expression,
the metaphysics of free will, my beginning and my end,
          alpha and omega, my fortress in the land of chic.
Blasphemous hustler, let your idealism simmer, your wit, your mojo,
I come to you an amateur, a neophyte, a lowly scab
in the strike against ignorance. Give me my melody, my song,
          my one-hit-wonder of all that is cliché and unknown.
But I can’t be the other woman, your girlfriend, your aspiring
          ******* bunny only 10-bucks-a-throw. Your highness-who-yells-
his-ideas-into-the-ears-of-echoes, your every quirk spellbinds me.
          Each day I wake to your entourage vibrato.
I am held captive by your brooding stare, empress of liberal
          doves. You visit in my dreams when the sky is a force of darkness
viewing light through peepholes, your flaws an aphrodisiac, a love drug,
          a fast hit in the basement from the ecstasy of words.

Se c'è una cosa che dovete sapere su di me .è che io sono ossessionato con la caramella .Zuccherino.fruttato .cioccolatoso caramelle.il termine " golosi " e mi vanno di pari passo .Quindi questo capolavoro candy- ispirato di un matrimonio catturato da Ozzy Garcia Fotografia ?Beh.mi ha colpito con il suo bouquet caramelle ( SI ) .fiori rosa -riempita da Ocean Fiori e un infinito visualizzazione dolci.Clicca qui per tutti i dettagli squisiti .E ' al di là abbastanza .

Condividi questa splendida galleria ColorsSeasonsSpringSettingsOutdoorStylesTraditional Eleganza

Da Sposa.Yoav e ** iniziato .scegliendo un luogo che potesse ospitare il nostro matrimonio all'aperto .l'aria calda Miami .una tregua benvenuto da inverni ventoso di Chicago e



Amsterdam e un minimo cambiamento climatico per i nostri 30 membri della vestiti da sposa famiglia che hanno fatto il viaggio dalla lontanaIsraele.La nostra visione per la sera era comfort casual con un lato di zucchero e un paio di sorprese lungo la strada.Jessica Masi di JCG eventi assicurato che questa visione è venuto a vita e Ozzy Garcia .di Ozzy Garcia Fotografia .artisticamente catturato questa visione e immortalato esso .
Avevamo fratello Yoavs officiare una parte della cerimonia .perché abbiamo ritenuto che quando si trattava di integrare i dati personali .chi poteva raccontare la nostra storia meglio di qualcuno che è stato lì fin dall'inizio ?Abbiamo voluto questo per impostare il precedente e il tono per il matrimonio a tutti i presenti .testimoniando il primo giorno della nostra vita in coppia .sono stati tutti .personaggi integrali amare nella nostra storia .

amore è dolce .il mio amore per la caramella è ancora più dolce .e ** sempre saputo che volevo il mio bouquet di essere fatto di caramelle .Alcune persone si asciugano i loro mazzi di fiori .alcune persone li salvano .avevo intenzione di mangiare la mia.Grazie alla Donut Divas .** avuto un ottimo spuntino a tarda notte sulla mia prima notte di nozze !Alcuni dei miei dolci preferiti di zucchero .marshmallow e M \u0026 Ms .sono stati abilmente collocato in un cono di cialda gigante.Il vantaggio di avere un matrimonio in giro per le vacanze di Pasqua è che anche l'erba nel bouquet era commestibile .

Oltre alla mia dipendenza da zucchero .credo davvero che ci sono pochi prodotti alimentari in questo mondo che può farmi felice come una torta di compleanno Publix negozio di alimentari .Al fine di condividere il mio amore per questa confezione con gli altri.dolci display ci ha fatto diversi stand torta di legno colorati .a cui Ocean Fiori aggiunto qualche scintilla .e abbiamo avuto diversi gusti di 8 pollici torte Publix poste sulle tavole di accoglienza .Il piano era quello di rimuovere le torte dopo cena e li hanno tagliati per dessert .ma i nostri ospiti seduti a questi tavoli è diventato così possessivo nei dolci sul loro tavolo che non avrebbe permesso a nessuno di toccarli .I nostri ospiti scavate con le loro forchette .senza nemmeno togliere dalla torta stare !

Oltre a tutti gli elementi fugaci di zucchero che è andato in nostro giorno speciale - le carte escort .il bouquet .i pop anello caramelle .lecca-lecca ragazza di fiore.il candy bar .le torte Publix - Penso che uno dei nostri ricordi preferiti dail giorno è venuto da Erin Una Chainani .** letto di Erin online circa due anni fa dopo googling Miami ritrattista .** chiamato Erin e le ** chiesto se lei sarebbe così incline a frequentare il nostro matrimonio e dipingere una scena.Non solo era pronto.ma ha dipinto due scene di boot!Ha catturato uno della cerimonia e uno del nostro primo ballo in coppia .

Quando il mio nuovo marito ed io stavamo confrontando le note dopo il matrimonio .entrambi abbiamo notato abiti da sposa corti che molte persone ci hanno offerto questo consiglio .amare ogni secondo di questa giornata perché va così veloce .E mentre il giorno ha fatto andare in fretta .non abbiamo mai avuto l'impressione che abbiamo perso tutte le occasioni per tutto dentro E grazie a Erin e Ozzy .abbiamo ricordi che ci ricordano del giorno del nostro matrimonio per sempre .Fotografia

: Ozzy Garcia Fotografia | Floral Design : Mare Flowers | Abito da vestiti da sposa sposa: Pronovias | Wedding Cake: Temptations eleganti | Scarpe : Mojo Moxy | capelli: Tanya Maquez | Abbigliamento dello sposo : Completo di supporto | Cake Stands : Sweet Visualizza | Cake Topper: Questo è il mio Topper | Torte (piccolo ) : Publix Bakery | Candy Profumo: Donut Divas | Cigar Roller : Acope Cigars | Dress Sash : Blue Bird Studio | Orecchini : Matrimoni 826 | Pianificazione + Design : GCP Eventi LLC | Flower Girl Dresses :pretty Flower Girl | Scarpe Flower Girl : Toms | Trucco : Rachel Blair Shapiro | Ritratto Artista : Erin Una Chainani | Wedding Venue : The Palms hotel \u0026
http://www.belloabito.com/abiti-da-sposa-c-1
http://www.belloabito.com/abiti-da-sposa-corti-c-49
http://188.138.88.219/imagesld/td//t35/productthumb/2/2314635353535_397744.jpg

I'm not surprised anymore by
the extraordinary.
When life bombards
me with trivialities, and
ordinary events,
something always happens to
jolt me from my lethargy.

"Bukowski **** on
the training pads!"
My brother yells, from
the dining room.
I'm living with my
brother, and
we have two
black kittens, Mojo and
Bukowski.
They bring me
hours of smiles.
I've never seen
eyes so full of
trust and adoration.

Bukowski has an
aversion to the litterbox.
We have tried everything.
When I put him in,
he jumps out like it's
a muddy pond.

His brother Mojo adores
the litter box.
Not only does he do
his business, he also
plays and sleeps there on
occasion.
We've started with
the training pads and
newspapers.
It's working.
Amidst all the destruction,
hate, and chaos in the
world, I'm eaten up by
the magic of the ordinary.

I talk to them as
they doze in the
afternoon sun.
"Thank you boys,
you got me going again,
Mojo, you broke the
dry spell."
They blink, and
Bukowski licks his
brother's head.

That crude-spoken Sovereign commands a big stick,
runs the world into ruins, once our bailiwick.
Questioned why, He grins grimly, pale lips slightly pursed:
"Vindication? Straightforward: It's Me and Me First".

(To mesmerise people He’s conjured His spells
with the pride and the power that Lucifer sells –
using tricks of the trade, evil voodoos well-versed
well engendered His mojo: "It's Me and Me First").

His friends (not His foes) form the skeletal men
along trails of dead ends (for they're armed once again)
and they're counting the bones of the bodies dispersed
by His bombastic lyrics: "It's Me and Me First".

The crater walls crumble, the dust drapes and smothers,
as drummers drown screams in the dreams of the others –
while beating and throbbing, like red veins aburst,
bleating echoes redouble: "It's Me and Me First".

A warrior departed to fight for His flag
and returned as a body brought back in a bag;
alas, such are the stories of soldiers coerced
by the Devil's damnation: "It's Me and Me First".

Beneath His thick thumb, the deprived do and die,
when subjected to whims, promised pie in the sky –
yes, His heavy hand rules, and the weaklings be cursed
for accepting His sermon: "It's Me and Me First".

He's minding our business by forging fake fears
and He'll serve and protect as the bogeyman nears
by ensuring our fantasies' phantoms are nursed,
smirking: "why should you worry, It's Me and Me First".

The media moguls flash news so fantastic –
their hearsay on Honcho's forever elastic
with doctrine and hogwash and hype interspersed
'twixt the dictums of hell and of "Me and Me First".

The masses partake in His royal cavalcades
giving chase to the hearses in midnight parades
through the catacomb caves where we're falling headfirst
down the bottomless pit of "It's Me and Me First".

The children in ghettos, like slave mutineers,
vainly venture to flee before youth disappears
but their ship's on an ocean that can't be traversed
for their sails line the abyss of "Me and Me First".

While His Highness drives oxen, He's sipping champagne
thinking "each shares a trough so that none need complain",
but the water hole's drying, we're dying of thirst,
so says "sorry you guys but It's Me and Me First".

A drifter once hinted behind weary tears
"overall the world's dying or so it appears";
He replied with a flash and a sudden outburst:
"yes, but who really cares when It’s Me and Me First"?

In Great Again moments we get the DT's
from His paranoid penchants, quite like a disease,
one which spots us, then rots us, then worse comes to worst
when He utters "just Trust Me: It's Me and Me First".

When profits are plunging (approaching the pits)
He won't give up the ghost or start calling it quits,
instead purges our pockets; again reimbursed,
says (re-groping His kitty): "It's Me and Me First".

The King condescends to a sharing charade
by dispensing desserts at the penny arcade –    
yet while crawling for crumpets, the crowds are dispersed
being slogged by the slogan: "It's Me and Me First".

When faced with the facts, He's the Greatest denier
that global abuse means all life may expire –
He scoffs at the thought that it can't be reversed,
says "it's not about you, no: It's Me and Me First".

With profits performing, He smiles, misinforming  
- of weather that's warming (whilst whirlwinds twist, storming),
- of jungles conforming to nature deforming,
- of bees no more swarming, thawed glaciers transforming
bold mountains to molehills on sand bars submersed –
can the earth persevere when: "It's Me and Me First"?

                        EPILOG
If you're feeling unsettled, there's no need to fret
for it's all a delusion, and lest we forget
He repeats His old mojo (a line well-rehearsed):
"just like almighty Yahweh: It's Me and Me First".

                      EPITAPH
The remains of the deserts and wasteland lie here
where the vacuum implodes and the silence is sere
when retelling the tales of the sagas immersed
in the mythos and legends of "Me and Me First".

The stone statuettes (swapping vain epithets)
consigned rational threats (those that wisdom begets)
to their nothingness nets spread in dank oubliettes,
losing aberrant bets with no real regrets
(scorning pale silhouettes that the conscience besets).

Nonetheless, when the cosmos and chaos conversed
they but hee-hawed the hubris of "Me and Me First”.

the wicked queen of morning
greets you with
clutching shore

little pebbles in the stream
rob red rubies
from dead fish bellies

on a rock
there are some feathers
a broken beak
crunched bones

your attention is cut
with the dead kiss
of a woodpecker

you are bound
to relive the death
of thousands of forests
bound to kiss
the stream’s mojo
laughter

listen—
the stream is still asleep
its floor is falling through
the weight of its slumber

nothing can contain it

Kidnapped



Hi my name is Brian Allan and every day I am being followed by people who
Want to kidnap me, and at the moment I say to them, you can't ever kidnap a
Member of the Allan family, and that made me feel good, till today when my school
Girl friend Julia Clarke was abducted by these same kidnappers and the problem
With that is, that instead of ringing the Clarke household for the ransom demand,
They rang me and I haven't that much money, but really they want to kidnap me
As well, well at least that is what I thought, and I am one step ahead, I deleted
The message on the answering machine and then went out to the backyard, saying
You can kidnap Julia, but she ain't my daughter, so you kidnappers aren't getting
Your hands on this Allan family member.
The kidnappers had Julia ******* in a cave out in Michelago and they wanted me because
It would mean they have the shy young dudes are finally out of the way, and when te kidnapper said that, Julia screamed through her gag saying I am cool, not shy, and you
Are going to suffer, if you say I am shy again, but te kidnapper just laughed at Julia, whole Julia was shaing even if the chains were tied to her very tight.
Every day Brian went to school, he hung with the cool boys, who were Patrick Gloright and Mark Darding and Brian Allan had fun but he was hiding the fact that he was thinking of being kudnapped from them, to increase his mojo and it worked and also Brian Allan said to Patrick and Mark that when this kidnapper gets him that Brian will bring them down with him, because Brian was too scared to be kidnapped with just a girl, he wanted bys with him.
And Suddenly one day when Patrick and Brian were on their way to a footy game, the kidnapper, who recognized Brian Allan decided to kidnap Brian and Pat together, and his
Plan worked like a charm, and then the kidnapper told Patrick that he really just wants Brian Allan and Julia Clarke, and then he told Patrick that he is no longer a cool kid, yes
The kidnapper thought, I have shy couple, Brian Alan and Julia Clarke and hooligan Patrick
Gloright, none of you are getting free from me, heh heh heh heh heh.
Patrick was scared and demanded the kidnapper through his gag to let us 3 go and tree was no way that he will do that and tr 3 victims remained ******* and crying and struggling to get free, while the kidnapper was out having a party for the capture of Brian Allan and Patrick Gloright,meh celebrated while ****** Julia, which made her muscles in her leg tense up and Julia screamed ****, but little did she know that she was in the middle of the bush, where all the free folk are kidnappers and rapists.
Then after the kidnapper was through ****** Jula, he took Patrick and Brian and began to **** them, cause no more are they tough boys, they are two shy little boys, and when the
Kidnapper ***** them both Brian'and Patrick's *****'s were very stiff and they both said us boys are clean cut and mature and the kidnapper said, yes and all mine, I love nice boys
And then he put Pat and Brian Allan back in te cave with **** marks on them, meanwhile the 3 victims had nasty rope burns all over their bodies from, the heavy chains that pressed on their bodies.
The kidnspper didn't want to ring the families for ransom demands because he realised his victims were trouble makers so he decided to drive them around Australia, but the kidnapper looked at the sights and julia Clarke, Patrick Gloright and Brian Allan were used as circus animals, yes the kidnapper decided to **** his victims with an audience who think this is an x rated show, so they think it is above  board, even when the victims screamed, they thought it was part of the show.
The kidnapper took his victims right around the country and then he had emails, saying that
Countries like England and Holland and USA, wanted the kdnapper to take his circus victims over there to make some big money.
It worked like a charm and the kidnapper pocketed all the cash and constantly said to his victims, suffer little teenagers, you aren't normal anymore, I won't **** you, I will just keep you teenagers kidnapped for the rest of school years, and you won't grow into adults, because when I **** myself at the age of 46' when you kids are adults, I will take you to hell with me, ya trouble makers.
After about 3 years of being bashed, *****, whiled and mind you even though, we were kids of the new generation which is nice, we thought that we will never escape, so we planned to look for each other in heaven, cause we are starting to think that they are kidnapped for more reasons than he is letting on, because, we aren't as strong as we used to be, Brian Allan, who was stronger and had evidence with strength from eating vegetables, is now the type of kid he hates and Brian Allan yells out, HELP can anybody save me and then suddenly the police dropped in on the kidnappers little exhibition and they arrested him while Brian Allan had pizza and pasta and meat and two veg to get his strength back and if anybody tried to kidnap Brian Allan again, Brian learnt karate to beat these kidnappers while Patrick and Julia both died two weeks after the rescue because they coukdn't get their strength back and Brian Allan befriended Pat and Julia's families to help them through a hard time in their lives and Brian Allan after 10 years since the rescue was given the Harod Frendly award for helping the Clarkes and the Glorightz through their hard times
And everything turned out fine as julias sister Bernette had a baby boy who she named Brian and the girl she named Julia and Wayne Gloright got married to Yvonne and had 2
Boyd, who they named Brian and Patrick, yes Brian Allan was a hero but had to be aware that of this kidnapper came back to beware because it was Brian, he wanted to ****, not Pat, but Brian visited their graves every night and still has nightmares now, even when the kidnapper was murdered in jail, but that is expected
The end

You is what you is,
  and you ain’t what you ain’t

The last Mojo Child
—of the love and the hate

(Villanova Pennsylvania: June, 2017)

Down from Arizona desert cold, absence of ice and snow
three white painted terracotta pots
by the Villa apartment on the tabled walkway—
Christina’s place.

Stacked, each alternately inverted one to the next
stabilize a snowperson body.
Can you picture it?

Black painted buttons all the way up?
Lips of dots, an orange twist of nose,
deep eyes void black.

Burgundy scarf tied around the neck,
positioned just so, it could be fit
to a Christmas Chihuahua.

By its playful form and surprising attitude,
may it well succeed at pleasing every passerby
and draw out, on each scroogey face, a smile.

It’s been doing just that for me, as I park
opposite each night, my headlights there shining.

Still, I have not and shall not peak inside
the alluring, open terracotta skull,
since I have imagined not wishes,
nor disappointments, nor elves and cookies,
but practical ash, randomly spiked with spent cigarettes.

Last night, as I walked out, with my night’s anticipations,
my grab-bag of happy tangles, Christina’s hanging silver chimes
issued soft whispering over terracotta, and I caught
a remembrance of Amazing Grace how sweet the sound.

Then Mojo my psychic dog turned me sharply,
and he took me away–we two, going toward home
a starry desert.