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Ryan P Kinney Dec 2015
This One’s Mine
by Ryan P. Kinney

I could tell something was wrong from the moment I saw her. The usual vibrancy that I find so irresistible was replaced with fear and doubt.
“Go look in your bathroom,” she said.
Laying on the counter I saw it. In our over-litigious world the blue donut no longer proclaims the news.
Just one simple word.
“PREGNANT”

I was immediately ****** into the eddy of doubt that plagued my accidental lover.
We had to be sure. So she made an appointment for the coming Tuesday to verify our fears. I anticipated that day with great anxiety. I needed to know, to create a solid path to follow. But the day came with no resolve. The doctor cancelled at the last minute. Life was torturing me for the sin of corrupting Erin’s innocence.
What I feared more than anything was the uncertainty. I’ve always feared it more than death itself. Death is going to happen. It’s inevitable. While I cannot anticipate the when I can try to prepare for it. Uncertainty gives me no straws to grasp at. Nothing to get ready for. Nothing to control, to steer, or get my bearings.

Nonetheless a week later our suspicions were confirmed. The depth charge known as a baby had been detonated into my life. My emotions became chaotic shrapnel, cutting shards into my every thought and confidence.
In those early stages my mind was a flurry of fret. My brain conceived every outlandish scenario: from adoption to challenging for sole custody. Only occasionally would a rational thought throw a life-saver into the churning murk of my thoughts:
“You survived Lisa, Ryan.”
“You will survive this.”

My first difficulty was Erin. She has been a conundrum between my word and my nature since I fell in love with her. For one symbolized by fire it is in my nature to burn that which I hold closest. But my word, the mock chivalry, deceives me into trusting that I will do what is best.
I loved her, I hurt her. A little over a year after I first picked the lock to her chastity I had left a time bomb in her life. No matter how little commitment she wanted from me, she would now be linked to me for the rest of her life.
And while it is undignified, assinine, and unbefitting The Phoenix, the human portion of my soul affixed misplaced blame, then shifted to lament and anger...
“You should have known better. You played with one born of fire and we both got burned.”
“Why was I never good enough for you?”
“My life was finally going in a direction I wanted it and now this comes to **** everything up.”
Angry more at myself but blaming Erin, I sought revenge on my life through self-pity and self-destruction. I desperately sought the affection of a woman I hadn’t corrupted. Yet, I was still afraid to corrupt another with my desperation. Eventually, I came full circle. It took both of us to create this child. It will take both of us to continue creating him. Although we may never be one, our unity will still exist in our son. It will have to be enough.

However, there was another storm on the horizon. And its name was Kinney.
My family is a curse, who it is my responsibility to love. No one else can understand them. They don’t even love themselves very well. Ours is a family where dysfunction is the only way we function. It’s like some unsolvable, incomprehendable equation that must still exist if the fundamental laws of reality are to hold true. No one else should have to take this taint of Kinney upon them. Yet someone now does, one poor mother and a marked child.
I am sorry that you both will have to share the blight of Kinney.
And, so very, VERY proud of that.
There is a twisted pride in surviving the curse of the Kinney. This survival is a quest to turn all that dysfunction into unyielding potential, of creating something beautiful from all the filth. Is it any wonder that I fought so hard with Erin to ensure that the label “Kinney” was somewhere in my son’s name? Another son to carry on the sullied name, another to try to make it mean something. The mark of Kinney is my stamp of selfish pride in having created something from nothing, my greatest art project.

Initially, the reward of my child felt as though I had been sentenced to 18 to life. I had reached a point in my life where I was ready to move on from Erin. I lamented something as trivial as the loss of my love life. My whole life was soon to belong to someone else. Control of my existence has shifted, seemingly overnight, from the culmination of my experiences to a little person not even half-formed yet. A deadline had been placed on my youth.

Slowly, acceptance began to quell the hurricane of emotions and uncertainty turned into certain doom. I began to make plans. In true “Ryan” fashion I looked to the future. It was time to get to work.
My anticipated son gave my dreams a sense of urgency, a deadline. A series of shelved, unfinished art projects burst into an organized chaos of activity. My art studio was erected in four months. A room full of storage was converted into an actual room. My most personal space, my bedroom, has always undergone radical changes each time my personal mindscape must radically change. It, like my life, was incomplete. It now better reflected the man I wanted to become; chaotic, nuanced, lived-in; not the man whose most brilliant pieces lay hidden in boxes. My entire foundation, which my home had become since the last foundation was shattered, underwent and is still undergoing major baby renovations. It is time I made room for someone else in my life.

To the beautiful mother of my son, who I will always love if for no other reason than she gave me this new life, I say this:

“Just as fire breeds we too shall watch our little spark explode into life. We will guide, tend, and fuel. It will be our job to give the energy of the universe form and function. The fires of a phoenix and the faith of a believer burn within our child. As Blessid Union of Souls says, “Love will find a way.” Ours will find its way into our child. I love you Erin, but I will love our child more.”

I remain full of doubts and insecurities  in my life as one self will end when our child is born. Born of con artists and addicts, this cliché haunts me, “Can I do it right?” The only promise I can make is that the world will never be the same. The Phoenix is drawing to a close. The latest manifestation of Ryan, The AntiFather shall rise from its ashes, bearing, like all spent phoenixes, new life.

As I enter this new chapter in my life I have one thing left to express:

Of all the people it could have been with, of all the doubters and underestimaters, all the possibilities, potentials, mistakes, and failures. For all my incessant ramblings, babblings, worries, and obsessions. To the world in which I bring my son, I say this,

“******* *****, this one’s mine.”
www.youtube.com/watch?v=alh2uHjTHHU&index;=15&list;=PLPvb07CD2LbgXN0YvnrZ79D9vrgGEUYUY
Ryan P Kinney Dec 2015
The Phoenix
(To Love and Lose Part 2)
by Ryan Kinney

It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.

Who am I?

Following my divorce I began an identity quest dubbed The Phoenix. It is my own personal trial by fire. Fire is the essence of life itself. As it destroys it also creates. I will create a new life from the remnants of my former, a persona not defined by another.

Chapter 1-The Quest

Depression and Suicide
“…my life before you was very chaotic and unstable. You were the stability I needed and the foundation on which I built my life.  I never doubted that you would always be there for me. You were my rock. Of all the people that had disappointed me you never let me down. Yet you did, You pulled the rug out from under me without warning and the foundation upon which I built my entire life crumbled…” –email correspondence to Lisa; Nov. 21, 2008

It took four months to undo ten years of my life. A debilitating depression overwhelmed me. I never saw anything in my life, but Lisa. What did I have left without her? What would I do? Darkness clouded my heart.

A rusty blade in my hand. A message in blood written on the broken mirror.
I lay in the tub, leaking crimson life. In my haze I barely make out the words.
What does my final message to the world say? I cannot remember why it hurt so much.
In a few minutes it won’t matter anymore. What the hell did I write?
I can only think of one thing that torments me enough to drive me to this darkness.
Trailing down in letters, clotting on the wall…
“I loved you.”

This revolving drama played on a loop in my mind. I was lost, a walking corpse. All I felt was cold hollowness.
“All that is left is emptiness, an empty house, an empty soul.”-journal excerpt; Oct. 6, 2008
I so badly just wanted the hurt to stop. In my tunnel vision existence I was oblivious to those whose hearts bled for mine. All my substance and passion was gone. Lisa took my heart with her and left nothing inside. Without her my existence seemed meaningless. The cloaked figure smiled, offering me the almost irresistible temptation of sweet release.
“Do I give in to the darkness? Let it consume me”-journal excerpt
Ultimately, though, there came a day when I awoke from the fog. I was living outside myself watching this unknown drone on a worthless trek. One phrase finally broke through the shell.
“What a waste!”
The Phoenix was born in that moment. The match was struck to light the way on the difficult road to recovery.
“The pieces of my soul are on the floor for everyone to trample on.”-journal excerpt; Oct. 6, 2008
I was in over my head. I needed help. A therapist helped at first, but the relationship quickly cheapened because I was essentially paying for a friendship. Antidepressants proved to work too well. I have a manic level of natural intensity. Lexapro ignited fireworks inside my brain. Both, however, gave me the nudge I needed to help myself. Eventually, I grew beyond the need for crutches. A previously unrecognized army of supporters each lent their kindling to the fires. One day at a time I battled my inner demons until I was ready to accept happiness again.
“You will be amazed on how much of the original Ryan is back. Why? Because I'm over my depression about change because something I feared more came to fruition.  I lost you.  I'm doing my best to survive from that, but my past fears now seems trivial and meaningless in comparison.”-email correspondence to Lisa; Sept. 8, 2009

Denial and Desperation
“Run, Run away Ryan. Open another book, turn on the TV, surf the Net. Delve into your fantasies and escape reality. It’s how you survived your childhood…”-journal excerpt; Oct. 2, 2008
The cracks in my facade were beginning to show. I shielded myself in delusions. I lied to myself to soften the full scope of Lisa’s betrayal. I more than lied. I was absolutely sure. I trusted her with my life. I trusted a lie. I was living a lie. I betrayed myself more than she ever did. The realizations came in shards, each piece punching holes in my heart.
I wallowed in self-pity and desolation.
I yearned so badly to feel some warmth, anybody’s warmth.

The New Girls
Upon Lisa’s departure I sought to quench my loneliness in the convenient woman around me. For a moment’s time, they took pity on me.
Rebound-I immediately sought solace in the arms of a good friend. She’s always shown me nothing but love and idolization. I was ashamed for disrespecting her and our friendship. I knew full well that our brief encounters were all that would ever be between us.
Crazy Chick-She was a brute of a woman, yet conversely, very maternal and comforting. She had a unique talent for forcefully ripping out my raw emotions, breaking through the masks. As she said, though, “I’m not Lisa.” Pathetically, that’s exactly what I wanted.
One Night Stand-ups-Several brief encounters fed my addiction for attention. Like a ****** with a needle, my appetite grew. Desperation was becoming my scarlet letter.
“…but it did seem that the thing we are most proud of and the thing we are most ashamed of are but the front and the back of the same coin. They torture and thrill all at once.”-Grotesque; Natsuo Kirino
I felt guilty and *****, yet loved for but an instant. These experiences were very cathartic. I had completely lost the ability to cry, feel pain, rage, or joy. They were the prefect drug, just so that I may feel again. Without these women to reopen the wounds, the numbness would have consumed me.
“Every angel has a little devil inside them.”-Manda; 2009
What attracted me to these women was mock chivalry. Each had their own “hard luck” story. So ingrained in me is the comic book ideal of heroism that I constantly seek to rescue the damsel in distress. Women will always be my kryptonite. However, as Crazy Chick put it, “ When is it time for you to be rescued?” The divine irony is, it was they who saved me.
It too, was not to last. A long period of isolation followed, as the women grew tired of babysitting me. Another lie to myself, a band-aid on a wound desperately needing stitches.

The Crush
Hers was the first light I allowed to pierce the darkness. She did more to heal me than any who said, “Yes.” Her secret, she said, “No.”
It has always been my curse to be eternally misunderstood and underestimated. I could see her scars bled the same as mine, although hers had begun to clot long ago. I am attracted to those who have a depth chiseled by adversity.
I identified with her. Her intelligence far exceeded my own, an Einstein in a circus. My eyes saw straight to her soul, seeing only the gorgeous woman she was on the inside. My friends would point out my eyes would sparkle whenever I spoke of her.
Yes, I loved her, but only in transition. We came from different worlds, but met as wounded soldiers on the battlefield. She was the catalyst to open my eyes. A sweet smile for my shredded soul.
“A worn beaten heart trapped in by bars.” From “Painless” by Tracy Reed
She held the key to my self-imposed imprisonment. My growing frustration with her opened the door for my transformation. For all her grace, all her amazing potential, she was wasting away in the same feeding trough as me.
“You can do better.”
Then it hit me…
“I can do better!”
I began to rebuild my empire. My never-queen rejected me…
I wouldn’t have had it any other way.

The Emotional Spectrum
“Stuck in a prison of abstract ideas and overpowering emotions.”-Zach; mypsace blog
Shock
1) ‘I don’t love you anymore.”
2) Letter…”I can’t wait until my divorce is over!”
3) Ryan-“So I guess this means we’re getting a divorce.”
Lisa-“Well, yeah. You knew that.”
4) “Ryan, they’re together, and have been.”
5) “I’m moving out.”
6) “By the State of Ohio, I hereby grant this dissolution.”-Judge; Dec. 30, 2008

Six bullets to my heart, six separate, devastating phrases that brought about Armageddon. I gave her a decade of my meager existence, nearly half my life. She threw me away like garbage, and couldn’t have been happier.

Fear
As the gun smoke drifted, I clutched my breast. I was frozen in horror that I’d lose myself along with her. Fear, you see, was the beginning of the end for our marriage.
I never dealt well with change. When we bought our house, the combat that ensued left me crippled. I ultimately built myself into a comfort zone again. “I don’t know what I want to do” was always an excuse for me. I lay stagnant and complacent with no true purpose or direction.
It was Lisa that first took action. She sought to elevate us from the ranks of lower middle class into which we were born. I fought her, determined to lay docked in the doldrums. “Leave me alone in my bubble.” I made attempts, but with each failure became depressed. She became frustrated and took matters into her own hands. It is obvious she loved me then. She worked effortlessly to give us a better life.
I was blind to the truth and in time Lisa lost sight of her motives. She plodded on, mechanically, no longer sure of why. She drove herself to extreme exhaustion, afraid, that if she stopped, for even a moment, she’d realize it was all for naught. She lost faith in our combined, bright vision.
So, she did the only thing she knew how. She ran away, straight to another as miserable as her. She kept running, further and further, taking greater risks. All just to not have to feel her own hollowness.
She left and my phobia ended there. What followed was a newfound fear. “I don’t know what I want to do” became “What the hell do I do?” I was afraid I was doomed to be alone the rest of my life.

Sadness
“Are you ok?”
“We’re worried about you.”
“How are you, Ryan?”…

“MISERABLE!”-Ryan

I always speak the truth. I’ve never felt so surrounded and alone in all my life.

Anger
“Like koi in a ***** pond, you can see your rage barely hiding below the surface.”-Erin Kompik
The most intense rage fueled The Phoenix. I lashed out at everything. Everyone was burned. I was ******* and the world would pay. The spectacle burned so bright it threatened to eradicate all that I was.
“I can feel bitterness and anger coming. I am fighting for control over the anger”-journal excerpt; Oct. 1, 2008
“The seams in my heart leak nothing, but hostility.”-journal excerpt; Oct. 6, 2008
“I’ve become a monster. I once loved someone so hard I would die for her. Now all I can feel is scorn and hate. My heart is twisted and black. I fear I will become the bitter man my father is. I hate myself for being so.”-journal excerpt; Sept. 30, 2008
Who was I so angry with? For all the hurt I felt from Lisa, I was most angry at myself. How could I let this happen? How could I have been so blind? My blood boiled as I berated myself. The loss I suffered left my heart festering with hatred, as nothing but fire and volatility overtook it.
“The red light of rage is violent action without consideration of consequence. It is uncontrollable. So I will unleash it.”-Final Crisis, Rage of the Red Lanterns
Then, the root of another anger broke through the fury.
“I know that you may not see it now, but time really will heal these wounds.”-Michelle Kinney
She was right. I had absolved myself of my original rage. I had forgiven her. I could forgive myself. I couldn’t be held responsible for another’s irresponsibility. The anger dissipated into the smoke. It left behind a few flickers, but I’ll not extinguish them yet. I still have a use for that rage.
“Do not be afraid to expose the darkness. Only by bringing it to the light can it ever truly be resolved.”-audio journal excerpt; Aug. 16, 2009

Love and Happiness
During my marriage, hers was the only love I let myself feel. Then, she took it with her when she left. I felt scorned and unwanted, a refuse of human waste.
I was wrong. I am a man that seeks love as an end all for my existence. Lisa unlocked my caged heart. Over the next decade I cultivated relationships with countless individuals. There was more love in my life than I ever realized. They were there when she wasn’t. My parents sacrificed everything to give me a life and family they never had. Lisa’s family had become my permanent family. She divorced me. I did not divorce them. All my friends gave all they could. Even my harsh enemies stepped off the battlefield, for they understood the casualties of this war. All of them, a shining sea of compassion, poured their hearts into mine. Their light overcame the darkness. When I finally crawled out of the pit, they got me to my feet.
“For them, I must continue.”-Naoko Takeuchi
I had to be strong. I owed it to them to survive. They gave me their love to fill in my missing pieces. For all I had been given, I could never give up or give in.
“I am meant for greatness. I am meant for happiness, for joy, for me.”-Zach; myspace blog

Chapter 2-Evolution

Picking up the Pieces
“I need to be out there.
Living.
Looking for my own life…
I need to open my mouth.
I need to be heard.
I need to live.
You’re gone…
I’m not.”
-Goth Girl Rising; Barry Lyga.
It was time to rebuild that which had been broken. My life was fragmented chaos. I needed an order to the chaos, or more to my tastes, organized chaos; anarchy with purpose. I learned to become a master strategist. The civil war I waged on myself demanded a general.
STEP 1-Stabalize finances.
My pact with the devil to keep my beloved home required emptying the coffers completely. How delicious the irony that I wound up working the same long weeks as Lisa.  Hard work and sacrifice were absolute necessities if I was ever to afford to live again. It was Lisa that taught me that. The only difference, I must never lose sight of why. Money is not the reason for existence. I simply needed enough to achieve my goals.
“Money is nothing.  It is an imaginary concept.  Its only value is what we put into it.  While often a necessary evil to survive, it is not important.  The only possession of true value is time.”- The Most Valuable Possession; 2009
STEP 2-Tear down the Mausoleum.
My home had become a testament to a dead marriage. Lisa’s five day moving notice threw a grenade into my living space. It was disheveled and disorganized. It was no longer Ryan and Lisa’s. I had to reclaim it as my own. Out of respect for our past, I kept a few pieces of Lisa as a constant reminder. I will never forget where I’ve been.
“Your spirit helped build this place and it still flows through its walls.”-email correspondence to Lisa; Nov. 21, 2008
Physically putting my environment in order likewise put my mind into an order. As I rebuilt my home, it became the new foundation for my life. The Phoenix had a place to perch.
STEP 3-Know Happiness again.
“I seem to find that my great periods of change, evolution, and growth precede an ultimate betrayal from someone I’ve let close to my heart. Is survival mode the only way I can fuel my passion? Where do I find the love that ignites my will, yet does not drive me to complacency?”-audio journal; Aug 13, 2009
The answer, I needed to love myself again. I could not rely on someone else to complete me. I had to become independent, to be ok with being alone. I deserved to be happy, to be loved, above all, by myself.
This was going to be hard.

Breaking Codependency
Not having another physical body in the house left a void. Without another heartbeat close to mine, I stopped sleeping at night. My appetite was lost and I started shedding pounds. With my depression receding, I awoke to find I was living in a desolate wasteland. What would I do in this solitary confinement?
Utilizing survival skills my mother taught me, I used it. Ever the artist, I took the pieces and created an existence. Then I improved it, again and again. Loneliness is a disease that attacks only if you let it. I had to learn to accept myself, before I could expect anyone else to. I used the loneliness to redefine and rediscover myself. I would not rely on anyone to do for me. My honor and respect for my loved ones demanded I do for myself. The stifling quiet, the sleepless nights taught independence. The silence used to frustrate and anger me. Now, I use it for peaceful reflection and meditation. Th
SøułSurvivør Sep 2014
Six humans trapped by happenstance,
In bleak and bitter cold.
Each one possessed a stick of wood
Or so the story's told.

Their dying fire in need of logs,
The first man held his back.
For of the faces round the fire
He noticed one was black.

The next man looking 'cross the way
Saw one not of his church
And couldn't bring himself to give
The fire his stick of birch.

The third one sat in tattered clothes
He gave his coat a hitch,
Why should his log be put to use
To warm the idle rich?

The rich man just sat back and thought
Of the wealth he had in store,
And how to keep what he had earned
From the lazy, shiftless poor.

The black mans face bespoke revenge
As the fire passed from his sight.
For all he saw in his stick of wood
Was a chance to spite the white.

The last man of this forlorn group
Did nought except for gain
Giving only to those who gave
Was how he played the game.

Their logs held tight in
death's still hands
Was proof of human sin,
They didn't die from the cold without
But died from the cold within.
By James Patrick Kinney
Ryan P Kinney Dec 2015
An Argument with Myself
(aka Identity Crisis)
by Ryan P. Kinney

I can’t do this anymore
I’m manic with kleptomaniacy issues
At 31, my body is beginning to betray my spirit
Age is catching up to me with a vengeance
I have a broken spine, a *** knee, carpal tunnel, and “significant” bone loss in my jaw
And…

Will you please shut the **** up?
You are a whiny little ****

Your back may be broken, but you’re not spineless
I’ve seen you stand straight and tall, even when it hurt
Nothing has ever stopped you from moving
A bad knee isn’t either
Bone loss in your jaw?
That won’t stop you from saying your piece

Who are you?

I’m that cocky super ego phallus replacement you drag around
…6 inches….
From the ground.

I know you
You’re that impulsiveness that gets me in trouble
The one that tells me to just do it
Stop thinking
The one that smashes my intuition and forethought like a raging Hulk
You are the Manic Hammer

I don’t like you very much

Nah, You love me
You just don’t know it yet

You know I hurt the one’s I love
I have more scars than ****** skin
Nothing of me is untainted anymore
I’m all alone

You are not alone
You are swimming in a sea of people

But there’s not a drop to drink

No one has everything you need
Drink of pieces of each person
And you will have more than you ever need.

I’ve lost so much
So many people
Two hearts
One is gone forever
The other,
I feel her slipping away

Yeah, but you held them both for awhile
It’s like the gods trying to hold the stars
Sometimes, even they get burned

Besides, you held onto the first for a long time
Even if she wanted it back
The other one is still playing tug of war with you
You’ll just have to pull harder

I’ve been used up, beaten, and ****** over pretty hard

Remember those times you were ****** hard.
Most of the time, you loved it

I don’t know who I am anymore
What I’m supposed to be
I am stuck,
stopped,
stagnant.

You are Ryan
That used to mean something in this **** town

I’m the one who’s kept you moving
Kept you alive
I kept you from pulling the trigger
Or digging in the knife
When Lisa left you in pieces
I put you back together

But, you hurt me as much as you help me

And you are as pathetic as you are courageous
You are stronger than you think
I should know,
I’m you

I have credit card debt greater than the value of both my cars
Because I’m addicted to stuff
Stuff stays, people leave
I hate the tedium of work
But can’t survive in our capitalist conglomerate without it

You work to get yourself to a better place
You’ll come back as many times as it takes
You’re not the only one dreaming of getting out of there
Just the only one with an escape plan

I cut my arms
(More like scratches
Because I’m too chicken **** to go any deeper)
Just to get attention
Hoping someone would notice and ask about my arms

No one did

Someone did.
But she is just as broken as you
And has no idea where to put your pieces
Or even to ask where they go

Sometimes, I just want to die

Really, Death?
That ******* has been on your heels since the day your mom popped you out
Are you really going to let him win that easily?
Yeah, he’ll catch you eventually
But you’ll give him the run of your life

And my family,
Jesus, they ****
One big curse of genetic white trash pretending to be middle class
Thanks Mom, for teaching me to steal
Thanks Dad, for giving up on yourself
Thanks Shawn…
Wait, Who the **** are you anyways?
Thanks for giving me no foundation for a family I can belong to, love, or even care about

Yeah, your family *****
You got me there
But they don’t define you
You do

Your mom taught you crime
But you learned how to survive on your own
Your Dad gave up on himself
But you learned to never give up
Your brother, well,
He’s the you you could be if you keep up all this *******, whining, and self-pity

And, don’t lie to yourself
You care about them
Even when they don’t
They are another piece of you
It does not matter if you like them
There is some home in that broken mess
No matter how bad you **** up
They will never judge you
They’ve done worse

As for a family you can belong to, love, and care about
You have a son

I have no idea what to do with a kid
I’m still a kid, aren’t I?

Nope, you aged,
Whether you like it or not

I don’t want to grow up

You don’t have to
Not entirely
But you do have to be a man

How?

You’ll figure it
The same way you always do.
Trial and error

I’ve been fighting this for so long
Alone
I can’t anymore
I have nothing left to fight with

You have them
You are not alone anymore
Ask them for help
You’re going to have to trust

I don’t know if I can do that
I’ve never done that
I don’t even trust you,
Myself

She loves you because she loves your son
She loves that piece of your combined hearts
Trust in that.
Have faith.

I don’t have that either

She’ll teach you

She’ll find you.
I need to protect her from you

You’re never fully yourself
You never let them meet me
It’s no wonder you always feel alone

You are a thief!

So are you

I don’t want to be you

I’m coming through no matter what
The more you wear this mask of innocence
The guiltier we both become

I don’t want to be a Kinney

You want to make that name mean something
You have that chance.
There’s a brand new Kinney

I’m scared
What if letting her know about us scares her away?
What if it costs me my son?

I’m here with you, always
She will be too
But only if she knows all of us
The piece you are giving her isn’t enough
It wasn’t enough for Lisa

You’re going to have to accept me
We have to work together
She has to know
You can’t taint her anymore with our lies

I…I…

No,
US.

Now, get the **** up
Be a man
There’s a little boy out there looking for one.
https://www.youtube.com/watch?v=sM1sgVUJSc8
Ryan P Kinney Dec 2015
by J.M. Romig, Ryan P. Kinney, Morgann Blackwood, and Aaron Kasunic

Here’s to vices and virtues
To living without apologies or regrets
To breaking in order to heal

This old bird no longer caged
She gets to look on the other side of the bars this time
He gets another stumble in the hallway
A headfirst dive into a bottle of pills

Purple sharks and goats
That glow in the dark
Banana dimpled belugas
Swimming wildly asunder

Then I met God
The most beautiful of all my conquests
I knew no one else would quite match up to her

Her hair in the porch light
Looked like the thunder god had an ******

Her face still cannot be manifest
This woman,
The most beautiful thing I’ve seen
She lingers in my conscious
And has a major role to play in what will be my swan song

If experience has taught me anything (an unlikely assumption)
It is that if a woman ever tells you
-Straight up-
That she is a *****
She is not lying

There are exceptions to that rule
As I myself am quite exceptional
tomsout001 Mar 2013
"Decision Points" is already atop Amazon's bestseller list. Number two is "Diary of a Wimpy Kid: The Ugly Truth," by Jeff Kinney. If you think we're going to mine that for cheap humor, you're wrong - anyone with pre-teen children knows that Mr.  So many "self-help" books preach, ramble, and simply leave us with a sense of having wasted our time. For men, books of similar titles are simply read as penance for having failed to mow the www.facebook.com toms shoes outlet lawn before the game was over and the rain came. Often they are simply dog-eared to give our partners the impression that we are indeed trying.

To figure out how many things you can plug into an outlet before it will catch fire, first we need to get to the heart of how electricity works. At any given moment, the average American house has 120 volts of electricity flowing though it. Somewhere in your house, you'll find a wall-mounted box, toms outlet store containing either circuit breakers or fuses (found in older homes)..

A bespoke suit is an absolute must. Bespoke, of course means made for you specifically and that means that you have to say exactly what you want the tailor to make. If it an existing style then it is in fact a custom suit. We may view in a big way as well. Let get an insight into behaviour of Georgia in foreign affairs (Georgia is a country in the Caucasus region of Eurasia. Situated at the juncture of Western Asia and Eastern Europe, it is bounded to the west by the Black Sea, to the north by Russia ?note of translator).

The Beggar does not think like an ordinary man. The point is in absolutely other scheme of thinking that differs from mind of decent people. Resemblance between common worker and the Beggar is outward only, in other words it is biological, because both of them are human beings.

By the early 1970s INTERCO's apparel and general merchandise subsidiaries were generating approximately 56 percent of sales and 47 percent of profit. The apparel manufacturing group consisted of 11 apparel companies, with 62 manufacturing plants and 13 distribution centers. The general retail merchandising group operated 856--owned or leased--retail locations in 29 states.

Every fashionable guy knows how to pull off a suit in casual situations. Those post-work cocktails and early evening jaunts to the mall are child's play if you have a navy suit to throw on. The color that's just a wee bit lighter than black helps keep the suit itself from looking too sombre and businesslike..

"We are very excited to introduce Disney Store to outlet customers, who are extremely brand-conscious and passionate about shopping," said Mario Ciampi, president of Disney Store. "Our outlet stores will offer a magical, Disney-themed (babyandyUSA-March-11) retail environment complementary to our mall-based Disney Stores. Given the power of the Disney brand and The Children's Place experience in this channel, we believe the outlet venue will be an effective way to grow the business.".

Or you can choose for the like tweed, corduroy, or houndstooth. And now, Toms even makes wet-weather ready botas, which have a fleece collar and lining and a treated coating to protect her feet from the winter weather. Whatever her style or the weather conditions in which she lives, you will be able to find her something from Toms..  2013-03-15.
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Michael R Burch Mar 2023
These are poems for the victims and survivors of the Nashville Covenant School shootings.



Nashville Covenant Call to Love
by Michael R. Burch

Our hearts are broken today
for our children's small bodies lie broken;
let us gather them up, as we may,
that the truth of our Love may be spoken;
then, when we have put them away
to nevermore dream, or be woken,
let us think of the living, and pray
for true Love, not some miserable token,
to command us, for strength to obey.



For a Nashville Covenant Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails, when thunder howls,
when hailstones scream while winter scowls
and nights compound dark frosts with snow?
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live nine artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...


Epitaph for a Nashville Covenant Student
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



As springs’ budding blossoms emerge
the raptors glide mercilessly.
—Michael R. Burch

I wrote this haiku-like poem on 3-27-2023 after the Nashville Covenant school shooting massacre.



This poem is for mothers who lost children at Nashville Covenant and in other similar tragedies...

Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
Of one fallen star.



I Pray Tonight
by Michael R. Burch

for the Nashville Covenant survivors

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Nashville Covenant Call to Action
by Michael R. Burch

We see their small coffins
and our hearts break,
so we ask the NRA—
"Did you make a mistake?"

And we vow to save the next child
for sweet love's sake,
but also to protect ourselves
from such heartache.

The lives, safety and happiness of our children depend on our ability to persuade the NRA and its political lackeys to stop exalting money and political gain above the life, liberty and happiness of innocents. What is the cost of banning assault weapons, compared to the ultimate price innocents pay when they are used by madmen playing Rambo in classrooms and theaters? Ironically, just hours before the Sandy Hook massacre, in a weekly column that I wrote for the Nashville City Paper, I pointed out that right-wing politicians are not just demanding the "right" of citizens to bear loaded handguns into restaurants that serve alcohol and bars — a combustible mix. No, people who call themselves "conservative Christians" in collusion with the NRA and its gun lobby are demanding the right to carry assault weapons everywhere ... which "logically" means into universities, high schools, grade schools, kindergartens, pre-schools, Sunday schools and maternity wards. When I wrote this, I was speaking ironically — I thought — but then a few hours later the NRA and its political minions made me seem like a prophet.



Sandy Hook Shooting Gallery
by Michael R. Burch

If we live by the rule of the gun
what can a child do,
but run?

Sixteen of the students who died at Sandy Hook were six years old; the other four students were seven. I wrote the poem below for another child gunned down by a madman. While we cannot legislate sanity, we can be sane enough to legislate away the "right" of serial killers to purchase assault weapons so easily. We can defend many small victims from such carnage, if "we the people" have the wisdom and the will to defend them.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at age nine,
shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the brutal things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

The Sandy Hook Elementary School shootings left 27 students and educators dead, and question our nation's sanity and resolve to put children's lives above money and politics.



This haiku makes me think of the students and teachers of Sandy Hook, who were trapped in a war zone:

War
stood at the end of the hall
in the long shadows
—Watanabe Hakusen, translation by Michael R. Burch



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.

It seems to me that the NRA has declared a war — an open season — on our children, by insisting that assault weapons must be available to every Tom, **** and ***** Harry. But what will we, the people, say and do?


Whence Now?
by Michael R. Burch

Grown darkly accustomed to grief,
will we ever turn over a new leaf?



Something
by Michael R. Burch

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.

The three students shot and killed in the Nashville Covenant School massacre were all nine-year-olds. They were identified as Evelyn Dieckhaus, Hallie Scruggs and William Kinney. Three adults were also killed in the shooting: Cynthia Peak, Mike Hill and Katherine Koonce. It is no longer good enough to talk about loving our children and praying for them to be safe. We have to protect them from mass murderers armed with assault weapons. The alleged serial killer, Audrey Hale, was reportedly armed with an AR-style rifle and an AR-style pistol. In more civilized nations citizens cannot legally purchase such military-grade weapons. The Nashville Covenant massacre marked the 19th shooting at an American school or university, so far in the first three months of 2023, according to CNN.

Keywords/Tags: Nashville, Nashville Covenant, Nashville Covenant Presbyterian School, school shooting, shootings, massacre, children, kids, students, child abuse, gun control, America, United States, USA, death, deaths, ******, serial ******, massacre, bereavement, class, classes
mike Jan 2013
in  ft.lauderdale there is a tunnel. the Henry E. Kinney tunnel. it is dusty and loud.
ghosts pass through there and beg me for change. little do they kno that i have the morphine.
less fiends. all fiends.
if you sit in there long enough youll gather waves of grey on your skin.
like sand on the shore can become such pretty patterns.
why am i writing this? the sun is shining.
if god was my soulmate id cheat with the devil,
and id have a very vivid imagination.
pop-corn on sale. 50cents.
broke tooth on kernel. cant afford the visit.
dry mouth to ****.
dryers empty.
loose change.
loose cannon.
a monster.
is on the loose.
you wake up and the doctor starts to say something but you eat him.
quick! hand me a sqrew-driver.
i want to **** a bird on my way down.
if anyone ever loved and were loved by both parents then i am happy for you. you are:
happy person.
i have talked to many people.
and they talk and they talk and they pass time with words..like gas.
waste the breath and the small bones in my ear.
and always remember: try to listen every once in a while.
talk too much is rude. especially about nothing.
please shut up.
everyone.
2.
3.
forever.
5.
sick
psychopaths.
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Dec 2015
My Life is a Scratched CD (OR Blue Collar Lament- The Little Napper Remix)
Lines taken from poems by JM Romig (Ursa Somniculosa/CD Skipping Down Route 11) and Ryan Kinney (Blue Collar Lament)

It's long drive on this highway
The window creeks
- its jagged way down
I breathe in the new air for the first time in months
the CD starts skip-skip words
Hopping over - lines
Reminding me
Of finite fuel
repeat-
finite time
With work looming just hours away
repeat-
Death, just decades away

I spend most of my week
in the back of the factory
where I sell my free time
on repeat
in a semi-conscience trance
watching multi-million dollar machines work

repeat

in the back of the factory
where I sell my free time
is a constellation of dirt, chipped paint
and cobwebs
forming the shape
of a bear
lounging in a hammock

skip

They are more alive than I am.
Monday at 3 PM I click off my brain,
switch on automatic,
repeat
automatic
skip
- the countdown:-T-minus 40 hours.
Each minute that ticks by
in the dull monotony slowly steals my sanity,
bit by bit

Each minute closer to Friday
slower and slower,
until on Friday they seem to tick
backwards--

skip

I have coworkers
who insist that it's a monkey,
trapped in a net

Each day blurs into the other
making them indistinguishable.
Repeat-
My finite time
Monday,
the entirety of the previous week
on repeat-
T-minus 40 hours.

skip

they are wrong.
It's clearly a bear

In the back of the factory
where I sell my free time
repeat-
Death - just decades away.
The dictator they put in charge of the asylum
barks out commands on cue,
just to remind everyone that they own you.

skip

The desperation for dollars
are the shackles that keep me here.

I often welcome sleepwalking:
I think of Emerson
On repeat-
Skip-
I think I feel like his transparent eyeball
repeat-
His eyeball-
I begin to understand
I begin to feel like I'm one with everything
skip-
everyone is love
repeat
love
every-Everyone is me
and you
skip-skip
-the impending coma

In the few instances the machines malfunction
I curse being awakened.
At least as a zombie, I don't feel
my mind rotting
repeat

the rotting constellation of dirt,
chipped paint and cobwebs:
Ursa Somniculosa
No matter where I am on the floor,
I can see him hanging there in his hammock

on the weekends I love life.
I shed the identity the uniform has forced upon me
and my true self emerges--
repeat
my finite fuel

In the back of the factory
where I sell my free time
repeat
the desperation for dollars
I truly only live two days a week
repeat
my finite time
I'm dying the other five

skip-skip

I think of Ursa Somniculosa -
In the back of the factory
where I sell my free time
enjoying his perpetual vacation
maybe sipping on a nice tall beer
soaking up the sun -

NOT being a trapped monkey
like all of us down here
on repeat
Poem was assembled by J.M. Romig
Ryan P Kinney Jan 2016
By Ryan P. Kinney and Dawn Richardson

Assembled from works by Ryan P. Kinney

This one’s for those who have let me down
Disappointed me, failed me
Failed to live to their potential
This one’s for EVERYONE

We will be naked and bare
Ugly and beautiful
Out from under the covers
Out of control
And into the light

There will be no more hiding
Not from the rhetoric
Not from the self-righteousness
Not from the lies we tell ourselves

This one’s for every woman who didn’t love me
And for every one that ever did
This one’s for every person who has ever doubted and underestimated me
For those who ever thought my life should be a mirror of their journey
‘Cause theirs worked out SO well for them

Not from the us that never was
Not from our definitions of family or love

This one’s for me
For not living up to my own potential

This one’s for those who patronize my intelligence
But yet are so easily fooled into acceptance
With a pair of plastic black frames
This one’s for IRONY

Not from the guilt
Not from the pain
Or from the shame
Not from the anger
Or the happiness

This one’s for who I AM


Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
wes parham Mar 2017
Our lot was not to stay all night;
In kneeling praise by bathroom stalls.
Alcohol numbed your honesty's bite,
wrote her destiny on the divider walls.

And we weren't the kind to cheat, don't believe,
All the loose lips half-cross town,
Last call patrons who watch me leave,
And shut this ****** down...

Like Zane and Beckett, so convinced,
Their **** would last forever,
Bad enough to make you wince,
If they spend one more second together.

Or Jane and Kinney, young, driven, and full,
Of lust or something similar.
Don't be surprised, you've seen this fire,
The end? ...all too familiar.

And pretty Syd had all the gall,
and Pony Boy thought he knew the score...
but he's just a **** like so much Pyrex,
Stuffed inside his paper *****.

But Ashtray Woman with ***** Mouth,
And monster's blood on toilet tissue,
Is just another frightened girl,
With real and dangerous daddy issues.

Now, here, at the close (I'm still glad to say),
You deserve almost everything, that you've won,
Our karma arose ( and, in time, took the day ).
Now I ponder regrets in the hours before dawn,
It wasn't the when, or with whom we may lay,
or the time in the morning before I should be gone,
It's more about how we desired to stay...
When we gazed into stars lying flat on your lawn.
I once craved your poison but, now, in my way,
I'm actually glad
to see you gone.
I don't write the darkness very well.  Need practice to make it less cliche.
Ryan P Kinney Aug 2021
Sad
Soul Blind Pt. 2
by Ryan P. Kinney

"Dad, Why do you look like you're crying?"

"Oh, you know. Sad things."

"Don't be sad, be happy."

"Both of those are always about you."

"Why?"

"Because when you are not here, I'm sad."
"When you are, I'm happy."
Ryan P Kinney Jan 2016
by Ryan P. Kinney

Assembled from works by J.M. Romig and Ryan P. Kinney

Once you log into The Network, you can't log off.
Once you're plugged in, you can't opt out.
That's the way things are.
Your life becomes your Channel.
Your world becomes your Show.
Have you seen the latest episode of Walking Dead or Breaking Bad?
Have you looked in the mirror?
Reality shows?
Who’s reality?

We live in the information age
Full disclosure is no longer optional
We are sharing information.
We are contributing to the death of the self.
Or are we finally mastering intelligence?
We know how to play the system
how to get followers,
when to drop a hashtag,
when to upsell a sponsor,
We are social creatures
And social control is how you keep the pigs in their pen
Until it’s time to offer us up as sacrifice at the altar of decadence
The Rich are locked up
in their floating wi-fi enabled panic rooms,
High above all of the pollution.
Living vicariously through the shows
broadcast by The Network.
Sell me another artificially derived addiction
Masquerading as sustenance
Tell me how much I need it
Need you
Preach it with the fear of the unorthodox on Fox News

Meanwhile on the ground,
people are caricatures of themselves -
the byproduct of generations
of narcissism as survival mechanism.
Nostalgia, and criticism
as a means to pay the bills.
Unless you choose to never log in.
Choose to ignore the cameras
following everyone everywhere
You can always get a real job -
If you can find one.
Most people don't.
It's the new economy.
In exchange for our data, and privacy,
we get ad-revenue and a chance at stardom.
We willingly give them our intelligence
Our spirit
For another video game
Another TV show
That promises a better reality
See it all in HD
While we dubstep to our doom
Up Jacob’s Ladder
Built out of the 15 minute prophets

We’ve traded a heartbeat for an electronic pulse.
Blips and bleeps in an imagined humanity.
Forgetting that living means leaving the house.
When the feed is quiet -
we take the occasional moment
to breathe – cough -
and look up to where all the stars used to be.

Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney May 2015
Tanka-ka
Or Not Tanka

American tanka: Japanese influenced poetry that ignores rigid syllable guidelines; typified by an individualist, nonconformist sentiment.

1.

You step so cautiously
That sometimes you forget
To take a step
And I am left waiting,
Running far ahead


2.

You don’t realize
That your body
Might just save this one
This body might,
Just **** me


3.

What does all this stuff mean?
What does this world mean?
Long after I am gone
This **** will still be here,
Forgotten by everyone


4.

Internet ****
Seduces mens’ hearts
And objectifies their desires


5.

The destruction of the self is intolerable,
Everyone tells me
To destroy myself is unacceptable,
Little round pills


- Kinney Ryan
www.youtube.com/watch?v=6mW1GrqLKoI
Ryan P Kinney Jan 2016
by Ryan P. Kinney and Dawn Richardson

Created from prompts by J.M. Romig, Dawn Richardson, and Ryan P. Kinney

She loves him like a fire,
Enveloping, holding, and caressing the wood,
While slowly consuming every part of him

Shaking off clothes like the leaves in autumn
Their bodies exposed,
Changing from a wan pallor
To a flushed crimson hue

Their bodies burn,
Breathe drifts like smoke into the skyline
The mountains **** their horizons

The dragon flies and dragonflies in the dusking night
The snow blanketed world deadens the sound of his beating heart
Her tide slowly recedes into him
The delicate wax of his heart melts under her fury
She swallows his cries

Babies sleep soundly


Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Dec 2015
Half Life
by Ryan P. Kinney

Welcome to the digital age.
Where man’s best friend is Internet ****
And a woman’s only friend is her *******.

We’ve traded a heartbeat for an electronic pulse.
Blips and bleeps in an imagined humanity.
Forgetting that living means leaving the house.
And that sandals and boxer shorts are not formal wear.

We live in the information age
Full disclosure is no longer optional
We are sharing information.
We are contributing to the death of the self.
Or are we finally mastering intelligence?

There is an epidemic of inaction
Entropied Progress
The mobius sloth slides down into its own gluttony
And I just want to have *** with someone who is still alive

Have you seen the latest episode of Walking Dead or Breaking Bad?
Have you looked in the mirror?
Reality shows?
Who’s reality?

We are social creatures
And social control is how you keep the pigs in their pen
Until it’s time to offer us up as sacrifice at the altar of decadence

We willingly give them our intelligence
Our spirit
For another video game
Another TV show
That promises a better reality
See it all in HD
While we dubstep to our doom
Up Jacob’s Ladder
Built out of the 15 minute prophets

Sell me another artificially derived addiction
Masquerading as sustenance
Trading them like baseball cards
Tell me how much I need it
Need you
Preach it with the fear of the unorthodox on Fox News
While everyone’s getting high on your life

Televangelist CEOs
Sell us the next salvation
The anarchists are screaming,
“Legalize it.”
And the stoners aren’t helping

The half-life of modernization guarantees that if enough of our individuality decays
There ceases to be anything worth calling human
See also "Analog Man"

https://www.youtube.com/watch?v=_xAq6gncIy4
Ryan P Kinney Jul 2015
Hammer
by Ryan P. Kinney

Picks up Hammer
Swings Hammer
This one’s for every woman who didn’t love me
And for every one that ever did
This one’s for every person who has ever doubted and underestimated me
For those who ever thought my life should be a mirror of their journey
‘Cause theirs worked out SO well for them
SMASH
This one’s for my Father,
Mother,
Brothers
My brother’s keeper,
Sins of the Father,
And inheritance of Mother’s malice
This one’s for every time I’ve had to prove I’m the GOOD son
SMASH
This one’s for the bigots,
Racists,
Hate-spewing monsters
For the ******* morons
This one’s for those who assume I’m gay
‘Cause that’s SUPPOSSED to matter
SMASH
This one’s for those who have passed their petty judgments
Based on the surface of my face
Or my visible scars
Or my hidden ones
This one’s for those who have called me freak
For those who judge me on who I was
Not who I AM
SMASH
This one’s for those who lack the ability to see in color and shades
Locked in their boring black and white senseless absolutes
There aren’t just gray areas
There are tints of every shade we a capable of perceiving
This one’s for the LITTLE people
SMASH
This one’s for those who patronize my intelligence
But yet are so easily fooled into acceptance
With a pair of plastic black frames
This one’s for IRONY
SMASH
This one’s for those who have let me down
Disappointed me, failed me
Failed to live to their potential
This one’s for EVERYONE
SMASH
This one’s for me
For not living up to my own potential
This one’s for who I AM
SMASH

And this one...
These tears...

Drops Hammer
Looks to the sky...

This one’s for my son
www.youtube.com/watch?v=PEJep5vmtrM
www.youtube.com/watch?v=qkjJ76rjI_8
Ryan P Kinney May 2019
By Ryan P. Kinney
A Jigsaw poem adapted from quotes taken at the 50th Anniversary Hessler Street Fair Poetry Competition Judging; Cleveland, OH 5/11/19

A snake crawls about his bleached skull.
Frosted night pales the moon.
(lets dive into his dreams. Will this dead man tell us his tales of madness and delight?)
Mysterious, smoky eyes look back at me.
The very breath of time
A deep breathe for those unafraid to leave the sun behind
It’s just a matter of time. We all fall down.
Quarterly tides that lift my spirit
The truth changes with the promise that nothing can ever remain the same.

Rhymes out of time
Where I can see the truth in each brush stroke.
What would I do with such knowledge, but to ask for more
There ain’t ever going to be a perfect audience
His book will never be bargain basement; overstock.
I’ll never live that long
Poetry isn’t produce
Almost nobody is looking to buy local.

He is part of the people who chose to be lost
Parents often struggle to teach their children how to choose.
Millennials are the forgotten ones
A generation that has no tolerance for *******
He figured it out long ago
He was a captain without a ship.
Burned the ship to save the crew

His tactics had not matured.
He wailed, “I want to feed my mind beauty.”
“I could eat up the kisses you lay on me each day.”
“Chocolate love can correct a lot of mistakes…”
“I need to eat healthier.”

The music rocks me with desolation
Microphone to inform underground
In the morning, still angry with power
I stop and ponder at what I thought was the immaculate conception.
Unshattered crystal can be torn between love me and love me not.
Anywhere is better than the empty side of your bed.

What is the consensus on nonabusive drunks?
The woman with medicine in her voice, she wanted to heal him
However, He was a dog not easily brought to heel.
The salt of the Earth tastes different than the kind Morton makes.

When standing in your sand I feel glass shards cutting into my feet.
Punctured with track marks from an older compass, lifting rose buds through the empty pores.
A life made from the finest threads of silk; gossamer quickly torn asunder.
I don’t want to die at the hands of someone else’s creation. I create my own life
Will she bet hers or mine?

They call me a murderer, but all I’ve killed is a lie.
Undeterred by my hacking
Cutting never worked.
They cut her open, replaced broken parts
She lived, in fact she thrived
While I will remain my shape.

Burial lands are for the living.
The largest human hole ever dug.
Where she could rust in piece with friends and we could finally let go.
There is holiness there in those subtle, dark places

Be bold she whispered, scribbled on the pages of her soul
Follow your wandering heart.

Each aware of the wings blooming ****** and wet; from the other’s shoulders
Flower crowns are essential.
Bathing in sweet feral rain
Pine sap running through his veins
Dining on nature’s primal fruits
While we lie among the roots

The change that never came
At least as a zombie I don't feel my mind rotting
Imagine ******* out bits of dark matter into an open sewer through the center of the city
Our baptism by fire, need not be theirs.

Original quotes from Ryan P. Kinney, Lori Ann Kusterbeck, Barbara Marie Minney, anitakeys, Lorianne Arwood, Audamatik, Jeremy Jusek, Ralph Pittman, Valentine Ventura,Casey Krysztofik, Kevin F. Smith, Kelly Hambly, Diane Ferri, Michael Ceraolo, Maeve Kroeger, Ariel Alexander Fiore, Hannah Gates, Georgia Reash, Eli Hawkins, Shivla Shikwana, Frank Thomas Rosen, Rob Smith, Tam Polzer, Elizabeth Burnette, Julie Ursem Marchand, Nancy Brady, Christine Donofrio, Cat Russell, Keith Allison, Sara Minges, Joan Perkins, Aubrey Crosbey, Tim Richards, Jill Lange, Ashley Pacholewski, Krystal Evans, John Burroughs, Renee Sanders, Azriel Johnson
Ryan P Kinney Jul 2018
by Ryan P. Kinney
Assembled from works by J.M. Romig and Chuck Joy

I glance out of my driver’s side window
and see a boy
trudging miserably down an expanse of windswept prairie
big sky, maybe one persistent contrail up there
establishing the general era, airplanes fly
People, still, do not

a road crosses this windswept prairie
a dirt path really with twin ruts
a boy came walking up that road many years ago
homesick from summer camp
he couldn’t be without his mother

If time is fluid, like the oceans
then maybe I’m glancing over as a wave breaks
I couldn’t tell you how many times
I made that journey on foot
my heels throbbing, my legs begging to be broken
my hitchhiker’s thumb, had given up all hope at that point

Later a teenager passed in the other direction
his essence radiating awkwardness
this long haired kid,
just turned thirteen
wore hand me down boots that are too big for his feet,
ripped jeans, and a bookbag slung across his shoulder
in the dying days of July
whispering under his breath
maybe reciting poetry
or telling himself a story
running fast, he couldn’t wait for his bright future

I think about giving him a ride
to wherever I may be going
where more drive than ride
some have stopped driving, for various reasons
some lose the ability to drive before they pass

but then I remember all the lessons I’ve learned
from time-travel movies
the one universal rule being not to meddle with the past
something about a butterfly’s wings flapping in Beijing
and a tsunami in New Orleans
so, instead I honk my horn
and the traffic light turns green

I watch the boy,
who might have been in some distant past,
look on with curious anger as the car passes
for a moment
then returns to the story already in progress

not much traffic on this path anymore
but yesterday a guy came by riding a Segway
said he was on the way to visit his mother’s grave
said she died a pioneer to this lonely country

he grows tinier and tinier
in my rear view mirror
no longer even special
here in the middle of nowhere
until he is yesterday again

— The End —