NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le

The fight between Trojans and Achaeans was now left to rage as it
would, and the tide of war surged hither and thither over the plain as
they aimed their bronze-shod spears at one another between the streams
of Simois and Xanthus.
  First, Ajax son of Telamon, tower of strength to the Achaeans, broke
a phalanx of the Trojans, and came to the assistance of his comrades
by killing Acamas son of Eussorus, the best man among the Thracians,
being both brave and of great stature. The spear struck the projecting
peak of his helmet: its bronze point then went through his forehead
into the brain, and darkness veiled his eyes.
  Then Diomed killed Axylus son of Teuthranus, a rich man who lived in
the strong city of Arisbe, and was beloved by all men; for he had a
house by the roadside, and entertained every one who passed; howbeit
not one of his guests stood before him to save his life, and Diomed
killed both him and his squire Calesius, who was then his
charioteer—so the pair passed beneath the earth.
  Euryalus killed Dresus and Opheltius, and then went in pursuit of
Aesepus and Pedasus, whom the naiad nymph Abarbarea had borne to noble
Bucolion. Bucolion was eldest son to Laomedon, but he was a *******.
While tending his sheep he had converse with the nymph, and she
conceived twin sons; these the son of Mecisteus now slew, and he
stripped the armour from their shoulders. Polypoetes then killed
Astyalus, Ulysses Pidytes of Percote, and Teucer Aretaon. Ablerus fell
by the spear of Nestor’s son Antilochus, and Agamemnon, king of men,
killed Elatus who dwelt in Pedasus by the banks of the river
Satnioeis. Leitus killed Phylacus as he was flying, and Eurypylus slew
Melanthus.
  Then Menelaus of the loud war-cry took Adrestus alive, for his
horses ran into a tamarisk bush, as they were flying wildly over the
plain, and broke the pole from the car; they went on towards the
city along with the others in full flight, but Adrestus rolled out,
and fell in the dust flat on his face by the wheel of his chariot;
Menelaus came up to him spear in hand, but Adrestus caught him by
the knees begging for his life. “Take me alive,” he cried, “son of
Atreus, and you shall have a full ransom for me: my father is rich and
has much treasure of gold, bronze, and wrought iron laid by in his
house. From this store he will give you a large ransom should he
hear of my being alive and at the ships of the Achaeans.”
  Thus did he plead, and Menelaus was for yielding and giving him to a
squire to take to the ships of the Achaeans, but Agamemnon came
running up to him and rebuked him. “My good Menelaus,” said he,
“this is no time for giving quarter. Has, then, your house fared so
well at the hands of the Trojans? Let us not spare a single one of
them—not even the child unborn and in its mother’s womb; let not a
man of them be left alive, but let all in Ilius perish, unheeded and
forgotten.”
  Thus did he speak, and his brother was persuaded by him, for his
words were just. Menelaus, therefore, ****** Adrestus from him,
whereon King Agamemnon struck him in the flank, and he fell: then
the son of Atreus planted his foot upon his breast to draw his spear
from the body.
  Meanwhile Nestor shouted to the Argives, saying, “My friends, Danaan
warriors, servants of Mars, let no man lag that he may spoil the dead,
and bring back much ***** to the ships. Let us **** as many as we can;
the bodies will lie upon the plain, and you can despoil them later
at your leisure.”
  With these words he put heart and soul into them all. And now the
Trojans would have been routed and driven back into Ilius, had not
Priam’s son Helenus, wisest of augurs, said to Hector and Aeneas,
“Hector and Aeneas, you two are the mainstays of the Trojans and
Lycians, for you are foremost at all times, alike in fight and
counsel; hold your ground here, and go about among the host to rally
them in front of the gates, or they will fling themselves into the
arms of their wives, to the great joy of our foes. Then, when you have
put heart into all our companies, we will stand firm here and fight
the Danaans however hard they press us, for there is nothing else to
be done. Meanwhile do you, Hector, go to the city and tell our
mother what is happening. Tell her to bid the matrons gather at the
temple of Minerva in the acropolis; let her then take her key and open
the doors of the sacred building; there, upon the knees of Minerva,
let her lay the largest, fairest robe she has in her house—the one
she sets most store by; let her, moreover, promise to sacrifice twelve
yearling heifers that have never yet felt the goad, in the temple of
the goddess, if she will take pity on the town, with the wives and
little ones of the Trojans, and keep the son of Tydeus from falling on
the goodly city of Ilius; for he fights with fury and fills men’s
souls with panic. I hold him mightiest of them all; we did not fear
even their great champion Achilles, son of a goddess though he be,
as we do this man: his rage is beyond all bounds, and there is none
can vie with him in prowess”
  Hector did as his brother bade him. He sprang from his chariot,
and went about everywhere among the host, brandishing his spears,
urging the men on to fight, and raising the dread cry of battle.
Thereon they rallied and again faced the Achaeans, who gave ground and
ceased their murderous onset, for they deemed that some one of the
immortals had come down from starry heaven to help the Trojans, so
strangely had they rallied. And Hector shouted to the Trojans,
“Trojans and allies, be men, my friends, and fight with might and
main, while I go to Ilius and tell the old men of our council and
our wives to pray to the gods and vow hecatombs in their honour.”
  With this he went his way, and the black rim of hide that went round
his shield beat against his neck and his ancles.
  Then Glaucus son of Hippolochus, and the son of Tydeus went into the
open space between the hosts to fight in single combat. When they were
close up to one another Diomed of the loud war-cry was the first to
speak. “Who, my good sir,” said he, “who are you among men? I have
never seen you in battle until now, but you are daring beyond all
others if you abide my onset. Woe to those fathers whose sons face
my might. If, however, you are one of the immortals and have come down
from heaven, I will not fight you; for even valiant Lycurgus, son of
Dryas, did not live long when he took to fighting with the gods. He it
was that drove the nursing women who were in charge of frenzied
Bacchus through the land of Nysa, and they flung their thyrsi on the
ground as murderous Lycurgus beat them with his oxgoad. Bacchus
himself plunged terror-stricken into the sea, and Thetis took him to
her ***** to comfort him, for he was scared by the fury with which the
man reviled him. Thereon the gods who live at ease were angry with
Lycurgus and the son of Saturn struck him blind, nor did he live
much longer after he had become hateful to the immortals. Therefore
I will not fight with the blessed gods; but if you are of them that
eat the fruit of the ground, draw near and meet your doom.”
  And the son of Hippolochus answered, son of Tydeus, why ask me of my
lineage? Men come and go as leaves year by year upon the trees.
Those of autumn the wind sheds upon the ground, but when spring
returns the forest buds forth with fresh vines. Even so is it with the
generations of mankind, the new spring up as the old are passing away.
If, then, you would learn my descent, it is one that is well known
to many. There is a city in the heart of Argos, pasture land of
horses, called Ephyra, where Sisyphus lived, who was the craftiest
of all mankind. He was the son of ******, and had a son named Glaucus,
who was father to Bellerophon, whom heaven endowed with the most
surpassing comeliness and beauty. But Proetus devised his ruin, and
being stronger than he, drove him from the land of the Argives, over
which Jove had made him ruler. For Antea, wife of Proetus, lusted
after him, and would have had him lie with her in secret; but
Bellerophon was an honourable man and would not, so she told lies
about him to Proteus. ‘Proetus,’ said she, ‘**** Bellerophon or die,
for he would have had converse with me against my will.’ The king
was angered, but shrank from killing Bellerophon, so he sent him to
Lycia with lying letters of introduction, written on a folded
tablet, and containing much ill against the bearer. He bade
Bellerophon show these letters to his father-in-law, to the end that
he might thus perish; Bellerophon therefore went to Lycia, and the
gods convoyed him safely.
  “When he reached the river Xanthus, which is in Lycia, the king
received him with all goodwill, feasted him nine days, and killed nine
heifers in his honour, but when rosy-fingered morning appeared upon
the tenth day, he questioned him and desired to see the letter from
his son-in-law Proetus. When he had received the wicked letter he
first commanded Bellerophon to **** that savage monster, the Chimaera,
who was not a human being, but a goddess, for she had the head of a
lion and the tail of a serpent, while her body was that of a goat, and
she breathed forth flames of fire; but Bellerophon slew her, for he
was guided by signs from heaven. He next fought the far-famed
Solymi, and this, he said, was the hardest of all his battles.
Thirdly, he killed the Amazons, women who were the peers of men, and
as he was returning thence the king devised yet another plan for his
destruction; he picked the bravest warriors in all Lycia, and placed
them in ambuscade, but not a man ever came back, for Bellerophon
killed every one of them. Then the king knew that he must be the
valiant offspring of a god, so he kept him in Lycia, gave him his
daughter in marriage, and made him of equal honour in the kingdom with
himself; and the Lycians gave him a piece of land, the best in all the
country, fair with vineyards and tilled fields, to have and to hold.
  “The king’s daughter bore Bellerophon three children, Isander,
Hippolochus, and Laodameia. Jove, the lord of counsel, lay with
Laodameia, and she bore him noble Sarpedon; but when Bellerophon
came to be hated by all the gods, he wandered all desolate and
dismayed upon the Alean plain, gnawing at his own heart, and
shunning the path of man. Mars, insatiate of battle, killed his son
Isander while he was fighting the Solymi; his daughter was killed by
Diana of the golden reins, for she was angered with her; but
Hippolochus was father to myself, and when he sent me to Troy he urged
me again and again to fight ever among the foremost and outvie my
peers, so as not to shame the blood of my fathers who were the noblest
in Ephyra and in all Lycia. This, then, is the descent I claim.”
  Thus did he speak, and the heart of Diomed was glad. He planted
his spear in the ground, and spoke to him with friendly words. “Then,”
he said, you are an old friend of my father’s house. Great Oeneus once
entertained Bellerophon for twenty days, and the two exchanged
presents. Oeneus gave a belt rich with purple, and Bellerophon a
double cup, which I left at home when I set out for Troy. I do not
remember Tydeus, for he was taken from us while I was yet a child,
when the army of the Achaeans was cut to pieces before Thebes.
Henceforth, however, I must be your host in middle Argos, and you mine
in Lycia, if I should ever go there; let us avoid one another’s spears
even during a general engagement; there are many noble Trojans and
allies whom I can ****, if I overtake them and heaven delivers them
into my hand; so again with yourself, there are many Achaeans whose
lives you may take if you can; we two, then, will exchange armour,
that all present may know of the old ties that subsist between us.”
  With these words they sprang from their chariots, grasped one
another’s hands, and plighted friendship. But the son of Saturn made
Glaucus take leave of his wits, for he exchanged golden armour for
bronze, the worth of a hundred head of cattle for the worth of nine.
  Now when Hector reached the Scaean gates and the oak tree, the wives
and daughters of the Trojans came running towards him to ask after
their sons, brothers, kinsmen, and husbands: he told them to set about
praying to the gods, and many were made sorrowful as they heard him.
  Presently he reached the splendid palace of King Priam, adorned with
colonnades of hewn stone. In it there were fifty bedchambers—all of
hewn stone—built near one another, where the sons of Priam slept,
each with his wedded wife. Opposite these, on the other side the
courtyard, there were twelve upper rooms also of hewn stone for
Priam’s daughters, built near one another, where his sons-in-law slept
with their wives. When Hector got there, his fond mother came up to
him with Laodice the fairest of her daughters. She took his hand
within her own and said, “My son, why have you left the battle to come
hither? Are the Achaeans, woe betide them, pressing you hard about the
city that you have thought fit to come and uplift your hands to Jove
from the citadel? Wait till I can bring you wine that you may make
offering to Jove and to the other immortals, and may then drink and be
refreshed. Wine gives a man fresh strength when he is wearied, as
you now are with fighting on behalf of your kinsmen.”
  And Hector answered, “Honoured mother, bring no wine, lest you unman
me and I forget my strength. I dare not make a drink-offering to
Jove with unwashed hands; one who is bespattered with blood and
filth may not pray to the son of Saturn. Get the matrons together, and
go with offerings to the temple of Minerva driver of the spoil; there,
upon the knees of Minerva, lay the largest and fairest robe you have
in your house—the one you set most store by; promise, moreover, to
sacrifice twelve yearling heifers that have never yet felt the goad,
in the temple of the goddess if she will take pity on the town, with
the wives and little ones of the Trojans, and keep the son of Tydeus
from off the goodly city of Ilius, for he fights with fury, and
fills men’s souls with panic. Go, then, to the temple of Minerva,
while I seek Paris and exhort him, if he will hear my words. Would
that the earth might open her jaws and swallow him, for Jove bred
him to be the bane of the Trojans, and of Priam and Priam’s sons.
Could I but see him go down into the house of Hades, my heart would
forget its heaviness.”
  His mother went into the house and called her waiting-women who
gathered the matrons throughout the city. She then went down into
her fragrant store-room, where her embroidered robes were kept, the
work of Sidonian women, whom Alexandrus had brought over from Sidon
when he sailed the seas upon that voyage during which he carried off
Helen. Hecuba took out the largest robe, and the one that was most
beautifully enriched with embroidery, as an offering to Minerva: it
glittered like a star, and lay at the very bottom of the chest. With
this she went on her way and many matrons with her.
  When they reached the temple of Minerva, lovely Theano, daughter
of Cisseus and wife of Antenor, opened the doors, for the Trojans
had made her priestess of Minerva. The women lifted up their hands
to the goddess with a loud cry, and Theano took the robe to lay it
upon the knees of Minerva, praying the while to the daughter of
great Jove. “Holy Minerva,” she cried, “protectress of our city,
mighty goddess, break the spear of Diomed and lay him low before the
Scaean gates. Do this, and we will sacrifice twelve heifers that
have never yet known the goad, in your temple, if you will have pity
upon the town, with the wives and little ones If the Trojans.” Thus
she prayed, but Pallas Minerva granted not her prayer.
  While they were thus praying to the daughter of great Jove, Hector
went to the fair house of Alexandrus, which he had built for him by
the foremost builders in the land. They had built him his house,
storehouse, and courtyard near those of Priam and Hector on the
acropolis. Here Hector entered, with a spear eleven cubits long in his
hand; the bronze point gleamed in front of him, and was fastened

At once at the top of the Estinfalos, Marie des Vallées avoided all of them being injured and being swallowed by the strait. The bronze birds with great vigor avoided being part of the vast shore that hit them as Nephelleidae Helles. Here they were compelled by the Myth Frixo and Hele, in the process of their sacramentals. They took the assignments before running with the same fate as the children of Atamante and Nephele. Ino the second wife of Atamante wanted to get rid of them by burning the grain so as not to have crops. This is where the soul of the Herophilus Sybilla appears to them, consulting the Oracle of Delphi. The Children of Atamante were destined to be sacrificed, being Nefeles who sent a Golden Ram, the children were saved by climbing Ram's spine, taking him away from the executioners. When Heles was going to a great height he looked towards the sea that caused him vertigo, falling into the sea in its celestine waters, remaining from this instance with the patronymic Hellespont. His brother, Phryxus, clung tightly to his back and arrived safely at Colchis. Marie could see some Gerakis and then react in search of Heles, taking time to decide and enter. It was only a few hours before dusk, and the lacerated seventy were lowered from the Stymphalos to cross the waters in search. Marie joined the bronze birds with the interaction ratio of all the times that they would intertwine in the lines showing exploration, supplying what Theus and Vikentios did to grow in number, and with all the occurrences that occurred for the contemporary coincidence of thousands of years, for the current figure of millions of light-years that reacted towards the sky crashing in everything that a maximum roof allowed, and then allowed them to be in the interaction when crossing the Sea of Heles, where she always was, only being diverted by the bronze birds from above, and only being tangible by Marie's conscience when she saw that she had never fallen from the Golden ram, but had been only a weightless creature among the clouds of her mother Nephele, hanging around her neck some remarkable telesomatic beings sent by herself, in egregious tributes to her most adorable daughter. She subsequently falls into the sea, unblemished that Vernarth would go to rescue her from her. The Lacerates, Theus, and Vikentios gathered in the circular area of the Gerakis, leading them to the ancient Phrygian city of Dardania. The crowded currents of the celestial realm became ocean currents that lifted Heles's living body as Gerakis with her wings signaled to the Stymphalos to grasp her with precision. Silently the psyches of the bodies of the Trojan War were able to make Heles's rampage measurable, doing Vernarth's medication at a distance with Heles when her death throes accused her rejection of the balsamic intentions of Marie des Vallées. Then is she resorts to the bilocation of Vernarth managing to see from the surface the reckless surface of the sea, seeing a figure with a snowy white outfit and also a light blue tunic, in addition, she wore a crown of cocoons as a Diadema.

Nothing made it possible to presume that quantum was not bending in kilometers that separate Patmos and the Sea of Heles when this sacred figure was sighted that was glimpsed as psychosomatic physiology, for the good of the Second Age that Vernarth brought for them, noting that it was Bernardette Soubirous, which became immediate like a Benedict Akashic field. The small and large units of Massabielle's universe were pointed out from where this quantum elitrophic wave came, with living palpitations of Heles granting the inquiry of her by convulsions of his brain with small akashic vibrations before falling into the icy Sea. Non-local logic became arcane before this telepathic event, and the figure of Bernadette notified them by its coherence of subtle connection, that lately the light that she carried when she escaped from Ino will be rekindled, with the oblation for her was subordinating her, and that it would be supremely since there from where they would uproot her and then free her from the Akashic field from minor to major storm, where Marie des Vallées would let them know that she was safe. This space was already local, but it was detached from the terminal that made it originally from it for the connections of having it already on Patmos so as not to have to be transported by the Stymphans. Everything happened synchronously in unison, after the transpersonal boundaries of consciousness that were united among all to free it from these bonds in the freshness in Heles. All the micro-dimensional organisms became more than clairvoyant with the endowments of the falls and the uprisings after the rescue of Heles by Vernarth and the Akashic fields, applying the material field that was transposed in great extensions of material-immaterial time, before the immanent Electromagnetic gravitationally that could only be seen, heard and probed by Vernarth when he was meditating between the hemispheres of Aullós Kósmos, justifying nth parapsychologies where space is not empty and does not have a percentage mass in this case, and what has been called the quantum vacuum is in fact a cosmic plane (Akasha). Thanks to this information, it was conserved and transferred by the Akashic field, from the coherent universe of Heles, where it could be reconverted into a Sub Mythological being, thanks to a superhuman being happening at the site of the Dardanelles and which will also take place in another place in Patmos.

Marie des Vallées says: “everything that happened in one period also happened in the following times here at the Hellespont. Nothing was local, nor limited to where and when it happened. All things are integral, cosmic because everything is connected and the memory of all things extends to all places and times. Here is Vernarth who is the object and subject of his umpteenth parapsychologies, which are the replica of the joyous songs of Bernadette Soubirous's Rosary "

Vernarth sensing that Heles was in frank danger of life, mounts Alikantus and heads for the Strait of Dardanelles. Here he manages to specify that it was compared with the anachronism of the Bronze Birds, who had sailed through the upper Dodecanese, then over the Marmara counterclockwise from Kairos, meeting again with the Helladic period. Here it spread over Hellen; with the eponymous hamlet that boasted of the Stymphalos, as a coerced premonition in the pre-Helladic, towards the end of the Bronze Period. Thus, with this changeable phenomenon, Vernarth was directed, while he flew in the seconds of Kairos time as a symbol of subsisting in each deleterious life, almost with the powers of not getting intoxicated with any substance transited by the sea of the strait. Here Vernarth went to Alikantus, being this one from Thessaly and Sudpichi, right here among them Kanti appears with Etréstles, they came to tone up the survivals that would bear Heles after recreating the two great Ionic and Doric hydric colonnades. While Alikantus being of Cretan, the roots he had to emit breaths from the Eighth Cemetery of Messolonghi to revive the colonnades, to separate the waters and molecules that increased in density to move Heles from the depths of the ocean. Kanti was a super steed, he plunged under the Marmara, like a tiny sea to leave the waters of the Black Sea from one of the abutments of some seams of some Achaeans, which were disengaged from the seas that joined them. In this instance, the Helén together with Vernarth continued to release the ropes of a great Kizara that Nefeles had woven for her daughter, from here from the dean cloud and from the distress where she freed herself to go to her Gaugamellian aid. The Kizara was a Eurythmic wire rope, therefore its sound elucidated the sea and its celestial kingdom, magnifying and complicating Poseidon in the sea that actually resembled the sky. Therefore, Heles was with his ethnonym Hellespont who snatches her and redirects her to Helén, which was similar to her name, in such a way that the sky was embroiled by the point, from Helén by Heles creating the watery element of the Flood of Heles that was retracted by the impetus of Kanti and Alikantus when Vernarth increased with all his vivification when he saw her near the shaft of the Doric colonnade, organizing the waters that would rise from the susceptible Heles wrapped in a Himation that Vernarth had dispensed near the Vas Auric.

I ordered this, clean wood box
Square as a chair and almost too heavy to lift.
I would say it was the coffin of a ******
Or a square baby
Were there not such a din in it.

The box is locked, it is dangerous.
I have to live with it overnight
And I can't keep away from it.
There are no windows, so I can't see what is in there.
There is only a little grid, no exit.

I put my eye to the grid.
It is dark, dark,
With the swarmy feeling of African hands
Minute and shrunk for export,
Black on black, angrily clambering.

How can I let them out?
It is the noise that appalls me most of all,
The unintelligible syllables.
It is like a Roman mob,
Small, taken one by one, but my god, together!

I lay my ear to furious Latin.
I am not a Caesar.
I have simply ordered a box of maniacs.
They can be sent back.
They can die, I need feed them nothing, I am the owner.

I wonder how hungry they are.
I wonder if they would forget me
If I just undid the locks and stood back and turned into a tree.
There is the laburnum, its blond colonnades,
And the petticoats of the cherry.

They might ignore me immediately
In my moon suit and funeral veil.
I am no source of honey
So why should they turn on me?
Tomorrow I will be sweet God, I will set them free.

The box is only temporary.

The palais de justice of chambermaids
Tops the horizon with its colonnades.

If it were lost in Ubermenschlichkeit,
Perhaps our wretched state would soon come right.

For somehow the brave dicta of its kings
Make more awry our faulty human things.

How can you bare a broken promise
or loiter after a broken date?
Sad Samantha lost her chance,
no Frank Sinatra vinyl nights
serenading young lovers in,
or walks down moonlit colonnades.
She's just a victim of a steely heart whose
strung himself  around someone else's waist
and  dyed blonde hair

19:14pm,  23/08/2010

I

What names of high renown lie here within,
What wonders of a cinematic age?
What players of chameleonic skin,
What vast dimensions leap beyond the stage?

Withnail and I would walk this hallowed road,
Dreaming of turning visions into deeds;
Train-spotting trains of thought that overflowed,
Where levity had trampled karma's seeds.

Tread softly here and utter not a sound,
The scene is set, for all lost here below,
With all forsaken dreamers underground
And all who yearned to go on with the show.

For all the lost, forsaken and foregone,
Dead lips whisper of "Hunt" and "Cameron".


II

Walkways of fame, like dreaming colonnades,
Gold sunrise shoots that everyone admired;
Lost eras when producers all wore shades,
And divas turned up early and inspired.

Hot cappuccino served with bright ideas
In cool cafés and bistros of desire;
Their ghostly image flares - then disappears,
With all who held the torch of inner fire.

All those who now endorse perfumes and creams
And those in pantomimes on seaside piers,
Remember well who crucified their dreams
Replacing honeyed hopes with bitter tears.

Inscribed in blood, their torrid names live on
- Don't speak to us of Hunt and Cameron.


III

A beautiful laundrette, deserted now,
Reduced to an accountant's numeral;
Open the wine and slay the fatted cow,
To find the wedding's now a funeral.

And did we, in good faith, believe their lies,
Electing them to office, fuelled by hope?
Now strung along by feeble alibis,
And all because we gave them enough rope?

Hope is the dreamer's dope. We who despair
Are never fooled by optimism's glitz;
Sometimes we are too fatalist to care,
Sometimes we must accuse, where the cap fits.

The coalition's follies blunder on
Up the Junction, with Hunt and Cameron.


IV

Avert thine eyes, Tim Bevan, CBE,
A tempest comes, on terrible black wings,
A blight hath fallen on the industry
That used to bring such bright imaginings.

Our protestations have a Little Voice
That Whitehall deems too indistinct to hear,
Must we the free be faced without a choice,
Must everything we loved now disappear?

Tread softly here, for it's the final take,
No accidental noise disturbs the boom,
As art is crucified for money's sake
Respectful silence settles in the gloom.

Sometimes progress moves backwards and is gone,
Like bright ideas by Hunt and Cameron.


The End....?

LE PRINCE D’AQUITAINE Á LA TOUR ABOLIE
(THE PRINCE OF AQUITAINE IN HIS RUINED TOWER)

Beneath the colonnades
of the Palais Royal

the poet
takes for a walk

a live lobster
on a leash

of blue
ribbon.

How droll.

Mais, regardez le
...souvent
dans l’être obscur
habite un Dieu
caché

(But look at him
...often
the most obscure of beings
houses a hidden God) .

Allez chercher
ce fou...cet insensé sublime
un seul pouvait
au monde expliquer
ce mystère d’amour

celui qui donna
l’âme
aux mots

entre une monde
qui meurt
et l’autre
renaissat

(“ Go fetch
the madman
insane & sublime

the only one
who could explain
to the world
the mystery of love.

He who gave a soul
to words

between a world
that is dying

& a world
In rebirth”)

And yet
with an apron string

(which he imagines
is a garter
of a queen)

he hangs himself
from a lamppost

pockets bulging
with manuscripts

one
wintry
morning.

Consummatum....est!

...de tons conseils
l’univers
est
absent?

(It is...finished.
...the universe is
absent
from your plans?)

Ah, mais...
el desdichado
le spectre de fumée
vaincu se releva
plus grand
...qui tendit sa main
pure
des cieux

j’ai rêvé...rêvé! »

(Ah, disinherited one

the ghost of smoke
rose up again
greater in defeat

who reaches out
his pure hand
to the skies

I have dreamed...dreamed...)

“Here he is, here he is
back from Hell...
...the ghost whose heart
still bleeds with love.”

Pleurez...pleurer!
Le ciel est vide!
(Cry...cry!
Heaven is empty!)

And so
leading us
astray

vanishing from
his work

forever lucid

he takes
pleasure

in disappearing
from himself

in this
his waking
dream

lost between

the Gates of Tears

the gates of sleep

of horn
& ivory

and their
infinite horizons

the sanity
of madness.

Ah, la grande
Peut-être

...de omni
re scibili et
quibusdam
aliis.

(Ah, the great
Perchance

of all things
that can be

known

& even of
some others”)

Ah, hélas
le doux Gérard

M. Personne
(Mr. No one
& every one)

always writing
in your broken tour

JE SUIS L’AUTRE
JE SUIS L’AUTRE
(I AM THE OTHER)

You stare
out at me
from that daguerreotype

lost & defiant
in the camera’s gaze

Tu...le ténébruex...
...l’inconsolé...
ton Coeur desolé

constellé
dans ma tête

...est-ce toi
que
je sens
en moi-même?

(You...the man of gloom
the unconsoled

your desolate heart

constellated
in my head

Is this you
I feel within
my self?) .

Knowing the night
will be so black
& white

I wait up for you

Eh, quoi…dans
cette chamber bleue
je bois
Lachryma Christi.

(And so
in this blue room
I drink
The tears of Christ) .

I wait up for you

...’til dawn.

I

Where the quiet-coloured end of evening smiles
     Miles and miles
On the solitary pastures where our sheep
     Half-asleep
****** homeward thro’ the twilight, stray or stop
     As they crop—
Was the site once of a city great and gay,
     (So they say)
Of our country’s very capital, its prince
     Ages since
Held his court in, gathered councils, wielding far
     Peace or war.

II

Now—the country does not even boast a tree,
     As you see,
To distinguish slopes of verdure, certain rills
     From the hills
Intersect and give a name to, (else they run
     Into one)
Where the domed and daring palace shot its spires
     Up like fires
O’er the hundred-gated circuit of a wall
     Bounding all,
Made of marble, men might march on nor be prest,
     Twelve abreast.

III

And such plenty and perfection, see, of grass
     Never was!
Such a carpet as, this summer-time, o’erspreads
     And embeds
Every vestige of the city, guessed alone,
     Stock or stone—
Where a multitude of men breathed joy and woe
     Long ago;
Lust of glory pricked their hearts up, dread of shame
     Struck them tame;
And that glory and that shame alike, the gold
     Bought and sold.

IV

Now,—the single little turret that remains
     On the plains,
By the caper overrooted, by the gourd
     Overscored,
While the patching houseleek’s head of blossom winks
     Through the chinks—
Marks the basement whence a tower in ancient time
     Sprang sublime,
And a burning ring, all round, the chariots traced
     As they raced,
And the monarch and his minions and his dames
     Viewed the games.

V

And I know, while thus the quiet-coloured eve
     Smiles to leave
To their folding, all our many-tinkling fleece
     In such peace,
And the slopes and rills in undistinguished grey
     Melt away—
That a girl with eager eyes and yellow hair
     Waits me there
In the turret whence the charioteers caught soul
     For the goal,
When the king looked, where she looks now, breathless, dumb
     Till I come.

VI

But he looked upon the city, every side,
     Far and wide,
All the mountains topped with temples, all the glades’
     Colonnades,
All the causeys, bridges, aqueducts,—and then,
     All the men!
When I do come, she will speak not, she will stand,
     Either hand
On my shoulder, give her eyes the first embrace
     Of my face,
Ere we rush, ere we extinguish sight and speech
     Each on each.

VII

In one year they sent a million fighters forth
     South and north,
And they built their gods a brazen pillar high
     As the sky,
Yet reserved a thousand chariots in full force—
     Gold, of course.
Oh, heart! oh, blood that freezes, blood that burns!
     Earth’s returns
For whole centuries of folly, noise and sin!
     Shut them in,
With their triumphs and their glories and the rest.
     Love is best!

(for Elizabeth) 30th January 03:11am*

Through towering colonnades of stars
She rises with the daybreak's fire,
As angels strum on lute and lyre
And frost sparkles like fractured glass;

And when dark clouds have filled your eyes
Pray do not yield to let them cry;
For she is where the white doves fly
Amid the glades of Paradise.

absconding beneath the open skies
perhaps she was never accepted enough,
the hills sought her as an ionic bond
colonnades made a  portend for her
as amber resin, to beseech
the seeming evidence she alone withheld
that infinity excludes capture.

Among the pale Elm trees, many things appease,
Like the glorious song of the Hummingbird.
I sit admiring the birds as I please.  

The Evening’s blue fog wheels in Elm’s mystic leaves,
Hooting owl’s decibels sing loud and absurd.
Among the pale Elm trees, many things appease.  

To feed sugars to the Bluebirds and the Bees,  
I ravaged the branches and made lemon curd.  
I sit admiring the birds as I please.  

My ****** structure is sets of flattened lees,
Defying the winds, the winds, the winds that heard.  
Among the pale Elm trees, many things appease.  

In colonnades of wavering Ulmus trees,  
I watch men’s mesh catching a baby Bluebird.  
I sit admiring the birds as I please.  

Up and come ****-tree mushrooms, all life forms seize  
To fierce, teeth-tusks of ivory, undeterred.
Among the pale Elm trees, many things appease,
I sit admiring the birds as I please.

I


J'ai toujours voulu voir du pays, et la vie

Que mène un voyageur m'a toujours fait envie.

Je me suis dit cent fois qu'un demi-siècle entier

Dans le même logis, dans le même quartier ;

Que dix ans de travail, dix ans de patience

A lire les docteurs et creuser leur science,

Ne valent pas six mois par voie et par chemin,

Six mois de vie errante, un bâton à la main.

- Eh bien ! me voici prêt, ma valise est remplie ;

Où vais-je ! - En Italie. - Ah, fi donc ! l'Italie !

Voyage de badauds, de beaux fils à gants blancs.

Qui vont là par ennui, par ton, comme à Coblentz,

En poste, au grand galop, traversant Rome entière,

Et regardent ton ciel, Naples, par la portière.

- Mais ce que je veux, moi, voir avant de mourir,

Où je veux à souhait rêver, chanter, courir.

C'est l'Espagne, ô mon cœur ! c'est l'hôtesse des Maures,

Avec ses orangers et ses frais sycomores,

Ses fleuves, ses rochers à pic, et ses sentiers

Où s'entendent, la nuit, les chants des muletiers ;

L'Espagne d'autrefois, seul débris qui surnage

Du colosse englouti qui fut le moyen âge ;

L'Espagne et ses couvents, et ses vieilles cités

Toutes ceintes de murs que l'âge a respectés ;

Madrid. Léon, Burgos, Grenade et cette ville

Si belle, qu'il n'en est qu'une au monde. Séville !

La ville des amants, la ville des jaloux,

Fière du beau printemps de son ciel andalou,

Qui, sous ses longs arceaux de blanches colonnades,

S'endort comme une vierge, au bruit des sérénades.

Jusqu'à tant que pour moi le jour se soit levé

Où je pourrai te voir et baiser ton pavé,

Séville ! c'est au sein de cette autre patrie

Que je veux, mes amis, mettre, ma rêverie ;

C'est là que j'enverrai mon âme et chercherai

De doux récits d'amour que je vous redirai.


II


A Séville autrefois (pour la date il n'importe),

Près du Guadalquivir, la chronique rapporte

Qu'une dame vivait, qui passait saintement

Ses jours dans la prière et le recueillement :

Ses charmes avaient su captiver la tendresse

De l'alcade, et c'était, comme on dit, sa maîtresse ;

Ce qui n'empêchait pas que son nom fût cité

Comme un exemple à tous d'austère piété.

Car elle méditait souvent les évangiles,

Jeûnait exactement quatre-temps et vigiles.

Communiait à Pâque, et croyait fermement

Que c'est péché mortel d'avoir plus d'un amant

A la fois. Ainsi donc, en personne discrète.

Elle vivait au fond d'une obscure retraite,

Toute seule et n'ayant de gens dans sa maison

Qu'une duègne au-delà de l'arrière-saison,

Qu'on disait avoir eu, quand elle était jolie.

Ses erreurs de jeunesse, et ses jours de folie.

Voyant venir les ans, et les amans partir,

En femme raisonnable elle avait cru sentir

Qu'en son âme, un beau jour, était soudain venue

Une vocation jusqu'alors inconnue ;

Au monde, qui fuyait, elle avait dit adieu,

Et pour ses vieux péchés s'était vouée à Dieu.


Une fois, au milieu d'une de ces soirées

Que prodigue le ciel à ces douces contrées,

Le bras nonchalamment jeté sur son chevet,

Paquita (c'est le nom de la dame) rêvait :

Son œil s'était voilé, silencieux et triste ;

Et tout près d'elle, au pied du lit, sa camariste

Disait dévotement, un rosaire à la main,

Ses prières du soir dans le rite romain.

Voici que dans la rue, au pied de la fenêtre,

Un bruit se fit entendre ; elle crut reconnaître

Un pas d'homme, prêta l'oreille ; en ce moment

Une voix s'éleva qui chantait doucement :


« Merveille de l'Andalousie.

Étoile qu'un ange a choisie

Entre celles du firmament,

Ne me fuis pas ainsi ; demeure,

Si tu ne veux pas que je meure

De désespoir, en te nommant !


J'ai visité les Asturies,

Aguilar aux plaines fleuries,

Tordesillas aux vieux manoirs :

J'ai parcouru les deux Castilles.

Et j'ai bien vu sous les mantilles

De grands yeux et des sourcils noirs :


Mais, ô lumière de ma vie,

Dans Barcelone ou Ségovie,

Dans Girone au ciel embaumé,

Dans la Navarre ou la Galice,

Je n'ai rien vu qui ne pâlisse

Devant les yeux qui m'ont charmé ! »


Quand la nuit est bien noire, et que toute la terre,

Comme de son manteau, se voile de mystère,

Vous est-il arrivé parfois, tout en rêvant,

D'ouïr des sons lointains apportés par le vent ?

Comme alors la musique est plus douce ! Il vous semble

Que le ciel a des voix qui se parlent ensemble,

Et que ce sont les saints qui commencent en chœur

Des chants qu'une autre voix achève dans le cœur.

- A ces sons imprévus, tout émue et saisie,

La dame osa lever un coin de jalousie

Avec précaution, et juste pour pouvoir

Découvrir qui c'était, mais sans se laisser voir.

En ce moment la lune éclatante et sereine

Parut au front des cieux comme une souveraine ;

A ses pâles rayons un regard avait lui,

Elle le reconnut, et dit : « C'est encor lui ! »

C'était don Gabriel, que par toute la ville

On disait le plus beau cavalier de Séville ;

Bien fait, de belle taille et de bonne façon ;

Intrépide écuyer et ferme sur l'arçon,

Guidant son andalou avec grâce et souplesse,

Et de plus gentilhomme et de haute noblesse ;

Ce que sachant très bien, et comme, en s'en allant,

Son bonhomme de père avait eu le talent

De lui laisser comptant ce qu'il faut de richesses

Pour payer la vertu de plus de cent duchesses,

Il allait tête haute, en homme intelligent

Du prix de la noblesse unie avec l'argent.

Mais quand le temps d'aimer, car enfin, quoi qu'on dit,

Il faut tous en passer par cette maladie,

Qui plus tôt, qui plus **** ; quand ce temps fut venu,

Et qu'un trouble arriva jusqu'alors inconnu,

Soudain il devint sombre : au fond de sa pensée

Une image de femme un jour était passée ;

Il la cherchait partout. Seul, il venait s'asseoir

Sous les arbres touffus d'Alaméda, le soir.

A cette heure d'amour où la terre embrasée

Voit son sein rafraîchir sous des pleurs de rosée.

Un jour qu'il était là, triste, allant sans savoir

Où se portaient ses pas, et regardant sans voir,

Une femme passa : vision imprévue.

Qu'il reconnut soudain sans l'avoir jamais vue !

C'était la Paquita : c'était elle ! elle avait

Ces yeux qu'il lui voyait, la nuit, quand il rêvait.

Le souris, la démarche et la taille inclinée

De l'apparition qu'il avait devinée.

Il est de ces moments qui décident des jours

D'un homme ! Depuis lors il la suivait toujours,

Partout, et c'était lui dont la voix douce et tendre

Avait trouvé les chants qu'elle venait d'entendre.


III


Comment don Gabriel se fit aimer, comment

Il entra dans ce cœur tout plein d'un autre amant,

Je n'en parlerai pas, lecteur, ne sachant guère,

Depuis qu'on fait l'amour, de chose plus vulgaire ;

Donc, je vous en fais grâce, et dirai seulement,

Pour vous faire arriver plus vite au dénouement.

Que la dame à son tour. - car il n'est pas possible

Que femme à tant d'amour garde une âme insensible,

- Après avoir en vain rappelé sa vertu.

Avoir prié longtemps, et longtemps combattu.

N'y pouvant plus tenir, sans doute, et dominée

Par ce pouvoir secret qu'on nomme destinée,

Ne se contraignit plus, et cessa d'écouter

Un reste de remords qui voulait l'arrêter :

Si bien qu'un beau matin, au détour d'une allée,

Gabriel vit venir une duègne voilée,

D'un air mystérieux l'aborder en chemin,

Regarder autour d'elle, et lui prendre la main

En disant : « Une sage et discrète personne,

Que l'on ne peut nommer ici, mais qu'on soupçonne

Vous être bien connue et vous toucher de près,

Mon noble cavalier, me charge tout exprès

De vous faire savoir que toute la soirée

Elle reste au logis, et serait honorée

De pouvoir vous apprendre, elle-même, combien

A votre seigneurie elle voudrait de bien. »


Banquiers, agents de change, épiciers et notaires,

Percepteurs, contrôleurs, sous-chefs de ministères

Boutiquiers, électeurs, vous tous, grands et petits.

Dans les soins d'ici-bas lourdement abrutis,

N'est-il pas vrai pourtant que, dans cette matière,

Où s'agite en tous sens votre existence entière.

Vous n'avez pu flétrir votre âme, et la fermer

Si bien, qu'il n'y demeure un souvenir d'aimer ?

Oh ! qui ne s'est, au moins une fois dans sa vie,

D'une extase d'amour senti l'âme ravie !

Quel cœur, si desséché qu'il soit, et si glacé,

Vers un monde nouveau ne s'est point élancé ?

Quel homme n'a pas vu s'élever dans les nues

Des chœurs mystérieux de vierges demi-nues ;

Et lorsqu'il a senti tressaillir une main,

Et qu'une voix aimée a dit tout bas : « Demain »,

Oh ! qui n'a pas connu cette fièvre brûlante,

Ces imprécations à l'aiguille trop lente,

Et cette impatience à ne pouvoir tenir

En place, et comme un jour a de mal à finir !

- Hélas ! pourquoi faut-il que le ciel nous envie

Ces instants de bonheur, si rares dans la vie,

Et qu'une heure d'amour, trop prompte à s'effacer,

Soit si longue à venir, et si courte à passer !


Après un jour, après un siècle entier d'attente,

Gabriel, l'œil en feu, la gorge haletante,

Arrive ; on l'attendait. Il la vit, - et pensa

Mourir dans le baiser dont elle l'embrassa.


IV


La nature parfois a d'étranges mystères !


V


Derrière le satin des rideaux solitaires

Que s'est-il donc passé d'inouï ? Je ne sais :

On entend des soupirs péniblement poussés.

Et soudain Paquita s'écriant : « Honte et rage !

Sainte mère de Dieu ! c'est ainsi qu'on m'outrage !

Quoi ! ces yeux, cette bouche et cette gorge-là,

N'ont de ce beau seigneur obtenu que cela !

Il vient dire qu'il m'aime ! et quand je m'abandonne

Aux serments qu'il me fait, grand Dieu ! que je me donne,

Que je risque pour lui mon âme, et je la mets

En passe d'être un jour damnée à tout jamais,

'Voilà ma récompense ! Ah ! pour que tu réveilles

Ce corps tout épuisé de luxure et de veilles,

Ma pauvre Paquita, tu n'es pas belle assez !

Car, ne m'abusez pas, maintenant je le sais.

Sorti d'un autre lit, vous venez dans le nôtre

Porter des bras meurtris sous les baisers d'une autre :

Elle doit s'estimer heureuse, Dieu merci.

De vous avoir pu mettre en l'état que voici.

Celle-là ! car sans doute elle est belle, et je pense

Qu'elle est femme à valoir qu'on se mette en dépense !

Je voudrais la connaître, et lui demanderais

De m'enseigner un peu ses merveilleux secrets.

Au moins, vous n'avez pas si peu d'intelligence

De croire que ceci restera sans vengeance.

Mon illustre seigneur ! Ah ! l'aimable roué !

Vous apprendrez à qui vous vous êtes joué !

Çà, vite en bas du lit, qu'on s'habille, et qu'on sorte !

Certes, j'espère bien vous traiter de la sorte

Que vous me connaissiez, et de quel châtiment

La Paquita punit l'outrage d'un amant ! »


Elle parlait ainsi lorsque, tout effarée,

La suivante accourut : « A la porte d'entrée,

L'alcade et trois amis, qu'il amenait souper,

Dit-elle, sont en bas qui viennent de frapper !

- Bien ! dit la Paquita ; c'est le ciel qui l'envoie !

- Ah ! señora ! pour vous, gardez que l'on me voie !

- Au contraire, dit l'autre. Allez ouvrir ! merci.

Mon Dieu ; je t'appelais, Vengeance ; te voici ! »

Et sitôt que la duègne en bas fut descendue,

La dame de crier : « A moi ! je suis perdue !

Au viol ! je me meurs ! au secours ! au secours !

Au meurtre ! à l'assassin ! Ah ! mon seigneur, accours ! »

Tout en disant cela, furieuse, éperdue,

Au cou de Gabriel elle s'était pendue.

Le serrait avec rage, et semblait repousser

Ses deux bras qu'elle avait contraints à l'embrasser ;

Et lui, troublé, la tête encor tout étourdie,

Se prêtait à ce jeu d'horrible comédie,

Sans deviner, hélas ! que, pour son châtiment,

C'était faire un prétexte et servir d'instrument !


L'alcade cependant, à ces cris de détresse,

Accourt en toute hâte auprès de sa maîtresse :

« Seigneur ! c'est le bon Dieu qui vous amène ici ;

Vengez-vous, vengez-moi ! Cet homme que voici,

Pour me déshonorer, ce soir, dans ma demeure...

- Femme, n'achevez pas, dit l'alcade ; qu'il meure !

- Qu'il meure ; reprit-elle. - Oui ; mais je ne veux pas

Lui taire de ma main un si noble trépas ;

Çà, messieurs, qu'on l'emmène, et que chacun pâlisse

En sachant à la fois le crime et le supplice ! »

Gabriel, cependant, s'étant un peu remis.

Tenta de résister ; mais pour quatre ennemis,

Hélas ! il était seul, et sa valeur trompée

Demanda vainement secours à son épée ;

Elle s'était brisée en sa main : il fallut

Se rendre, et se soumettre à tout ce qu'on voulut.


Devant la haute cour on instruisit l'affaire ;

Le procès alla vite, et quoi que pussent faire

Ses amis, ses parents et leur vaste crédit.

Qu'au promoteur fiscal don Gabriel eût dit :

« C'est un horrible piège où l'on veut me surprendre.

Un crime ! je suis noble, et je dois vous apprendre,

Seigneur, qu'on n'a jamais trouvé dans ma maison

De rouille sur l'épée ou de tache au blason !

Seigneur, c'est cette femme elle-même, j'en jure

Par ce Christ qui m'entend et punit le parjure.

Qui m'avait introduit dans son appartement ;

Et comment voulez-vous qu'à pareille heure ?... - Il ment !

Disait la Paquita ; d'ailleurs la chose est claire.

J'ai mes témoins : il faut une peine exemplaire.

Car je vous l'ai promis, et qu'un juste trépas

Me venge d'un affront que vous n'ignorez pas ! »


VI


Or, s'il faut maintenant, lecteur, qu'on vous apprenne -

La fin de tout ceci, par la cour souveraine

Il fut jugé coupable à l'unanimité ;

Et comme il était noble, il fut décapité.

The tree's knarled,
melted bark dripped down
the warm, burnt umber
in its spokes, dropping mellowed honey as we climbed the branches.
We spoke of sweet things
like the kind frosts creeping into the valleys of misted bloom, as the silver crescents rise higher by day,
entangled by wreathes of smoke.
We spoke of that very oak tree and how it's palsied trunk had witnesses so many fires.
We spoke of love and how (despite the cliche) we can not live without each other. We together will beat on through the charms of the cold thistle.
We dance round the dusky colonnades as the stars shatter around us and the moon's cancerous head rides higher.

Taisez-vous, ô mon cœur ! Taisez-vous, ô mon âme !

Et n'allez plus chercher de querelles au sort ;

Le néant vous appelle et l'oubli vous réclame.


Mon cœur, ne battez plus, puisque vous êtes mort ;

Mon âme, repliez le reste de vos ailes,

Car vous avez tenté votre suprême effort.


Vos deux linceuls sont prêts, et vos fosses jumelles

Ouvrent leur bouche sombre au flanc de mon passé,

Comme au flanc d'un guerrier deux blessures mortelles.


Couchez-vous tout du long dans votre lit glacé ;

Puisse avec vos tombeaux, que va recouvrir l'herbe,

Votre souvenir être à jamais effacé !


Vous n'aurez pas de croix ni de marbre superbe,

Ni d'épitaphe d'or, où quelque saule en pleurs

Laisse les doigts du vent éparpiller sa gerbe.


Vous n'aurez ni blasons, ni chants, ni vers, ni fleurs ;

On ne répandra pas les larmes argentées

Sur le funèbre drap, noir manteau des douleurs.


Votre convoi muet, comme ceux des athées,

Sur le triste chemin rampera dans la nuit ;

Vos cendres sans honneur seront au vent jetées.


La pierre qui s'abîme en tombant fait son bruit ;

Mais vous, vous tomberez sans que l'onde s'émeuve,

Dans ce gouffre sans fond où le remords nous suit.


Vous ne ferez pas même un seul rond sur le fleuve,

Nul ne s'apercevra que vous soyez absents,

Aucune âme ici-bas ne se sentira veuve.


Et le chaste secret du rêve de vos ans

Périra tout entier sous votre tombe obscure

Où rien n'attirera le regard des passants.


Que voulez-vous ? Hélas ! Notre mère Nature,

Comme toute autre mère, a ses enfants gâtés,

Et pour les malvenus elle est avare et dure.


Aux uns tous les bonheurs et toutes les beautés !

L'occasion leur est toujours bonne et fidèle :

Ils trouvent au désert des palais enchantés ;


Ils tètent librement la féconde mamelle ;

La chimère à leur voix s'empresse d'accourir,

Et tout l'or du Pactole entre leurs doigts ruisselle.


Les autres moins aimés, ont beau tordre et pétrir

Avec leurs maigres mains la mamelle tarie,

Leur frère a bu le lait qui les devait nourrir.


S'il éclot quelque chose au milieu de leur vie,

Une petite fleur sous leur pâle gazon,

Le sabot du vacher l'aura bientôt flétrie.


Un rayon de soleil brille à leur horizon,

Il fait beau dans leur âme ; à coup sûr, un nuage

Avec un flot de pluie éteindra le rayon.


L'espoir le mieux fondé, le projet le plus sage,

Rien ne leur réussit ; tout les trompe et leur ment.

Ils se perdent en mer sans quitter le rivage.


L'aigle, pour le briser, du haut du firmament,

Sur leur front découvert lâchera la tortue,

Car ils doivent périr inévitablement.


L'aigle manque son coup ; quelque vieille statue,

Sans tremblement de terre, on ne sait pas pourquoi,

Quitte son piédestal, les écrase et les tue.


Le cœur qu'ils ont choisi ne garde pas sa foi ;

Leur chien même les mord et leur donne la rage ;

Un ami jurera qu'ils ont trahi le roi.


Fils du Danube, ils vont se noyer dans le Tage ;

D'un bout du monde à l'autre ils courent à leur mort ;

Ils auraient pu du moins s'épargner le voyage !


Si dur qu'il soit, il faut qu'ils remplissent leur sort ;

Nul n'y peut résister, et le genou d'Hercule

Pour un pareil athlète est à peine assez fort.


Après la vie obscure une mort ridicule ;

Après le dur grabat, un cercueil sans repos

Au bord d'un carrefour où la foule circule.


Ils tombent inconnus de la mort des héros,

Et quelque ambitieux, pour se hausser la taille,

Se fait effrontément un socle de leurs os.


Sur son trône d'airain, le Destin qui s'en raille

Imbibe leur éponge avec du fiel amer,

Et la Nécessité les tord dans sa tenaille.


Tout buisson trouve un dard pour déchirer sa chair,

Tout beau chemin pour eux cache une chausse-trappe,

Et les chaînes de fleurs leur sont chaînes de fer.


Si le tonnerre tombe, entre mille il les frappe ;

Pour eux l'aveugle nuit semble prendre des yeux,

Tout plomb vole à leur cœur, et pas un seul n'échappe.


La tombe vomira leur fantôme odieux.

Vivants, ils ont servi de bouc expiatoire ;

Morts, ils seront bannis de la terre et des cieux.


Cette histoire sinistre est votre propre histoire ;

Ô mon âme ! Ô mon cœur ! Peut-être même, hélas !

La vôtre est-elle encore plus sinistre et plus noire.


C'est une histoire simple où l'on ne trouve pas

De grands événements et des malheurs de drame,

Une douleur qui chante et fait un grand fracas ;


Quelques fils bien communs en composent la trame,

Et cependant elle est plus triste et sombre à voir

Que celle qu'un poignard dénoue avec sa lame.


Puisque rien ne vous veut, pourquoi donc tout vouloir ;

Quand il vous faut mourir, pourquoi donc vouloir vivre,

Vous qui ne croyez pas et n'avez pas d'espoir ?


Ô vous que nul amour et que nul vin n'enivre,

Frères désespérés, vous devez être prêts

Pour descendre au néant où mon corps vous doit suivre !


Le néant a des lits et des ombrages frais.

La mort fait mieux dormir que son frère Morphée,

Et les pavots devraient jalouser les cyprès.


Sous la cendre à jamais, dors, ô flamme étouffée !

Orgueil, courbe ton front jusque sur tes genoux,

Comme un Scythe captif qui supporte un trophée.


Cesse de te raidir contre le sort jaloux,

Dans l'eau du noir Léthé plonge de bonne grâce,

Et laisse à ton cercueil planter les derniers clous.


Le sable des chemins ne garde pas ta trace,

L'écho ne redit pas ta chanson, et le mur

Ne veut pas se charger de ton ombre qui passe.


Pour y graver un nom ton airain est bien dur,

Ô Corinthe ! Et souvent froide et blanche Carrare,

Le ciseau ne mord pas sur ton marbre si pur.


Il faut un grand génie avec un bonheur rare

Pour faire jusqu'au ciel monter son monument,

Et de ce double don le destin est avare.


Hélas ! Et le poète est pareil à l'amant,

Car ils ont tous les deux leur maîtresse idéale,

Quelque rêve chéri caressé chastement :


Eldorado lointain, pierre philosophale

Qu'ils poursuivent toujours sans l'atteindre jamais,

Un astre impérieux, une étoile fatale.


L'étoile fuit toujours, ils lui courent après ;

Et, le matin venu, la lueur poursuivie,

Quand ils la vont saisir, s'éteint dans un marais.


C'est une belle chose et digne qu'on l'envie

Que de trouver son rêve au milieu du chemin,

Et d'avoir devant soi le désir de sa vie.


Quel plaisir quand on voit briller le lendemain

Le baiser du soleil aux frêles colonnades

Du palais que la nuit éleva de sa main !


Il est beau qu'un plongeur, comme dans les ballades,

Descende au gouffre amer chercher la coupe d'or

Et perce, triomphant, les vitreuses arcades.


Il est beau d'arriver où tendait votre essor,

De trouver sa beauté, d'aborder à son monde,

Et, quand on a fouillé, d'exhumer un trésor ;


De faire, du plus creux de son âme profonde,

Rayonner son idée ou bien sa passion ;

D'être l'oiseau qui chante et la foudre qui gronde ;


D'unir heureusement le rêve à l'action,

D'aimer et d'être aimé, de gagner quand on joue,

Et de donner un trône à son ambition ;


D'arrêter, quand on veut, la Fortune et sa roue,

Et de sentir, la nuit, quelque baiser royal

Se suspendre en tremblant aux fleurs de votre joue.


Ceux-là sont peu nombreux dans notre âge fatal.

Polycrate aujourd'hui pourrait garder sa bague :

Nul bonheur insolent n'ose appeler le mal.


L'eau s'avance et nous gagne, et pas à pas la vague,

Montant les escaliers qui mènent à nos tours,

Mêle aux chants du festin son chant confus et vague.


Les phoques monstrueux, traînant leurs ventres lourds,

Viennent jusqu'à la table, et leurs larges mâchoires

S'ouvrent avec des cris et des grognements sourds.


Sur les autels déserts des basiliques noires,

Les saints, désespérés et reniant leur Dieu,

S'arrachent à pleins poings l'or chevelu des gloires.


Le soleil désolé, penchant son œil de feu,

Pleure sur l'univers une larme sanglante ;

L'ange dit à la terre un éternel adieu.


Rien ne sera sauvé, ni l'homme ni la plante ;

L'eau recouvrira tout : la montagne et la tour ;

Car la vengeance vient, quoique boiteuse et lente.


Les plumes s'useront aux ailes du vautour,

Sans qu'il trouve une place où rebâtir son aire,

Et du monde vingt fois il refera le tour ;


Puis il retombera dans cette eau solitaire

Où le rond de sa chute ira s'élargissant :

Alors tout sera dit pour cette pauvre terre.


Rien ne sera sauvé, pas même l'innocent.

Ce sera, cette fois, un déluge sans arche ;

Les eaux seront les pleurs des hommes et leur sang.


Plus de mont Ararat où se pose, en sa marche,

Le vaisseau d'avenir qui cache en ses flancs creux

Les trois nouveaux Adams et le grand patriarche !


Entendez-vous là-haut ces craquements affreux ?

Le vieil Atlas, lassé, retire son épaule

Au lourd entablement de ce ciel ténébreux.


L'essieu du monde ploie ainsi qu'un brin de saule ;

La terre ivre a perdu son chemin dans le ciel ;

L'aimant déconcerté ne trouve plus son pôle.


Le Christ, d'un ton railleur, tord l'éponge de fiel

Sur les lèvres en feu du monde à l'agonie,

Et Dieu, dans son Delta, rit d'un rire cruel.


Quand notre passion sera-t-elle finie ?

Le sang coule avec l'eau de notre flanc ouvert,

La sueur rouge teint notre face jaunie.


Assez comme cela ! Nous avons trop souffert ;

De nos lèvres, Seigneur, détournez ce calice,

Car pour nous racheter votre Fils s'est offert.


Christ n'y peut rien : il faut que le sort s'accomplisse ;

Pour sauver ce vieux monde il faut un Dieu nouveau,

Et le prêtre demande un autre sacrifice.


Voici bien deux mille ans que l'on saigne l'Agneau ;

Il est mort à la fin, et sa gorge épuisée

N'a plus assez de sang pour teindre le couteau.


Le Dieu ne viendra pas. L'Église est renversée.

Just imagine that you're standing on a hill looking down
there before you is everything that you didn't own
no one wanted to see you and remembered your song
what you did, the way you conducted yourself was wrong

And yet - there is contrition born out of this condition
even tho the doubters would wish for an explanation
you can't give them one, you are what you've always been
which is a signature in different shades of green

You walked the colonnades and people began to stare
then the whispers: 'You see, isn't that him over there?'
It is no matter - everyone is changed now, mellow somehow
you have to live, try to give, not encounter a silly row

We may all be together again - the way I have returned
and then we'll see just how much we've all really learned

**** des oiseaux, des troupeaux, des villageoises,
Je buvais, accroupi dans quelque bruyère
Entourée de tendres bois de noisetiers,
Par un brouillard d'après-midi tiède et vert.

Que pouvais-je boire dans cette jeune Oise,
Ormeaux sans voix, gazon sans fleurs, ciel couvert.
Que tirais-je à la gourde de colocase ?
Quelque liqueur d'or, fade et qui fait suer.

Tel, j'eusse été mauvaise enseigne d'auberge.
Puis l'orage changea le ciel, jusqu'au soir.
Ce furent des pays noirs, des lacs, des perches,
Des colonnades sous la nuit bleue, des gares.

L'eau des bois se perdait sur des sables vierges,
Le vent, du ciel, jetait des glaçons aux mares...
Or ! tel qu'un pêcheur d'or ou de coquillages,
Dire que je n'ai pas eu souci de boire !

I


Las de ce calme plat où d'avance fanées,

Comme une eau qui s'endort, croupissent nos années ;

Las d'étouffer ma vie en un salon étroit,

Avec de jeunes fats et des femmes frivoles,

Echangeant sans profit de banales paroles ;

Las de toucher toujours mon horizon du doigt.


Pour me refaire au grand et me rélargir l'âme,

Ton livre dans ma poche, aux tours de Notre-Dame ;

Je suis allé souvent, Victor,

A huit heures, l'été, quand le soleil se couche,

Et que son disque fauve, au bord des toits qu'il touche,

Flotte comme un gros ballon d'or.


Tout chatoie et reluit ; le peintre et le poète

Trouvent là des couleurs pour charger leur palette,

Et des tableaux ardents à vous brûler les yeux ;

Ce ne sont que saphirs, cornalines, opales,

Tons à faire trouver Rubens et Titien pâles ;

Ithuriel répand son écrin dans les cieux.


Cathédrales de brume aux arches fantastiques ;

Montagnes de vapeurs, colonnades, portiques,

Par la glace de l'eau doublés,

La brise qui s'en joue et déchire leurs franges,

Imprime, en les roulant, mille formes étranges

Aux nuages échevelés.


Comme, pour son bonsoir, d'une plus riche teinte,

Le jour qui fuit revêt la cathédrale sainte,

Ébauchée à grands traits à l'horizon de feu ;

Et les jumelles tours, ces cantiques de pierre,

Semblent les deux grands bras que la ville en prière,

Avant de s'endormir, élève vers son Dieu.


Ainsi que sa patronne, à sa tête gothique,

La vieille église attache une gloire mystique

Faite avec les splendeurs du soir ;

Les roses des vitraux, en rouges étincelles,

S'écaillent brusquement, et comme des prunelles,

S'ouvrent toutes rondes pour voir.


La nef épanouie, entre ses côtes minces,

Semble un crabe géant faisant mouvoir ses pinces,

Une araignée énorme, ainsi que des réseaux,

Jetant au front des tours, au flanc noir des murailles,

En fils aériens, en délicates mailles,

Ses tulles de granit, ses dentelles d'arceaux.


Aux losanges de plomb du vitrail diaphane,

Plus frais que les jardins d'Alcine ou de Morgane,

Sous un chaud baiser de soleil,

Bizarrement peuplés de monstres héraldiques,

Éclosent tout d'un coup cent parterres magiques

Aux fleurs d'azur et de vermeil.


Légendes d'autrefois, merveilleuses histoires

Écrites dans la pierre, enfers et purgatoires,

Dévotement taillés par de naïfs ciseaux ;

Piédestaux du portail, qui pleurent leurs statues,

Par les hommes et non par le temps abattues,

Licornes, loups-garous, chimériques oiseaux,


Dogues hurlant au bout des gouttières ; tarasques,

Guivres et basilics, dragons et nains fantasques,

Chevaliers vainqueurs de géants,

Faisceaux de piliers lourds, gerbes de colonnettes,

Myriades de saints roulés en collerettes,

Autour des trois porches béants.


Lancettes, pendentifs, ogives, trèfles grêles

Où l'arabesque folle accroche ses dentelles

Et son orfèvrerie, ouvrée à grand travail ;

Pignons troués à jour, flèches déchiquetées,

Aiguilles de corbeaux et d'anges surmontées,

La cathédrale luit comme un bijou d'émail !


II


Mais qu'est-ce que cela ? Lorsque l'on a dans l'ombre

Suivi l'escalier svelte aux spirales sans nombre

Et qu'on revoit enfin le bleu,

Le vide par-dessus et par-dessous l'abîme,

Une crainte vous prend, un vertige sublime

A se sentir si près de Dieu !


Ainsi que sous l'oiseau qui s'y perche, une branche

Sous vos pieds qu'elle fuit, la tour frissonne et penche,

Le ciel ivre chancelle et valse autour de vous ;

L'abîme ouvre sa gueule, et l'esprit du vertige,

Vous fouettant de son aile en ricanant voltige

Et fait au front des tours trembler les garde-fous,


Les combles anguleux, avec leurs girouettes,

Découpent, en passant, d'étranges silhouettes

Au fond de votre œil ébloui,

Et dans le gouffre immense où le corbeau tournoie,

Bête apocalyptique, en se tordant aboie,

Paris éclatant, inouï !


Oh ! le cœur vous en bat, dominer de ce faîte,

Soi, chétif et petit, une ville ainsi faite ;

Pouvoir, d'un seul regard, embrasser ce grand tout,

Debout, là-haut, plus près du ciel que de la terre,

Comme l'aigle planant, voir au sein du cratère,

****, bien ****, la fumée et la lave qui bout !


De la rampe, où le vent, par les trèfles arabes,

En se jouant, redit les dernières syllabes

De l'hosanna du séraphin ;

Voir s'agiter là-bas, parmi les brumes vagues,

Cette mer de maisons dont les toits sont les vagues ;

L'entendre murmurer sans fin ;


Que c'est grand ! Que c'est beau ! Les frêles cheminées,

De leurs turbans fumeux en tout temps couronnées,

Sur le ciel de safran tracent leurs profils noirs,

Et la lumière oblique, aux arêtes hardies,

Jetant de tous côtés de riches incendies

Dans la moire du fleuve enchâsse cent miroirs.


Comme en un bal joyeux, un sein de jeune fille,

Aux lueurs des flambeaux s'illumine et scintille

Sous les bijoux et les atours ;

Aux lueurs du couchant, l'eau s'allume, et la Seine

Berce plus de joyaux, certes, que jamais reine

N'en porte à son col les grands jours.


Des aiguilles, des tours, des coupoles, des dômes

Dont les fronts ardoisés luisent comme des heaumes,

Des murs écartelés d'ombre et de clair, des toits

De toutes les couleurs, des résilles de rues,

Des palais étouffés, où, comme des verrues,

S'accrochent des étaux et des bouges étroits !


Ici, là, devant vous, derrière, à droite, à gauche,

Des maisons ! Des maisons ! Le soir vous en ébauche

Cent mille avec un trait de feu !

Sous le même horizon, Tyr, Babylone et Rome,

Prodigieux amas, chaos fait de main d'homme,

Qu'on pourrait croire fait par Dieu !


III


Et cependant, si beau que soit, ô Notre-Dame,

Paris ainsi vêtu de sa robe de flamme,

Il ne l'est seulement que du haut de tes tours.

Quand on est descendu tout se métamorphose,

Tout s'affaisse et s'éteint, plus rien de grandiose,

Plus rien, excepté toi, qu'on admire toujours.


Car les anges du ciel, du reflet de leurs ailes,

Dorent de tes murs noirs les ombres solennelles,

Et le Seigneur habite en toi.

Monde de poésie, en ce monde de prose,

A ta vue, on se sent battre au cœur quelque chose ;

L'on est pieux et plein de foi !


Aux caresses du soir, dont l'or te damasquine,

Quand tu brilles au fond de ta place mesquine,

Comme sous un dais pourpre un immense ostensoir ;

A regarder d'en bas ce sublime spectacle,

On croit qu'entre tes tours, par un soudain miracle,

Dans le triangle saint Dieu se va faire voir.


Comme nos monuments à tournure bourgeoise

Se font petits devant ta majesté gauloise,

Gigantesque sœur de Babel,

Près de toi, tout là-haut, nul dôme, nulle aiguille,

Les faîtes les plus fiers ne vont qu'à ta cheville,

Et, ton vieux chef heurte le ciel.


Qui pourrait préférer, dans son goût pédantesque,

Aux plis graves et droits de ta robe Dantesque,

Ces pauvres ordres grecs qui se meurent de froid,

Ces panthéons bâtards, décalqués dans l'école,

Antique friperie empruntée à Vignole,

Et, dont aucun dehors ne sait se tenir droit.


Ô vous ! Maçons du siècle, architectes athées,

Cervelles, dans un moule uniforme jetées,

Gens de la règle et du compas ;

Bâtissez des boudoirs pour des agents de change,

Et des huttes de plâtre à des hommes de fange ;

Mais des maisons pour Dieu, non pas !


Parmi les palais neufs, les portiques profanes,

Les parthénons coquets, églises courtisanes,

Avec leurs frontons grecs sur leurs piliers latins,

Les maisons sans pudeur de la ville païenne ;

On dirait, à te voir, Notre-Dame chrétienne,

Une matrone chaste au milieu de catins !

Elegy I

“Behold, I tell you my prince Meton, that my Steed is coming bringing Zeus, I truly tell you that the shadows move on the plasma of the Duoverse and that the lunisolar cycles pose what could never arrive and where it has to go... that It awaits you if I say..., if from the threshold of 331 bC. What will be my own...? If tertians experience without pain that can resemble everyone else that it is!

Etréstles; My debt comes from the Kronia of Saturnalia and Aries, lifting him up from Gea... he is noble in the laws of his geometrical prose calling him from Attica and trying to know if I can take the corner of Stratonx, without a lesser degree of hierarchy and whatever, more than finding Theseus...! If it is of his necessity to hear us through the labyrinths that will approach him of the birth of a new Vernarth, who alone fears for some icy sting that afflicts Alikantus, coming as an Athenian steed on Zeus and on the protectorates of Polia that are plausibly bringing nights of fever in the cold solitude by not possessing them.

Whatever my lord, behold, a polis will have great merit when it occurs in the misgivings, hallucinations, and lightness that are abstracted after twenty-eight days without knowing which will be the next one that will contain it like the kindling of the fire that does not stop burning... nor the magnitude of everything that stops me from being the spoil of a new sprout, but that does not stop me from being superior to the flames that possess their hell. The official acts make me a trophy of hostile anxieties with their dying fire, however, Zeus makes the Duoverse move mounted on my steed that takes him on snows that fight in the contest, and in contests of my Elegy with his equestrian reverie. I tell you that for this they can still loot the feminine beauties that besiege me between ruinous eyes that only see from the attic towards his disjointed daily Odeon.

The sensitive attachment of my Cretan horse neighs resounding from the Odeon, carrying the waters that will be his visionary flowers on female beauties that acclaim him with a womanly voice, which lashes out at him as the bearer of a God, entering into sentences manly beauties that come off the blood Hellenic of Alikantus by Evandria; full and provided with manly arcana resembling a steed made an Adonis. For everything that seems ruinous to you, a head that wishes to be wounded is offered, for everything that seems diaphanous to you like a People in the female physiognomy, a figure consigned in his virginity, who opens doors in which they are semi-open... Seeming that nothing hurts as it runs through the corner of my yearning, with honey and milky emulsion in its porticoes and in the evasion of the Diplon bringing my guests from the Opistódomos, with menus that will be superior to all the vessels where it will take them their delicacies, incontinent. Of the Hydor, that flows from the mancebía and the damp staircase of the Nimbus. Unknown values of insecurity made me attached to the Acropolis, rather knowing that Zeus was on his way to his amnesty and was floating in prose of gaseous clay, and iridium that reopened the double door of the Diplon as it closed abruptly from the canopy tops. Where is it that so much warm wind runs in the colors of the gods who rule the Exile...? So he will continue to be all that he is and will be in what I observe him..., if he stops to look at himself, and not at me who no longer consumes him...!

I tell you with its illustrious shadow that it hides in its untamed ephebos, wanting to make precocious its illustrated cavities that serve an eternal heart, which pours out what pulses and reverses what it repels from the flesh that is distributed convex of the divine soul, making succulent darkness of the apotheosis of the Symposium… burning where they always are, I tell you they are lit in the saddles of time!

How much phobic rogue can tell you what my imperialism binds to say if my beloved were here, seeing her close by like any glow that syndicates her odd sacrifices, with excessive raised and scheduled glasses that speak of a restless being, who cannot tell you that the Christic continues to observe ride from Alikantus, on embers of the Khristúgenna, observing him in pageantry, attempts, and lands of Patmos with a loaf of unleavened brimming with pietism and a new millennium that ends in the pyx of her memories...

Currently, doors are slapped through which my steed will pass with Zeus..., and I will not hear them, because only I have to open their double door Dipylon weeks later... from the agon that has to carry me against Zeus as his relief comrade, clinging to anger in agons that fight each other for ferocious tendons, and herculean verbal incarnations, immersed in irrepressible loquacity... conceiving his heroic chance and submitological feats that are located at the precipice of the heel, and in the breathlessness of his steps that take place in those that are not! "

Elegy II

By what dark decline of Smyrna will my rib complain, and have to move its hanging from here of Selçuk that will consist in its protocols that guarded my lost head, and of corny demigods that surrounds soothing feats that do not hurt, instantly that we all offer the same incarnations of the cult and his victory with Saint John the Evangelist... I tell you that I know about this and I say that I preside and founded the condition of his sacred agonal, from his divine glory in Arbela according to how common it seems to them... if they are to get lost in its decline...! That they do not fight with what is not dexterity and nothing that is not brooding if nothing knocks on the arched door?

The purse that will remain beyond Alsancak in that residence is moth-eaten, I always hoped, I always had to say..., as I have told you that my tongue tells truths that you are tempted to see in the darkness of a dissolute courtyard in Helleniká, but between portages of Smyrna and rubrics that wave in streets that are bordering the extraverted Dipylon... in which instance I peek into the interior wine presses..., seeing its esplanades because if I have to tell you... it will be something that can satisfy you and that takes me to Eleusis...!

So many times I sighed for the stinging hinge and its memento, opening itself up like this, and if it must be wherever it compresses its resonance, here it is what I was going to condescend with dump trucks that transpose to the stage with their marbled misgivings, I beg you with my hands convulsive that I am not fortified, the tribal rain and the Xiphos phosphorus from the southwest, seeming to surpass with their longitudinal footage as if they were laws of the horizontal with twisted millennia that bring according to what should be...? For a long time, it takes the form of an imperfect and vile being by the inverted "V" from Ephesus, towards the intersection of the edge of Pergamum approaching Laodicea.

Guess where the deposit of the Sun of Smyrna derives with its long time-lapse, and with various stony that are attached to masonry typical of the diamond plinth, showing off the docile sacramental of its high shoulders and crowned partitions like those that hurt if my eye everything! Assesses, closing angles of the sovereign challenge, here my sovereign Meton presents me the sacramental infer to the Nymphaeum or a rhomboid arcade lost in his Domus!

Where do paradises shrink from, if all this was being hidden with so many truths between tributaries and conifers that have to be disposed of in their turrets? Its precarious sinister face only restrains the Eminences of the Lycabeto, daring to adorn themselves with Lykavittós, rising among longings that are lost in my Elegy from heights that howl for peaks that have not been besieged, only resided by those songs that shelter themselves obstructed with wide domains, with trainers that guide you, not coexisting lights, that scrutinize your shelter to become your owner!

What makes you of tribulation if my consort is made eternal, now that he shields between his worries for causes and lexical testimonies with my Eggelos, who do not hear the galloping of Alikantus but if the hieratic rocky snorts descending for what their prior does not know... only my chaste unit has to be with its talented polygonal patchwork, unlocking only what it contains in its earthly litanies, softening the sclerosis of a raging carat, being or not defensive of a judicious Eggelos in rocks of fortune...! Only if you have to restrain yourself before they exceed the rate, and of everything that stops you and greases the cranks of what is not worthy of rest without a deponent cheer!

I urge you, oh confreres that your streets and stones expand like runners and cobblestones that have never been able and never will be able to pass through colonnaded atriums surrounded by those who live in Smyrna! And from there I exhort you to serve your faithful hoarseness whose rest adheres to his unconscious reality... Where then only laughs the annoyance and its ominous deities that carve defenses that are arranged for him to house in Skelos or of the legs that are born and die on his heels...? And from where does it only lead him to the vault of the mystery that lies in his opportune vow?

I will mention to you when no one ascribes or praises you with compliments that tempt the supine harassment of whose silhouette it is not, and that it is only the Selçuk catafalque, where the chapel of its neighbors and rye burns that divide the age of the Duoverse, leaving him desolate if my verses disgust those who have secreted and listened to my unheard reflections... Yes, you have to hide in burial mounds that descend from heights that are unknown to you..., you will only have to unravel from your baseness and fading scratches of the factions, with ties and dizzying failures from which Olympians survive and without crowned laurels!

Everything is already commemoration and mischievous funerary daring with portable fluorophores mourners, dressed in crowded slags elongations, and slants where nothing can grasp it of prosapies and past or subsequent lives, where its spits will be of the advantageous parallel that is noticed of a Mycenaean mob. What decorum above all in that setback, that only sees imploring, that they stop behind everything that protects them by the force of the black aura, that hurts and that devastates their vibrations in the triggering footsteps of Alikantus, “He who has hearing and not words that he hears what a stained glass window is in all that he knows and reflects it ”.

What was devouring you by the ardor and his horse countenance with his swift piercing in all that this crusade means... Loading Aerse finesse with herons to tie and perpetuate only those who must not be lacking..., before the supreme preference of a man who errs more than a god, and who was the gift of a PanHellenic fiddling with thirteen shady places, lacerating everything that inferred him, and everything that was an intruder from the earrings of happiness hanging him like an azure earring..., all harassment coming from Smyrna Towards the iridescent Nimbus of Patmos for the puzzles of Pergamum!


Elegy III

I can call all twilight nights princesses in Croesus's scolding, between floods where pseudo warriors who expedition before me, and undivided in Alexander the Great where everything comes from him hiccupping with the Chrysanthemum of Cyrus and Darius. I can make you Persians again if all your history bustled between comfortable Zeroes! And if this besieged crossbow circulates faster than the treasures of Pergamum... thus it would flee with legions and Talents that surpass the treasures of Heaven and its contingent consort.

Third episodes to my teacher Saint John the Apostle placed him a few hours from the Aegean in the lower parts of Pergamum, whose Trojan sons I tell you that I follow the course of his dynasty, perpetuating and touching the scaphoid and serving him with the Lutrophorus! Oh, azure comes with the team of oxen from Thrace that guaranteed the Theologian, and the treasury of his holy angels for this entire mandate and go walking your tired feet carrying the ghosts of Lysimachus? Of your own veracity naming them kings who will truly serve his laudable reign!

I tell you that I have really learned about this and about my own custody that speaks when seeing the victors and the vanquished pass by in the fragment of Ephesus overflowing with despicable arteries of Pergamum, and buskin that was not worthy of a scene of tragedy; between jocular that captivate Jezebel and syllogisms that slice the servants and their harvests. Oh, what a bag it can tackle if they are the dreams of a demigoddess of Sambate, believing to ruin the journeys of the Apostle Saint John by a Vee that unites my own oppression just being in Pergamum very prone to the fourth letter of the Apokálypsis... if these hermits they are confused with my discredit!

In the Symposium Journey, I saw the bewilderment only in the fiftieth fight after 331 BC, since the retreats of my brother and Lord Alexander the Great, dividing belligerents between Lysimachus and Seleucus lying in 280 BC! Behold, I tell you that no novel has to say it... that daring and ****** sleeplessness will be understood with parapsychologies, Magnus battered in blood and having to condone in life the thirtieth cosmopolitan station that will wander without string or staff, only in realms of horror!

“Protervas works repeat from Balaam, perhaps in perjury of those who are not devoted to the ancient expertise of Elijah and idolatrous pagans on Mount Carmel. Days of full consent have decided me to be the observer of an inferior garden no greater than Pergamum, with finery and gibberish of a roasted Faith, and of embellished offshoots that are of the miserable Asmodeus. I tell you that I know of these vicissitudes of tremolos and tarsi that are exuberant of the supra Hellenic Maximus of the west and the east, defeating victorious incredulous who believe they see my retreat from someplace in the west of the Aftó and the east of the Dyticá... all from here henceforth that is not sullied by troops of the Phalanges, they will supply the desecrated foreign troops...! With Roman tropes, levies that will liberate the tetrarchies, the libatum, and their free uncontested successors, repaying Augustus' fratricides and Caesares in the insectary quagmire!

The ill-fated awaits the exquisite court that casts fateful offspring, none attend the charred Symposium and the burning broth, being insubordinate to Parchmentians and aristocracies that get tangled up in the rune of Leviathan, far from a so-called Lord Abraham gifted in the circles! of the power of Yahveh assigned by the Father, and the sleepless sleeplessness of a son, who does not expropriate in wanting songs or children to sleep awake! That makes them consular! I have been caulked in the excuses of Ephesus and Smyrna, where the Hellenic and Roman are lost in the lavish gnosis of a doctor, rub considered among thrushes and blackbirds lacerated from the other infinite... in the absence of Crows and Sisellas dying in their enormous sides and the hemicycle of the Mashiach!  

“Everything that is promoted after the beginning and that was never started has already begun… where the corrections have diluted what the river conforms to the edges of the Silinus, with silverware and Gobelins that are made holly in the refined hands of a maiden. How will I not manage your anxieties proportionate to their sets, if the feelings are greater than the last floor of Babel... and if I had to descend one more, it would never resemble the graceful hands of a maiden talking to me about the next prop? What says more than the plot and its new, different breeze in ****'s indissoluble totality; subsisting with his carpals and with those random scraps of cloaks in the hydromel freshness that the Lord has entrusted him to pour!

What neat heights and challenges I have given you with light half-locutions... that flatter in the acrobatic gazebos of Demeter! With the following high-pitched white dots that are probed from the sunset and the desire of Athena Nikéforos, with travertine arsenals that are the tingling of an Elegy that flees from Pergamum with her feet incinerated and prostrate! What lack of ornament speaks to the adjoining trepanned ear, devoid of ornaments longer than vast, and wider than long when reaching the limit of Thyatira where Attalid kings and ants await me who will carry on their backs the rubble desolations of Pergamum!

Elegy IV

As you have offered what stops me to think about all the horizons that are guarded by agons and Kerveros, what virtues will they make of those who are dispossessed of the rescue and vicissitudes of the underworld of Thyatira! What has to intimidate the senses if the doors are for those who have never possessed a Soul... What has to dispossess us if the soul matter is Thyatira under Akhisar!

You complain of being moaning inks of arid lands where rivers are tributed that have to wade through octogenarian routes, holding on to the necks of the obfuscated Kerveros, and of the henchmen who trembled by the vicinity of the extreme of Mysia, whose urges released elements that mixed with river shelters of the Lycus and the navigable ones of the Marmara! I must point out that the elements are cliffs of Hydor that sink into the seas of Mysia.

That I must tell you of a formidable strait that tried to possess Heles, and that I went to the lower point of its flow to rescue him! That the formidable flash of Pluto infringed what was flashing in pro-Kerveros, not allowing Hades to enter Heles..., that formidable daring would be done if Heracles had twisted such a destiny by allowing it to enter, Or what death throes of the earth did not take him through this darkness where I mostly saw Venus in crimson eyes, rather than borders where the speed of light of their gazes welcomed them with their beings called Mysios?

I am Vernarth and I have arranged that Thyatira and her shallow wayward Nymphs shall rule me in your rod and go with their swifts, hoarding fine silverware that will shine from the heavens, and offer the worthy brotherhood by statutes that are controversial in the friendship of Arganthone and his I wonder if by some hiding place I have to see the black string of Jezebel and supposed regions contrary to Bethany. What a brave ****** has to dominate in full preservative principles, called from where they were punished by the dogs, thus allowing me to purge and follow advances that cleared the way to Mysia and Thyatira. Be clear that the insurgents in this region were chasing my Lord Alexander the Great, and he made the floors of Mysia tremble by crossing the Hellespont where my Heles almost had to get lost in the sea of his senses..., make me be the Ionian blaze that never it has not ceased and will not cease to burn on the Seleucid headboards!

"That you can see if the Lycus and Hellespont are from the same tributary, which hardens its waters to make a firm footing to the steeds and Hoplites venerating their gods and horsemen, seeing my teacher Saint John piously riding on the pagan temples stoning on stony tombstones with the interstices of the New Testament that offers the sacrifice of the Areté, Or of the most excellent eloquent alleys and sacrileges challenging what must never be glossed in the functionality of the file that it is urgent to define if I have died or never Die "

What capital letters are to be taped from the others that are from the Areté, and from its prominent fertility that rehearses the postulates of my Purgation? In everything that is prophesied in the ruggedness of those who boast that they can wander forty millennia with guilds that gather their litters..., all of them doubtful and giving rituals that owe to paganisms that were colonizing Hellenistic nuclei and my help..., closing my Hetairoi's pectoral tail, and then forge more confreres than they ever were.

The regrets of my teacher are scarred in the science of the Lycus valley, as Christians who grow with their sons separated from their daughters, and from the debtor parents of the metropolis of Thyatira, what fortune to be spared if the damages are greater than the reparations, And of the various secrets of the staining of the sky with its purple oblations and antiquities that refused to the progress of time, being discolored by the Adom and the Red blood cells. Here is where they flow through my arteries circling the hills of Messolonghi's Koumeterium, with natural basilicas that smoothly whitewash the candor and licenses.

I tell you that I know this is what constitutes the forge of the being that is capable of leaving Hades alive, do penance together with me Yes...! At twelve o'clock of the full moon where we become fierce Eleusines, since Battles more than hundreds of all, and we will know if we will be children of the Kerveros or Kerberos canes custodians of the inframundis who discover us like fish and cormorants on lagoons that run through us mutilated... which are decreed in the ecliptic, and in the stratum where Thyatira sleeps under the meters of Hades and Tevel, several meters from the underworld passing through its lost Shemesh beyond the western… under the hulous ecliptic of Akhisar!

You should not fear the suspicion or the courage associated with the three heads of the Keveros, because the three of them brood with me in the same way, for when I run away from them and they feel my loneliness...!, Each of their heads think by themselves, but the gentle Levantine sea is arranging them were groups of stars that are rubbing and washing their ******, prone to marine monsters that dress the mane of the humpbacked Hindhead of the Cerberus. Knockdown what nothing is born of damage and that is born of its permanent movement if the beasts are men with strings of impious men that make their portholes enter more light than beings with phalanxes and armies that come and go... being portals of one eternity from where Etréstles comes with his weary stride.  

How can you tolerate that the hands stained with some Tintoretos splash my Himation? And what is still chromatic with a caged torpor, is the Himation of Theseus that revolts the constellations of history that began from the abject sinkhole, fading the virtue since my sacrifice is offered in the religious and its offertory. You know that I have been able to walk through waters that are solid if I put my heels distillates in classic sounds where they are written with the latent prawns of the Aegean! That you nurture a past that hangs from the immediate future with sacrosanct pilgrimages inaugurating hybrids lapses, and classic smithies that distance themselves from Hephaestus and humanoid persecutions that could be undertaken from a section of the new period, mixing darned meat that is released from the principles of the Energeia, and that they sway in the millennial dizziness of the Olive Tree Bern or of any fistula that would not cease of prosaic oracular ones!

Everything makes oracular sense since my prior agon and his lingual accent deny what I will not reach in its sacred connotation, but if its secular insertion to create the deserved and victorious dew that falls and will fall from the bilge of the iridescent nimbus. I have deposited from their marshes where nothing already contains them..., only a pure divine light that is confused with opposite festivals of lights of an unknown victory that was not always mine, but it took light-years with its traveling mass to reach my thunderstorms with treacherous gods who did not allow theological musculations and derivatives of being refined to emerge from their extreme internal and external beauty who prayed for me, entering their Seventh Heaven and then with the Merkaba doing its venerable kalokagathia; or prototype that does not fade every day to take hold of the inner and outer beauty of it, the fruit of the Olive Tree Bern and the countless algorithmic winds that could be counted since I had joined its Falangist ranks!

I know that four Seraphim will have to take me and that your Charioteer will medicate with thrifty speed from where the day dares to attend me with real locations in the Andromeda wagon. It all to dig into the dark and bizarre hollow of my wound knew that it could have been the Holy Spear of Longinus...! What could happen if my chest did not stop bleeding from the indigo and crimson of my Dorus?

Elegy V

You must feel satisfied with the erected statues that were made bearable on the basis of cults and curative powers, but not of precognitions that were the object of Sardes since she was nearing the penultimate station of the inverted "V". The satyr's stratagems of 476 BC were congenial. And the pilgrimages to it would destroy the entire sacred precinct that it once presumed to be!! Theagenes of Thasos resorted with all his strength to move the stars and his impassive silences, seeing that Sardes was becoming a courtier of a network of unarmed victories that were never for him, but for pilgrims who roamed the roads surrounding Sardes. Oh that more crowns of him exceed fourteen hundred, if only one more will suffice to access the investiture of the Himation of my departure!

Continue along the Pactolo River and you will get entangled with vegetal lines on the northern ***** of the Tmolo. Know that Proserpina runs through the flower coffins of the autumn dead, that Persephone makes her shudder in the Ionian polis, and that it will be if she decided to do so, if Aphrodite captured the Cimmerians who would plunder Sardis, more than any voluptuous! And despite everything, it would continue to be a satrapy that does not lead to Patmos through Xerxes who still burns in Hades in the haze and canine of a Kerveros!  

"Follow those worms who claim mesnades with more blood on their fingers, and there is no doubt that they swirl in Pergamum with more blood than their creeds." And that of those who survive in earthquakes and typhoons that stand for generations of the Conventus and an agora that only relapses in Pergamum and in desolate legions that only devastate, and are built on ruins that they praise, just like Thyatira suffocated in Akhisar. Do you imply that the battles of Alikantus strike the silica plundering tyrannical idolatries and sacrileges, ravaging only hapless evils to come and unrecovered pious revelations from Byzantium? I know very well that Alikantus is coming, I could even dare to say that he is coming very close to the fortnightly reclusive citadel of Sparda..., being able to hear that Alikantus is riding from the ready insolent time and I even think I see that he is coming alone... and that Zeus he went ahead for necessities in the barcarole of Charon! I know that matters of the underworld are palatial stews and prostitutes that flank in kettles that announce tinsel falling from the apocryphal clouds and the adjacent Iridescent...!

Like a helical serpent, everything that my dimension swallows is retro-translational with turns about my own age that is not the deed of another than the axial one that vomits imperceptible years that are not memorized and that deal with each other with the ruins of the dogma of Sardis. Come Oh granaries and settlements that squander synagogues and compendiums of ****** ruins, whose altar is exploded in liquid gold on Artemis's hair in Hellenic theaters, where nothing remains, only traces of olive roots that kindly allow them to enter through its cracks. But what did scare the enclaves, if seven churches fell scattered from the corollary of seven manes that only resided among themselves, differing primitives and incisors, nailing their rapiers into the dead Sardes before becoming an Apokálypsis! In its seventh season… I Vernarth revive her and ennoble her from the secret day of her curse, as she says of herself to survive on her ruins, not as akin to Thyatira lying asleep under Akhisar's holocaust!

The images will be there to bring you in my arms, believing to be myself who brought myself spacing and surviving from a fifth posthumous church..., to save my fifth life in Sardis, but far from the Barcarolle del Charon, eating roots that were attached to the keel in case they poisoned my soul..., at the same time as a failed levitate that would solidify like the crest of Thasos, throwing draconian and grotesque seas that within me asked for a license to revive. Everything was whipping on me wanting to be Theagenes with lugubrious ostracisms that from now on should be cut and sliced into parts of my coexistence, leaving only the pre-existing erectness of me..., except the head that impelled me to take the extrinsic path of Hades with distinctions of a cult that only worked in the hands of a Patmian victor, all by counting one by one those fragments of the victorious minute hand of 476 bC!

The city woke up and tried to ***** obligations that were imposed on them, to remove like polis around a sacred precinct that was proud as a bond of centuries that are of the androgen of centuries that are forbidden from millennia found in double eyes, ears, and nostrils. Which was scared away from inscriptions dating back to the 1st century BC thus I continue to establish a superficial status that did not replace any similar or equal future, which is governed by forty-four victorious miracles and all parallels that establish what surrounds my mortal outer clothes..., as well as perpetual belongings and internal endearing to be created from its probity..., even at the end of the factual powers that succinctly stipulated a Zeus, who would be trying to imbibe himself in the possession of a great competitor who will sacrosanctly raise the arena of agon, allowing me to overcome by not ringing the chime of the Paidotribo or the tutors of impulsive eternal effects, and children divos like Raeder challenging the maximum of the stars of God and his contenders! I tell you that I know of these assertions and that the keys are not left hanging, nor will they be prepared to their verbal agility so that they can be taken off the hook and startled to open the Homeric heaven!

Disappear shady Kefalonias or those heads that are empty crypts in me...! And that the children are greater spirits than those who are not without heads who will spend the night on the east coast, where all the burning days are seen as snowy scarves moving from afar..., together with my Falangist militias who do not stop I have to move their hands and his siege with four encirclements of princes. Behold and hear... what I declare to those leaders who raised the lost darkness in a fortunate Kefalonia that tried to adopt seven churches, but not in Sardis!

As you have noticed… the edges of the "V" of Lacedaemonia are already being touched that come out through the stephanite competitions of the interior and exterior of the Kosmous, and everything dies metallic and with stale stenches granted by the polis and the winners! That specializes in the divine gifts of each submithological deity. You realize that the education of appreciation is in the arena of those who propose you wise tyrants and ignorant democrats, who bind the diet and pantry of those who promote great value at the expense of models that, are impossible to fulfill. Oh, that underlies the organic unity with the appearance of a soul that is vicious meat of bait, and of agonistic parts in the fringes and primal that fall from Ephesus and from the tip of Thyatira hanging like vines from where the true god of sin is born. unconfessed!  

Oh, what a diatribe for those who triumph in the land subjugated to the departure of a triumphant of life over it, and that their high dignity will extend beyond life and lash the decadent values improper of piety before the Mashiach that will be there! to rule us! The cults and the first ones that do not reach their contemplation with a soul that lies of useless pleasure in the suburbs of Euripides. What do I say to you that I know about these struggles, and it satisfies you more to drink with Elpenor falling from the staircase that was not on dry rubble, nor of harlequins who avoided the string of their zithers on and under the formula that makes contain the ethyl with the mean to say...; "That one day he was in The tetraconter Eurídice, and that the swordfish was his desire to beat bites and pots of wine that we have drunk for millennia together...!

Who could or will refute it, I tell you that I know about this, because I narrate what I write and sing his first fall near Circe, but falling on my arms... and from here I take him through the strings of Sardis when his buoyant hologram enters for its main stained glass window, taking us from Aorion very close to Barnard's Loop. Hear that I still fall hard next to him getting drunk together in Eleusinian mourning, free from buskin and funerals that are not the best friend that appears to him, and unless they combine us both with haggard browns before leaving the island of Eea.

The torrent of the Pactolo crosses our heads with its trunks like a sophistic beast... also penetrating my harangues from the Aegean when the pale shadows of Sardis are drizzled with third-degree liquor by the ancient pinch of the Hermo, a tributary that sadly hopes to wash the impious feet from Elpenor and mine. "I do not mention what I never tire of defining, that nothing and no one will hear what a voice would sing to a drunken ear, when its abstinent drops of mead are incubated in aristocratic and Hellenic ethics of my youth that stand out in the lips of Apollo and with telling you Hoplite angels who are more decidedly than learned Greek-ignorant, who do not know what it is to die from being drunk, even beyond the Elysees "

Elegy VI

The youthfulness of the Kosmous was defragmented in the inevitable..., leaving important men to take care of the darkness that was only spoils of themselves, on top of the fierce flames that still continued in the competitive souls with their glorify, where another tradition began to break out of the subtle approach that was attributed to Vernarth's homage, as an inter-Patmian genre praising all that is whole to conform the individuality of the holistic whole, which is not yet consumed by the flamboyant and immeasurable images that expanded in times more than what a Colosso from Apsila is, or a thought that forges ophthalmic trifles. I must tell you that denial is a factual point or hindrance in the denial of skepticism and the subtle embargo… if it is not moderate in the face of crowds!

I believe that summers will trigger the passing of Kairos in all the points and means that make the Sun's degree retroaction insightful, and less than what makes a divergent moral behavior, only endowed with the finesse of applicability, If you declare yourselves visionary **** like Critias! If you are in remixes of the Hellenic universal global warming! I want you to know that the warming began from the Kassotides when it was closed and from there d the abrogations abstracted by the Pythias... If from their ocular cranial and the Kosmous that became opaque, and deviated into the tetrarchy or leadership of the four Cardinal points! Oh, what kindness must pass from their semicircular flying buttresses of the world when nothing falls under their orbits... not even a segment of Patristic light the inevitable will be to ignore what falls under the sphere of the world and what rises to his own, from where Ha-Shatan does not pronounce himself in the nubile flowers of Eden!

The Apokálypsis groans, rolling up its sleeves in Leviathan's pouches, reviling the bends of Philadelphia and its Delphic oceans! With requisitions of verses that do not have and will not scribble on the trailing lines of the serpent that wears jewels that are not of this world, but seek whether to fit them in appendages and on the necks of future martyrs. Or bags under the hocks of the serpent, you will see that its optics are in the wrong and that it blows in the goodness of its victimized ones!

Brotherly love was announced as a final omen, Philadelphia was praised in the Ecclesiastical, where everything mellifluous was civil property and each eye would be the same as it will observe it, it would be before the later and the inferior of the superior of the grace of the Lord, in ethical outrages and tribulation spells that sweat in open fields far from the Dypilon, closing the opposite gates of the darkness of Sardis and Thyatira! I tell you that I know in this icy way of seeing how nothing was nothing more than the revival of free will left by the cobbler's caulking and the keys that will open and close storm doors, that only the golden hand will know if one will be a carrier or not. of new hardwoods.

Hagio is real... and what closes and opens his hand will be a guideline for what does not open and does not close! The key of the Angel of David comes from Patmos with a hatbox that proves who is capable of warning for all those who are capable of sustaining the aura of the Mashiach…! That through narrow mountainous areas they will sow the temple of God with hosts from Jerusalem.

Leading them to the valley of Cógamo and soon to the simile valley of *** Bei Himnom and Hermus himself, where everything happens and everything is nihilism in the mainline of the passion of a loved one in its secant line and of the great inverted "V", and its Monarch Attalo's constrained ties and his deliberate missions that collate the penultimate station of my Elegy. “I am Vernarth; My fraternal passion makes these seven churches only one, each one in my Opistódomos... where perhaps I will have to ignore their lustful language of Lydia and Phrygia ”all are my rivals if I do not follow the honorable mention of my Mashiach and all his subjects, who are mine and I theirs... I must confer that the letters are conspicuous literature that escaped from Smyrna, and what vanishes from the lay verb that becomes all the bearer hands with their punches, which are keys to the openings of what rises parsimoniously and falls equivalently..., and what becomes absolute of error and its restrained evil "

My attributes are the Sun that separates from another section, which is the Venerable deliberator of one who is still attached to the sacred. You must stay away from dies that are typical of scalding nightingales that have steel legs, and that if they were from a Hellene, they would be the copy of "Alezinós, which is True and unconventional", everything is manifested in the best arrangement from where I can install my head on the best flank where everything is well accommodated, and what is symbolic in the authority that is finally of our Mashiach, supplying with King David every twenty-one kilometers lamenting, and spilling what he loves and cannot contain in the caverns…, if I know that they still remain closed for prophetic fulfillments, but if all those that the universe will dare to open soon in the paradises that are pertinent will open, which are from the bias of Isaiah sprouting from himself!  

You must understand that Sybilla's electorates will be kidnapped from the anguish of a famous attack, and every prophecy that makes us live in the transparency of the entire material world and its monochord sense that unites the earth with the Kosmous! Oh, what space between everything that is unspaciable will be able to reverse what is arranged in the upper fraction of the rope… and in the omega that everything makes her feel the last sob…!

I know that you know it..., I know that you will miss it..., and that the last day of our Kosmous will come when the Mashiach makes us wake up with the gift of the hexameter, that everything will come along long correct paths, whose streams of the paradisiac Hydor will come from the trance of the last cycle, the last second-born and the last interval where everything will be the same fractional time. The advent of this period of great apogee will give us the intrinsic poetics that seems close to the Dies Irae if Tomás de Celano tells you like this:  

“It will be a day of wrath, that day when the world is reduced to ashes, as predicted by David and Sibyl! How much terror there will be in the future when the judge will come to make strict accounts! The trumpet will sound terrifying throughout the realm of the dead, to gather all to the throne. Death and Nature will be amazed when all that is created rises to answer before its judgment.

The written book will open that contains everything by which the world will be judged. Then the judge will take a seat, everything hidden will be revealed and nothing will go unpunished. What will I allege then, poor me? From what protector will I invoke help, if not even the righteous will feel safe? King of tremendous majesty, you who save only by your grace, save me the source of mercy. Remember, pious Jesus that I am the cause of your Calvary; don't miss me that day. Looking for me, you sat down exhausted; for redeeming me, you suffered on the cross, may not so much effort be in vain! Just judge of punishments, grant me the gift of forgiveness before judgment day.

I sob because I am guilty; guilt flushes my face; forgive, oh God, this supplicant. You, who absolved Magdalena and listened to the thief's plea, that gives me hope too. My prayers are not worthy, but you, who act with kindness, do not allow me to burn in the eternal fire. Place me among your flock and separate me from the wicked by placing me on your right.  

The ****** confused, thrown into the bitter flames, call me among the blessed. I beg you, contrite and on my knees, with a contrite heart, almost to ashes, to take care of me in the end. It will be tears that day, when the guilty man rises from the dust, to be judged. Forgive him then, O God, Lord of mercy, Jesus, and grant him rest Amen"  

I Vernarth, call on you to tear your hearts beyond the last door of the Elysees, the apologies will divide what is like the last syllable of salvation, tomorrow we will be primal feelings of how or which selfless person has to tell you that we are all children of parents that they will always live beyond you, and that the ****** will fall into the bitter flames, if everything is the end in the contrite, make tragedy the daily bread... whose brands taste like the spews of the first registered individuality as bread and healing body angelic, which allows to protect it..., but it remedies the entities of the Garden!

“Among the red mists of Philadelphia, Ha-Shatan's gall lies lost, believing that he has to be a cape of rest and prostration so that the empyrean will grant him rennet and singing honey in his shattered hole..., the typhoons will ignite with his ruse and what expires from the seizure of an unhappy particle emptied by the idolatrous hand. Make the adversary time the habitation of the world that will impiously be infected with the cream that is made the opposite fraction of a vermilion mist, that walks with pride among hostiles when ferocious satiety of God occurs. I tell you that I know what I am saying and that there will come an end with a non-existent verse, or rather held in the arms of an Eggelos asleep in my arms, with Justin's milk teeth from the disturbed circuit breaker of the catalectic verse, which is rolling on Patmia swing doors. Oh, flints of Alexandria, you will know how to illuminate my scrolls and the Canaanite palenques, you will know that Heylel is like a morning star marinating milk with gunpowder and harvests that plague Ithobaal of Tire. Oh, culminate Zoroastrian who sneaks through giant camels and hers King David, very close to Bethlehem, very close from where every angel-like Heylel moves with cloying feet trying their traces from a crushed Latin voice. Both tanned by the rennet that strikes their stomachs... with the vigor of blood, and falsetto between muscles attached to the back of both, I tell you that they are "Ha-Shatan and Heylel"

Elegy VII

“I propose to you a Vulgate and mutilating calamus in the blood of the Mashiach, that would be born here in the metaphorical festivals of the Himathion in my own geodesy, and of all that has been thrown on Gaia and hers Titans of her. You will see that I have learned to walk with lacerated feet and mutilated arms, headless and no apostille that says that my brooding no longer exists in her indolence about Me… the darkness is Laodicea; where it rains the shepherds who by unknown wisdom capsize before the Gods that are to come, all of them from the crippled sky through passages of time, rickety of their colonnades and acroteria that all alluvial splices, where the needy will provide to eat sap that they will recover from their powers, with black wool from the cops and nests of Heylel, and from the under-reigns of Pergamum with annals and diasporas in less wealthy hamlets, without hindrance from the Spolia Opima as rich spolies or trophies I will be reborn, referring to my Aspís Koilé, with blazons and other effects that a general of ancient Rome kept as Apollo's laurel, now I will dispossess them after defeating them with my hulous hand of eternity, incontinent to defeat them with my legion in the Battle of Patmia, and the Triplos Kosmous  Lymphoma "

The Zoroastrian radicality will have to carry out wanderings and limits when nothing was ever to begin... and what becomes noisy in the face of evil ingenuities will make dualisms that polarize the influence of making the day only darkness, and for the faithful the light of day when they were summoned by Ezekiel, and that he must know better than fragments of the day that will contain the night and the portions of the night, the light of day and the resurrection, which is based on eternity carrying the Mashiach above all the infinities of homage twilight that was expiated in chiaroscuro..., thus enslaving the stunning afternoon, which departed from trances in earthly conjunctions, where the usufruct by the Kosmous exorcised the ages that are subjected to its heritage of commemoration You must know that the power of the night about the day as a possession that bills rows of apprehensions that narrow your transit without repatriation...!

Tenure is an inclination during all premature periods, where the day is not ascribed to breadths of unconditional freedom of execration, cruelly leading to the zephyr of the Thuellai with granules mounted on the Malatia, and frolics that engender the life of a Pallid! Superstition in what appears as a multitude of fallen bodies, but without a contracted soul. "Make the even potential morbid that repels the horrendous and terrifying that persecutes the most praiseworthy and kind, who abjures that not everything is good, but rather it will be charitable and you must make efforts from the haze of Theosképasti, extending the relief of not to be classified as a non-living being when it comes to dialoguing with the shadows of Horror!  

The convital substance became too annoyed after counter-vitals that are nothing more than the apparent substance of my speculations, under all the powers that are faithful to it if they make me possess the cosmo-vice of everything hyper-ethyl and of its tempting. Since the cousin and puritanical elixir is disseminated throughout the air that is no more oxygen like a calender that does not bear the vileness of his captive servility, and of the feet that subdue him in the three claws of his shadowy darkness! Oh, what new light will it make of awakening with the preceding light that speaks of genealogies and native ceremonies where evangelical surveyors raise the leafy, that from the dark submission and the unethical fear make us weak martyrs of enslavement of the few frigid hordes and warm Laodicea!  

If my strength is to shelter myself from impudence and Hellenic-Hebraic transcendence, it does not express its ministry in all the children of Hashem, as captives carrying the constituent seed of the perched hands of the Calandria, which despite having wings she is the spokesperson of prophecies that do not have tangible historical records..., you must understand that the Calander has an autonomous and leading flight from Tuscany, but its flight radius is more than an eagle without stopping in those invisible spaces, where the legend can only transmit it..., although someday there will be no birds in the only begotten sky. You already know that I have carried chiaroscuro for their glorification that surround me..., like all that imperishable possession in cycles, they are coupled to cruel and fateful destinies, but always towards an end that for the most part becomes apprehensive of the intellectual aging verb, where their mysteries and they inhabit disembodied contents of the identical globular cycle, where the prostration of their weary skills and wrathful doors will appear from the last eagle that was seen flying free in the hands of Saint John the Apostle, and from other non-resident farewells by their claws of the Gerakis. Why not the Ceremonial Katapausis in the Profitis, or the metatarsal of the eagle that carries last discharges of discouragement in punitive inspiration, if only the calendars free man from captivity, and of unquestionable eagles in the fires of exaltation that will be able to bear it being seen as a figurative immune from Ophel, and from all the images of the supra existential world, containing volatile images of eagles for all purgative humanity forming heads that vigorously face Ha-Shatan and the Iblis, being more than an erroneous translucent figure of the angel ****** and of the perpetual fire of the incorruptible Calandria of Hashem.

“Without regret, I must tell you that the roots of the infinite began to be lost from the pieces of clay that were or are part of Yahannam's credulity, from here on from the dry and solid clay, making the genius of Laodicea one-sided with the hail of springs and of clouds that never stopped ceasing, thus in this way, I suffocate my burning hands that obeyed forces of more than ten newtons due to the miscalibration of their mass and the gravitational force that the Mashiach who converted from his incorporeal angel's geniuses. Make of fire and light your clay that is made homogeneous with liquid ozone, so ****** will come from paradise designated as solid ozone, replacing the negligent potions, which have not been able to free the divine light that for three years has been badly shaped, and have deteriorated only hundreds of the seven hundred pages of Vernarth's Lent, until today that his personal aptitude is questioned in the bleating of his sheep, who could move the fragile leaves of the disembodied forest with their nails, reciting regrets that would relieve the engraved feet on the limestone liquefied and muddy, where they can only emerge before all the dungeons that are collapsed by newton on his scapula, pouring out the expelled sighs of the eternity of the Ohr Hassadim "  

“Observe that cleaning is delighting in the grandiose erudition of what leads us from our null point of existence to the risky point where our objectives bring us closer to our sustenance; So what is Ohr Hassadim…? It is going towards a posthumous desire that thickens the light that emanates from our null point to the widest limit where every human race receives it from the great flow of Hassadim "or purification that is cyclically generated." My beloved readers who speak are the origin of all ignorance, and what is contained in the body purged of it is the unknown revival of a being that instructs itself as the Perdita Mundis or Lost Mundis! " The superabundance of medium prophetic and philosophical biodiversity creates paraphernalia and cavities where no head fits in the earth that have been honest to receive bodies in its mournful abode... makes of its benefits the great desire to receive the "Kli" so that Let us enjoy abundantly from the transparent cannulas of the wattle, which will make the Celestial Hydor fall, and the Manna that will sustain plexuses and eternal insurrectionary souls from the starvation of those who sob absolved of their soul, more than in its very spectrum that is filled with rootlets and clipping, which manifest the desire to play with drops that fall colliding on each leaf, and then fall into our mouths when they are satisfied manifested. Azure water, and nothing else if I want to live or not! Of that blue water that will fall on our mouths and will satisfy us with anxieties and fears that become imprinted when we are fed up…! And from the Manna, which will come with dissimilar entities, even feeding our soul that must also feed on the Iridescent Hydor in a swift vessel called Kli towards Samos…!

Elegy VIII

The eighth and posthumous baptistery will overwhelm all the mountains that became more exalted than all the peaks of the world, showing that the initial date combined the essences of the absolute with the "V" that began to turn one hundred and eighty degrees to the right. “I, Vernarth, have conceived the other being that will detach itself from myself, lying in the Kli or inverted vessel, on all the higher levels of the Ohr, even in those and all the Solstices where the face that makes its materialization is scarce, up to the Xiphos bronzes that would evoke tons from the Speleothemes that would gradually become implicit in my body, taking root more than the vital unfolding that is in my other sub-iridescent body. What is my soul united to the invisible creatures of this world? Take hold of the dizzy that contract in the wind tunnel of Profitis and your Codex Raeder, in what completely makes the ascent of its epitome by its golden steps, leading me to the occurrence and recreation of myself, but with plenipotentiaries who press in Gethsemane in the trepid angles of the Kli "V", beginning to ascend to Keter!  

“I must tell you that soon the Aurion particles will enter through my septum where they have to depart through the nasal pyramid… and that delegations of hoplites are already waiting for me and will return with me to Sparta and all of Greece. And with a Kli of endangered earthly and macerated light, they will be essenced from all the grasses that the calenders by descendants will make at the end a new sprout within me with my Golden Alikantus. The expansion of my light will expand from the radiance of my burnished steed, leaving within my identical hexagonal torch that will make the multi-spiritual thought of its same influx of light into the munificence of its newly created light, it will be from this constraint the Ecclesiastical stele from Ephesus to Laodicea accompanying me. ! If you watch carefully and take your hand out at this time and I peek through the rose window...! You will see that the magnanimous world is established and is going to receive you next to me, lavishing the herb that makes its clothing that shelters our body, and its own light reflected from Aurion itself… "The profound Light that looks from the candid domes of the Seven Churches to the vaults of the Ohr Hassadim, transferring to the sub-Iridescent Mashiach, but contrite of the total immanence of the detachment of its divine light to deposit it on me..."  

Therefore, when both are together, the greed to receive is canceled in the Radiance within, and it can determine its shape only after the luminosity has departed at least once. This is because after the departure of Light from the Kli, he begins to yearn for it and this greed determines and establishes the form of the desire to receive. Consequently, when the dawn is clothed within the Kli once again, the two are related as two separate notions: the vessel and the Light, or the body and the Life.

Observe this carefully, for it is indeed very profound. And soon I have managed to describe the aureole of Hyperborea with the radiation of the Eygues bringing Wonthelimar; Well, if you know how to pretend that you are certainly emanating from the double V or W, which make up your round trip from Ephesus to Laodicea, and vice versa! You have already managed to understand that the diploid round trip of Wonthelimar emanated from two consecutive Vs, making the spin of Wonthelimar carrying its quantum particles of it and carrying with itself the quantum number of the fifth courtyard of Helleniká which is 5, but represented by ε´ raised to fifty, that is; ν 'which is the value of fifty Hellenic. Thus the spinning spin of 5 to ten times its unit will be indicated, as you perceive many dreams will be discovered where those who wake up will never forget that it is this sub-atomic elementary particle in the episode of contrast and extensive change in molecular physics that will lead Vernarth with him in his heart or Kardiá, which becomes effusive in his multidimensional quantum.  

“I have managed to understand that the rotating spaces have been aligned with Wonthelimar, and what is divided in the angular will reflect the mental image throughout the aerial imaginary geodesy of all Hellenic, generating the sidereal coordinates, leaving the intrinsic nakedness of all embryonic forms that it is a sublime mirror of the nakedness of the sidereal chromosome of all humanity. As loci installed in the shank of the Pythagoras monochord, but making movement the tax of certain movements that are more than anything else links of kinetics and gravitational emotions, making the mechanics of the monochord the analogous value that generates the signs of Ohr or light. Pivot at the omega tip of the monochord, raising the re-transfigured ε´ Penta in the form of A, but then returning with Wonthelimar and his Spin of quantum from Ephesus until arriving at Patmos with the essence of the “W” that will bring by essence refounded the monochord in the figure ε´ or V that will represent the quantum experiential bond, or crossing of the particle transfer threshold through the superior axon of Keter to Malchut, equivalent to the tenth compendium of Vernarth's ε´ to ν´ which is the relativistic oscillation of its final unit of ν´; which is fifty "  

Your duties are yours and mine. Mine, I will be the one who will carry the labarum to bear and admit all the tributaries of the creation of my new world, inclined in the Duoverse, Codex Raeder and of everything distinguishable in the refraction of the light that becomes embodied in Ohr Jaiá, or Light of Life for all created things, all creation, and everything that comprises needs to be created in the candles that become receivable in the natures that multiply the remnants of energies, which hopes to be initiated from the new cosmos of the Zigzag Universe and the Zefian Arrows, being the main bastion of the link between the printed matter and decisive stimuli of mercy from where the Iridescent Hydor is born. In littleness, the rocking of the unbalance of the universe is attributed, and of all the wrong applications of amplifying the Bios of a universe that tired of behaving mournfully, being children of its immortal reply...! Understand that nothing will mean more than the awakening of everything that extends beyond the borders of the Mashiach, being cosmopolitan emanating and merciful bestowal and that nothing resides in the material already broken.  

"All the modes of adaptation ended up differing in each form of adhesion within what it meant to emanate in all equivalences and from impels as fast as the buggy that carried Vernarth and Etréstles from Genoa to Piacenza since Etréstles deserted from the Eighth Cemetery of Messolonghi composing all the wishes of the awakening according to the Kabbalah of Vernarth being largely absorbed by the Apostle Saint John. Everything was going towards the kingdom and the surroundings of the Himation that awaited Vernarth himself, swallowing him with all its lights, which were even ecstatic by his epidermis, knowing that he was separated from the undivided light that awaited him in the Megaron, very close to the Opistodome in the Behina Alef, split from his expanded sub-iridescent body of the Ohr, which in turn was levitating next to him, for the vaporous reason of not knowing if his body was a conclusion or a new kingdom that was brewing before him "  

The final phase of this Elegy VIII gave the consent for the world that does not fit in the reason, nor in the thought that was already being installed in all the balusters and limestone stones that would make up its Tree of Life Sephiroth. Your soul is my soul and mine, and I know very well that everyone awaits me on the Profitis Ilias plain, distinguishing me as a whole in the sense of smell that is rooted in the gastronomic world of the Hellenes, and the absolute that my breathing with a few granules of nitrate, making them a divine cause with potassium that became despotic in living creatures that make their essence mine, like my Spirit that would eventually rescind capturing all the sodium from the iridescent nimbus in the intermittent rest and its multi-life like Nefesh!

Beloved confreres Khaire..., receive all the joy that removes the poisons that pierce tongues that become addicted to the drops as they generate more bodies from mine..., or You will be part of my Guf or body that no longer resists lacerations from swords and spears, which depart from my head and its undetectable body from the passage of Time, and from all the fallen heroes next to me…! I see how they fall into their exile diminishing what purifies the content of Advent, of its four candles, dried fruits, its circle between the hands of the Mashiach, and abundant coniferous branches taking my corporality in all the indifference that exists between cognition and loss of awareness of lucidity beyond the Advent Wreath and its four luminaries staying in the Fifth Candle, like the Fifth Chalice of Elijah, taking me very distant with all their desires to welcome and consider that under my initial "V", they will find the synchronization of the Fifth Candle and the Fifth Chalice, which is my "V" in the fifth dimension of the Fifth courtyard and in the shady Fifth of Helleniká!

As the creation, I have been imbued with the euphonic harmony of creation, from Bethany to Patmos, of all the balms that are more capable than physical receptacles within all the higher entities that are more than the unknown, and of the infinite and imperceptible! Of the essential number of the geophysical height of Delphi, close to the elevation that will occur with my departure at the elevation of 583 whose essential number will be 16 and six plus one is Seven, and the Profitis Elías is 565 adding sixteen, and its number essential is one plus six equals seven. All this makes it prevail that my soul will reverberate from the indigo lights of the Ohr, to be sent between two poles from the altitude of Delphi, making these two spaces the equanimous and providential emanation of climate change, due to the disparity between these two latitudes, But of equal essential numbers, creating the closeness of Vernarth and Apollo as they met in the Kassotides, before departing from their assumption to exalted Aurion.

We know the invisible nurse tree
for what it used to be
before that windy night that
spun and tore it from its moorings.

The tortured Bigleaf Maple roots
shaped in hollow colonnades
having nursed for decades
on a once proud hemlock
brutally humbled to the forest floor
and now consumed by elemental time.

It's Mother Gaia's eternal story -
present tree from yesterday's death
which in time will bequeath its torso
to unborn generations hungry
for a fallen trunk - ripe for suckling.

The Holistics of the ethnonym of Heles was saved by Vernarth and Etréstles, when the flood of Helén that came on Heles was shuffled. Here the inquisition is connected with the gravity potential of the elapsed time with the gravitational hydro of the bottom of the Marmara. The mechanics were marble dust that fell through the timers to the Seventh Heaven, inverting the one-way urns that were already being destined for Heles. This double urn symbolized by the laurel of infinity over the finite, it mechanized the fall of the origin of heaven in the court of the angels, from where they had horologists to pay for the urn for Heles, but as this was rescued by Vernarth, the urn it would finally be awaited in the depths of the dreams of the Marmara. Here the longitudinal precision of the marble sandbank that contained Heles defragmented was necessary, to later materialize it in the second Urn under the fold of the sea where his horology was synchronized with the sane cries of Nefeles, which Vernarth could not bear when he saw that his body it was turning into red blood cell marble. Heles, seeing his mother like this, inverts the receptacles of condensed air to emit and separate the red blood cells from the marble of the urn of Heaven, and then transfer it to the marble urn of Marmara.

After 1500 microseconds, Heles grabs Alikantus's tail and jumps onto Kanti's back, who was waiting for her to surface. She was dressed in white marble chaff adhering to her silhouette, remaining totally safe with her index fingers on Alikantus's forehead at the end when she just opened her limestone eyes.

Vernarth says: “in the Codex Raedus, I made the twelve hours of Carlo Magno's clock tangible, near Compostela. I have only kept prudence facing Heles with Etréstles from the bottom of the sea, leaving the bulbous granules, after his soul regenerated away from the marble oxide in the tin gap that could take it to the real quantum future, far from the receptacle that was emptied to arrive at the enteric complement of his organic and admirable Hellenic body, exchanging and measuring the countenance of the Akashic field, where the locality of the Strait of Dardánelos tacitly was upset with that of the Hellespont. For what it meant that the globality of Heles was followed by the torrent of water in the middle of the colonnades that brought it to the surface, where Hellespont already shone with another name of the Cosmic Sea "

The places and times, the characters, and fantastic animals were rooted in the mention where all things were induced towards a theoretical foundation, based on the love of quantum entanglements or (entanglement basis), to give ballast that binds the particles that are to it. own from where the independent particle persistently comes, which will drag the names of Heles and Helén for thousands of millennia, through this intertwining of two colonnades that represent the duality of Kanti and Alikantus, with Vernarth and Etréstles. They made the macroscopic purpose of the Kairos tunnel, where the pre-Helladic anticipated the revolutionized time of the Kairos when the Hellenes already carried the visionary overtaking factor in their genes, to help this sponsorship of Vernarth's Romantic Submitology in the Hellespont, from Vernarth's home run where the stars and Kafersesuh's Lepidoptera straightened up.

The particles perpetually persist where they are rejected or attracted, but from any atmosphere that is alien to pure physics, which is from his studies where everything exists and nobody knows what it is? Where Heles anticipated the macroscopic world. Vernarth was on his way to the sources written for the reversal of his military years, already in their wielded silhouettes from so much shaking them in his shadow that he was fading away. Granicus and Iso with Alexander the Great were one of them ..., this is how he exalts himself by having the ascending mission of saving the lineage of Mythological beings and not, under the expedition of his Anabasis or "Expedition for the rescue of Greek Mythological Beings who they are vilified for their own ethnography ”; it is the case of Heles. The brushstrokes were cloistered in the last events where the strong muscle follows, and the brain that escaped from a crypt of Tuthmosis, that perhaps would go for a new archaeologist to advance in the boots that Vernarth used in the Site of Arbela, being in Gaugamela reality, such as in Betania María de Betania in Magdala; being Mary Magdalene in Bethany. Here are the raids that were being carried out with the crews of Alexander the Great freeing themselves from their Larnax, to presuppose the actions that were being debated in the questions as he was always a military man who was on guard in front of his own larnax, but with the excursions to free himself of the same to witness the rebirth of Heles, daughter of Nepheles in the clouds, who consulted herself by the oracles that were already dimensioned in the game of beneficial actions, by double action of the body and mind of the Anabasis that Vernarth contracted by the possession of Alexander the Great in his own body. Much light was thrown when it was pointed out that the oracles would dress them in the greatest of all contests, where the same oracles mark the conspiracies of mythological beings by wanting to take conspiracies to take the world of Vernarth with the Submitology, which allowed life to beings that would no longer have any respite in any episode of interest, nor in a literary empire that ascribes the reality of a set that was mostly on the high seas, as far as the chariots of the navy of Thepis, or of Etréstles that took them to the memory that would speak much more than a faithfully conformed hybrid story, where every species born of a Titan, God or Demi-God would have the solicitous tragediography initialed by the ****** hands of Vernarth, by retaining the garrulous that were greater than the Aegean over the Ionian , where the brute and salty waves would fall abridged on the grievances of a mythological being that is torn by having to know that it can revive, and I saw vir eternally incarnated for centuries and centuries in the dating of those who were willing to revive Prometheus, Heles, Persephone, Orpheus, Stratonice and so many others in the ink that would become blood that writes the life of the beings that revive in the source of the Anabasis of Vernarth. But rather than the harsh air carry the marble dust of Heles over the high masses of warm air to the Valleys of the Kings where Tuthmosis IV, will bury the rest of the ashes that have not revealed their lineage as a sub mythological being, in the average of books and millennia that rested on the magnesium threads formed in the extreme wings of the Helenikká Necropolis, rather in the shady fifth, from where you will breathe the first zephyr cycle from Syracuse to the Kimonos itself, in the rested bay by Dekas.

Vernarth's Anabasis has as a corollary going back with all his entourage from Hellespont, to Patmos. The rhetorical offices would be golden bread and golden wine that tasted like heaven with incense, with orders that Darius or part of his immortal army could revive him to take the sourly baked Patmos. Alexander the Great appears before Vernarth warning him of this ultimatum, and that the armies should be enlisted before this decisive crusade, as compensation for the siege of Gaugamela, with the difference that a large part of the Greek mercenary soldiers would go to confirm the part from the flank or Keras of Vernarth. The banner on this occasion would carry Heles revived with his marble eyes on the two hydric colonnades, to represent the orders of Saint John the Apostle, before a supposed Hellenic rumor became an unexpected assault on the parapsychology of Diodorus of Sicily. , when he woke up in Sicily, as if he had been here witnessing to write the macro uprising of Heles, to revive Prometheus as well, and that they were already becoming illustrious heirs of an island that had great heirs in its lands, under the conduit of the Speleothemes, in which Wonthelimar had brought them.

“I propose to you a Vulgate and mutilating calamus in the blood of the Mashiach, that would be born here in the metaphorical festivals of the Himathion in my own geodesy, and of all that has been thrown on Gaia and hers Titans of her. You will see that I have learned to walk with lacerated feet and mutilated arms, headless and no apostille that says that my brooding no longer exists in her indolence about Me…, the darkness is Laodicea; where it rains the shepherds who by unknown wisdom capsize before the Gods that are to come, all of them from the crippled sky through passages of time, rickety of their colonnades and acroteres that all alluvial splices, where the needy will provide to eat sap that they will recover from their powers, with black wool from the cops and nests of Heylel, and from the under-reigns of Pergamum with annals and diasporas in less wealthy hamlets, without hindrance from the Spolia Opima as rich spolies or trophies I will be reborn, referring to my Aspís Koilé, with blazons and other effects that a general of ancient Rome kept as Apollo's laurel, now I will dispossess them after defeating them with my hulous hand of eternity, incontinent to defeat them with my legion in the Battle of Patmia, and the Triplos Kosmous  Lymphoma "

The Zoroastrian radicality will have to carry out wanderings and limits when nothing was ever to begin ..., and what becomes noisy in the face of evil ingenuities will make dualisms that polarize the influence of making the day only darkness, and for the faithful the light of day when they were summoned by Ezekiel, and that he must know better than fragments of the day that will contain the night and the portions of the night, the light of day and the resurrection, which is based on eternity carrying the Mashiach above all the infinities of homage twilight that was expiated in chiaroscuro ..., thus enslaving the stunning afternoon, which departed from trances in earthly conjunctions, where the usufruct by the Kosmous exorcised the ages that are subjected to its heritage of commemoration You must know that the power of the night about the day as a possession that bills rows of apprehensions that narrow your transit without repatriation ...!

Tenure is an inclination during all premature periods, where the day is not ascribed to breadths of unconditional freedom of execration, cruelly leading to the zephyr of the Thuellai with granules mounted on the Malatia, and frolics that engender the life of a Pallid! Superstition in what appears of a multitude of fallen bodies, but without a contracted soul. "Make the even potential morbid that repels the horrendous and terrifying that persecutes the most praiseworthy and kind, who abjures that not everything is good, but rather it will be charitable and you must make efforts from the haze of Theosképasti, extending the relief of not to be classified as a non-living being when it comes to dialoguing with the shadows of Horror!

The convital substance became too annoyed after counter-vitals that are nothing more than the apparent substance of my speculations, under all the powers that are faithful to it if they make me possess the cosmo-vice of everything hyper-ethyl and of its tempted. Since the cousin and puritanical elixir is disseminated throughout the air that is no more oxygen like a calender that does not bear the vileness of his captive servility, and of the feet that subdue him in the three claws of his shadowy darkness! Oh, what new light will it make of awakening with the preceding light that speaks of genealogies and native ceremonies where evangelical surveyors raise the leafy, that from the dark submission and the unethical fear make us weak martyrs of enslavement of the few frigid hordes and warm Laodicea!

If my strength is to shelter myself from impudence and Hellenic-Hebraic transcendence, it does not express its ministry in all the children of Hashem, as captives carrying the constituent seed of the perched hands of the Calandria, which despite having wings she is the spokesperson of prophecies that do not have tangible historical records ..., you must understand that the Calandria has an autonomous and leading flight from Tuscany, but its flight radius is more than an eagle without stopping in those invisible spaces, where the legend can only transmit it ..., although someday there will be no birds in the only begotten sky. You already know that I have carried chiaroscuro for their glorification that surround me ..., like all that imperishable possession in cycles they are coupled to cruel and fateful destinies, but always towards an end that for the most part becomes apprehensive of the intellectual aging verb, where their mysteries and they inhabit disembodied contents of the identical globular cycle, where the prostration of their weary skills and wrathful doors will appear from the last eagle that was seen flying free in the hands of Saint John the Apostle, and from other non-resident farewells by their claws of the Gerakis. Why not the Ceremonial Katapausis in the Profitis, or the metatarsal of the eagle that carries last discharges of discouragement in punitive inspiration, if only the calenders free man from captivity, and of unquestionable eagles in the fires of exaltation that will be able to bear it being seen as a figurative immune from Ophel, and from all the images of the supra existential world, containing volatile images of eagles for all purgative humanity forming heads that vigorously face Ha-Shatan and the Iblis, being more than an erroneous translucent figure of the angel ****** and of the perpetual fire of the incorruptible Calandria of Hashem.

“Without regret, I must tell you that the roots of the infinite began to be lost from the pieces of clay that were or are part of Yahannam's credulity, from here on from the dry and solid clay, making the genius of Laodicea one-sided with the hail of springs and of clouds that never stopped ceasing, thus in this way, I suffocate my burning hands that obeyed forces of more than ten newtons due to the miscalibration of their mass and the gravitational force that the Mashiach who converted from his incorporeal angel's geniuses. Make of fire and light your clay that is made homogeneous with liquid ozone, so ****** will come from paradise designated as solid ozone, replacing the negligent potions, which have not been able to free the divine light that for three years have been badly shaped, and have deteriorated only hundreds of the seven hundred pages of Vernarth's Lent, until today that his personal aptitude is questioned in the bleating of his sheep, who could move the fragile leaves of the disembodied forest with their nails, reciting regrets that would relieve the engraved feet on the limestone liquefied and muddy, where they can only emerge before all the dungeons that are collapsed by newton on his scapula, pouring out the expelled sighs of the eternity of the Ohr Hassadim "

“Observe that cleaning is delighting in the grandiose erudition of what leads us from our null point of existence to the risky point where our objectives bring us closer to our sustenance; So what is Ohr Hassadim…? It is going towards a posthumous desire that thickens the light that emanates from our null point to the widest limit where every human race receives it from the great flow of Hassadim "or purification that is cyclically generated." My beloved readers who speak is the origin of all ignorance, and what is contained in the body purged of it is the unknown revival of a being that instructs itself as the Perdita Mundis or Lost Mundis! "
The superabundance of medium prophetic and philosophical biodiversity, creates paraphernalia and cavities where no head fits in the earth that have been honest to receive bodies in its mournful abode ..., makes of its benefits the great desire to receive the "Kli" so that Let us enjoy abundantly from the transparent cannulas of the wattle, which will make the Celestial Hydor fall, and the Manna that will sustain plexuses and eternal insurrectionary souls from the starvation of those who sob absolved of their soul, more than in its very spectrum that is filled with rootlets and clipping, which manifest the desire to play with drops that fall colliding on each leaf, and then fall into our mouths when they are satisfied manifested. azure water. And nothing else if I want to live or not ! of that blue water that will fall on our mouths and will satisfy us with anxieties and fears that become imprinted when we are fed up…! And from the Manna, which will come with dissimilar entities, even feeding our soul that must also feed on the Iridescent Hydor in a swift vessel called Kli, towards Samos…!

Vessels  and Wine menus of the archaic formulas seemed from the new Universe that was approaching them vertiginously, concelebrating the unitary form of the union of the pilasters of the Opistódomos with Hellas , which was constituted as an inter-dimensional state, for two strategists universal and immortal that provided the beginning of a new Christic language, based on the relationship of the unified polis but with an infinite calendar perspective. The courage to start an end with a beginning full of excitement and celebration where clearly the dances would be from beginning to end to treasure the influences of endless complacency, and that would hold commemorative celebrations of station processes, being established fiercely in the treasuries of Metroon ; as a duplicated and bilocated agoras on Patmos, besieging all the documents of the glorious past of Mythology towards the new preservation of Submitology, where the people of heroes and anti-heroes of all the Pleiades come to life from the Vernarth transcript, as a multidimensional memorial archive housing in all the concerns of eternity written, and preserved tangible and intangible that would transport them to the annals of a sanctuary that would agree with the repositories of everything that was and will be of this Myth annex beyond a fantastic reality, going back to the Hellenisms that they will compose next to the Beit Hamikdash Temple, as a sacred mansion where the ceiling and the floor would rest in total communion. The dimensions will be given in the own open foot that will standardize the buttresses that would make up the access chambers to the privileged place of Rea, with dimensions that could be displayed in the confines of the inflection of Orion, naturally illuminating the vault of Greece in the head of the Agora and from there to Theoskéspasti, to then be triangulated with the Doric and Ionic colonnades specifying the Vernarth chamber, which will have its quantum progression and multidimensional link throughout the Archaic Hellas to all of Judea that will re-sanctify the possibilities that the heroes will parade eternally for the waters and lands that are proper to inertia, where Athena and Nike will make the pots with mead in the rejection of more miracles that will flow from Galilee to Patmos. The etymology would be of Hellenic customary avant-garde, evidencing realities where every day the peasants sharpened their sickles, as a feast that celebrated the first-rate courts with the first-grade olive oil with the Almazara or oil press that will bring the fruits of the table. The flapping of the pelicans would tie laudable sounds from the Thuellai worshiping the phonograms that were emitted from the Metroon, attracting the classical periods of the conformation of Greece when it was only Chaos and Seas in conflict. From this mythological proposition, everything was a reality where the lack of custom proved as a cultural character, it was the vertical cultural basting coined in the gloss of the signifier, rather than the meaning, leading everything to these festivities of edibles and drinkable towards the Panhellenic that it would bring new vigor of expansive territorial function, towards Macedonia and Delphi as a holiday that could celestially have more than twelve lunar months.

Meanwhile Vernarth was hugging a rattle more than two meters high and one in diameter, this resonance implied the inaugural sound of the Symposium of the Athletic Agon that together with the Almazara would run rials of oilseeds, to anoint the attendees as all Sacred of the jubilee of the Opistódomos and the Hamikdash, towards the new Submitological Era Duoversal between the events that will delight everything that concerns accompanying the pairings of liquids and solids in this competitive challenge, so that the mythical hero becomes the credible hero stationed in the ninth laurels that would make up the foundation and inauguration of the games, after the victory of those who never threw the victor's crown. The votive offerings and monuments joined the agonal journey that referred from the perspective of a soul that wanted to compete with its existential soul, and then reluctantly redirected itself through the unusual temples that seemed to vanish amid the crowds, making this festive ritual the greatest expression. of all the votive festivals in Patmia. In practice, the meals would once again be rewards for the support of the sky by the Matakis, as a snowy reflection in the pouch that does not display any icon other than a numismatist that sniffs the pieces of bronze that were surrounded by the other derivatives of the terminal of saturation of Zeus, seeming to identify that Matzoh would fall from the sky, and Manah that will highlight the laurel artifice when the conceptual of the sages give the beginning of the activities with a meta-praxis that will stand out from the full stomachs, and the bladders supplemented with oenological colors, eradicating physical competitions for those of the allegory of Dionysian pleasure that suggests a human and mythological hybridism, Submitological-supernatural. Everyone became restless and ran along the golden trails of the iridescent nimbus creating capacities to unfold the time of Kairos and at the same time re-inaugurating the feat of noble bread and the skills of collecting the green fords, where Persephone refrained from an illegitimate pressure by leaving the intellectual bulwarks for the destiny of the force that subtracts the will, but if it defines the feminine character that caresses the tongues of the soulless and they call us with the features of competing prostrate to a Goddess who worships the eternal shine of the wheat field that refers, and what makes the ibidem in the conferences of a hero who smacks the features of all the sculptures that will follow the cause of reason of the allegorical agoras and the competition where the meek will only toast when nobody sees them face inhibition itself of what is and is not.

What the languages uttered became shouted to sit near the inns and tables with dairy products and wines from which they all stood up with a cantiga in unison, ***** in the joy of being called to the Hellenic invitation to compete, to make dynamics and refer to physical skills assiduously to the constellations that made them awaken the intellectuals. The attributes of each one were a trigger to celebrate and laugh before the divinity of the new Age, along with the solemnity of Himation. This lasted twenty-eight days exchanging the full moons that would bring the shooting stars with boiled genetics that were forged from the Souvlaki prototype, and flashes that would take them to the symposium where the feasts were dimensions that surpassed the entire width of the galaxies, to praise and cheer the crowded Pleiad of assistants fully compete in the intelligentsia, before the various rituals and spells that were prepared with the consecration of the Symposium that would bring together Alpha and Omega, as a Semitic language that filtered through the iridescence nets that manifested from the Nimbus where they remained the vaporous entity of the Mashiach.

Vernarth imbibed, above all, a segment of space that allowed him to look without being distracted towards the height of the Nimbus, creating in the tract of languages that they wandered between Aramaic, Greek, and Hebrew, after that the extra-biblical witness Marzeah would designate in the liturgy of celebration of the Symposium, always noting that the allusive rhetorical conversations at the side of the Symposium meeting, understanding that they would become a brotherhood of tasters of the ethyl elixir, which would flow from the iridescent tract between seven iridescence that would translate into bittersweet solid foods and rolls with thyme from Kalymnos. The ingestion in two portions was lived from arm to arm in the jars of hand, reciprocal in the distractions that Vernarth made looking at the Nimbus, and offered him with his Khaire, promoting distraction and jumping over the dark clouds that were tinged with purple tones of the ethyl elixir, creating dance forms that revived the altruism of euphonic auditions that divined that the world could be all Wine and Matzoh, which was lavished on those who would not be excluded from the drinking of the sky that flowed as food from the fermented Hydor, alongside some concave stones with toasted chickpeas, fresh fruit, and Lepanto beans. Saint John blessed food considering that Eurydice, Circe, Medea, Hecate, and Walekiria would be incorporated into the festive Andron, although the feminine essence should be reserved for other stages of the solemn festival. The expositions of contentment were to have the vessels permanently facing the sky of the Nimbus, because from there holistic ethyl liquids would constantly fall that would shine with their deferred colors, sensitizing what the ear wanted to hear more than their collisions of Epichisis and Enócoes to pour and serve. in geometric ciboriums from Laconia. Vernarth would walk around the Profitis with Askos full of the essence of the Mashiach wine, which served them with the seven cosmic thoughts, thus frequenting the distractions for those who did not skimp on Apollo's delirium of dipsomania, distracted in Vernarth with the dancers of music by Hetera. Vernarth filled the glasses of all those who carried Guttus and Lecitos who relaxed and brought their Cretan flavors in the chirps of their pharynxes coming out from their mouths with verses that seemed the same as those of the Heterias, which the soldiers of the phalanx influenced the Small groups in a circle to applaud the gift and virtue of celebrating with improvised cheers, which in the bedrooms invited even the dissuasive shadows of their own evil that wanted to seep into the symposium. The afternoon was reinvented from the agora and the proscenium that attended for all from all the borders that would bring the storms of the ethyl nimbus, inviting new tides from the Aegean that would add to re-condense in the parasites that swarmed deserts with the rhythm of one night in all the borders and optics of the world, being able to be seen clearly and precisely to be reissued. The comedy of Dyonisius was present with all his court of Syracuse, and Dionisio was reiterated with Thespis and his supports that spelled ruffian verses between bitten, one being King the other being a God, sticking to his origin as a demigod in the feminine inheritance of a mortal, to come to serve in Cantharos to Dyonisius, where they roar in his mortal consciousness. The parasites bustled through the floodgates of intoxication that could be textualized and verbalized in the shrinking of colic, or perhaps boldly sitting on a tripod to imitate the Sybillas if they were to be supported by the effluvium of Alcyoneus, covering with snakes that they would carry potions in the wine glasses when representing the banquets that would falsify to be scenes of a feast, with the criterion of an over-relief.

Parable Hippeis above the eared: “Kanti; Hussar of aristocratic steeds, being from Crete, he was broken down from the servants as a possession of the globalized high lineage of Thessaly and Argolis. In the front Paraseno of him; He ruminated on the psychic frontality of not being defeated by the mere fact of being defeated as an extension of his defenselessness as if stating what he was not capable of winning in what he defeats a Hippeis when he has greater stoicism than I love him of the owner. Therefore he was destined from the Krepis or Crepidorma to the number of Gold or Golden. Dividing from all the other paranasal sinuses, by less than the base of the skull of it by the length and factorized by Pi ()

In the sphenopalatine Paraseno of him; the outer colonnade, in equilibrium and eurythmy or harmony, was provided in the order, optical correction and rational geometric construction, with the parameters of the Parthenon as the spheno ganglion of the ribs of the Peripteral Octásyle, which surround the colonnades of the expiration frieze, exhaling Zeus for vibrational anti-seismic integuments and neighs of the Hippeis, like Kanti exorbitant and convulsed.

In his Maxillary Paradise; subdued in the architrave of the lower part of the entablature that rests directly on the columns. Its structure functioned in its serving lintel, to transmit the weight of the roof towards the columns, and duplicate the basalities of the pontificate of the Samarians horsemen of Orondel

In the parasene dorsal turbinate; in a Metope, it occupies part of the frieze where the Doric entablature of its classical building would rest, located between two triglyphs. As a metope decorated with bas-reliefs, on the taboo cliffs of Samaria and its horses in the neatness of Hippeis blood.

Middle Paraseno; in the Stylobate, towards the upper step on which the temple rests, it will be part of the Crepidoma: on a stepped platform that raises the building above the ground level to give it enhancement and greater presence. As a middle echelon to the majors of the final grand echelon towards the Koelum, which unites them in its golden horsetails like blood-green horsetails.

Of the Ventral Paraseno; In the Opisthodomos, as a distinct space located at the back of the temple, the special vestal element is attached together with the Pronaos (or portico) and the Naos (or sanctuary). Here they take refuge for the snout and their cheeks, full of Pleiades evading the hunter of Oarion, each one decreed steeds of Crete and Samaria, which shine the transition of the oceanic foam that runs naturally in high tides, and in the exalted pause and erogenous, tempting an Aphroditism.

And finally, the super Paraseno or Chamber of the Canephore, ruling and ruling the priestesses of Baal with the steeds of Orondel, for the purpose of sacrificing the sacred courtesans with their hooves that were sacred in Stylobate, which was esoterically diffused. Pro the Canephores reigned alongside the Vestals, for dichotomous bustle with Hestia between fires and bonfires, which will pour out the mysteries of Eleusis.

They had their six Parasenos separated from their septum, de numen that in other castes they gifted the hubbub that came from Samaria in the reign of Israel, being a Hippeis of the Elite Greek cavalry. Of the farms of this region, one hundred years after the Syrian ******* in this same analog, Kanti was destined in the drafts in the pastures for agricultural work, attached to all the Philistine plains. A plethora of exuberance with liters of the pinkish vine, which, in the face of the long-awaited of some, plucked from branches by the snouts and sulfur of the Cinnabar, already entrenched in the presses and in combat of implicit rows of vines burnished by the thickness of its sulfurous secretion, opting for the lush, grassy tapestry.

In Thessaly, Kanti stood out with his supremacy of water seed, which raised surplus rain when the Mediterranean droughts rocked them from the gargoyles on their similar steeds. In the sagittal of his hoof, under the "U" all the Hippeis of Thessaly were marked with the Vox of ππεῖς, but not those of Samaria, they planted their fourth ends on the ground in the Deuteronomium; “He became passionate about the lovers of him, whose meat is like the meat of donkeys and whose flow is like the flow of horses. Thus you longed for the lust of your youth, when the Egyptians felt your breast, caressing the ******* of your youth”. Following this way Kanti with his chronicles warned that in their limitations and privileges, they did not excavate the selected strings of vines when he had to loosen their hooves, which were made of fire and steel from the bars of Hephaestus, by order of Etréstles, who relaxed from the agrazones, letting the sweet potatoes of their grafted plants levitate towards the clouds, which burst those esplanades in hydrometeors of tested sweat on their thick legs browsed by the song of their prayers and their thorns that broke their spiky washdown, fighting a duel in the cumulonimbus, which lavished care in which they settled before the eyes of the Hippeis foeman’s, where the vines did not ferment like the wine that does not have a vent and that makes them burst in new wineskins. This is how he triggers the patience of the gifted steeds of Samaria, towards new winemakers who would receive him for a grape harvester, who would carry other species of olives for a new millennium.

The credibility deposits did everything on their millennial steeds and genetics, to be more efficient and fruitful, for all the things that Kanti did not step on at the same time in all the Cyclades, Dodecanese and Messolonghi as Hippeis of Thessaly, but if from the Orondel perspective; which was the duplicate of Kanti Samaritan, holding in times the weight that it will bear together, in tons and in more than a thousand oil presses that exceed what his body mechanizes as horsepower, thus being able to lighten in the prunings of other regencies, which do not shake or shake the branches above Zeus's cups and his grind that does not expectorate or pulverize the best without its terrace.

Here where the trees used to grow, they grow in the orchard on the outskirts of the town, Kanti frees all the steeds of Samaria with their gravel on their rubberized hoof, mining the lands of the kings and digging the valuable napas more than all the heritage of the fruit trees, more than in a fifth year together with all the seas, to make them those that are in other uncircumcised ones, for the reward of those who hide from early taming and their spiky work. The gleaned in Thessaly were of forks that in the same cereals were gleaned from those that stopped feeding and mounted on a fable of grass of a rustic sewer and in the fallow farm laborers. The spikes did not fall, the Hippeis with Kanti gathered them with their limbs, legs, in the provinces of harvests dragged in sheaves of the Corsicans and their censers of Epha, like a gold rope and incense of Sheba, who thus brought expansion to Judah and praise to Yahweh. Epha describes the land where the dromedaries come to Israel: "A multitude of camels will cover you, the young camels of Midian and Epha." Kanti lashes out with the Hippeis imprisoned in Midianite lands, before being subdued and not released as new leaders of the Incense Route in the spurge beds of Bethlehem, with delicious practices inherited from Ruth, reaping barley, oats, and wheat in the same stampede of the Hippeis commanded by Kanti, beating barley, in which an Epha cultivated the Firstborn of Grasses of Thessaly "

(Procorus said: “in the defeat of the Persians by the Greeks, in the naval battle of Salamis, in 480 BC, marked the beginning of the decline of the Phoenicians' maritime trade, here the East was totally extinguished when Alexander the Great took Tire in 332 BC, incorporating Phenicia into the Hellenistic Greek world. All the knights that were from Thessaly were the entire lineage of Hippeis de Kanti, with Samaria germs from Chambers of Canephores)

À Constantin Guys.

I

De ce terrible paysage,
Tel que jamais mortel n'en vit,
Ce matin encore l'image,
Vague et lointaine, me ravit.

Le sommeil est plein de miracles !
Par un caprice singulier,
J'avais banni de ces spectacles
Le végétal irrégulier,

Et, peintre fier de mon génie,
Je savourais dans mon tableau
L'enivrante monotonie
Du métal, du marbre et de l'eau.

Babel d'escaliers et d'arcades,
C'était un palais infini,
Plein de bassins et de cascades
Tombant dans l'or mat ou bruni ;

Et des cataractes pesantes,
Comme des rideaux de cristal,
Se suspendaient, éblouissantes,
A des murailles de métal.

Non d'arbres, mais de colonnades
Les étangs dormants s'entouraient,
Où de gigantesques naïades,
Comme des femmes, se miraient.

Des nappes d'eau s'épanchaient, bleues,
Entre des quais roses et verts,
Pendant des millions de lieues,
Vers les confins de l'univers ;

C'étaient des pierres inouïes
Et des flots magiques ; c'étaient
D'immenses glaces éblouies
Par tout ce qu'elles reflétaient !

Insouciants et taciturnes,
Des Ganges, dans le firmament,
Versaient le trésor de leurs urnes
Dans des gouffres de diamant.

Architecte de mes féeries,
Je faisais, à ma volonté,
Sous un tunnel de pierreries
Passer un océan dompté ;

Et tout, même la couleur noire,
Semblait fourbi, clair, irisé ;
Le liquide enchâssait sa gloire
Dans le rayon cristallisé.

Nul astre d'ailleurs, nuls vestiges
De soleil, même au bas du ciel,
Pour illuminer ces prodiges,
Qui brillaient d'un feu personnel !

Et sur ces mouvantes merveilles
Planait (terrible nouveauté !
Tout pour l'oeil, rien pour les oreilles !)
Un silence d'éternité.

II

En rouvrant mes yeux pleins de flamme
J'ai vu l'horreur de mon taudis,
Et senti, rentrant dans mon âme,
La pointe des soucis maudits ;

La pendule aux accents funèbres
Sonnait brutalement midi,
Et le ciel versait des ténèbres
Sur le triste monde engourdi.

Beyond the glaze of headlights
On rain-slick onyx streets
Beyond skyscraper canyons
Where auburn smog's discrete
As it blends with the raindrops
The dirt & clouds there meet
Beyond the filthy City
There is a place so sweet.

Beyond rose scented Gardens
Filled with honey'd dew
Beyond the Cypress Colonnades
Where the Italians woo
Beyond the sugar beachpaths
Where the Sawgrass grew
look up where the Moon is
You will know it's true.

Beyond the small town quaintness
Mornings in the Sun
Where people still get to know you
You can greet everyone
Beyond delicious Bakery smells
Of bread and hot cross buns

Beyond the crime filled crucible
Where it's understood
You only live to 25
IF your luck is good
Beyond the rat **** jungle
Where evil is afoot
Beyond the teeming tenements
The place that's called The 'Hood

Beyond the farms and wheatfields
The ranches to the West
Beyond the Red Rock gullies
Where are you can, your soul, divest
Beyond the Eagles Echo cries
Beyond the doves white breast
There is a place for you to go
As time will attest

A place above the billows
Above the speckled sky
Shivering with sequins
A place so very high
Where space and time lose meaning
And matter is a sigh
Won't you travel with me?
Must you always question why?
A place where you are lost & found
Beyond the nebulae

Here on Earth we stumble
This weighted world to plod
It seems we've leaden sandals
As we go roughshod
We look to our leaders
And others to applaud
I find it very humorous
Yes, so very odd
That we should look up always

At everything but God.

Catherine Jarvis
7/8/2020

https://www.facebook.com/100004866559141/posts/1473874339451437/

1.
Stone castles float high above the moat,
rising in the empty sky.
Colonnades of clouds pummel the shoreline,
but plunder only Time.
The silver lake reflects the face of God.
Forsake its lifeline;
trace its outline in darkness,
then dive, dive, dive
to retrieve your destiny.
The horizon sleeps at the end of the road.
Light turns, but withholds its blessing.

2.

Pilgrims clamber over slick, thick cobblestones,
combing the ruins of history.
They slip, slide and slither back,
only to lose their way.
A baby-faced mountain bends low
to brush a raindrop off a rose.
The rose reddens; the mountain shudders;
and love blooms —even as older peaks,
streaked in early snow,
grind their teeth in envy.
Obey your nature.

3.

A crown of fog settles on the silent village.
Wet cobblestones snake back upon themselves,
pooling castles on the ground.
The road plummets to the shoreline; the horizon weeps for no one.
Light turns; Time tires; and infinity seeps into the soul.
Bruised pilgrims withhold their blessing.
Beneath the love-struck mountain,
a lonely traveler gropes homeward.
Patches of empty sky carry scents of welcome:
There, unbidden, La Tranquille awaits.

— Chaulin, Switzerland.

1.
Stone castles float high above the moat,
rising in the empty sky.

Colonnades of clouds pummel the shoreline,
but plunder only Time.

The silver lake reflects the face of God.
Forsake its lifeline,
trace its outline in darkness,
then dive, dive, dive
to retrieve your destiny.

The horizon sleeps at the end of the road.
Light turns, but withholds its blessing.

2.
Pilgrims clamber over slick, thick cobblestones,
combing the ruins of history.
They slip, slide and slither back,
only to lose their way.

A baby-faced mountain bends low
to brush a raindrop off a rose.
The rose reddens, the mountain shudders,
and love blooms —

even as older peaks,
streaked in early snow,
grind their teeth in envy.

Obey your nature.

3.
A crown of fog settles on the silent village.
Wet cobblestones snake back upon themselves,
pooling castles on the ground.

The road plummets to the shoreline; the horizon weeps for no one.

Light turns; Time tires; and infinity seeps into the soul.
Bruised pilgrims withhold their blessing.

Beneath the love-struck mountain,
a lonely traveler gropes homeward.

Patches of empty sky carry scents of welcome:
There, unbidden, tranquility awaits.

**** des oiseaux, des troupeaux, des villageoises,
Je buvais, accroupi dans quelque bruyère
Entourée de tendres bois de noisetiers,
Par un brouillard d'après-midi tiède et vert.

Que pouvais-je boire dans cette jeune Oise,
Ormeaux sans voix, gazon sans fleurs, ciel couvert.
Que tirais-je à la gourde de colocase ?
Quelque liqueur d'or, fade et qui fait suer.

Tel, j'eusse été mauvaise enseigne d'auberge.
Puis l'orage changea le ciel, jusqu'au soir.
Ce furent des pays noirs, des lacs, des perches,
Des colonnades sous la nuit bleue, des gares.

L'eau des bois se perdait sur des sables vierges,
Le vent, du ciel, jetait des glaçons aux mares...
Or ! tel qu'un pêcheur d'or ou de coquillages,
Dire que je n'ai pas eu souci de boire !

Are the lights still beautiful
In New York city
Does Delhi still have its vegetable vendors
Does India have rooms for the lost and lonely
Or is the highway to Hell
Paved with the souls of many
Does Times Square still have the buskers
Or has music left the air with pollution
Do Frenchmen still have confidence
Or do they smoke cigarettes and drink coffee
All in stressed out in the colonnades of Paris
Do the regulars at the Louvre still come
To celebrate Van Gogh and Da Vinci
Or do they mourn the dead elderly in Italy
Is the burial of an ostrich
Or the hiding of a chameleon in plain sight
The inspiration we get from courageous
Mother nature
Or will hope see us through
The wrath of the almighty
Finally, we will not believe in archangels
Only destiny waits for the plenty
As the beach of heaven
Turns moss into emerald
Every time a life is saved
From the storm of life
The crimson cloud chooses
In the info-demic
No one can keep a secret
But, do you want to know a secret?

You can make a difference
But, why should the aged eagle stretch it's wings...