There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

The body that I am incarnated in was born in the middle of the very rainy summer of 1939.
My vehicle for life.
All seeing-all smelling --all tasting--all touching--all speaking--all hearing --all sensing --perambulating -singing-dancing-cooking--drinking --painting--******* etc etc vehicle.
Born a few months before the Second World War,with all its nonsensical religiously patriotic and democratically oligarchic and liberally fascistic evil nonsense, started.
Makes me a Rider of the Storm eh?.
Eat yer heart out Jim Morrison!.
Slid out of my mothers womb in the upper room of a brand new house.
Situated on a new street somewhere on a new development on the edge of a 3000 years old walled city in 'gods' own country'--that's what they called it.
Yorkshire!.
First smell I remember,clearly,was rain soaked Lilac and Earth mixed together.
Their scent coming hrough the open bedroom window.
AAAAH rain soaked Lilac.
Second smell was Tobacco from downstairs where my father was anxiously chain smoking.
Then came my first taste.
He,my father,dipped the tip of his little finger into his glass of celebratory Whiskey and poked it into my mouth as I lay there,wrapped in swaddling clothes.
Irresponsibility!!.
Second taste was her warm rich creamy breast milk.
And so my days and nights started.
They told me the name that I was to answer to--as if it was the whole of me.
They told me my beliefs and attitudes and desires and limitations and skills etc etc.
They told me that what I have come to know was my conditioned identity was the real me---but it isn't!..
The lied to me --in innocent ignorance.
My sister taught me to read and write by the time I was 3 years old.
I grew up knowing,deep down, that I was something else.
Not the 'Something Else' that Ornette Coleman played,on his magnificent disc,either.
War raged elsewhere throughout my childhood--mainly across the seas far away.
I watched flight after flight of four engine bombers roar overhead every day ,on their way to drop bombs on children I would never meet.
There was a busy air base 2 miles away from the house I was born in.
Once an injured bomber,coming back from a raid,crashed in flames on two houses at the top of the street I lived in.
I found war to be a hellish and frightening experience.
And along the way I discovered that I couldnt explain to 'myself' who I was, exactly,either.
That my parenters gift of identity was misleading.
I asked 'myself' who or rather what was I?.
By the time I was 3 years I was a ******* from 'Osteomylitis'--or so they told me.
I couldn't walk with massive  left hip joint pain I suffered.
I spent the years from 3 to 6 in a traction bed in a couple of hospitals.
Gobbling down Cod liver oil and Malt for the vitamins--and it worked!!!.
At 6 I learned to walk--YES!!!.
All that pain was left behind.
Thank you Gautama.
My life was suffering but as you supposedly said.
Suffering can be overcome.
And I overcame it.
And I ran and jumped across streams and climbed trees and walked for miles and miles and danced the dance of life.
I foraged for blackberries and wild mushrooms and crabapples and horseradish roots and rosehips and other fruits of nature.
I fell in love with the song of the Yellowbeak--Blackbird to you.
Became enraptured by the smell of wild Roses in the hedgerows.
And I sang and sang and sang and danced and danced and danced.
And all the while I just knew that I wasn't the body that I was incarnated in.
Even though my parenters kept on insisting that I was that body.
And I knew that I wasn't who they had told me I was either.
I knew that I wasn't the conditioned identity of the body that they insisted I was..
At 9 years I passed an exam and won a free scholarship place at a fee paying 'public' school.
My education started in earnest.
Lain and French andAlgebra and Geometry and  expectations of University.
I fell in love for my very first time at around 12 years old.
Raymond was his name.
He taught me how bisexual I was.
I swallowed litres of his body fluids.
Oh how I loved him.
Then after 2 ecstatic years he rejected me because I was a different class to him.
AAAAARGH!.
Then around 14 years the monthly seizures started.
A regular dark descent into unconsciousness.
I experienced the small death of Julius Ceasar and Leonardo Da Vinci.
Back to waking consciousness after an hours out of the body trip into the Astral realms.
Waking with total total amnesia.
With no mind or conditioned identity but both came back within one hour of waking and took over again.
Along with a helluva headache.
But I woke as me--who or whatever that was.
I wasn't who they said I was.
I was me!.
Whatever that was.
Where did I come from?
My purpose in life became to find out what I was and what the source of my existence was.
Teenage life as a rock n roller started beckoned and I embraced party life.
I won cups of silver for dancing very energetically to Bill Haley and Chuck Berry.
I discovered the other half of my bisexuality.
I found girls.
Oh girls how I love you.
and love you and love you.
I started to play trombone at 18 years.
Then trumpet and drums then into my life walked MISS SAXOPHONE and I melted!!!!.
Alto alto wobbly lines of sound poured out from the bell of my alto sax.
I was 23 and toying with buddhism and social alcoholism and playing saxophone jazz(probably badly).
26 and I got married for the first time.
I was playing Free Jazz rather amateurishly by now.
In 1967 I moved to London--became a longhaired hippy--started my own band called BrainBloodVolume--took many doses(literally 1000s) of pure LSD and Mescaline and Psyllocybin and DMT--embraced diet reform--became ordained as a buddhist monk in 1966--played with Jimi Hendrix and John Lennon and the pink Floyd--went to live in the Balearic Islands--Mallorca,Ibiza,Formentera--started to do oil paintings--had a Master Class in Concert Flute playing from Roland Kirk in the dressing room at Ronnie Scotts Jazz Club in London.Became addicted to Macrobiotic Food and Spring Water and puffing Waccy Baccy(always through a Water Pipe..



Its been seventy seven years in this incarnation that I have been wandering the face of this big ball in space seeking the answer to the eternal questions of life.

What am I and where do I come from and what is my purpose?.

And here  is the answer--!!.

I am an individual isness formed solely from a small but equal independent and autonomous portion of the isness of the universe.

Each individual isness is an eternal, small but equal, independent, autonomous,nameless, formless,genderless,classless,casteless,non physical and unconditionally  loving portion of the isness of the universe.

The isness of the universe is the whole of the nature of reality and is the sole source of all existence and is eternal,nameless,formless, genderless,beingless and autonomous and unconditionally loving and is not a 'god' or a 'goddess' or any kind of being.

I live in the joyousness of shared unconditionally loving union with the isness of the universe.

Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

  "Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

  Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

  "Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my *****? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."

  Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist!             "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--

                              Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

  And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle ***** heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------

          "O Sorrow,
          Why dost borrow
The natural hue of health, from vermeil lips?--
          To give maiden blushes
          To the white rose bushes?
Or is it thy dewy hand the daisy tips?

          "O Sorrow,
          Why dost borrow
The lustrous passion from a falcon-eye?--
          To give the glow-worm light?
          Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

          "O Sorrow,
          Why dost borrow
The mellow ditties from a mourning tongue?--
          To give at evening pale
          Unto the nightingale,
That thou mayst listen the cold dews among?

          "O Sorrow,
          Why dost borrow
Heart's lightness from the merriment of May?--
          A lover would not tread
          A cowslip on the head,
Though he should dance from eve till peep of day--
          Nor any drooping flower
          Held sacred for thy bower,
Wherever he may sport himself and play.

          "To Sorrow
          I bade good-morrow,
And thought to leave her far away behind;
          But cheerly, cheerly,
          She loves me dearly;
She is so constant to me, and so kind:
          I would deceive her
          And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
          And so I kept
Brimming the water-lily cups with tears
          Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
        But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
        'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
        'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
        To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
        I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
        With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
        For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
        Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
        Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
        A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
        To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
        Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
        And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
        With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
        Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
        On spleenful unicorn.

"I saw Osirian Egypt kneel adown
        Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
        To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
        Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
        And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
        Alone, without a peer:
And I have told thee all thou mayest hear.

          "Young stranger!
          I've been a ranger
In search of pleasure throughout every clime:
          Alas! 'tis not for me!
          Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

          "Come then, Sorrow!
          Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
          I thought to leave thee
          And deceive thee,
But now of all the world I love thee best.

          "There is not one,
          No, no, not one
But thee to comfort a poor lonely maid;
          Thou art her mother,
          And her brother,
Her playmate, and her wooer in the shade."

  O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently ****** half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair *****, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-fe

May 9, 2012, 7:01:02 PM by ~OmegaWolfOfWinter
Journals / Personal




The rivers of winter ice had melted with spring sunshine's awakening and the noises of the forest announced the awakening of the fauna. a young fox stretched her long legs and fluffed up her tail as she yawned awake. this winter had been a lonely one for her, as she did not have a mate. throughout the winter she had felt the tingling feelings of her ****** urges creep between her legs and she moaned slightly as she felt them creeping there again.  she stepped slowly out of her den and took a cool breath of the spring air, bringing her the scents of the amorous flowers and the frolicking prey. she watched two birds in courting flight above har and she sighed at her loneliness. the fox hung her head low and walked softly forward. at some point she closed her eyes and yet kept walking, a few tears of longing falling from her eyes. the tingling urges grew stronger and she fought to keep them at bay. she kept walking a bit, aimlessly, though. she cried out as she stumbled over a heavy rock.
She tumbled into the nearby brook and felt a sharp stone cut her right hind leg. she clambered on to the bank, shivering and soaking wet with the chilled water. she attempted to stand and felt a fiery sting to her leg. she looked and saw a shallow **** marring her orange fur. "ow... ow..." she whimpered as she walked on. as the sun peaked over her, she felt her stomach's pleading for sustenance and she groaned. she could faintly smell a rabbit nearby and crouched low, going over how to stalk her prey. she sniffed for it and it seemed to be close, on the other side of a group of trees. she flanked around as best she could and spotted the furball. she licked her lips hungrily and pounced. the rabbit was dead in an instant as she tore its throat out. she chomped at it once and then felt a feeling of dread. she gulped once and heard a wolf growl nearby. i'm wounded... i can't avoid it now.
. she thought. she heard the wolf running toward her and was bowled over by it. when she stopped
Rolling she was on her back. looking up at the wolf, a young grey, white chested wolf, at the beginning of his manhood. he snarled at his prey as she whimpered beneath him. then to her surprise, he sniffed at her and tilted his head, the tenseness of the hunt gone from his yellow eyes. the wolf took a step back and looked her up and down, stopping as he saw something. he spoke softly, almost caringly, "you are female... and in heat... i apologize for interrupting your meal."
the fox looked at him curiously, "You...?"
he glanced at her and finished her thought. "...do not harm females. it is a code of honor i choose to live by."
she sniffed at him, "you have no mate, no lover."
his breath caught. "nor do you, young fox, lest he'd be satiating your body's desires, and his as well."
she felt the tingling between her legs again and attempted to say something, but was stopped. the wolf said, "nor do i wish to take advantage of females either."
The fox replied suggestively, "you spared my life, surely theres some way i could repay you, handsome wolf."
the wolf looked at her, eyes dilated and his breathing rough. he shook his head, "no.. i couldnt. its not my place."
she could feel the urges burning inside her, she wanted to release them, she wanted this wolf to release her. "chivalrous, i see. then, dear wolf, alleviate my longing, my pain, and i shall alleviate your own."
the wolf took a step closer, his own longing feeding his fire. "beautiful fox... your offer intigues me... you- you are wounded..." she looked and saw her leg still bleeding. "let me aide you, dear fox." he took a few steps and lay beside her, licking her wound. with each lick, the pain receded and was replaced by a wave of pleasant ache. the bleeding stopped and he stopped licking, for the moment. he sniffed her, his cold nose brushing the swollen flesh, and as it quivered between her legs, he knew she was ready for him. "my den is close by, young fox."
She nuzzled against his chest and felt his heart pounding. she took his paw and pressed it against her own chest, letting him feel her heart. "you know we cant wait that long, here.. in this group of trees." she gestured to the spot a few feet away. the wolf quickly walked into the tangle of trees, followed by the fox. the wolf had hardly stepped inside the treeline before the fox began nudging at the furry bulge between his legs. "you're not quite ready yet, dear wolf." the wolf whimpered a few times as she licked at it, taking his smooth member in her mouth and enticing it with her tongue. once it was throbbing in its full glory, she licked one last time and said, "now you're ready." and raised herself in preparation for him. he got into position on top of her and with one paw she guided him inside her. she gasped as he stretched her a little. she glanced over her shoulder and
realized that he wasnt that much bigger than her. he looked nervous and she realized something,
This is his first time... mine too... lets make this memorable.. she experimented with different positions, and after finding her favorite, set about making this wolf howl.
the wolf ****** slowly at first, drawing out the ecstasy. only when she began to whimper amorously did he begin to ****** harder, faster. she joined him, as he pulled back, she leaned forward, leaving only his tip inside her. when he ******, she leaned back on him with a wet squish. the wolf's tongue lolled and his eyes were glazed over in sweet agony. he howled softly at first, and as the ****** came, he howled again, echoing with the fox's cries as the ecstasy reached its ****** and rocked their bodies. the wolf staggered slightly at the passionate waves of ******. he pulled out his member and looked at his mate. "come with me to my den, so we can sleep, dear fox." the fox looked at him and nodded, grateful.
* * *
The fox and the wolf walked quietly to his den, set inside a secluded cluster of trees. the den itself was set in the ground, like a cavern, just large enough for the two of them to lie down comfortably. "its going to get cold tonight," said the wolf. "we should... share body heat." he had a faint twinkle in his eyes as he glanced nervously at her. when she tilted her head to him, the wolf looked down at his paws. the fox licked his muzzle and laid down next to him. the wolf's grey fur was thick, and she was  already beginning to feel warmer. she felt the wolf's heart beat a little faster, and he curled around her. his furry tail wrapped around the fox and she purred slightly as she nuzzled him and rested her head on his foreleg. for a moment they lay there, eyes closed, listening to the others' breathing, when he whispered to her, "i never did catch your name, young fox."
she grinned at him, "my name's Sasha, the only fox in this forest. and what be your name, dear wolf?"
The wolf opened one eye slightly to look at her, "my name is Ronan, i'm the last wolf of my pack."
she held him in her gaze a few beats and replied, "i haven't seen many wolves 'round these parts, where do you come from, Ronan?"
the grey sighed and said, "Farther north, over the mountains and into ice country. the food became scarce and the pack withered away, all but me. i treveled over the hills and mountains, through forests and grassland, and i kept going, finally stopping here. what of you? you said yourself you were the only fox in this forest."
Sasha swished her tail back and forth for a moment before, "i was separated from my family during a blizzard. i- i couldn't see anything, and i couldn't hear anything over the wind. i wandered aimlessly in the whiteout, tripping and stumbling until i bumped into something big. then again, i was just a kit and everything was big to me, but i looked up and saw a pair of eyes looking at me. i was so scared the snow beneath me turned yellow.
The monster bent over and picked me up by the scruff of my neck and carried me for a long time. i was so exhausted i fell asleep in its grip. when i woke up i was in a chilly den. i looked and realized that the monster had been a snow-white she-wolf. she sat at the enterance to the den and kept looking outside, waiting for something. when the snowstorm cleared out, she turned to me and said, 'little fox. have you a family?' i shook my head as i realized they were gone. from then on, the wolf raised me and taught me how to survive. then one day a few years ago... she was gone..."
Ronan was watching the fox as she told the story. "i'm sorry."
"don't be, ronan. ever since she left ive been alone. no fox to breed me, no one for a lover. until you came along..."
ronan licked her muzzle, "no need for loneliness now." sasha smiled and was soon asleep, warmed by her lover.
*
The sun rose and shone brightly into the entrance of the den the next morning, waking sasha from her slumber. she yawned and felt around for the grey. she felt nothing. she stood up and looked around the empty den. did he... leave me? a single tear fell when she imagined the possibility. "no.... please no..." she whimpered. her breath caught as she heard something rustling the grass outside the den. sasha shrank back and hid behind her tail, peeking over it slightly. she could hear her heartbeat in her ears and feel it rising in her throat as the rustling got closer and closer. she squeaked, "who... who's there?"
she flinched as a dark mass blocked the sunlight, its shadow stretching across the wall. the mass stepped slowly forward and sasha shut her eyes tight, fearing what might come next. "sasha?" it was ronan. "what's the matter?"
she gasped at him before rushing forward and burying her muzzle in his chest fur. "i thought you'd left me..."
with a paw, ronan stroked the fur on her back. "i'm a wolf, ***. loyalty and chivalry are the only things i know." she buried herself deeper in his fur and scolded herself for not realizing that. "i caught breakfast, i figured you'd be hungry after i interrupted your meal yesterday." she looked behind him and saw a small pile of ****** rabbits. sasha licked her lips hungrily. "its all yours, dear fox." she looked gratefully at Ronan before pouncing on the pile of carcasses, tearing into one and bloodying her maw. ronan watched her with pleasant  affection. the den was filled with the sounds of flesh being rendered from bone and the snapping of Sasha's teeth. she feasted upon the **** until she could eat no more, her belly now filled. two rabbits still lay uneaten, and ronan devoured them slowly, savoring the ****** meat as it slipped down his gullet. sasha lay nuzzled up against him while he ate, toying at his tail and
otherwise teasing at him. he gave her a look of amusement and somehow got into a game of tag with her.
He chased her around the den and she dodged his paw as he reached for her. when he did finally touch her, sasha dove between his legs and poked his furry belly. leaving him with a dumbfounded expression on his face. he then chased sasha outside and they continued their game within the cluster of trees around them. sasha laughed, a liquid smooth, crystal clear laugh. ronan watched her jump around him, the sun's rays catching her fine orange fur in such a way that it seemed almost like fire. he watched her a moment and loosed a soft howl. she's so beautiful... he thought.
* *

You are annoying
For you are toying
This mind of mine
Or the other minds of nine

Stop being silly
'Cause it bothers me really

I hate you for it
I don't seem to like you one bit

Those eyes how they pierce into me and see all that I am. It's almost as though he's toying with me. He knows the way my body works. It's as though he finds pleasure in teasing me.
Those eyes how they pierce into me and see all that I am. He knows he has me and I've become submissive to his touch. So weak to his needs, only wanting to be everything he needs.
Those eyes how they pierce into me and see all that I am. Usually I have such control but he has me under his spell. Once again he has me wrapped around his little finger and he lets me know I am only his and his alone.

Screeeeeeeechhh!
Thud!
Silence!
Hearts stopped
Faces turned
Jaws dropped
Prayers began

He left his assembled bricks and wood and furniture
and ran
ran towards the sunset
with nothing
but his silhouette following him
even years later
it felt like yesterday
possessed
he ran as fast as he could

Prayers began
blurry shapes hoarded around the car
his eyes refused to close
against the horror
of what lay beside
his high crushed
into water
his delusion failed him
his brain froze

He ran as fast as he could
to the beach
wanting to walk into the water
wanting to stop breathing
seeking unfathomable peace
that final peace

His brain froze
get out of the car
people shouted
was a life lost
he didn’t dare to find out
he just wanted
a few seconds back
just a few
seconds
back
please

That final peace
eluded him
waves silenced
by his cornucopia of emotions
his eyes now refused to open
the saltiness of the beach
was overcome
by tears
that flowed in secrecy
inflaming everything within reach
embracing his cheeks
toying with his lips

Please
callanambulance
sheisbleeding
somebody
tieyourshirta­roundherbleedinghead
isittoolate
is it too late

Toying with his lips
tears turning into questions
could I ever forgive myself
his sobbing heart
didn't acknowledge the question
it just faded
he lived
with himself
he died within

Is it too late
his wife asked
holding his hands
breathing heavily
her eyes averred
every moment that they shared
their feuds
their make ups
their teasing
their loving
her eyes were done speaking
and now they rested

He died within
wailing like a baby
he slept there
with parched eyes
reminiscing her parting words
etched in his heart
etched so deep
that it bled internally
bled and ached
to release a shriek through muteness
muteness, deafening
deafening his emotions
making them oblivious to his existence
his fists clenching
the vacuum of solitude
the moon and waves began their tango
and the water rose
higher and higher
embracing him within
maimed to be saved
releasing a gushing hymn
for she was now deemed
forever with him.

Like a captive, I capture rapture wrapping around stakes that matter
Joan of Arc battered
Also tattered but, easily dismissive
Refracted from fractured prominent phrases people play with
Distinctly persuasive and evasive, dressed boyishly attractive, lax stature, dawning armor crafted by absence as if asked about it-
I’m drifted
Protection is principle prerequisite, when fire is lit
I sort of implore your aorta before it’s incinerated to ashes
Dethatched as a habit, with swords or hatchets crafted to singe heartstrings that attached it
While I slash slick Rick as a quick fix,
To fend for pretend pretenses or presumed tricks,
I can’t quit
Cause I hit lips against hash spliffs fashioned with dashes of passion all while rationing fireball cinnamon sips
Martyr to avoidance
I gaze at fabled dazed gossipers galvanizing grips on gritty grapevines while licking warning labels through smoke haze on blurred lines
Capably unstable
Other eyes attending scandal circles able to shout lies and rekindle handed arguments on tables with locked smiles stay boxed in
Avidly amiable
Searching for counterparts when combusted or branded
Toying with matches loses meaning when rules reseed
Those vagabonds claim love is some all end hard bent to mend what the same above can’t comprehend.
Breaking boredom, I pillage pillows with night terrors
And ardent arsonists yearn for flames that churn, turn, liquefy and learn learned thoughts and smoldered feelings
Completely complacent
Melting in one another they are completing each other like two candles tryst true at a wedding day
However later the blaze is severed, smoke sears, and charred black wick stands alone for them.
Aggressive and progressive.
As for me never pleading, fire forever fleets to streets between iron bars I built that cage in deep heat and seep dire dreams once desired
Suppose I’m a skeptic
Roasted or disconnected
Just jaded, just met you
Always over it too soon
Burnt but I’m amused.
I’m useful.

pop culture... yeah... that yawn...
borrowed from the t.v....

   belle delphine... makes a comeback:
                                                       ­    i'm back...

       i must be a real riddle...
                                              though...­

      there i was thinking:
sorry... i was on auto-pilot...
i started to think of...

                harley quinn -
ava max - sweet but a ******...

trouble: i know what a tease
of regret looks like...
i also know what...
a make-shift...
nazgul harem of bulgarian
looks like... too...

        a tease of regret:
a former girlfriend...
striptease of a follow-up
narrative...
very nice... oh oh so nice!

but this one is clearly not beyond:
being a push-over...
belle delphine is no harley quinn:
i.e. ******* seriously sober...
**** your entranced: drunk...
******* sober overtly sober twice...

but... for the bathwater...
and... no...
i am the omega man...
on the list... of... allowed...
men... to *****...
into a genocide tissue
of... banking on genes:
without a ****-up
mother and father sort of
narrative...

         for the drunk:
the sobering whirlwind of reality...
because when rich people
like... should... i... inject...
myself... with some... broown show-gar?!

like i once asked an aesthetician:
i guess in reverse...
i was put under the scalpel and:
the selfless dictum of medicine...
he asked me: what books?
i asked him: quo vadis?

                i thereby managed
to burn the bookmark...
who was sane enough to salvage
the book i was reading?

    clued in on the: beside the brothel
antics...
   this clearly aesthetic girl...
this money making
crazy wheel this buttocks of
supra-roulette...
   when man and death...
the trough... the rhine valley
of trenches and brick-making
tactics for the ***** pederasts
on top...
those cherries those readily...
and thereby... easily...
cusps of iced cream...

                prostitutes speaking...
their gimp and limp-sidekick...
hard-on...       "procrastinations"...
to rhyme to rap...
by the way it looks like:
to rhyme is to rap:
to rap is to rhyme:
  
cookie dough oh oh *******...
and crisp-et... cookie ok: dunking...
slippery and swoon... and sweat...
   boy george fickle...
somehow browning... and none of that...
best dead before:
there was ever a best before date...

and then....
                      MA-GI-C!

playing a game of caesar's thumb:
      versed... in pollice verso?
          how do you play a game of
caesar's thumb?

oh... well... you will require a female maine ****
cat... and some... adamant moth...
the game works... like:
you proving to the beast:
you are not... toying with the moth...
the moth is a lesser creature
to both of you...

how does one play a game of caesar's thumb?
when one only has...
an agitated moth to catch once in a while...
and a maine **** cat:
to give attention to...
with a clenched fist:
with the entombed moth trying
to wriggle its way with
a fluttering of the wings...

   there's also that female
mosquito...
clenched onto by a pinch involving
one of her leg-work limbs...
and being a female...
she pulled and tugged and made
a "dialectic" of the verbs associated
with that limb extension...
a male maine **** cat would
have made a feast of her...
like he would of the cobwebs...

she escaped with 5 legs... to her original 6...
but a month...
i can't disfigure...
too quick for the lassy...
i held the moth in my clenched
fist like a rattle of fluttering
wings teasing...
not enough...
top bored from having
the impossible catch of the night...

the moth always remains: intact...
alive...
either cat catches the moth...
or leaves ones bedroom:
with a blooming gloom
of boredome....

but that's how to keep intact
a "sanity"...
a visit to the brothel...
becomes... a typo-
       for a shop only butchers are only
allowed to... inhabit...
    the sentencing of meat...
the clarity of heaving a life
of a moth in one's clenched fist:
and there's a thirst...
of the fist: to draw that lost samble
of: the begrudged familiarity
of language: and given that...
it's all in 21st century crude / rudimentary...
and rhyme...
            
       no caged beacon of the heavens...
of a lost circumvent...
caged lottery of the rhyme
of being perpetually caged...
       for the loot of **** and cockrel loitering...
like: morn is the cry to whine!

a game of caesar's thumb...
there was once a clenched fist: and a thirst for
blood...
now... a maine **** she, cat...
and a moth... fluttering...
like... an agitated petal-wing-and-rose...
too many "bored"
marihuana junkies stalking these
english streets come twilight...
one almost bumped into...

agitated by my poker facing
the already agitating grey-ish...
by the number...
by the number:
                   what-what of...
if he be not the king george:
having to give up h'america...
then he's no helen mirren...

          a game of caesar's thumb:
any and if all be owned:
that antithesis of a game of chess...
a game of both
kings and paupers...
3D dynamic: and madmen!

"revision": belle delphine...
cold... hearted... capitalist at... brain-sizzle...
but... gravitating toward
two outlets of fiction....
   belle delphine ≠ harley quinn...
a little ******... oh so hot...
hot tender me oh my ***:
posion the daisy...
poison rose should... a rose be all
the more... already... poisoned...

a visit to the brothel:
a visit to the butcher shop:
for the cho- chop and chopping assurances...
the crooked crown on an already
crooked head...
the statue of charles II
in soho sq....
        
              i most certainly paid for much
less than this ****-tenure-of-a-tease....
but then... to have an argument...
you'd need to mingle with a bunch
of thieves... murdering slob-gatherers
of phlegm...

            poisoned red-bunch of
a wholly rosed-up affairs of loiter...
and time: such a prized dead-end of
eventuality...

            the father the god:
the sacrificial lamb...
because... god forbid she was
ever to somehow burden
a deity with a: one first...
once and a daughter...

                  ****** fun-fair for
the riddled ghosts...
       blank shot shrapnel...
                     better suited...
midnight blue of the alias black...
then at least:
best... towing two gaylords
with everyone's bet on
typo and a bullseye!

   but never... the sensibly...
      hetrosexual normative...
goody twice-tied...
shoe-and-shine:
pwetty: that girl and:
you best forget to whine!
that girl and you'd wish...
            her father was a shtalin....
because...
crude and rude...
and all that's ****...
before Lucifer peeks with
a... siamese cranium...
              
      death to all...
who have made it concise...
in making life:
hardly... a... pardon....

  yes... best equipped it making it:
magic! and all the more difficult...
but never difficult enough...
difficult enough...
when... somehow... never... citing...
an... albert fish...
needle in my pelvis...
to... exfoliate... with any...
and more... addition of...
pain as an... ******...

      i guess the plead of the shawshank
sisters drops...
it always drops...
when there's a "conflation"
of evidence...
surrounding... the lower-base...
extremity: the crab genus...
       crustaceans....
    child- this-and-that...
       ****-fiddler...
             but a cannibal to boot?!
you... talk...
or simply... electrocute said:
individual...
since... your... ******* 'ed...
is already fried by the magic
of norm-frequence...
and the already: herd... estasblished...
Norman?
you with me...
sptunik jimmy...
               you with me... cream-soda joe?
you with me...
finding aliens already bigger
than flies... the widow mantis...
blessed joseph josephine?!
*******-numb-wit?!

oh yes! all conession: avowed
to you!
               because...
who isn't...
      in russia... they vowed
to keep these cain canine brood phlegm
of an *******: freely to roam...
siberia... that was the promise...

when they would **** a birth-firvolity
of a: devil and the "by chance"...
when converting man to
the stature of elevating wolf or bear...
and all the better...
rather than... caging the odd-ball
parody of... lacklustre joke and...
moth-ball-rolling...
****-wits the: future!
supposed! narrative!
******'-h'america...
              celebrated feature of culture
most involving... a horror...
      and... bull-wrapping!
               a ******* for a skinning!

there's ethical idealism:
where ethics is discussed...
there's ethical relativism:
where ethics is practised...
there's ethical realism...
where ethics is quantified
as an improbability;
and then there's ethical
absolutism,
where we supposedly
"progress" -
in this scenario are
the laws of physics actually
suspended:
whereby oculus qua oculus
is replaced -
a loss of an eye is "relative"
to 10 years in a cage...
really?!
           ethics is
ideal, realistic, absolute or relative...
we're encouraged to live
in "realistic relativism"...
      never in an absolute realism,
since realistic relativism
only compares itself
  to ideal absolutism...
and nothing more...
          ever watched that film
secrets in their eyes?
you ever wonder what
ethical idealism is to the ethnical
consequence that can absorb
a realistic libra?
    i can only believe in
ethical absolutism,
  ethical relativism is horrid to me...
relativism adorns idealism,
absolutism adorns realism...
          a life sentence is worse than
a death sentence,
whether justified or not,
prison is sadism,
but at least ****** is simply ******...
a space-time intact,
           a ****** penalty is not
inhumane, nor a ouija board...
      it's time for time,
space for space,
  the actual punishment comes
with the missing adrenaline rush
of the unexpected reception of the wielded
weapon...
          either send these jealous plonkers to
siberia, or sentence them to death,
for you are no more than they are,
nay, you are more...
  you're akin to cats toying,
playing a sadistic games with half-mutilated
mice...
             this is why i abhor
ethical relativism of the crucifix...
           hence my belief in ethical
absolutism in the paragraph of realism,
  which is perfected, by
being exacted, and never, ever,
being leisurely discussed,
  on a farcical palette with a grimace
to boot: ******* a lemon;
compensating the horrors within
minutes, is never compensated
  with ordeals that last years...
which is why i find the death penalty
an act of authentic humanity,
and not this quasi-humanitarian
act of pardon, ******* hypocrites -
       i abhor the caged rat
more than the rat gladly nibbling
on a dead corpse...
        at least there was passion
in the ******...
waiting for death penalty is like killing
a vermin with poison,
disposing them with nonchalantly...
the wise maxim states:
  ledo ferrum sicut id est calidi -
strike the iron while it's hot...
       death is the dawn-broker -
a new tomorrow promise -
              left intact, the fermenting process
of ethical dynamism takes over...
      then again,
the supposedly "evolved"
preferred moral relativism to moral
absolutism,
          because there was no
moral realism to speak of,
                       since morality could only
be talked about in ideal terms of
the supposedly so, supposedly
fashioned via: it ought to never happen to
me...
and then it might, and then:
oops... argument sinks like a wet fatty ****
into shambles of keeping up with
the presupposed pillar of argument
being "impenetrable";
hey, genius, back to the blackboard!