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"weetabix" poems
Babysitting for grandchildren yapping and yipping and grandpappy silently slipping away. To bed at nine and out comes the bottle of wine,which is ever so slightly a bit out of line and grandpappy's silently slipping away. Then it's up at six for hot milk and two weetabix,then some film show on Sky or Netflix and grandpappy's silently slipping,with red wine surreptitiously sipping away.
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May 9, 2014
May 9, 2014 at 12:38 AM UTC
Nursery knitting
I hope someone was shot today at four forty-seven *** em somebody famous with a famous death I know where I was right then (for once) I don’t know where I was when Kennedy got it and I don’t know where I was when Martin King went (all I know is I wasn’t here) I think I know where I was when Lennon walked his last (eating Weetabix eight years old) and I know where I was today. At four forty-seven *** em I was ******* tomato seeds from a picture of Doctor Thompson’s face.
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Aug 22, 2011
Aug 22, 2011 at 7:51 AM UTC
******* Seeds From Hunter S. Thompson
I went into the woods today to feed the little birds the squirrel in his little drey and the roe deer in their herds went in feeling confident walked out tired and grey now I need some counselling and this is what I'll say! Those little ******* birdies had set a trap for me dug a hole with mickey the mole they knew I would't see fell right down and bashed my head they laughed so much, thought I was dead all they wanted was my seed No! not my ***** Oh, please take heed the rabbits kicked earth into the hole ****** lagomorphs got no soul except for hares they are classier even though the females are sassier I climbed back out the birds got miffed "there is no doubt, he must be biffed!" so into the fray they sent their trump a ****** great stag to give me a thump spent ten minutes dodging round running like a good'un until I ran into a tree solid and pretty wooden "my sodding nose, that ****** hurt! I'm bleeding down into the dirt!" tough they told me with their eyes that tree will cut you down to size! I got away at half past six how was purely luck I fed the stag some weetabix and he got hit by a truck So now we're having venison and gravy for our tea and if I go to the woods again I'll take some friends with me!
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Jan 19, 2011
Jan 19, 2011 at 11:00 AM UTC
I went Down to the Woods Today
Take my hand to continents only known in the books, the blue maps on tiny tables sat in stacks ready for the lesson on Mexico, or thereabouts- third this week because the timetable is weak, poorly thought through and cobbled together out of half-dressed evenings in the lounges of teachers; ones once loved by the master and mistresses, leaders of the well dressed and caretakers. Take my feet and walk with them, balancing on borders separating language and currency, the gymnast's beam looking out over the forestry, its taller trees than you and me standing upon toes tipping down towards the urgent ground, urgently warning to stay upright and stick around, with her holding your hand.
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Oct 15, 2013
Oct 15, 2013 at 8:43 AM UTC
WEETABIX WORLD ATLAS
Conor's got P.E. , so his kit is washed, I've wrapped his butties in foil, so they don't get squashed, Pork Luncheon meat, in a crispy roll, And a carton of Ribena, to fill that hole. Jess starts College at One, so she'll wake at Five - to , Cheese and Pickle, will have to do, I've had my pint of milk, with three Weetabix, Got a Flagon of Cider, all the boxes are ticked. A days grafting ahead, out near Billingshurst, Laying bricks and blocks, building up a thirst, And home to the hungry, back to the shops, It's either Chicken Kievs, or half-price lamb chops. Custard and Pie, hot milky drinks, Then everyones asleep, except for me, who thinks, About tomorrows butties, fruit and snacks, Calories, nutrition, vitamins and facts. Up at dawn, in an old bobble-hat, Making food for them all, even the cat, A tin of Tuna, he's well impressed, Another flagon of Cider, another sweat-stained vest.
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Mar 25, 2016
Mar 25, 2016 at 11:17 AM UTC
All tomorrows Butties
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth! Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (  Philomena her name is ) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of  a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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Sep 28, 2018
Sep 28, 2018 at 3:05 PM UTC
THROUGH VERY SHORT TIMES OF SPACE.
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth! Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (  Philomena her name is ) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of  a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!"out of the man who makes the false teeth. Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (  Philomena her name is ) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of  a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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Oct 1, 2018
Oct 1, 2018 at 6:09 AM UTC
THROUGH VERY SHORT TIMES OF SPACE.
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!"out of the man who makes the false teeth. Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (  Philomena her name is ) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of  a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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What's your code no passport connection four hundred years grandfather's father his father coming there first test DNA dry place immigrant country no code no almond milk and honey wet wipes gone eyes longing God in each of us what's your code which God fountain of mercy chopped tomatoes snug crates E5 what's your code he shot me in the head and legs smug nearly forgot thank you for calling the job centre your call is important stranger rich tea smooth no nuts unboxed leeks centre job wait what's your code hot sand busy thank you what's your code blue masks requirement professor of linguistics sir do you have Weetabix I Lithuania bless you Kuwait Syria Michigan Holloway Italy chef many interviews knives the knives needed all are welcome double yellow lines peas code your what's your necessary referral code appointment hurry sorry reindeer biscuit then joking we used to climb over and pick the blackberries no desk write the date and time sign what's your code Ukraine just wait for delivery..
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Aug 21, 2022
Aug 21, 2022 at 9:22 AM UTC
Foodbank
Pasties and poo,what a mix. Taste much better than weetabix. Trouble is, it sort of sticks. To my teeth and my plate. But it still tastes great! Mum says the poo is a kind of salami, I think my Mum is completely barmy!
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Jan 2, 2011
Jan 2, 2011 at 3:18 PM UTC
Pasties!
It's eleven 'o'clock. Too early for lunch. But,good for a nibble. Carrots sticks. Weetabix. Lots of coffee. Goes well at eleven, four, five, six and seven. Much too late for breakfast..., Who the hell says? Eat when I feel, you know how it is. (C) LIVVI
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Jan 18, 2015
Jan 18, 2015 at 6:01 AM UTC
LUNCHTIME?
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth! Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (  Philomena her name is ) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of  a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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Sep 28, 2016
Sep 28, 2016 at 11:55 AM UTC
THROUGH VERY SHORT TIMES OF SPACE.
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth! Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (  Philomena her name is ) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of  a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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Last time was this time that time, but next time like the first time we met the first time gets better. We set sprats to catch mackerel and fish for compliments while the whales sit on couches and watch television, repeats and retreats and it beats me how the sea cow gives no milk. But this time brings time into focus again and I rise with the dawn to bring the then into now and the day limbers up as I do my bit and sit down for a tea, a cigarette lit, a cough with a wheeze, two Weetabix please and this time gets better every time that I'm sat here. She comes about ten and by then things are done, the plates have been washed, the laundry is hung and we wait for a bus, the ten twenty-three, to Putney, and on the heath, there we will be like the last time but this time, I remember the first time I met her when I thought to myself that this could get better and it did, so you see, while sprats catch a mackerel or is it the other way round it all follows on and back on dry ground you're bound to make a connection in the mystery of the lines that cross in and out of those times last the last times.
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Apr 26, 2015
Apr 26, 2015 at 5:48 AM UTC
Twice as nice
MUCH ADO ABOUT SOMETHING My Prospero, I admit is, yea, badly drawn & keeps falling off his lollipop stick. My Caliban, on the other hand well drawn and forsooth...sticks to...his stick. I wiggle each character’s characteristic and they come alive speak the lines, I pray you, trippingly upon my tongue “Come to me with a thought!” I command my paper people. “Your thoughts I cleave to!” they flash into my consciousness. “Ariel, my Ariel...” fine-tooled from foil that comes from fabled Consulate & Woodbine packets. “Ah, my trusty sprite...” dangles from a purple thread that is borrowed from me **** sewing basket. All is well in this my make-shift Shakespeare theatre made from Kellogg’s Cornflakes packets. See the great **** crow under the proscenium! Weetabix boxexs construct the wings. Rows of Nite lights serve as footlights. And, so...let the Masque begin! I hum bits of Adeste Fideles....then sing as Prospero & Ariel do their thing. “Solua domus dagus!” my voice rings out but see how dangerous a nine year old knee can be to paper theatre. The floodlights being knocked over the stage flames in amazement. My patchwork Globe of Cornflake and Weetabix boxes burns to the ground only Ariel survives in an all too blackened shrunken crumpled piece of foil. I exit ( pursued by a clip on the ear ) the profession of producer of the plays thereof the only begetter of this ensuing story lost, alas my lack, to me! But wait, is this a football I see before me? Then play on Dinger Dwyer! And ****** be him who first cries hold! We cry ******** and let slip the dogs we are!
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May 15, 2017
May 15, 2017 at 1:48 PM UTC
MUCH ADO ABOUT SOMETHING
MUCH ADO ABOUT SOMETHING My Prospero, I admit is, yea, badly drawn & keeps falling off his lollipop stick. My Caliban, on the other hand well drawn and forsooth...sticks to...his stick. I wiggle each character’s characteristic and they come alive speak the lines, I pray you, trippingly upon my tongue “Come to me with a thought!” I command my paper people. “Your thoughts I cleave to!” they flash into my consciousness. “Ariel, my Ariel...” fine-tooled from foil that comes from fabled Consulate & Woodbine packets. “Ah, my trusty sprite...” dangles from a purple thread that is borrowed from me **** sewing basket. All is well in this my make-shift Shakespeare theatre made from Kellogg’s Cornflakes packets. See the great **** crow under the proscenium! Weetabix boxexs construct the wings. Rows of Nite lights serve as footlights. And, so...let the Masque begin! I hum bits of Adeste Fideles....then sing as Prospero & Ariel do their thing. “Solua domus dagus!” my voice rings out but see how dangerous a nine year old knee can be to paper theatre. The floodlights being knocked over the stage flames in amazement. My patchwork Globe of Cornflake and Weetabix boxes burns to the ground only Ariel survives in an all too blackened shrunken crumpled piece of foil. I exit ( pursued by a clip on the ear ) the profession of producer of the plays thereof the only begetter of this ensuing story lost, alas my lack, to me! But wait, is this a football I see before me? Then play on Dinger Dwyer! And ****** be him who first cries hold! We cry ******** and let slip the dogs we are!
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In between stations Max said,   getting over operations or mending bad relations or ending hateful sensations, waiting for the next fix or eating lumpy Weetabix, no more first time around kicks just depression or other's oppression, waiting for light to come or someone or just the numbness or deep caress, or carelessness or hopelessness, wind in the willows or at windows, seeing time age as it goes, the highs and the lows, the fat dame with no name no fame with her shame who to blame? in between life and death waiting the final breath, the last wreath or the brown crumpled leaf, and the sun going down on the broken ill no more laughing clown, in between light and dark searching for a spark fearing the spider or the shark, no more joy or lark no more *** or drink, makes you wonder and makes you think makes you whisper or shout: what the fuck's it all about?
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Jan 11, 2016
Jan 11, 2016 at 7:23 AM UTC
IN BETWEEN.
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth! Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly ( Philomena her name is) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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Jun 15, 2023
Jun 15, 2023 at 6:46 PM UTC
THROUGH VERY SHORT TIMES OF SPACE
THROUGH VERY SHORT TIMES OF SPACE. The red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it. Sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish. Ahhhh "...the ineluctable modality of the visible." He turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth! Then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES. Here in its run down state though still shining in his fictionality. Soon they will knock it down and what will the tourists do then poor things. Sure some bright spark will rescue it from its rubble and the door will live again some streets away again. Ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly ( Philomena her name is) a cottage cheese with pineapple on a Weetabix base. It is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps. Rat-a-tat-tat on Bloom's door. "Are ya there Leopold?" But the bold Leopold doesn't answer. The 16th of forever I am "...walking through it howsomever." The sun smirks as such Joyceisms. "I am, a stride of a time. A very short space of time through very short times of space." A horse and cart as if from the past saunters by timelessly. Ah "...the ineluctable modality of the audible." My Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm Yes.
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We must have forgotten someone anyone no one? well then we'll go on thinking that we've forgotten something anything nothing? and the clock does a handstand at half past six I stumble to the table and have two Weetabix it's usually three, but me I'm forgetful and forgot to buy more, at seven twenty four I close the front door on my way out wondering what next.
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Jul 20, 2024
Jul 20, 2024 at 6:45 AM UTC
Racking up the miles
Now this depends on the colour of the pill The one to make you high or the one to make you ill If you're in the mood for searing riffs by Jimmy Page Or you think that **** belongs in another age Along with the teeth picking tunes by Jimi Hendrix You'd rather sit in silence eating your Weetabix Those six string gods such as Clapton and Chuck Berry Now for a game of domino's with Pete and old Terry The jukebox here plays the modern from Gaga and onto Oasis The barmaid likes the older man, let's hope I meet her analysis She puts on some older songs, The Beatles and The Kinks Reeling off some other stuff, miss it if you blink Then the rumour does come true as she catches me with her eye Back to hers with some cans and a kebab, Rock and Roll will never die JJB
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Jan 26, 2021
Jan 26, 2021 at 10:39 PM UTC
Rock and Roll will never die
Start life in a pushchair end up in a wheelchair that doesn't sound fair to me I'd like a parachute. but we rise as we fall keep our eyes on the ball and the game plays out as it will. If life is a 'Gif' I wonder if but then I don't. So for me it's back to the Weetabix the Sticklebricks and plasticine and taking forty winks in the time it takes to take five because I have a microwave bed, (old jokes are the best) modernity's killing me but slowly and in an old fashioned kind of way.
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Apr 29, 2018
Apr 29, 2018 at 3:33 AM UTC
Meccano number one
THROUGH VERY SHORT TIMES OF SPACE red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish Ahhhh "...the ineluctable modality of the visible." he turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES here in its run down state though still shining in its fictionality soon they will knock it down and what will the tourists do then poor things sure some bright spark will rescue it from its rubble and the door will live again some streets away again ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (Philomena her name is) a cottage cheese with pineapple on a Weetabix base it is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps rat-a-tat-tat on Bloom's door "Are ya there Leopold?" but the bold Leopold doesn't answer the 16th of forever I am "...walking through it howsomever." the sun smirks at such Joyceisms "I am, a stride of a time very short space of time through very short times of space." a horse and cart as if from the past saunters by timelessly ahhh "...the ineluctable modality of the audible." my Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm !!!!!!!!!!!!!!YES!!!!!!!!!!!!!!! *** For Jemmy de Joist whose day the 16th always us and the words give him their gifts. This is my little bit of living in his moment and walking the streets he walked.
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Jun 15, 2024
Jun 15, 2024 at 7:31 AM UTC
THROUGH VERY SHORT TIMES OF SPACE
THROUGH VERY SHORT TIMES OF SPACE red door of No.16 North Frederick Street slams behind him as he enters into this newly minted morning sunshine so thick one feels like a fish swimming through it sunlight spangles a tiny puddle turning it into a jewel that only the eye can cherish Ahhhh "...the ineluctable modality of the visible." he turns right into Upper Dorset Street pulling an "Ahhh...howya!" out of the man who makes the false teeth then turning left into Eccles Street giving the nod to No. 7 Bloom's house in ULYSSES here in its run down state though still shining in its fictionality soon they will knock it down and what will the tourists do then poor things sure some bright spark will rescue it from its rubble and the door will live again some streets away again ahhh...." the ineluctable modality of the visible." I go to Quinn's gym to get my Molly (Philomena her name is) a cottage cheese with pineapple on a Weetabix base it is a 16th of June somewhere in the 80's as I retrace my own earlier Joycean footsteps rat-a-tat-tat on Bloom's door "Are ya there Leopold?" but the bold Leopold doesn't answer the 16th of forever I am "...walking through it howsomever." the sun smirks at such Joyceisms "I am, a stride of a time very short space of time through very short times of space." a horse and cart as if from the past saunters by timelessly ahhh "...the ineluctable modality of the audible." my Molly who is really a Philomena spoons the deliciousness of the creamy dessert into her and yes she says mmmm...yes....mmmm !!!!!!!!!!!!!!YES!!!!!!!!!!!!!!! *** For Jemmy de Joist whose day the 16th always us and the words give him their gifts. This is my little bit of living in his moment and walking the streets he walked.
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