(AUTHOR'S NOTE: This is a re-post of an older piece, but I am inexplicably fond of it, so I thought it warranted being on the line to air out once more.)
This most silent of silent nights
Was no different from any which had come before it,
Nothing at all to mark it as extraordinary or sacrosanct:
The village had long since stopped putting up decorations,
(Lights featuring jolly snowmen and steadfast wooden soldiers,
Now faded, cracked, with ancient and capricious wiring
Impossible to replace and impractical to repair)
Those old enough to harbor warm memories of caroling
Having long since wintered in some southern locale
Bearing Spanish names of dubious authenticity,
Those left behind by circumstance or stubbornness
Very likely slouched behind a cash register or un-crating paper towels,
The Wal-Marts, Kinneys, and Price Choppers,
In a shotgun marriage of customer service and rank capitalism,
Staying open a bit later every year,
Though at least providing the unanticipated benefit
Of one less hour to fret over things unbought,
One less hour to dwell upon promises unmet.
There is some solace, perhaps, in the notion
That the good times were only so good, after all
(It’s been said when the great ditch connecting Albany and Buffalo
Was finally completed, you could already hear train whistles,
Shrill and of ominous portent, in the distance)
And as Barbara Van Borland,
Thrice-married and eternally hopeful,
Opined from her perch at the Dewitt Clinton House,
If you’re gonna fall, better offa stool than a ladder.
Perhaps there is a certain mercy in laboring under the yoke
(Allegorical, but securely fastened all the same) of knowing
That we should expect little and prepare to make do with even less,
That these hard times are the only times we can expect to know.
How, then, do we carry on?
Follow Pope’s dictum, one supposes,
And say your lines and hit your marks
With as much conviction as can be mustered
As we walk through this land of shuttered country schools,
This forest of plywood and concrete,
Where shoots of grasses and patches of weeds
Rise up through crevices and faults in the neglected blacktop
(But ride out on the back roads of the other side of river,
Out toward Cherry Valley, say, or Sharon Springs,
And see the wide panorama of the valley below,
The hills gently, gradually sloping upward to the Adirondacks,
Creating a vista which would make Norman Rockwell blush,
And you would say My God, how beautiful
If it didn’t seem foolish to give voice to something so patently obvious)
Until that time we are carried gently to that plot
Where we shall lie down next to our parents
In the newer section of the cemetery
Sitting hard by the edge of the sluggish Mohawk,
Where the remnants of by-products
From dormant farms and long-closed tanneries
Mix with the residue of hasty abortions
And the bones of forgotten and un-mourned canal mules.
