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itsall iwrite Aug 2018
dating agency sued by tereza burki inspires me to sue poetry 16.08.18

a idea that's a copy
all rights will apply
offer to treat to a giuseppe that's sloppy
truly incredible is tereza burki.
thursday cruising
on a paper that's makes me complete
sorry to hear of your love bruising
but tereza is inspiring deceit.
like you its no love tickle
paid over ten times your 13 grand
exhausted of quick slap and tickle
should have saved and used hand.
poetry did lure
love and romance on a plate
it ended with no cure
only pain and infuriate.
just wanted a cook
that does fine cuisine
has to be 10 star on hook
main roll to keep house pristine.
in every aspect was failure
that's why i am suing
if i had  asthma tereza would be my inhaler
ms burki inspired to poetry what i am doing.
Conor Oberst Apr 2012
Let's sail away past the noise of the bay
Let's sail away past the birth and death of the day
Let's sail away to where the blues and greens swirl into grey
Let's sail away
Let's sail away past the cradle of these waves
Let's sail away past the tide and its slow decay
Let's sail away to where the water goes, some endless open space
Let's sail away
Take only what you need, my love, and leave the rest behind
Don't be afraid of where we'll go, my love
I promise you will be fine
Now you are the only one that's mine
Let's sail away past the reflections of the light
Let's sail away floating weightless through the night
Let's sail away like a photograph fading to all white
It's finally alright
Forget all the mistakes, my love
They won't be made again
Leave the photos in the drawer, my love
We no longer need them
We both know where we've been
Let's sail away disappearing in a mist
Let's sail away with a whisper and a kiss
or vanish from a road somewhere, like Tereza and Tomas
suspended in this bliss
Esta crônica é resultado de uma conversa que eu teria com o velho companheiro de lutas Chico da Cátia. Era um companheiro de toda hora, sempre pronto a dar ajuda a quem quer que fosse. Sua viúva, a Cátia, é professora da rede pública estadual do Rio de Janeiro e ele adquiriu esse apelido devido a sua obediência a ela, pois sempre que estávamos numa reunião ou assembleia ou evento, qualquer coisa e ela dissesse "vamos embora!", o Chico obedecia, e, ao se despedir dizia: com mulher, não se discute. Apertava a mão dos amigos e partia.

Hoje, terceiro domingo do janeiro de 2015, estou cercado. Literalmente cercado. Cercado sim e cercado sem nenhum soldado armado até aos dentes tomando conta de mim. Não há sequer um helicoptero das forças armadas americanas sobrevoando o meu prédio equipado com mísseis terra-ar para exterminar-me ao menor movimento, como está acontecendo agorinha em algum lugar do oriente asiático. Estou dentro de um apartamento super ventilado, localizado próximo a uma área de reserva da mata atlântica, local extremamente confortável, mas cercado de calor por todos os lados, e devido ao precário abastecimento de água na região, sequer posso ficar tomando um banhozinho de hora em hora, pois a minha caixa d'água está pela metade. Hoje, estou tão cercado que sequer posso sair cidade a fora, batendo pernas, ou melhor, chinelos, pegar ônibus ou metrô ou BRTs e ir lá na casa daquele velho companheiro de lutas Chico da Cátia, no Morro do Falet, em Santa Tereza, para pormos as ideias em dia. É que a mulher saiu, foi para a casa da maezinha dela e como eu tinha dentista ontem, não fui também e estou em casa, cercado também pelo necessário repouso orientado pelo médico, que receitou-me cuidados com o calor devido ao dente estar aberto.

Mas, firulas à parte, lembro-me de uma conversa que tive com o Chico após a eleição do Tancredo pelo colégio eleitoral, que golpeou as DIRETAS JÁ, propostas pelo povo, na qual buscávamos entender os interesses por detrás disso, uma vez que as eleições diretas não representavam nenhuma ameaça ao Poder Burguês no Brasil, aos interesses do capital, e até pelo contrário, daria uma fachada "democrática ao país" Nessa conversa, eu e o Chico procuramos esmiuçar os segmentos da burguesia dominante no Brasil, ao contrário do conceito de "burguesia brasileira" proposto pela sociologia dos FHCs da vida. Chegamos à conclusão de que ela também se divide, tem contradições internas e nos seus embates, o setor hegemônico do capital é quem predominar. Nesse quesito nos detivemos um bom tempo debatendo, destrinçando os comportamento orgânicos do capital, e concluímos que o liberalismo, fantasiado de neo ou não, é liberal até o momento em que seus interesses são atingidos, muitas vezes por setores da própria burguesia; nesses momentos, o setor dominante, hegemônico, lança mão do que estiver ao seu alcance, seja o aparelho legislativo, o judiciário e, na falta do executivo, serve qualquer instrumento de força, como eliminação física dos seus opositores, golpe de mídia ou golpe de estado, muitas vezes por dentro dos próprios setores em disputa, como se comprovou com a morte de Tancredo Neves, de Ulisses Guimarães e de uma série de próceres da burguesia, mortos logo a seguir.

Porém, como disse, hoje estou cercado. Cercado por todos os lados, cercado até politicamente, pois os instrumentos democratizantes do meu país estão dominados pelos instrumentos fascistizantes da sociedade. É que a burguesia tem táticas bastante sutis de penetração, de corrosão do poder de seus adversários e atua de modo tão venal que é quase impossível comprovar as suas ações. Ninguém vai querer concordar comigo em que os setores corruptos da esquerda sejam "arapongas" da direita; que os "ratos" que enchem o país de ONGs, só pra sugar verbas públicas com pseudo-projetos sociais, sejam "arapongas" da direita; que os ratazanas que usam a CUT, o MST, o Movimento por Moradia, e controlam os organismos de políticas sociais do país sejam "arapongas" da direita; que os LULAS, lulista e cia, o PT, a Dilma etc, sejam a própria direita; pois do contrário, como se explica a repressão aos movimentos sociais, como se explica a criminalização das ações populares em manifestações pelo país a fora? Só vejo uma única resposta: Está fora do controle "DELLES!"

Portanto, como disse, estou cercado. Hoje, num domingo extremamente quente, com parco provimento de água, não posso mais, sequer, ir à casa do meu amigo Chico da Cátia. Ela, já está com a idade avançada, a paciência esgotada de tanto lutar por democracia, não aguenta mais sair e participar dos movimentos sociais, e eu sou obrigado a ficar no meu canto, idoso e só, pois o Chico já está "na melhor!"; não disponho mais dele para exercitar a acuidade ideológica e não me permitir ser um "maria vai com as outras" social, um alienado no meio da *****, um zé-niguém na multidão, o " boi do Raul Seixas": "Vocês que fazem parte dessa *****, que passa nos projetos do futuro..."  Por exemplo, queria conversar com ele sobre esse "CASO CHARLIE HEBDO", lá da França, em que morreu um monte de gente graças a uma charge. Mas ele objetaria; "Uma charge?!" É verdade. Não foi a charge que matou um monte de gente, não foi o jornal que matou um monte de gente, não foram os humoristas que mataram um monte de gente. Assim como na morte de Tancredo Neves e tantos membros da própria burguesia no Brasil, quem matou um monte de gente é o instrumento fascistizante da sociedade mundial, ou seja, a disputa orgânica do capital, a concorrência entre o capital ocidental e o capital oriental, que promove o racismo e vende armas, que promove a intolerância religiosa e vende armas, que promove as organizações terroristas em todo o mundo e vende armas; que vilipendia as liberdades humanas intrínsecas, pisoteia a dignidade mais elementar, como o direito à crença, como o respeito etnico, a liberdade de escolhas, as opções sexuais, e o que é pior, chama isso de LIBERDADE e comete crimes hediondos em nome da Liberdade de Imprensa, da Liberdade de Expressão,  a ponto de a ministra da justiça francesa, uma mulher, uma negra, alguém que merece respeito, ser comparada com uma macaca, e ninguém falar nada. Com toda certeza do mundo, eu e o Chico jamais seremos CHARLIE....  

The very first moment you kissed me above the most beautiful night city I’ve ever seen,
It felt like heaven.
I was getting lost in your eyes and the way you touched my thighs.
The only thing that ran through my head was that this is right, I promise, I swear.
Nothing ever felt so real.
I wanted that moment to last forever
Although i hate that word more than anything ever.
This wasn’t just a word.
This was a feeling.
Oh girl, it scared me in the most beautiful way.
-Tereza Balatkova
Julian Dorothea Sep 2013
sometimes I think of you and die inside. and I end up crying in bathroom stalls. I miss you. I miss you.

sometimes I want to send you all these books I've read because they remind me of you but the truth is that no two people read the same book, no two people are in the same relationship, a conversation  is not shared, a moment, a laugh, a look. We were never a we. There was a you and an I. A you with your thoughts and an I with mine.

sometimes I think that perhaps if I write you letters. endlessly. endlessly. and put them all into a box I would eventually come to realize that there will never be a possibility of you replying to them. And you turn into nothing more than a thing in the distance that my voice will be unable to reach. and slowly. slowly. I will accept that you have gone. that how we are is no longer what we once were and that we can never be that again.

we used to refer to each other as "home". are you a wandering vagabond just like me? are you a homeless, restless, soul? are you like Julian's tourist? I am. I am. I am. You were my ultimate symbol of acceptance. and now nowhere is safe. I have taken to walking the streets every chance I get. Every time my mind is not locked on some book. on some lecture. on some dream. I am walking. walking. walking. It is the only way I can survive. to stop. to pause. would only bring me to the loss of you. it is this reality I run from.

I read book upon book to escape you. blare music to my ears til I'm dead. but all the words contain you. every line has you. the songs sing in your voice. you are everywhere. there is nowhere to run.

I'm sorry for being too much like Tereza, you deserved more than that.

and I am too scared to open my journal.
Julian is Julian Casablancas and Tereza is Milan Kundera's character. This was only supposed to be the beginning of something but I don't think I have the strength to write it yet.
And I'm falling and falling,
somewhere I've never been before.

And there's no one who'll catch me, no one at all.

And I'm hurting and hurting...
just that you know,

my heart is bleeding
and my soul is torn.

You knew my heart was never touched before and you let me fall for you, like it was nothing at all.

When you said you don't want to hurt me, that's when I crashed the most,
I heard my heart breaking,
you didn't even hear me mourn.

-Tereza Balatkova
It has been more then six months since we broke up,
I mean since you broke up with me.

And during those six months there still hasn't been a day I didn't think about you. Everything still reminds me of you.

Every single bird that flies by.
Every song I hear, all the words appeal to you.
Every new place I discover,  I wish I would discover it with you.
Every great new person I meet, I wish you could get to know them too.
Every new painting I make,  I want to show and explain it to you.
Only you.
Always only you.

-Tereza Balatkova
Every once in a while
memories come floating by.

I find myself breaking like a fragile glass. Although I sometimes think I'm over us.

And then I ask myself if I'll ever be.
I have to say it sounds impossible to me.
I don't want to hurt you, I'm just keeping it real.

Will I ever be able to love someone again?
Love someone the way I loved you?

I'm not sure if that's only a dream that won't ever come true.

-Tereza Balatkova
I love you so much,
that much it hurts like hell.

It's killing me,
because I know you don't feel the same.

You don't share the same feelings and thinking about it absolutely tears me apart.

-Tereza Balatkova
I was thinking about what you are to me.
How would I draw you, what would you be.

You'd be a bird.
But not just an ordinary, typical that everyone knows.

You'd be a beautiful,  black bird with three wings and a heart that's torn.

Beautiful because you are.
Your flaws are the most perfect out of all.

Black because you are.
Your eyes, your soul, they own this color the most.

Three winged because you are.
Something new I've discovered for the very first time.

Heart torned because you are.
These people who torn it are gone and I want you to know that I'll try and try until it's whole.

-Tereza Balatkova
Mateuš Conrad Jul 2021
I.

i'm always nostalgic when listening to the Mortal Kombat soundtrack... for a reason only i know... it's not that there was a shopping mall in Ilford (Essex... but there was the inner London border of the A406) so... perhaps: technically still London... i.e.
not Essex...  and it was a predominantly Jewish bit of London... Ilford... Barkingside... Gants Hill would showcase a Hanukkah Menorah on the roundabout: when the roundabout was still fun... as fun as the Gallows Corner roundabout still is... i.e.: no ******* traffic lights... gear up... front gears on 3 (of 3)... back gears on 3 (of 7)... imagining holding onto a fox's tail... or a big ask akin to a truck... line up on the outside of its body so the driver might see you in the rear-view window... what happens before the supposed "white flight" from an area? the Jewry are the first to leave... the Holocaust has sharpened their take on trends... demographic tides... it's not like the rest of the Semites (Ha'ha'king'Raabs) have them in the "good books"... intellect before a hard-on... i'm nostalgic because... i remember what Cranbrook Rd. used to look like... i remember what technology felt like... fiddly... Blockbusters... renting VHS video cassettes... the mantra: please rewind this cassette after watching it... so that the next person renting it will not have to rewind it... hardly a Luddite... i still prefer to fiddle around with cables connected to an MP3 player when cycling... i have nostalgia for late 20th century technology... wires... plugs... VHS... the ******* compact disk... i still have a hoard of those that i burn and "translate" into MP3... the Ilford of my youth... when there was still a visible presence of Jewry... before... once again: the division into the labyrinth of their diaspora... i can't count myself "lucky": or so entrenched... "we": the Polacks... number... at best estimate... around 815,000 on these isles... the Romanians have come... if we're not welcome... we won't outstay our welcome... but what became of Ilford: what it is now... little Bangladesh... i once had an "angel" in the Ilford OurPrice (whittle **** the Branson) started making his money via ****** Records having signed up Mike Oldfield: Tubular Bells or... the Exorcist Soundtrack... or... (the) Halloween soundtrack... in OurPrice i first bought this Mortal Kombat soundtrack... the sheath read (past participle: red... but not like the colour... ergo not reed: to read)... original motion soundtrack by George S. Clinton... i wasn't sold that... i was a whittle Hans back then: i'm still a Conrad... a white blonde beast... beside my still intact blonde moustache that my grandmother decided to call ginger (strawberry blonde)... and if i grow my hair long like a barbarian: a streak of blonde in the hair: ha... the accents of grey appearing... slow so ever slow... how mortality evaporates... caste in a clinging remark for... bones... good thing he... she... looked out for me when buying this CD... i was sold the proper soundtrack...: gravity kills... KMFDM... traci lords, orbital, psykosonik, geezer, sister machine gun, bile, ****** death, type o negative, *****'s day out... that's the first time a proper mistake was made...  second time... when Batman Forever came out... i was still the puppeteer king of solipsism... playing with figurines of superheroes... making random sounds and narrating what my hands were freely left to do: being available... and i wanted the proper... classical soundtrack... not the songs of: seal - kiss of a rose... U2... hold me kiss me, thrill me... i wanted... the OST... for... elliot goldenthal's fledermausmarschmusik... it's just over a minute long... such were the times... boys still played with figurines... i'm not going to blame myself: having ejected the Jewry from Europe... what came after? still people... but... it's hardly the sort of people that one could relate to: great food... hardly a people that will be willing to create Yiddish... yet still speak terrible ******... like my francophobia... i have a fear of speaking French: simply because i will not speak it with a French accent... i'll speak it at best as some Novak Djoković... but once you speak English with... well... i'm not going to spell out Scouser... pretend Essex-lad or Cockney-cockers... just this... generic London cosmopolitan... foreigner hiding a fake native... i can pull it off: but... to speak French... without a French accent? what's the point? it sounds: fair-enough... passable... but i'm used to the psychology of integration... to the point where i'm indistinguishable that a Scottish English teacher will not suspect i'm not an Englishman from the south when talking to me... while insulting two Polacks at a bus-station... hell... my affinity with my fellow ethnic clusters... oddly enough to see ****** first and white second... has to be the case... unlike the trouble in H'america of the collective mr. brown, mr. coco... mr. cinnamon... mr. auburn... but no herr nigeria etc. that's the "problem": if some Arab insinuates i look like a German... my fetish for the deutsche-zunge starts to boil... after all: i write in English but i think about... the migration of the Saxons... no... not the Pomeranians... or the Swabians... or the Rhine-dwellers... Ruthenians? still... that nostalgia for the technology that was available at the end of the 20th century... fiddly technology... none of this current: wireless radioactive ******* makes you want to engage in "things"... ethereal culprits... like that one time when Gants Hill roundabout had an Odeon cinema... by mistake i was sold a ticket to see the Little Princess... i sat through the horror... i was supposed to see Jumanji... but i saw through the horror... watching to old ladies knit... socks? throughout the whole flick... later i imitated Jonathan Edwards running down Coventry Road on a bouncing gallop... i never ran so fast as i did then... come to think of it... little... little princess... Manga... i must say... Manga has been a greater influence on me than Disney could ever be... ウロ津キドジ... obviously you won't find a katakana syllable-unit of TSU... it wasn't hard to find what the alternative was... TSU-NA-MI... TSU - a bit of a hieroglyph... it can't be written as a sound - vowel or consonant... between ア イ ウ エ オ  ン... i remember that summer... when i was eating fried chicken while my uncle was cleaning his Porsche... listening to either Californication by the R.H.C.P... stone temple pilots: art school g/f... or... how did these brats pull off frogstomp... in the assemble of silverchair?! well... TSU- i already arrived at... that ******* pseudo emoji... but how NA-MI became... what it already was...? ナミ? i used to play guitar... i still sometimes do... but when i remember how it sounds... to play silverchair's SHADE... eh... first irksome lesson... Black Sabbath's Black sabbath: let's forget the chords...

D|---------5-----------------------|
A|-----------------4---------------|
E|-3-----------------------­--------|

which is almost "something" akin to...
Atomic Rooster's: death walks behind you...
Deep Purple's: Black Night...
Spirit: when i touch you...
Free's: all right now...

II.

this can't be achieved: purely verbatim... although i'll look for the extract: from unbearable lightness of being - that encounter between Tomas & Tereza... eyes wide shut... slug mouths always open... insatiable hungers & subsequent delights at the relishes... did he prefer to have *** with his eyes closed... or did she... one of them was most certainly looking...

trouble with ***: there's no trouble at all:
i want to see as much as i might be allowed:
i want my eyes to burn...
since... stomaching enough *****:
i will never... exactly... see in 3rd person...
all that happens in a *******...
with one using my well hydrated little richard
and another sitting on my gob
for me to slobber...
all those 3rd person antics of the ****** are missing...
it's not so much fun if there
is that: envious parade of: it takes three to tango...
one will do...
even if i were a king Solomon...
there would always be a Queen Sheba...
there would always be a father:
a King David: the psalm renegade...
what wisdom from a man
with a harem?
ha...                                i'll just
expatriate myself to a time:
a posteriori... i'll detail all the facts...
after the deeds... wisdom for some comes
with a relief at finding regrets...
no Buddha to tow...
i'll die hungering for prostitutes...
Turkish Romanian...
Macedonian...
because... the English girls played
the game of nun...
no offence: but i i read offence
all over what was made available
for the Pakistani groomers of Rotherham...
girl... if you only asked...
i had all the banana skins
the *****... sure... i was missing
the Colombian fairy dust...
excuses, excuses... this Pontius Pilate
punishment of:
i am... to be absolved from the concept
of free will: from agency:
third person authority:
leverage a blame...
what a zombie-riddled life of welcome:
solo-sorrow...

oh hell... please ask the Mongolian horde
to invade the second time:
i have nothing to defend!
what i might have wished to defend is
already available on the free-market!
they're bragging about it...
choking as they go around...
   i'm surrounded by older women
telling me not to marry...
imagine that...
in the trenches during world war I...
there arrived a makeshift brotherhood...
women are ******* unto each other:
watch them starve for a place in an Ottoman
harem... secure... watch them turn into...
cannibalistic chickens in a courtyard of
farm...
where once there was this Jewish
matchmaker witch / aunt...
there's now... a woman who has
a son that married... while she tells her neighbour's
son: not to marry...
no problem... Rachel: RA-KX-EL...

-  oh what a loss of momentum...
that: what happened when pushing too much coagulated
ice into a narrow neck of a glass...
for ms. amber to play catch-up to what
i already arrived at with the wine...
and a sly beer...

oh right... he was looking at: the following list:

- Loch Lomond
- Zodiac (dolly alderton... i can use her
actual name... she uses it... in print)
- Milan Kundera
- *** after 13 years looking: thai surprise etc.
- Zeus: Swan...
- peek-ah-boo... at the barbers

payroll of journalists - poet: what priest?
lackey? the "sensibility" of journalists...
beside the opinion sections of
the weekend magazines...
no... not all the president's men typo... sorry...
type of journalists...
what's left?
simulating depression by:
listening to the hellraiser soundtrack
for a month: finding relief in some other music...

no... i was pretty much depressed for the number
of nights i put on christopher young's soundtrack
for a month... then i switched to the XXs
and some Trentemoller... etc.
i slept less hours... but upon waking i felt a Faroe Island
invigoration...

wait for the bracket: in & out...
most certainly in: "no" out...

- a pre-scriptum technical note: how best to approach this,
what will eventually become a collage
rather than a narrative cascade: column -
since (it) will hardly be worthy of teasing at
a paragraph...

however it will be approached:
it will most probably be approached with that
first: an impromptu by a goliath ****
done in two parts...

idiot me pushing an iceberg of cubes into
a tall weak glass...
obviously pushing them hard enough
to break the glass up
and leave with the index and middle
finger with a deep cut...
then... me writing this...
delayed by... my body to do its magic...
the bleeding to stop...
no... no plaster... no mastic fantastic...
hands washed...
paper towel wrapped around each finger...
applied pressure...

give or take... the time it takes
to "smuggle" 35cl of whiskey into my room...
god... how **** a bottle of liquor looks
in its first minutes out from
a refrigerator...
and when you pour it?
there's no: glug glug glug sound
of the top-head heavy: i.e. full...
it's liquid amber...
any loose liquid would ****** itself
like a cascade from the narrow
spear-head of the bottle neck..
but not ms. amber... sub-zero...

give or take... 10 minutes...
now my fingers are itchy again...

... if you want the proper version... please see
https://allpoetry.com/poem/16014743-two-bleeding-fingers---in-cervisia-felicitas--PENDING...­-UNFINISH-by-Matthew-Conrad
Hanson Williams Jul 2019
I will be tall for you baby,
I will make sure that you get to go to college,
Meanwhile, read all you can.
Here, let's try some Egyptian History from that National Geographic Magazine,
Get it from that shelf next to the piano,
See what Howard Carter found in 1922?
Very remarkable, isn't it?

Your time will come,
Make sure you write to me as often as you can,
Tell me what you are upto, what you find and see peculiar,
Oh! I cannot wait to see you with a wife and a son,
You bet, I will be the happiest grandfather around here...

In the spare room,
In the shelf above the door,
Get me "Recipe Book 2"
I want to try a **** this Jamuhuri,
I will call it, "Toad in a Hole"
Mama Helen brought some sausages from town
I know you will love them, no sugar in the pastry this time
I also want a piece

C'mon Tereza, hurry....

— The End —