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CH Gorrie Jul 2012
Yesterday folds our vital documents
into its briefcase and steps onto a busy street.
Busses lunge on asphalt, rolling
knotted muscles and emptied pockets deeper
into roads where dogs and paper
blur the lines between news and ****.
Lovers, condos, taxis, and sidewalks
pray to scrape up rent. Tomorrow crouches, ready to spring
and ****** us back into the boxing ring.

I sit at the Earth's end,
an old, fractured, water-worn dock
cradles me and fixes the scene.
Yellow sails swimming the jetstream
hang on to the red dinghy whose wake
sets my eye upon the far shore.

     Coney isle ‘cross the murk-warped sea
     holds ancient homes like a tapestry
     holds ancient threads that you can see
     in some museum for a fee.

For the residents at Rosses Point
this is no end –
                          wit starts their children’s dreams
and holds them to life,
roots them in communal grasses
that grow and will always grow.
                                                       I didn’t know
that where the ****-stalk masses
life’s abundances overflow.

But where are their riches?

Cast in ditches by roadsides
where three hundred years of smiles,
vein-pulsing beliefs, busy thinkers,
sweet upswept streets,
all put wealth –
                           the heaping of coin
upon coin till nothing can breathe –
aside and laugh. They live,
surviving as they happen.

Inside the crumbled watchtower
I fling passion onto thought
onto nerve onto pen onto page
and then am limp,
like the carelessly treaded sage:
a child’s footprint.

     What anguish did the watchers know
     looking through the barred stone walls,
     their travelers still gone?

In the swirling, swallowing night,
that drops like the judge’s gavel,
I write images of the sundry
numb-fingered seaside –
                                          the birds call through the salt-stained air.

Fly, fly till you reach my words
that are split among a thousand minds and cities.
Fly till the grass overcomes the tread,
till the sun succumbs to lead
poisoning and dawn’s jaw drops dead.

The lighthouse, the sprinkling showers
from the clouds that shroud and mask
the would-be sky, guide
the heart that falls inside my throat –
                                                                two hundred tons of blood
beat through its bulge –
                                         I’m alive
and live on, like this unhampered ground.
The sound of ripples and the rustle
of reeds bring me back
to the time-broken dock.

I sit and remember my friends –
                                                       calmness soaks in and through my bones –
I am and will always be;
and when memory fails and fades
I will float the channel of everything,
beach upon this shore
and will be the grass and nothing more,
till history becomes the future
and the first layer becomes the core.
Keith W Fletcher Jan 2016
When you live in the suburbs like I do and like I always have,
the same house even, there is an intimacy that develops- real or imagined -with your neighbors. It's like those dreams we sometimes have about people and places that really do exist, but it just ain't quite what it's supposed to be , but we accept it anyway, because it's a dream and in that ethereal realm of dreams -that's what you do ...you accept the normally unacceptable.
       For instance, who could ever have imagined that the Rosses ,who live at 1423 ,would turn out to be secret swingers ? Mr. Ross is 62 years old, probably five foot nine with a horseshoe ring of white on white  cotton- fluff hair,  perched on his round pink scalp,  over his round pink face , accentuated by round -wire rim- glasses perched on his nose and a  little white mustache that hangs under his nose - like an afterthought.
    Mrs Ross is a  slightly rounded little woman that  always wears  flowery dresses, and  those god awful  tortoiseshell glasses secured to a  string around the neck  like secretaries and librarians often wear.   Her hair would also be white , if not for her habit of having it dyed blue , as is a habit of many suburban housewives of her age .
     So it would be impossible to ever imagine this pair of- short , jolly - suburbanites as secret swingers , but it's true. . I know!  Because I've seen them at it .  About 2 years ago- while Billy Joe Randall , Macy and me were( oh yeah my name is Rance Reed short for Clarence -but don't call me that ) anyway; where was I -oh yeah -we were down at the little pocket park on Grove Street- sitting behind a hydrangea bush-smoking a fatty- and telling each other lies that no one believes anyway, when we saw the Rosses walking toward the park, holding hands as they were often doing.
     Mr Ross looked into the park- suspiciously - as if he were afraid a  hit- man were  hiding somewhere .  There  for a moment I thought he could possibly smell our smoke.,but seemingly satisfied with his inspection, the two of them strolled -hand in hand - across the grass to the playground area where the spring horses , the merry-go-round and swings were.  Mrs Ross perched herself on the rubber - sling like - seat of a swing as Mr Ross pushed to get her started and then he climbed aboard the one to her left .  Using  that see-saw motion one uses to get himself going and then the two of them sat there -swinging and laughing together -for almost an hour.   Sometimes we could hear Mr. Ross go varoooom varoooom and Mrs. Ross would go wheeeeee. It  was the funniest thing that I've ever seen and the three of us sat there making jokes and laughing at them.   Three 23 year old wasted wastrels thinking that laughing at this spectacle was the right thing to do . Then a little while later , as a melancholy wave washed over us like a sea tide , we all stopped laughing.  All three of us -I believe - realized that jealousy is a hard pill to swallow while you're laughing . Looking back at that now I'm a  little  ashamed of myself.  So yeah, the Rosses were secret swingers , but you would never know it by looking at them--- (Oh!  You thought I meant the other kind of swingers. didn't you ? )   -anyway ; where was I ?- Oh  yeah .-     I believe they were sort of embarrassed about the whole thing so I've never said a word  to anyone  about what I saw -until now.  
     Then there is old man George (call me GL ) Angleton and his wife Sarah.   Theirs was the big grey, split -level rock and cedar  house that  dominates the very end of the cul-de-sac we live on called Grayson circle . An enormous porch dominates the front and that is the first thing anyone  - turning onto Grayson Circle- sees after making the turn.   The Angeltons house was always the most decorated house on the block , no matter the holiday,  especially at Christmas- when a raucous mix a snowmen, reindeer and especially Santa's, gathered under the thousands of twinkling lights each year.    There were so many Santas on the lawn, on the roof ,along the porch , one climbing the chimney   that- I always thought - it  looked  like the gathering together of Santa's for a Santa gang fight.
   Halloween was another special time with the Angeltons when they gave out more -kinds and just plain more -candy to all the kids than anyone else for blocks  around or even miles around. One year Mr. Angleton gave a comic books along with the candy to every kid  that  came to the door.
    So who could have ever imagined that just 6 months ago ,  2 days before Christmas , Mr Angleton , who was always of sweet disposition  and always quick to give you a warm smile or a compassionate pat on the shoulder would shoot and **** his wife Sarah and then turn the gun on himself ?  NOBODY!!!
   Certainly not me.
   No, you cannot just see the outside of a house, with the flocks of flowers , the nice neat lawn  and charming old rocking chairs on the porch and really know anything about the heights of happiness or  the depths of despair that live or die behind the front doors .
    When I was growing up , you sure couldn't have done any of that at my house. Looking back now I realize that G.L .didn't put out any decorations last Christmas .
        I should have noticed that.     Yeah , I really should have noticed that!
AFJ Oct 2014
Most schools have projects, in science classes and such.
Most of us, mastered the science of surviving in projects.

It's those at the bottom who need the most help, but cant even get proper school supplies.. where's the logic ?.

But oh, the rags to riches story is prevalent isn't it? Nope, the only rich I know is Professor Richard.

And that's not even something worth mentioning, he does more lessening than lessons lets paint the picture..

But these young kids don't understand, they try to curse them, place them in prisons, its a trap from birth..

Give them these Rick Rosses as role models, knowing they don't have fathers, instead of Tupac Shakur, showing them worth..

My bestfriend Tony once questioned his dark skin, just like i once questioned my brown.

how profound, a couple 4th graders at the time, having to prove that they were "down".

Crazy how Tony proved he was down, now i visit his site yearly on November the third.

And things aren't getting better, but nobody gives a ****, haven't you heard..

The prayers our mothers chant, ritually every night.

Praying to the Sun gods, perhaps one day we'll all unite.


-afj
WHERE dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water-rats;
There we've hid our faery vats,
Full of berries
And of reddest stolen chetries.
Come away, O human child!
To the waters and the wild
With afacry, hand in hand,
For the world's morefull of weeping than you
can understand.
Where the wave of moonlight glosses
The dim grey sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's morefully of weeping than you
can understand.}
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To to waters and the wild
With a faery, hand in hand,
For to world's morefully of weeping than you
can understand.
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal-chest.
For be comes, the human child,
To the waters and the wild
With a faery, hand in hand,
from a world more full of weeping than you
can understand.
Saddle and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
What says the Clock in the Great Clock Tower?
All those tragic characters ride
But turn from Rosses' crawling tide,
The meet's upon the mountain-side.
A slow low note and an iron bell.

What brought them there so far from their home.
Cuchulain that fought night long with the foam,
What says the Clock in the Great Clock Tower?
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
A slow low note and an iron bell.

Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
What says the Clock in the Great Clock Tower?
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
A slow low note and an iron bell.
Saddle and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
What says the Clock in the Great Clock Tower?
All those tragic characters ride
But turn from Rosses' crawling tide,
The meet's upon the mountain-side.
A slow low note and an iron bell.

What brought them there so far from their home.
Cuchulain that fought night long with the foam,
What says the Clock in the Great Clock Tower?
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
A slow low note and an iron bell.

Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
What says the Clock in the Great Clock Tower?
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
A slow low note and an iron bell.

                      Tune by Arthur Duff
The heron-billed pale cattle-birds
That feed on some foul parasite
Of the Moroccan flocks and herds
Cross the narrow Straits to light
In the rich midnight of the garden trees
Till the dawn break upon those mingled seas.

Often at evening when a boy
Would I carry to a friend--
Hoping more substantial joy
Did an older mind commend--
Not such as are in Newton's metaphor,
But actual shells of Rosses' level shore.

Greater glory in the Sun,
An evening chill upon the air,
Bid imagination run
Much on the Great Questioner;
What He can question, what if questioned I
Can with a fitting confidence reply.
Tammy M Darby Feb 2017
Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we’ve hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.

Away with us he’s going,
The solemn-eyed:
He’ll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than he can understand.
Morgan Haley May 2015
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!

Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs,
All night awake.

High on the hill-top
The old King sits;
He is now so old and gray
He's nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights
To sup with the Queen
Of the gay Northern Lights.

They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lake,
On a bed of flag-leaves,
Watching till she wake.

By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
If any man so daring
As dig them up in spite,
He shall find their sharpest thorns
In his bed at night.

Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!

- William Allingham
(19 March 1824 – 18 November 1889)
Irish poet
Monique Oct 2016
A breath of fresh air I crave for,
The nuisance and animosity surrounding me has no cure.
Doors batted up serve no purpose when you can’t escape the wind,
The wind of hatred spirals and wounds the innocence of sin.
Eyes inflamed with skeletons and dark secrets,
Therapy, police, family none but God can keep it.
Mouth overfilled with profanity and the key,
Mind enclosed the dying body everyone blinded to see.
The truth everyone seeks for but incompetent of their well-being,
Undergoing a spiritual healing but contemplating the negatives I’m actually seeing.
Tears falling echoing the halls of pain,
My mental stability has me sane.
Fractured mirror unable to reflect the truth,
Burning desires capturing the mute.
Dead rosses fume the air of reminiscence,
Each one of us committed a sin.
Consequences of a shattered heart and hidden perpetrators,
The key of truth swallowed in weakness beseech by the caters.
Chaos, conflict, evolution of pain,
Unable to be understood, lines of experience written in vain.





-dpk
Has Aug 2019
I lost my eyes
in blooming rosses of my mother,
but I seek God
until now
with tears....
Has Chakhalyan
sad
Ivan Mihajlovic Nov 2018
Moonlight dream
I'm waking up in pure midnight
November night and everything is white in the sky,
Deep imagination in my dark mind
The air is fresh as a storm with a moonlight.

I'm going to a wild land
I talk with wolf, he's a good friend
I wonder, is this a forest or a wonderland?
The tow, the tow, the old friend, this is not a dessert land.

My life, my night rosses, my flower
I sail into the depths of the night sea, I am bower
Say the page, the words are strange, it's my tower
Moonlight air, moon's beauty as summer sunflower.

Hey moon, can you hear me? Give me the beam
I am a dreamer, I am still in my dream
Our heaven is, the great stars, the thunder is agleam
Lightning, lightning, you are in my dream

I'm running, it's a forest wolf, we're heading to the top of the hill
It's a little windy, but it's not frost
And here's the owl host
My dark night, pale light, I'll stay here, still ...
Satsih Verma Dec 2023
This helplessness.
You cannot change the world.
He dares not to live.

This was the purpose
of not killing the ants? You
want to wear the moon?

Some lesser pain hurts,
when rosses kiss. I had been tortured
whole life for saying NO.

— The End —