I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.

He wandered along old Codshill Street,
Quite late on that Christmas Eve,
And scanned the used haberdashery
Society ladies would leave,
The hats they’d worn, but only the once,
The boots with barely a scuff,
The poplin prints they hadn’t worn since,
A single dance was enough.

He stood outside in his working boots
The ones he wore at the mill,
He hadn’t had time to change himself
He should have been working still.
But in his pocket he clutched the pound
He’d saved for many a day,
He’d squirrelled each shilling away for months
Out of his meagre pay.

And all he could see was Mirabelle,
Who lodged at his heart and eye,
She worked upstairs in the counting room
Above where the shuttles fly,
And he would glimpse her once in a while
Pottering to and fro,
Dressed in a worn and paltry frock
Where the stitching was letting go.

He’d wait outside, and follow her home
To see she was safe and sound,
The rogues that he’d meet in Codshill Street
Would keep their eyes on the ground.
While she was aware of his loving gaze
And sometimes gave him a smile,
Others were bold in their loving ways
And pressed their court for a while.

And so it was on this Christmas Eve
That a Squire had stood at her door,
With a string of pearls you wouldn’t believe
He’d bought in a jeweller’s store,
And she was flushed as she let him in,
So pleased to have such a gift,
For she was only a working girl
And his interest gave her a lift.

But there in the haberdashery
In a window, stood at the side,
Was standing a model, dressed entire
In a gown so fine, he’d cried.
He thought he could see his Mirabelle
In place of the mannequin,
In the gown of grey crushed velvet, so
In a moment then, went in.

‘You know that the gown is second-hand,’
The girl explained to his stare,
‘Here are a couple of tiny stains,
And there is a little tear.
But this, that once cost a hundred pounds
Is a bargain now for a cause,
If you can give me a single pound
This lovely gown can be yours.’

She placed the gown in a long flat box,
And tied a ribbon around,
Then he flew out to his Mirabelle
In hopes she still could be found.
He saw the pearls were around her neck
When she had opened the door,
But once she pulled out the gown, she checked,
And dropped the pearls on the floor.

Her kiss was sweet on that Christmas Eve,
Though he had showed her the stains,
The tears she shed on that gorgeous thread
He said, were like summer rains,
She had no time for the wealthy Squire,
She’d waited for him all along,
Her greatest gift was a second-hand gown
With the love that the gown came from.

David Lewis Paget

Pull the wool over the centre of my scorn
like an air born storm seeking a stark relief
Vanity bleeds with a ***** of my thorn
My milk drips like rain from my well worn teats

My poplin was weaved from the cotton of a slave
My bread baked like a monks last rosary bead
My spark is lost in the sins of my ash
The past is reborn in the bud of a funeral wreath

Unsheathe your knife while I let down my hair
I am born towards the air and your sweat deep beneath
Belief is a question best left in the glittering rain
The moon is encircled in the suns shadow and pain

What appears in the mirror is not necessarily true
My lamb bleats as boy blue plays his horn
Jealously writhes like a snake shedding her skin
I die in your moment until mine is reborn

Kiss my forehead with the scars of past remains
settle into me without fences or names
The wildest horse is this mare with an inky blank mane
Dripping ink and dreams al over the place

Who says I had a choice then or now
To follow my heart or to fetch fallow stars
It matters not if perspective says you're at the top or bottom stair
The wand weaves its magic in spirals mid air

The dairy maid lifts her apron towards the sky
Sighs at another day of being on her knees
No matter how hard she scrubs the stains won't go away
She won't wake up pretty but she still believes

The wolf  is a friend to the girl in the red hood
who goes to bed with a ***** and a howl
Pacing back and forth she rocks the censer of your earth
unwringing the  sponge      while throwing in the towel

My sash was sliced with the thinnest line of red
Berries crushed virginity seeps like an endless blush
My wish was to be chosen like a dark angel at the foot of your bed
Tightening with each plunk of your fruits echoing in my pail

Unfold me like the beauty beneath a forgery
so well done though by anothers hand
Unbend me like a willow branch from the holes in your fence
then dig me deep across the acres of free land

Let the tapestry gather motes of silver dust
The spiders trust is an eighth of eternity
The king swallows the pearls on his sceptre while the queen slides through the eye of the needle- a sugar cube is melting in a porcelain cup

Wink your eye then blink back the tears of infinity
The wheels spin as the story unfolds
The castle has but chambers where the fools below in relief
The court jester juggles like a dwarf on speed
Vashti Puls

It's the weekend (Friday night). Lisa and I are hangin’, music’s playing, and we’re rummaging through my suitcase, for an outfit option, for me, tonight. Call it cliché, but we like going out - and getting ready to go out with a friend, beforehand, is one of the rituals of beauty culture.

Let’s get poetic!

If the sun is gonna shine
in an endless blue (climate-changed) sky,
if the temperature’s going to climb,
until eggs on sidewalks fry,
then it’s lighter, summer-wear time.

I made sure Lisa and I had two days, in Paris, to shop the Rue Saint-Honoré. ***** 5th avenue, the 1st arrondissement is la capitale of fashion - after all, it’s Coco Chanel's old haunt. Now, we have Armani, Chloe, Dior, Michael Kors, Hermès and Versace - just to name a few - I mean, gag a fashionista.
Looking for bargains? You’re in the wrong place.

If you’re down and thinking the world is turning to.. well, something bad, then you NEED some fashion, some beauty and some elegance. You don’t even need to buy anything - browsing is sumptuous.

The boutiques are sound-proofed - so the world won’t intrude - and thickly carpeted so even your steps are muffled - or marble floored, polished to a fractured brilliance under the lit spiderwebs of fallen-star-lights. And the fragrances - no cap - the very air is different - it smells like aged money - that was a joke - they take new money these days.

What’s important, in these palaces of style, are the whispered promises of unattainable beauty. Just browsing will up your game, because inspiration is everywhere, in sheens that put butterflies to shame, supima-cottons as soft as a sigh, and dresses that swirl like magic - and so many accessories.

Lisa and I are young and easily ignored. Sales staff in these boutiques wear a leotard of arrogance, that fits like skin - the arrogance of people talking down to lesser folk.

Lisa gasped when she saw a delicate, white ecru-cotton and silk-poplin mid-length shirt-dress by Dior. “Look at this,” she said softly, running her fingers along the delicate hem. I checked the tag, it read: €2770 ($3000).
At that moment, a salesgirl - who looked to be 25ish - stalked over with a "look but don't touch" vibe that implied we weren’t worthy to touch the merchandise - or maybe be there at all.

I bristled for Lisa, who’d withdrawn her hand as if burnt. I fished my phone from my clutch (it has a card-carry-case attached) and waved my black Centurion® Card (which can serve as a fu^k-you passport),
“Have you got this in a French-36?” I jibbed, obstreperously (of course I know Lisa’s size). If my return-rudeness stung the salesgirl, there was nothing she could do with it.

An older lady that I assumed was her supervisor joined us, all smooth smiles and low honey voice, “Hello ladies,” she said, as she glided around us like a wraith. “Go see (about the dress),” she told the young clerk, dismissively.

The original salesgirl gave us a brittle smile that came and went like an eye blink, “Oui,” she said, smartly, while spinning away like a top.
“Would you like a glass of wine or champagne?” The supervisor purred.
“Non, merci (No thank you),” I said, smiling curtly.
“We have it,” the original sales girl announced a moment later.
“We’ll take it,” I pronounced.
“NOo,” Lisa said, jerking as if electrically shocked.
I waved my hand, as if scattering dust, “My treat.”

Lisa insisted on trying it on. It fit like a dream and she looked like a supermodel (My dress needed tailoring - the bust taken in sigh). So, at least we know what she’s wearing tonight.
.
.
songs for this:
Glamor Girl by Louie Austen
Baby You’re a Superstar by NuDisco
Comme ci, comme ça by ZAZ  
.
Our cast:
Lisa, (roommate) 20, Manhattanite ‘glamor girl’ (who’d bristle at that description but it’s hundo-p true.) - my bff. A fellow (pre-med) molecular biophysics and biochemistry major.

It's New Years Eve
I'm stuck in jail
Ain't poplin bottles
Ain't got no bail

Got a whole lotta wishes
That may not come true
Got a whole lotta dreams
One's about you

The club may be jumping
But i'm locking down
I'm hitting my rack as you hitting the town

C.O. doin count as
As you count the year in
Still my sentence ain't done
As the new year begins

I wish I was out
Getting loud
Stupid dumb
Not reading paper back books
Waitin for chow to come

Christmas has passed
Thanksgiving too
Halloween behind bars
Wearin jailhouse blues

So push them tables together
For that top-ramen feast
Ya know it ain't perfect
I'm with my homies at least

As you chase the moon down
On this ******-up night
Raise your glasses to me
Party till the daylight

Hold your head high
Right now's all you got
Blow a kiss to forever
Close the bars
Don't get caught