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Tom Clarke Dec 2012
Gripping ***** locks
knotted to his scalp,
she kicks him to the road.
Glass bottle bits scrabbling
under his fingernails;
he yelps, dragging away.

Their pressed flower daughter
clings to the soot-stained wall.

She tiptoes his nape
into the pavement,
drawing a gag and gurgle
bubbling out of his throat.
******* pull his nose,
resting his teeth on the curb.

An incisor plinks to the girl’s feet.
She hugs it as close as a home.
Pagan Paul Mar 2017
.
Fazzy moams on wivvel crusts
carry jazms on flocked pavs.
Rinkulled witty over sark
unburcoaled plinks of bloo.

Serry nark are they cronking
and fillipas grapples in kloque.
Verx on spappled gurns are they
torting through gattering weems.

Fernol wend the schism klone
Glolling fast in clutty pawk.
Scenty flox drozzle by teas
Nisting on cowt rinnalled dawn.

Yurish casts of nash pigoon
stoz over hinty-hanty bynum.
When in merdeen lemp quimsy
dilly noff flyx and wempwarble.

For loofin under korots mingle
At the imtem tong fallop.
Shoozy bales of cremp deflate
and gwample rooks the plisties.


©Pagan Paul (22/06/16)
.
From my old notebook I found recently :)
Yes there is a story in it!
PPx
.
Michael Mar 2019
Describing a User Trial
(a Section Commander's story)

In Vietnam I most enjoyed the ambush because it is static.
And if you use your head you can **** from comfort without the need
For fire-and-movement which is a physical business at the best of times.
And in ambush you are often placed as part of a group, without responsibilities; Because they are assumed by that particular ambush commander,
Which is a relief and relaxing.

Most ambushes are triggered at night, but this one happened by day.
It was company sized, and memorable for other reasons too.
3 Section, my section, was deployed in three groups like an elbow:
Two being part of the killer-group and the other one part of flank-protection.
That's where I was, on the flank.
It was the Dry-Season.

Although it was a good killing-ground I was concerned by the
Lack of cover to our particular front; that is the part of the ambush for which I was
Responsible. My concern was the track because it curved about my section's elbow, And we, the flank-protection, could not see more than six feet through the thick, Secondary growth that grew between it and us.
It made for good concealment, but would never hinder an assault.

The plan was that the Platoon Commander would trigger the ambush with his M16.
He would know when to do this because our Platoon Sergeant had been given
Some sort of box dial, attached by wire to two metal spigots. These were
Buried in the ground one hundred metres to either flank of our position to transmit, They said, the ground vibration of the enemy's approach. It was on trial and had not Been used before. A neat devise for early-warning we supposed.

Our Claymores were sited to cover the killing-ground.
They were to be detonated so soon as the Platoon Commander fired his weapon.
3 Section's mines were under the control of lance-corporal Frank Chambers.
He was clever. He could compile workable, section piquet lists, with staggered sentry times. Try doing that in the rain. I never could.
So I was content with my lot, excepting this patch of secondary growth to my front.

As I remember it the day was hot and very lazy. We had a man alert in every group
And the guns were manned. Otherwise we sprawled at ease, hunting shade,
Fantasy, mind-escape. Sergeant Maloney will give plenty of warning;
Remember the o-group? Those spigots live on the end of one hundred metres of wire And will transmit the ground vibration of any approaching footfalls.
One hundred metres is a fine, relaxing distance - we thought.

But then it happens; without warning the day erupts:
With a shattering, terrifying, and continuing roar the daylight turns black.
A rolling, cloud of grey dust puts out the Sun. Something hot plinks my side. There is Too much noise. And in the raging dark my mind begins to scream:
'What happened to the ****** signal, John? The ******* early warning'.
And I begin to hurl hand-grenades as high and as far to my front as I can:

Take up the grenade.
Rotate the safety bail (Why didn't we have these in Australia?).
Ease out the pin, rise up; draw back the arm,
Let fly the lever. Hurl the grenade.
Count two, three, crouch, take up the grenade.

Ingleburn might raise its hands in horror but my air-bursting hand-grenades
Are based on the premise that we have engaged a small, advance party of the enemy.
And I want to deter it's main-body forming up on the other side of my bit of
Scrub then assault through it from the dead ground.
And remember we are blind. Hence, take up the grenade,
Rotate the safety bail, ease out the pin, etc.

Memory has the action lasting many hours, a long, long time.
But in reality it must have been all of two minutes before the noise begins to falter And the echoes of the guns slowly fade away.
And the World, unmoving in the awful silence,
Slowly turns to white
Beneath the settling dust.

Through the quiet, distant voices, begin to murmur.
‘Cease-fire’ is ordered and the day resumes.
I pass the order on then change my magazine.
Frank comes over with the Section's casualty and ammunition count.
No one has been hurt but we have used a lot of ammunition.

Frank reports 'three "Nogs" moving into the killing-ground.'
One noticed a claymore and Frank says he had no option but to fire.
He is nonchalant, unexcited about the killing.
When he has gone I lean into the shade of a tree and light up a cigarette while Reflecting on the body out there alone and still, and sweating in the Sun.

Finishing my cigarette I go to find our Platoon Commander. He is with the Major.
At CHQ, while Ronny Jarvis curses (we did use a lot of ammunition),
Guy Baggot inspects my ****** side with interest. 'A bit more to the right
Would have given you a ****** good scar.' He says.
What happened to the early warning device? The dial, the cable and the spigots
Go out with the next chopper. We never hear of them again.
This was a trial, an experiment that did not work. It was like when they wanted to trial dehydrated rations which we received - in the dry season. We hated those boffins, but in those days we hated everybody who was not us.
Marti Jan 2014
Passion  hot like fire
Life is the razors edge and the dance to keep it
skin close beyond skin
Into blood and flesh and red inside
rivulets in streams down my face and the curves of my *******
your eyes don't translate
and I scream, I cry
you don't hear me darling
my love my beautiful fantasy made flesh
killer of dreams when your eyes
turn away from me
because I ******* swear a moment ago we were somewhere else
life wasn't ****** over and things shined from the inside
strings cut dead puppets slump and dangle into space and its
the close of my fingers over nothing in the dark
it's the nothing
it's the void
it's the screams and the hatred and the blindness reflected
in your eyes once so green now bruised up from the inside
from the dead side and the rip tide
I want to drown myself at sea
because the waves never stop crashing and they never let me down but to drag me
deep down into the cold that I can feel as vivid as the fire
the fire I felt in you once felt but you don't feel it now
you never ******* did, did you?
was it ever real?
I built a world around me and I let you in, didn't I?
Play a leading role in the cabaret, dance and make the world ok
because everything is fighting with itself and threes nothing I can do
so yes
pretend
toss me in the waves
let the rocks hit me and drown away the screams of the voices in my head with the roar of the titans in the current of the sea
for never can I find what was never going to be
never again can I believe in that dammed spark I saw in you
I saw that spark die and when you looked at me there was nothing but sorrow
and over the vibrant forest I once envisioned in your depths and the sheltering dreams I once cultivated
into canopies and rich jungles
there have grown not just clouds, but death
and the death is grey and it suffocates me through the memory
of seeing it when you stood in the doorway of my room
and I gave you back your things because they made me cry
so as not to let you see me cry I slammed the door.
But my love my darling, my aching heart and soul
would that you could feel
feel me as you once did in the dark of the night when there was trust in between us and nothing else
bare skin on the sheets and Goosebumps in the dark
I knew your every outline
every whisper in the dark
I want to scream
and howl
and cry
and shake with the fury of the fundamental brokenness of the ****** up world
because I let you in
I let you seem my diamonds in the dew drops, my sparkling canopies through verdant leaves and the warm flutter of a heart beating through the night as it runs and its soft and beautiful and hard and terrifying
and yet it became so broken
smash it with a baseball bat
me and you and we stumbled around through the dark
and we said things we didn't mean
and we let the whispers of other people change what we thought to say
those who never went where we were
and I don't know what happened
it was like that one surprisingly quick and painful moment when everything goes to hell in a blink
I open my eyes
and I'm left wondering how it all got ****** so fast
like a car crash
and waking up after in the emergency room
and darling I still do love you
I could say it still from the depths of my lungs
and scrape it out with a spoon like the pumpkins on Halloween and choke it up with the pain
But you can't because you left me
And I broke my promise never to give up on you
I told myself I was a fool
and that ******* someone cant mean that much if you could break me so
My darling;
you broke my world when you said goodbye
and I don't need you, or need you to need me
But I miss the feeling of seeing your smile, and hearing your particular laugh
I catch myself wanting to share things with you
I miss your eyes and perhaps I am a fool
but I could swear I once saw them as an oasis
I miss the way you smell
and they way we had our inside jokes and
most of all
I miss the dreams we never got
and I sit and cry
wracked, red raw, broken and completely illogical
curved spine in the shower face down
and the water plinks off my shoulder blades
fingertips on the still cool tiles
I shake with the sobs I can't drown
I mourn you
But darling it's not your fault for making me cry
it's not your fault
It's my fault
Because I never could forgive you
And I never could trust you to love me
Not after the first time you left
But I loved you anyways and I was so selfish
I would not accept the love you gave me back
so now I am once more alone
and I cry because I failed you
I failed myself
And that is the truth
My darling, my heart, my everything..
my nothing at all anymore.
Without you my skies are less blue.
I'm so sorry.
At least you'll probably never know my pain.
This is stream of thought and I've only checked it over a couple times. I apologize for any awkwardness in the writing.
The malady

Knocks on my door
             The hall is empty and bleak
Dark doors keeping secrets
            I tape a spoon against a wine glass
Its plinks sings from room to room
           Looks for and outlet
           Settles like dust on book shelf
As residues of unspoken words
            I hear children in the street jubilant voices
Pain subsides
Get out of my chair slowly, a battle won
Dave Robertson Aug 2021
Summer’s not done
but the oven plinks anyway
and the sizzle of potatoes
in too much fat rattles on
regardless
raingirlpoet Nov 2015
hearing sound for the first time after not knowing it for years
because i'm selfish
fooled myself into thinking
i didn't need to hear
to know what you are saying
i can get by with reading your lips
i can even hear
what you aren't saying

there are 365 days in a year
1,095 days in three
60 seconds in a minute
525,600 minutes in a year
26,280 hours in three

i heard you
maybe
once or
twice

i thought
"middle school is just a bunch of drama it's okay if i tune out for a while"
i thought
"high school is just a waste of time"
i don't need to hear the melodramatics and fights

when i went in for my yearly hearing check-ups with the audiologist
she asked me if i'd been wearing my hearing aides
i said no
rolled my eyes
and tuned out her lecture on losing the ability to speak

it has been three years
four if i'm being truthful
i'm relearning language in a way i've never known language
silence is so ******* loud
i can hear the plips and plinks of water droplets bouncing off of porcelain
in the bathroom, two rooms away

sound is vibrating in front of me like
i'm watching a movie of sound again
maybe i'll be able to turn off the closed captions
or maybe i'll keep them
people are hard to understand sometimes
even with dialogue running along the bottom of the screen

i like what i'm hearing but just in case there's ever a time
when words are a bit too sharp and on the verge of hurting me
i'll know to turn the volume down instead of taking
my ears
out.
-
-z.z
Glenn Currier Jun 2022
Gentle arrhythmic plinks
down from the plumbing vent
through the stove hood
then plink-a-plank-a-clank        clank    clank  
clank   clank  clank clankclankclank
the roof rumbling now
soft flashes beyond the blinds
the deep throated distant thunder
tumbling over clouds and air
into our living room
where
I am grateful
for a dry pad and pen.
Thanks to Shaun Yee for the inspiration for this poem - https://hellopoetry.com/poem/4595452/rainy-today/
Alex McQuate Jun 2017
Despondent and alone,
The little music box plinks on,
Sounding like a heartbroken and cold harp.

You slowly realize,
Little music box,
That your plinking rhythm is actually an anthem.

It's an anthem that many would march to war for,
Little music box,
But remember always,
Little one,
That absolute power will corrupt absolutely.

All for an ideal that plucks from the little music box
Davy Jones's theme- Hans Zimmer
Whit Howland Feb 2020
Tweed and not too
formal

lighting
muted and soft

mirthy
and small conversation

and quiet
plinks
on a piano

ambience
is what it's all about

escape
and just enough to keep

the wild things
at bay

Whit Howland © 2020
A word painting with a straight forward message.

— The End —