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"persuasiveness" poems
I have ability to switch style even under pressure Focused concentration, I am with tenacious unpredictability And yet fail to admit mistakes even resist as always Laced with external distractibility, I am What a world......Give me strength. I have ' killer instincts' to move mountains even driven to pinnacle with passion Making things happen as always, I am even I am, less anxious in decisiveness And yet do things my own way rushing the poor fellow to frail Impatience won't disappear with quietness and shyness What a world.....Give me strength. I step forth in dignity for low anxiety even with meticulousness Decisiveness for reality, I am with sterner stuff in slippery control And yet unable to manage time with a hog on spotlight Drenched in my own outbursts, I am What a world......Give me strength. Proud of my strength of friendliness even with positive openness The power to carry on with persuasiveness even I am, yes I am in assertiveness My strength that never dies in the face of motivation And yet my ears are too weak to comprehend with sound of ********** What a world......Give me strength. Let me be weak to be strong and strong I am in weakness With passion for sweetness in bitterness And this is real in steel The contrast and the conflict That steers in my way of long ago And this reality in mirage Gives me the courage to rise above pain What a world.....Give me strength.
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Sep 1, 2014
Sep 1, 2014 at 9:00 PM UTC
What a World...Give Me Strength
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
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Oct 8, 2012
Oct 8, 2012 at 5:26 PM UTC
Soiled
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
Continue reading...
46
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
0
Oct 8, 2012
Oct 8, 2012 at 5:26 PM UTC
Soiled
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
Continue reading...
46
Friday night Window open Cigarette lit Praying that the house is still asleep Hoping to maintain the good girl reputation Maybe they wont find out But then again too drunk to even care My mind is unconsciously running out of reasons why I should stop The addiction is too strong The persuasiveness is at its all time high And the regret remains at the bottom of an empty bottle I hide myself behind drunken nights that are as never as fun as they sound I want to forget it all So I cross the lines that I drew to keep myself away Not even thinking of going back Not even wasting my time on the fact that the more I do it The more permanent the thoughts become You are engraved into the concrete of my mind And I still Constantly Tell myself that if I just keep going If I just keep pushing myself It'll all go away But it doesn't Every time It comes back
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Mar 21, 2014
Mar 21, 2014 at 12:54 PM UTC
Drunk
A certain persuasiveness in the shape of her face it takes few words from her; "I am already yours" you're mine aswell darling
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Feb 6, 2021
Feb 6, 2021 at 1:14 AM UTC
Intuition
A silhouette dancing just out of  reach perhaps  not. The imagination can be limitless once you've  pierced the veil. What seems erratic is by design. The urge to follow comes over me as I get closer I can just make out the brush strokes. It's not just a two dimensional dance between paint and paper  but the birth of expression freedom overwhelming freedom. The theme on the canvas is a creation of her aura as she flows with childlike ease and fluidity. Once she starts an abrupt stop is not possible and beware each stroke is a honest statement unto itself a glimpse into her soul. Be careful it may bleed, the need to apply a tourniquet  becomes a burning desire. Reaching out intentions pure she whispers "no need" the soothing tone that is assurance caresses you, envelops you, terrifies you. Her persuasiveness is a gift she gives at her discretion capable of changing boys to men, a coward into a soldier. --Alexander Grey
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Feb 1, 2017
Feb 1, 2017 at 11:43 PM UTC
Her Art