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Zywa May 2023
The percussionists

are counting, they are alert --


to the right moment.
Collection "The Yellow House Museum"
I think if I should be more aware
Of the peeling of a banana,
And all its slightly muffled, sticky sounds
I could call it music, and
Become, myself, a profound cataloger of all things   noise.
For words are only structured noises,
We mold like clay. Well, why don’t we simply reign in
The noises that are already out there?
We’ll learn the nuances of a peeling banana,
Call them words: it is a banana saying, I’m peeling.
We’ll call them poems, call them song.

The sound of a cardboard coffee cup, for instance,
Gently returned to a desk after sipping
Multiplied by a classroom of
Caffeinated percussionists would be
Aptly called an avant-guard symphony! And I perhaps,
A modern-day maestro, conductor at the front of the room
Flapping my arms to the beat, up, down! Up-down! –Only pausing
To write down the tum-tum-tum, furiously capturing this rhythm
On paper for future readers to come.

But I fear, it is in this act of writing it down, that
The banana forgets how it sounds,
Or I forget to sound the banana, and
It all starts to become a sort of cacophonous din of
Slurping children, left by the wayside by the
Education system and adopted by Starbucks,
Who doesn’t serve this sort of poem.

So we must market this to the young folks;
It will be a movement of ultimate vintage-chic,
(Recalling the days of our wordless hairy brethren,
Who could only rely on grunts and noise)
                       To imagine Man without clothing is possible,
                       But Man without poetry is simply absurd.
This is an Ars Poetica, written 2010
Marly May 2014
you?
made of pixels?
hah, if i wanted pixels i would have played nintendo 64 with my neighbour down the street and angrily whispered "h-e-double hockey sticks" under my breath as one of my pixelated hearts faded away.
you are anything but intangible; i can feel your pulse across two countries.
our hearts are undeniably made of flesh.
i know that word grosses you out,
but the blood pumping, orifice-filled organs in our chests constantly beat with the ferocity of 109 percussionists drumming on the queen's birthday.
hearts are not meant for beautification; one cannot get a cosmetic surgery on their heart to impress the girl next door.
it's up to you to pair with your just-as-ugly brain to prove how beautiful love can be.
...to prove how beautiful our love can be. ❤
Quinn Feb 2011
we're dancing in a bar
i'm wasted
you're pretending to be wasted
the band's alright
but let's be honest
i want the drummer
i always did have a thing for percussionists
i don't even know you
but you're acting like i do
i roll with it
hand on my back
i can roll with it
you're a good dancer
i'll give it to you
now things are going fast
i'm spinning round and round and round
you lean in and say
"you can't lead yourself"
god, if i could have stopped right there
and told the whole bar
what you said to me
who the **** are you?
you are no one
no one no one no one
clearly you have no idea
who i am
i lean back in and say
"i don't need anyone to lead me"
smile my prettiest smile
and spin away
spin away spin away spin away
i'm gonna spend the rest of my days
spinnin away
©erinquinn2011
Dipper Feb 2021
You used to hear a symphony.

The music soared in your ears, giving you a boundless feeling of happiness and innocence. You heard sunshine and fall breezes, starry skies and grains of sand. The music was constant, yes, but it was everchanging and entertaining and never drowned out what was around you.

Now, the bows that the string players carried have frayed, the reeds in the woodwinds have split, the brass are all battered and dented, and the percussionists finger's are sore and bruised. You hear barbed wire and sharp knives, ****** wounds and screams of pain. The music's drone overwhelms your senses, distracting you from your day to day.  You can't think through all of this noise, the horrible retching sound of your brain. This song you made for yourself has fallen into shambles, and no matter how hard you try you can't remember the symphony you used to hear. The melody is fast and frantic, the rhythm slow and lethargic. Off-key and off-kilter.

Then one night, the cacophony stops.

One night, the music stops.

At first, you rejoice. You don't hear the sounds of suffering anymore. Your brain can breath now, and the pain you once felt slips off of you like water.

You begin to feel sad. You begin to miss the deafening roar of your own thoughts, convinced it wasn't as bad as you think it was. It was your song, after all? Why did it have to leave you? This is when the anger sets in. The bite of your words make even yourself wince as you scream into the void, "Why my music? Nobody has the right to take that away from me! It was my song, and it stung like barbed wire and cut like a sharp knife but it was mine! I get to say when it stops!"

Then you remember your role. You aren't an audience member, subject to the orchestra's whims; you are the conductor. You composed and directed this masterpiece, this wretched tune and with a wave of your hand the musicians stopped. They laid down their instruments, leaned back and prepared themselves for the silence. The silence, which was not sunshine or starry skies, nor was it ****** wounds and screams of pain. It was nothing.

It was silence.

Now you feel empty. You betrayed yourself and have to sit in silence for forever, the oppressive weight of the not-noise constricting your head and emptying your lungs.

But then the music starts up again. Slow, at first. Just the percussion, with the weak but steady thu-thump of a dying heart. Soon the rest of the band joins in. Weak, but alive, the music jumpy and peaceful. It's out of tune, yes, and the rhythm feels childish and uncoordinated, but it's your song, still playing.

It's never ending. Some days, you slump through it. Others, you skip. It sounds like storm clouds and flowers and rough seas and everything in between, and it is beautifully ugly. Disgustingly magnificent.

One day, you know that your song will end, and you are terrified of the silence, as black and as rough as charred wood. You know that all of the late nights spent bent over your desk, furiously writing the melodies, and the early mornings spent drunkenly playing an off key guitar will all be for nothing. You know nobody will hear your song except you. They will see a few measures every now and then from the way you walk, your sad smile, the glint of fire in your eye, the soft laugh you give when you're nervous, but only you will hear the glorious melodies, dismal chords, uneven tempo and quick bassline that accompanies the steady beat of your heart.
I wrote this late at night and it turned out to be a lot longer than I thought it was. I imagined myself reading this out loud, so it may sound a little clunky written down.
By Jennifersoter Ezewi

The Gospel knocks
On the doors of willingness
Seeking to ameliorate fear
Of all kinds.

He rings the bell of freedom
Exonerating the willing signs
From the trial of guilt - ridden
Near or far.

The voice of melody
Infused with the message of
Acquaintance and bitter truth
Crying out loud!

Celebrate the reason for this topic
In the midst of madness
Spreading the virus of
Change.

Upon his miracles
Lies the doom of affliction
And enchantments of the
Unknown craves.

Celebrate his agents on the honour of his carriage
Winning wars with neither bullets ricochetting off points
Nor guns filled with
Natural sabotage.

Crazy has he gone with his presentations
Showcasing mysteries with the
Soundness of fruitful agility
Making waves.

Crazy is evergreen on topics
Hitting the drums of the percussionists
With joyful glance
Never to cease from crazy topics.

— The End —