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A Letter To My Aunt Discussing The Correct Approach To Modern Poetry

To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.

First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers, minus hips).

Perhaps it would be best if you
Created something very new,
A ***** novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers' chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.

Do not forget that 'limpet' rhymes
With 'strumpet' in these troubled times,
And commas are the worst of crimes;
Few understand the works of Cummings,
And few James Joyce's mental slummings,
And few young Auden's coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals and -----,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman's germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?

A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.

Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.
"Me too, perchance, in future days,
The sculptured stone shall show,
With Paphian myrtle or with bays
Parnassian on my brow.

But I, or e'er that season come,
Escaped from every care,
Shall reach my refuge in the tomb,
And sleep securely there."

So sang, in Roman tone and style,
The youthful bard, ere long
Ordained to grace his native isle
With her sublimest song.

Who then but must conceive disdain,
Hearing the deed unblest,
Of wretches who have dared profane
His dread sepulchral rest?

Ill fare the hands that heaved the stones
Where Milton's ashes lay,
That trembled not to grasp his bones
And steal his dust away!

O ill-requited bard! neglect
Thy living worth repaid,
And blind idolatrous respect
As much affronts thee dead.
Corset Jun 2015
My Masterpiece
If I had the hands
of a Master Sculptor
I would mold the lines
of your face to my mind,
where for all time
I could visit and admire
what I behold
when I looked at you.

Should these painters fingers
find the deft
Of ability to paint in naked hues
a destiny
in twilight afterglows long denied,
I’d paint two,
one for me and you.

If I were a maestro of music
I would play
One Solitary note
that awoke a worthy world
to a breakable breathless heart,
shattered
but still collectible.

If I were an adequate poet
I would share  in pictograph
of parnassian light
your certain savoir-faire
so all could read
you as I do,
so untamed and exquisitely rare,
claimed by many
but never
will you ever...
be truly owned.
Jonas Gonçalves May 2014
I

Write parnassian verses under my skin,
because today I don't want something meaningful,
but detailed and rational.
I'll be impassible, but objective.

Nobody was never as memorable as you,
maybe for having been someone sincere.
So sincere that even I recall your poems:
loose phrases in old papers.

I feel like we've never met
when suddenly we began
to seek perfection of words.

I feel like we've been lost
inside a world
which doesn't value us.

II

Write symbolist verses under my skin,
because today I don't want something realist,
but dreamlike and mysterious.
I'll be suggestive, but subjetive.

Nobody was never as sentimental as you,
maybe for having been someone crazy.
So crazy that even I admire your lack of lucidity,
declaimed by sung verses.

I feel like we've never met
when suddenly we began
to reject our own reality.

I feel like we've been lost
inside a world
which doesn't satisfy us.

III*

There's no perfection in those verses
just like there are no colors in that life.
And I feel like we've been lost
when, in fact, we've been free,
because we're freer
when we're alone.
Jack Piatt Feb 2012
Now
Boundless beginnings
     bursting into my
       Parnassian periphery
        present endless
      possibilities
ConnectHook Mar 2020
Huddled in your castles like Prospero’s doomed revelers, sighing in the springtime of contagion, you evade and avoid the obvious. But the Muse has entered, unseen, and stands among you in her mask of elegiac splendor. She smiles as you mock her presence. She laughs quietly to herself as her influence wafts upon the very air, inspiring and infecting all concerned. You try to protect yourselves from the lyric epidemic, nonetheless her viral poetic molecules go forth, regroup, mutate, and attach themselves to the souls of her detractors. Her spores hang upon the very droplets of the mist, a suspended Parnassian miasma. The first tremors of poetic sickness begin to shudder deep within and among the most reluctant revelers. They try to dispel their fears; they brag and congratulate themselves, chattering about the uselessness of poetry, listing all they ways in which they have successfully barricaded themselves from her pestilential presence. But the Muse has entered and none can ensure her departure. Poetry will have her way and resistance is futile. Some will survive, but others will meet her as their avenging angel of the plague, and neither Egyptian magic nor sanitizing legerdemain shall deter the blossoming vector of her influence. Fear, oh unpoetic readers, this sudden lyrical acceleration, this verdant celebration:

               our poetic coronation.
Just an amusing little ditty for NaPoWriMo 2020

y'all come on over!    https://connecthook.net/

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