Exploring musical concepts
in the key of C aeolian, with some G mixolydian;
even some G Phrygian sometimes- dominant.
Naturally, there's also some blues scale licks.

Mostly in 4, but some parts are in 7;
others are in 5, while yet more are in 6
(which is arguably just 3, but I venture to argue all rhythms can be more easily conceptualized as combinations of 2s and 3s. Then, one may argue that it's all just 1s, but now it's just getting nit-picky.. think of it however works for you.)
There's even a groove in 27/16!
Who would do such a thing?

Then, it's also a bit of an experiment
when it comes to harmonic rhythm
(the rate at which key/chord/etc. changes happen)

All that **** east Indian music influence!

While I realize how little of that may make sense
unless One is to approach music fairly philosophically,
I implore thee to copy-paste the link below
to hear whatever it is I'm talking about.

Be warned, though: it's measures nearly 15 minutes long.

What can I say?
I tend to get a bit carried away...

White leaves rustle
in autumn
To a swinging beat,
marked with ink –

Staff lines,
and sharps
that fall
flat.

Synchronised
To the wave
of a maestro’s
hands.

Camaraderie.
But no words are needed.

A fervent look
From the drummer
Gives away the tempo,
Speed up!

A rehearsed nod
starts an improvised solo
in another mode.
Mixolydian.

We exist on the same
wavelength;
you and I.

please!
i want to grasp it
between my fingers without nails
(i bite them off in my neurosis)
and dig my dull digits into it!
please! the truth -- what color is its blood?

i want to hatefuck socrates while
he moans about the mixolydian mode
being drunken and sad.

we tried, that day, to find it
but looking up at the stars
is just a fancy way of looking down,
into our mineral navels
into our vegetable innards!